| 贵州苗族舞蹈与仪式 |
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| 引用本文： | 徐浩,王唯惟.贵州苗族舞蹈与仪式[J].贵州民族研究,2012(1):54-57. |
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| 作者姓名： | 徐浩 王唯惟 |
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| 作者单位： | 贵州大学艺术学院 |
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| 基金项目： | 2010年贵州省优秀科技教育人才省长专项资金项目(项目号:黔省专合字[2010]125号);贵州大学文科重点及特色学科重大科研项目(项目编号:GDZT[2010]013号) |
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| 摘 要： | 贵州苗族舞蹈经由仪式这个节点,将其文化注入并被内化为舞蹈精神。舞蹈中的情境转换、舞(观)者的心理角色定位等舞蹈行为和因素,形成一个操作行为的、符号的体系,深刻地制约和影响着苗族舞蹈的生成与历史发展,并形式化为苗族舞蹈的形态特征。
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| 关 键 词： | 贵州 苗族舞蹈 仪式性 特性 |
Guizhou Miao Dance and Ritual |
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| XU Hao,WANG Wei-wei.Guizhou Miao Dance and Ritual[J].Guizhou Ethnic Studies,2012(1):54-57. |
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| Authors: | XU Hao WANG Wei-wei |
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| Institution: | (Arts College of Guizhou University,Guiyang,Guizhou 550003,China) |
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| Abstract: | Through the node of ritual the culture of Guizhou Miao dance was brought in and internalized into dance spirit.Dance behaviors and factors such as musical priority,Lusheng being able to speak,dance scene conversion,and the psychological role orientation of dancer(viewer)form a system of operant behavior and symbol,which has profoundly restricted and influenced the generation and historical development of Miao Dance and is formalized to the morphological characteristic of Miao dance.For the ethnic and folk art researches like Guizhou Miao dance,the focus is the understanding and awareness of the characteristics and features that the influence and changes of the ritual highlight after having a ritual. |
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| Keywords: | Guizhou Miao Dance Ritual Characteristics |
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