| 丽藻穷雕饰：论唐初诗歌对藻饰之美的追求 |
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| 引用本文： | 李相东.丽藻穷雕饰：论唐初诗歌对藻饰之美的追求[J].金陵法律评论,2004(3):130-134. |
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| 作者姓名： | 李相东 |
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| 作者单位： | 南京师范大学文学院，江苏南京210097 |
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| 摘 要： | 在初唐前期诗坛,传统儒家"雅"、"颂"的诗歌观念的复归并没有影响到当时诗人在诗歌艺术领域里的探求,"丽藻穷雕饰"成为诗人们的共同创作观念和努力目标;与此同时,"清辞巧制"也为诗人普遍接受.这使得在艺术风貌上,此一时期的诗歌表现出追求辞藻的雕琢、体制的精巧和诗风的清雅等鲜明特征.
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| 关 键 词： | 初唐前期 诗歌艺术 藻饰 清 巧 |
| 文章编号： | 1001-4608(2004)03-0130-05 |
| 修稿时间： | 2003年11月25 |
Embellishment and Refinement--The Pursuit of Embellishment in the Writings of Early Tang |
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| LI Xiang-dong.Embellishment and Refinement--The Pursuit of Embellishment in the Writings of Early Tang[J].Journal of Nanjing Normal University (Social Science Edition),2004(3):130-134. |
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| Authors: | LI Xiang-dong |
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| Abstract: | On the Parnassus of Early Tang, although the traditional Confucianism Parnassian conceptions of Elegance and Ode are gradually accepted, the poets are still pursuing the art of poems. In this period, the art of poem unfolds three features: clarity and elegance in style, refinement in system and embellishment in writing. |
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| Keywords: | early Tang art of poem embellishment clarity refinement |
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