象征主义之后的法国诗学与英美自由诗的转型

文章反思了英国自由诗理论对法国象征主义诗学的片面解读，梳理了象征主义之后的新生代诗学对英国现代主义诗人弗林特的重要影响，并以弗林特为媒介，研究庞德、奥尔丁顿、洛厄尔等人对法国诗学的接受和调整。文章认为，法国新生代诗学的“节奏常量”、“调子”理论影响了弗林特的“无韵的调子”说，而弗林特的“无韵的调子”说，又促进了英美现代主义诗人对自由诗节奏特性的寻找。这种影响关系的研究对于理解英美自由诗与法国诗学的复杂关系提供了参考。

The French Post-Symbolism Poetics and the Transformation of English and American Free Verse

This article reflects the incomplete interpretation of the French Symbolist poetics that the English free verse theories provided, and investigates the important influence that Post-Symbolist poetics (the New Generation poetics) exerted upon an English modernist, F. S. Flint. With Flint as the medium, this article also examines how poets — Ezra Pound, Richard Aldington, Amy Lowell — accepted and modified the French resources. French doctrines, like “Cadence” and the “Constante rythmique”, inspired Flint’s “Unrhymed Cadence” conception, by which some other British-American modernist poets were impelled to a great extent to seek for free verse’s formal property. This article provides a deeper understanding of the complex relationship between British-American free verse theories and French free verse theories.