| 论后现代小说的叙事特征 |
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| 引用本文： | 谭君强.论后现代小说的叙事特征[J].思想战线,2004,30(5):106-109. |
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| 作者姓名： | 谭君强 |
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| 作者单位： | 云南大学,文学与新闻学院,云南,昆明,650091 |
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| 摘 要： | 在后现代主义与现代主义之间,尽管并不存在像现代主义跟现实主义之间那样的明显"断裂",但其间依然显示了独特性。后现代小说在叙事方面显示出如下特征:对作品的复制与多重复制,融合事实与虚构、现实与神话、原创与模仿,消解文学不同类别和体裁的界限,叙述主体的"本体论"运用与戏拟式变换,不可靠叙述者大量出现。
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| 关 键 词： | 现实主义 现代主义 后现代主义 小说 叙事特征 |
| 文章编号： | 1001-778X(2004)05-0106-04 |
| 修稿时间： | 2004年1月10日 |
The Narrative Features of Post-modern Novels |
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| TAN Jun-qiang.The Narrative Features of Post-modern Novels[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2004,30(5):106-109. |
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| Authors: | TAN Jun-qiang |
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| Abstract: | There are some unique traits between post-modernism and modernism, though without the evident "gap" like that between modernism and realism. The narration of post-modern novels takes on the following features: duplicationand multi-duplication of the works, combination of reality with fiction, reality with myths, and principles with imitation, reductionof the boundaries between different types and genres, the "ontological" application and dramatic change of the narrator, and the frequent appearance of undependable narrators. |
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| Keywords: | realism modernism post-modernism novel narrative features |
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