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初唐时期的祥瑞与雅颂文学
引用本文:李俊.初唐时期的祥瑞与雅颂文学[J].中国青年政治学院学报,2005,24(5):112-117.
作者姓名:李俊
作者单位:中国青年政治学院,中文系,北京,100089
摘    要:初唐时期统治者对天降祥瑞表现出极大的兴趣和政治依赖,受其影响不但产生了大量润色鸿业、歌颂祥瑞的表奏赋颂,而且渐渐形成了初唐诗歌"观照自然"的一种普遍的心理状态,确立雅颂文学写作的基本感发方式.在具体的景物描写以及咏物的过程中,也着重强化融和绚丽的嘉祥气氛,甚至表现民间生活的风物之美,佛寺道观的福地圣域都受到这种心态的影响.

关 键 词:初唐时期  祥瑞  雅颂文学
文章编号:1002-8919(2005)05-0112-06
修稿时间:2005年5月22日

Auspicious Symbols of Early Tang Dynasty and the Literature of Royal Odes
LI Jun.Auspicious Symbols of Early Tang Dynasty and the Literature of Royal Odes[J].Journal of China Youth College for Political Sciences,2005,24(5):112-117.
Authors:LI Jun
Abstract:The rulers of the Early Tang Dynasty were interested much in those auspicious divine symbols,and often politically dependent on them. Under this impact,there appeared not only a lot of official essays and royal odes which mainly served for praising great achievement and those auspicious divine symbols,but also gradually a general mind for the poems of this period which is characterized with "reflection on the nature". Such a situation had specified some basic ways of expression for writing the literature of royal odes in genre,and had emphasized a strong atmosphere of harmony,magnificence,and auspiciousness. Even those poems that mainly represent the beauty of folk life and the divine area of temples had been influenced by this mind.
Keywords:Early Tang Dynasty  auspicious divine symbols  royal odes
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