消解历史的秩序：20世纪末台湾文学中的后现代历史叙事研究

台湾在1987年“解严”前后进入了一个文化转型期，彼时威权时代的意识形态统一体已然松动，新的本土主义论述正在集结但尚未占据主导地位。本文以这个时期的台湾后现代思潮及文学创作为研究对象，尤为关注那些以历史书写为主题的小说文本，这些文本以语言反省与形式解构为起点，反叛写实主义的美学观，质疑本质主义的历史真实观，不仅挑战前行代的美学主张，也解构逐渐凝聚为新威权话语的本土论述。通过对文本的审美形态及其意识形态表征的分析，本文试图指出，出现于上世纪八九十年代之交的台湾后现代历史叙事文本是一种对意识形态统一体的松动非常敏感且及时作出反应的话语，是意识形态统一体松动后文化危机和思想危机的表征，这些文本以瓦解历史的方式传达出特定的历史意识。

A Study on the Postmodern Historical Narrative at the End of the 20 th Century in Taiwan

Taiwan entered upon a cultural transformation period in 1987 when martial law was declared ended. That was a time when the ideological unity in the authoritarian era had loosened while the new nativist discourse was gathering yet not be-came dominant. Taking the postmodern trend of thought and literature creation in Taiwan during that period of time as the re-search object, this paper focuses on the novel texts of historical writing which, with language reflection and its form deconstruc-tion as the starting point and the aesthetics of rebellious realism, question the historical authenticity of essentialism. This not only issues a challenge to the aesthetic proposition of their seniors, but also deconstructs the nativist discourse that has gradual-ly condensed to form a new authoritarian discourse. Based on the analysis of the aesthetic and ideological characteristics of the texts, this paper argues that the postmodern historical narrative texts in Taiwan which emerged between the 1980s and 1990s of the 20th century, is a discourse which is very sensitive to the looseness of the ideological unity and gives a timely response to it. And it is also the superficial characteristics of the cultural and ideological crisis after the looseness of the ideological unity. The texts, the writer believes, convey specific historical consciousness in a way of disintegration of history,.