反排苗族木鼓舞的仪式过程与象征表述--以舞蹈人类学为视角

文章将反排木鼓舞的动作语汇置于仪式场景,对反排木鼓舞的四次展演情景进行了具体的阐释与分析,指出反排木鼓舞的仪式展演可视为一个结构与反结构相互转化的过程,只有结合具体的场景与象征意义,才能更深入地了解舞蹈与仪式在社会整合过程中的功能与作用。以过程视角来看,仪式指导着人们的行动,并体现着社会的整合与延续,通过仪式展演与舞台表演,反排木鼓舞不仅强化着当地的祖先崇拜、历史记忆与集体认同,同时也是当地日常生活、社会秩序、人际关系与个体情感的一种交融体验与象征表达。

The Ritual Process and Cultural Representation of Fanpai Miao Drum Wood Dance: From the Perspective of Dance Anthropology

This research places the action vocabulary of the Fanpai wood drum dance in the ritual scene, and the four performances of the Fanpai wood drum dance to explain and analyze. It is pointed out that the ritual performance of the Fanpai wood drum dance can be regarded as a transformation between structure and anti-structure. The process,combined with specific scenes and symbolic meanings, can provide a deeper understanding of the functions and roles of dance and rituals in the process of social integration. From a process perspective, the ritual reflects people’s actions and social integration and continuation. Through ritual performances, Fanpai wood drum dance not only strengthens local ancestor worship, historical memory and collective identity, but also a "communitas"experience and symbolic expression in terms of local daily life, social order, personal relationship and individual emotion.