论中国现代文学史(著作)的《女神》书写

建国以来,中国现代文学史著作对郭沫若诗集《女神》的评价和认知可以明显分为建国初期、"文革"结束初期、80年代以及近期四个阶段。尽管不同时期的现代文学史著作对《女神》的文学史价值和地位一致认同,但是出于不同时期文学史观和书写思维的差异,每一阶段的文学史书写者对《女神》的书写角度和表述方式也相应存在差异。而对这些"同"和"异"的梳理与研究,既是《女神》接受史的浓缩,也是中国现代文学学术史研究的局部"抽样"。

History of Modern Chinese Literature （Literary Books） of the ＂Goddess＂ Writing

Since the founding of China, the evaluation and cognition of Guo Moruo＇ s poetry anthology ＂ Goddess＂ can be clearly divided into four stages in literary works on Chinese modern literature history, namely the early founding of China,the end of ＂Cultural Revolution,＂ the 1980s and more recently. Although most modem literary works in different periods stay the same with ＂ Goddess＂ ＇ s status value on Chinese modern literature history, but the writers of each stage in literary history use different writing angles and presentation ways for different literary values and writing thinkings. To comb and research these ＂ same＂ and ＂differences＂ is not only the concentration of ＂Goddess＂ ＇ s reception history, but also the ＂sample＂ of Chinese academic history on modern literary studies.