| 自然生态艺术审美的生成性特征--以中国美学为例 |
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| 引用本文： | 盖光.自然生态艺术审美的生成性特征--以中国美学为例[J].思想战线,2005,31(4):84-89. |
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| 作者姓名： | 盖光 |
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| 作者单位： | 山东理工大学,文学与新闻学院,山东,淄博,255049 |
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| 摘 要： | 自然生态艺术审美从生成论的视域中将文艺审美活动视为人的一种自由精神的生命体验形式,它超越人的现实存在,在最有效、最合理的层面上凸显人与自然的生态关联与生命共通感.自然生态艺术审美特征表现为"天地自然"与"人心营构"之"象"的生态生成性;"有我之境"与"无我之境"的"境界"生态本体性;"不著一字"与"浅深聚散"的"无工"生态契合性;"芙蓉出水"与"外枯中膏"的"心意"生态流转性;"观山观水"与"悦心乐知"的"主客"生态互证性.
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| 关 键 词： | 自然生态艺术 生态审美 生态关联 |
| 文章编号： | 1001-778X(2005)04-0084-06 |
| 修稿时间： | 2005年4月12日 |
The Generative Traits of the Artistic Aesthetics of Natural Ecology:A Case Study of Chinese Aesthetics |
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| GAI Guang.The Generative Traits of the Artistic Aesthetics of Natural Ecology:A Case Study of Chinese Aesthetics[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2005,31(4):84-89. |
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| Authors: | GAI Guang |
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| Abstract: | From the perspective of generative theory, the artistic aesthetics of natural ecology regards the aesthetic activities in literature and art as an experience of free spirit and life, which transcends the actual existence of mankind and reveals the eco-connection and life-related universality between man and nature at the most effective and reasonable level. Its characteristics are closely related to its ecological nature of generativeness, transformation, objectivity, adaptability and mutual testimony in various aspects of ecology and life, thus revealing the unity of opposites. |
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| Keywords: | art of natural ecology eco-aesthetics eco-connection |
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