服务创新视野的电子政务绩效评估战略

随着政府信息化的不断发展,越来越多的发展误区和规划空白不断涌现,建立健全有效的电子政务绩效评估体系刻不客缓.电子政务自身的绩效已成为政府绩效的重要组成部分,电子政务绩效体现在多方面,比如政务应用的成效、信息资源规模和利用率、公众的满意度、节约和降低的行政成本等,两者之比越大则电子政务绩效越高.技术先进的电子政务可能并不是好的电子政务,只有在经济上合理、业务上可行的低成本的电子政务才是好的电子政务.绩效评估是纠正过去电子政务建设过程中存在的诸如偏重投资、轻视应用、资源浪费的有效手段.     

英语词汇记忆方法探索

对英语学习者来说,具备一定的词汇量是学好英语的关键.而最令学习者感到头痛的事就是背单词.本文从创造性思维的角度,对八种记忆单词的科学方法进行了阐释,即系统思维记忆法、侧向思维记忆法,想象记忆法、联想记忆法、比较记忆法、类比记忆法、归纳记忆法和逆向思维记忆法.     

论公安创新人才的培养

本文首先论述了公安创新人才的重大意义,即培养公安创新人才是适应知识经济新时代公安工作的需要,培养创新人才能极大地提高公安民警的素质;培养公安创新人才能极大地提高公安工作效率。接着文章从四个方面论述了培养公安创新人才的途径,即改变轻视公共课的现象,努力使学生掌握牢固、扎实的基础知识;改变纯“灌输”的教学方法,培养学生的创新意识;改变单纯注重书本知识的倾向,培养学生获取新知识的能力;改变轻视思维训练的现象,培养学生创新思维能力。     

完善译文的文学功能乃文学翻译的核心问题——兼论文学翻译的创作本质

文学翻译的过程同时也是创作文学作品的过程.文学翻译的性质决定了文学翻译的核心问题是努力做到全面实现译文的文学功能,即原文文学意境的传达,或者说原作文学效果的再现,译者应当把完善译文的文学功能作为自己的主要目标.因此,创作文学作品是文学翻译的根本任务,而译文则是作者和译者共同写作的结果.     

The Evolution of Art and Culture as It Relates to Workforce Dynamics

The author discusses the relationship among art, culture, and the workforce, examining the historical context of these areas and outlining the implications for the arts and cultural sector.     

法律解释的难题:服从还是创造--法律方法视角的探讨

在司法过程中,法官应严格服从法律还是可以创造性地解释法律,这是长久以来困扰我们的问题.对法官而言,服从法律是当然职责,同时也应融人创造精神,因为法官发挥其创造力的最终目的就是要更好地体现对法律的服从,在这种宗旨之下,法官的创造力就不会偏离法治的轨道.这些最终都需要通过法官对各种具体法律方法的运用才能得以实现.     

文化创意产业中的知识产权保护方法与策略

对文化创意产业来说,以创意成果为客体的知识产权,通过保护方法的恰当选择和保护策略的实施,不但可以使创意者、权利人的合法权益得到全方位的保护,还可以为创意灵感的产生、创意成果的转换、创意经济价值的实现营造出一个稳定、和谐的外部产业环境。     

中国参与国际能源合作的法律机制创新研究

随着经济全球化的到来,国际能源合作已成为世界各国普遍关注的问题.国内外也有学者通过政治学、经济学、外交学对国际能源合作加以探究的,但从法学的视野进行探讨的,目前还很少见.中国应该在积极推进世界能源组织(WEA)的统一法律规则构建的基础之上,加强对中国参与国际能源合作的法律机制问题的探究,坚持中国参与国际能源合作的法律原则,寻找出中国参与国际能源合作的法律对策.     

司法的制度理性与实践运作

司法制度发展过程中的悖论是由司法的内在矛盾与理论逻辑的困境所决定的，是制度设计的科学性、完备性与理性不可及的矛盾。针对当下司法制度理性存在的偏失，应改革对制度改革惯常的思考方式，加强对司法制度理性的探究，寻求制度理性的创造性适应和一种方法论上的自觉，形成对司法制度的共识，使司法制度设计趋于均衡化、中性化，保证制度规则的公正性，保持必要的理论张力，并达到价值与技术维度的平衡，从而使司法制度在实践理性的基础上获得良性运行。     

我国文化创意产业发展的深层困境与对策探讨——以创意产业评价指数为视角

创意产业评价指数的应用,可以横向比较与纵深评估城市的文化产业建设状况,为发展文化创意产业提供一个客观考量的分析工具。本文从创意产业评价指数的视角来分析我国文化创意产业在政策、资本、文化、环境、人才等要素配置方面存在的问题,由此进一步从战略定位、品牌设计、创意产业链、人才机制、文化中介、科技平台等方面探讨其可行性战略,以寻求一条适合我国社会主义市场经济的产业发展路径。     

Producing Leisured Laborers: Developing Higher Education Courses for the Digital Creative Industries

This article attempts to detail the range of assumptions and challenges in designing an undergraduate university degree in digital creative industries. Leaders in digital industries, who bemoan the general skills shortage and lack of “industry-ready” graduates, have identified the need for post-secondary education in this area. But in developing these new courses, how do we reconcile the traditional reflective, critical modes of academic practice with the fast and dynamic pace of the dot.com industries? How can slower-paced higher education and lifelong learning be meaningful to the current and future generations of digital natives who thrive on “just-in-time” knowledge? These important issues are analyzed and built upon to showcase the unique qualities and opportunities associated with tertiary education in this area. Overall, the article develops these high-level considerations practically by applying them to a pioneering undergraduate course in Australia that was launched in 2014.     

实用新型专利质量提升之路探析

实用新型专利申请数量多年来保持持续稳定增长，但是其专利质量并没有随之提高。国内外业界人士对我国实用新型专利质量存在广泛质疑，如果再不采取有效措施提高实用新型专利质量，无论是对创新主体，还是对实用新型专利制度自身必将带来严重的伤害。通过分析发现我国实用新型专利质量目前存在的主要问题：实用新型专利立法的不完善、实用新型审查制度的缺陷和专利资助政策的错误导向，进而从实用新型专利制度的顶层设计、专利审查制度的完善、专利激励政策的正确制定和专利申请主体的法律规制四方面提出相应提高我国实用新型专利质量的对策。     

论警察战术权机制的社会适应性

警察战术权源于前苏联《犯罪侦查学》兴起过程中创造性智力成果之侦缉措施为主要内容的机制需要,其机制生成具有在计划经济时期进行侦查行动和侦缉措施时的适应性。当代中国警务在构建创新型社会过程中须认真对待警察战术权的社会适应性问题,既要选择适宜其社会稳定的警察战术权机制,也要改善适宜其机制运行的社会基础,因而实践中应正确认识警察战术权的私权属性、公法调整及其保护强弱等问题。     

Financing the Arts: The Consequences of Interaction among Artists,Financial Support,and Creativity Motivation

The authors analyze how different financial modes matter to the creativity of artists—whether they facilitate or interfere with the creativity that leads to artistic achievements. They first discuss the importance of the creative process and the various factors involved—personality characteristics, environmental factors, and motivation patterns. They next distinguish and analyze the nature and rationales of various modes of financing the arts, dividing these modes into government, the market, and the third sphere. Finally, the authors analyze the interrelations among the creative process and financing when applying a social support system. The investigation thereof relies predominantly on earlier work in the field of cultural economics. The results of a survey conducted among Dutch visual artists form the empirical basis of this article.     

论邓小平创新思想与21世纪创新人才培养

文章学习和研究了邓小平创新思想的三个方面:1、要善于学习,更要善于创新:2、创新是经济和社会全面发展的根本动力、民族进步的灵魂;3、21世纪创新人才的涌现,中华复兴的伟业才有希望。     

Enterprising Culture: Discourses on Entrepreneurship in Nordic Cultural Policy

The sphere of arts and culture has been going through a process of economic reevaluation during the last few decades. Parallel to the rise of a creative economy discourse, which both in its political and scientific forms has highlighted the economic significance of culture and arts, entrepreneurship has become a feature in the cultural policy of many countries. In this article, we compare how entrepreneurship is established and used as a concept in cultural policy discourses in two Nordic countries, Norway and Finland. Through analyzing policy plans and documents, we discuss what is seen as positive cultural or artistic activity in the framework of entrepreneurship, and we identify the eligible cultural subjects of this discourse.     

Means and Ends: A Theory Framework for Understanding Entrepreneurship in the US Arts and Culture Sector

This article provides a framework for the conceptualization of arts entrepreneurship in the US by first examining a range of perspectives on the boundaries of the “arts and culture sector” in the US and then exploring in some depth four theories of entrepreneurship and how such theories may be realized within the arts and culture sector. Theories of firm formation are considered both generally and as potentially applied to the arts and culture sector, with examples of firm formation drawn both from existing literature and the author's direct observation of entrepreneurial activity. Finally, the essay connects these theories in a means and ends framework to provide a context for understanding arts entrepreneurial activity, especially in the US arts and culture sector. The theory that emerges from the examples provided to illustrate the framework is a simple one: artists form firms or otherwise undertake entrepreneurial action toward the end of creating art sustainably and they do so by discovering or creating new connections between their means and that desirable end.     

Inside a Cultural Agency: Team Ethnography and Knowledge Exchange

This article undertakes an auto-critical analysis of the research team's ethnographic study of Cultural Enterprise Office (CEO), a Scottish creative business support agency. We discuss the team's composition and how this relates to other analyses of ethnographic teamwork. Our research is situated in the wider policy context of the “creative-economic” turn in the UK's research funding. This has been accompanied by increased emphasis on “knowledge exchange” and “impact” in the drive for greater accountability in higher education. The team's evolution in the course of undertaking research is illustrated by reference to four “pivotal moments,” which illustrate how we “performed” knowledge exchange.     

论公务员理论思维的培养与提升

公务员的理论思维是政府行政工作中的灵魂,体现的是政府公共行政的精神。理论思维是以科学的理论为路径来思考问题的。它是一种批判性思维,具有抽象性、系统性和前瞻性的特征,是对经验思维方式的超越。因此本文试图通过经验思维与理论思维的对比,从而提出提高理论思维的三种模式:提取与配置信息的模式,分析与解决问题的实践模式,自我反思与超越自我的模式,最后提出了理论思维能力提高与创新的原则。