| "形式"论 |
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| 引用本文： | 子行."形式"论[J].中国青年政治学院学报,2002,21(5):134-139. |
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| 作者姓名： | 子行 |
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| 作者单位： | 上海青年管理干部学院,院办,上海 200083 |
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| 摘 要： | 艺术作品的形式是由“物”转化而来的 ,是以极为感性的形态而存在着的 ,这种形态总括、浓缩了艺术家对世界和人生的某个方面的总体感受、评价、认识 ,并使它们由内隐、抽象、难以言传而变得具体可感。它们也包含了读者既有的审美经验的作用 ,一种主观的投射 ,进行审美再创造的契机。提炼新的“形式”是艺术创造的关键
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| 关 键 词： | 艺术 “形式” 审美 |
| 文章编号： | 1002-8919(2002)05-0134-06 |
| 修稿时间： | 2001年3月28日 |
"On form" |
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| ZI Xing."On form"[J].Journal of China Youth College for Political Sciences,2002,21(5):134-139. |
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| Authors: | ZI Xing |
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| Abstract: | The form of art works is transformed from the "objects". It exists in an extremely sensible condition. Such a form has reflected a condensed sense, evaluation, and cognition of the world and life in some way by the arts. It has changed the inner, abstract, and unspeakable to the concrete and sensible. This form also includes the effects from the readers' aesthetic experience. It might be taken as a subjective projection, a kernel moment for the aesthetic recreation |
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| Keywords: | arts form aesthetic judgment |
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