唐宋词学二题

"词乃诗之余"的论调使词学难以获得相对独立的地位。从晚唐五代至南北宋时期,词学与诗学一直处于若即若离纠结不止的阶段,从欧阳炯《花间集序》到张炎的《词源》,完整地展现了这段纠结时起时伏的历史过程,而以《词源》为标志,词学终于艰难地获得了相对独立的地位。自北宋始词分二派,诗化论与本色论也随之并行发展,但在细节处不断相互纠结。以理论的思维辨析,"豪放"与"婉约"已无关词的文体形式,而是词在发展过程中形成的两种经典性的艺术风格。

Two Issues about the Studies of ci of the Tang and Song Dynasties

That "ci evolves from poetry"makes it hard for the ci to enjoy a relatively independentstatus. From late Tang Dynasty to the Song Dynasty, ci and poetry had been mixed up, which was explicitly shown in Ou Yangjiong's Flower Collections and Zhang Yan's The Origin of Ci. However, since the publication of The Origin of Ci, the study of ci had won independence. In the North Song Period, there were two schools of ci, and poetic idea and ontological notion went side by side. But there were still mixed connections in detailed parts. Theoretical analyses suggest that "being bold and unconstrained"and "being graceful and restrained"are the two classic artistic styles of ci formed in thelong course of development.