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The first part of this article discusses the most common theoretical and analytical approaches to the study of political control over the armed forces in China. It argues that the focus on professionalism and professionalization at the level of the military institution that is common in previous studies has certain limitations when analyzing Chinese civil–military relations. Against this background, the second part of the article suggests an alternative approach that places the Chinese officer corps and its professional autonomy at the center of analysis. Its benefit is demonstrated in a case study of quality control at China’s top three military education institutes. The study shows that autonomy and direct political control varies, which indicate a need for more nuanced discussions about military professionalization in China.  相似文献   

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ABSTRACT

Since taking control of Laos in 1975, the Lao People’s Revolutionary Party and the government of the Lao People’s Democratic Republic (Lao PDR) have relied heavily on secrecy, denial and information management and control to govern. These tools have been used for presenting the Party and state as united in support of the country’s one-party communist political system and as being the only real political option. This article presents a number of examples of the particular ways the Party and state have done this. The following are discussed: the little-known rift between the “Red Prince” Chao Souphanouvong and Kaysone Phomvihane; conflict between the Lao PDR and Vietnam and China; the anti-Lao PDR insurgency; calls for political change via the “Social Democratic Club” in 1990; unsuccessful student protests for political change in 1999 and 2009; the forced disappearance of Sombath Somphone; and recent attempts to control social media to publicise anti-government viewpoints. Secrecy, falsification and information management and control have important implications, both with regard to conducting research about Laos and in relation to how outsiders tend to analytically frame the study of Party and state.  相似文献   

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The expectation that a novel about a celebrity aviator will romanticise flight and glorify the pilot is a product of the mythologisation of aviation, which this essay understands is a response to the threat of technology and the alienating conditions of modernity. Roger McDonald’s novel Slipstream refuses to reproduce this mythology, expressing a literary aspiration to use the form of the modern novel to explore the entanglement of the subject under the conditions of postcolonial modernity. My argument will develop through three parts. The first section will explore the mythologisation of aviation as a symptom of modernity. The second will examine the ways in which the novel uses its modernist form to call into question the celebrity of the aviator and the spectacle of flight. This part of my argument is indebted to the critique by German philosopher Martin Heidegger of the technological mode of Being. Finally, I take up the postcolonial implications of the Heideggerian critique in a country in which many of modernism’s standard antidotes to the problems of its century are compromised by the legacies of colonialism.  相似文献   

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Young Chul Cho 《East Asia》2009,26(3):227-246
By examining the cultural representations of the South Korean notion of the Self/Other in relation to its major traditional enemy — North Korea — this article aims to capture a picture of South Korea’s discursive economy of the North, and to problematise the South Korean identities implicated in that economy in the early 2000s. To achieve these aims, this article focuses on representations of a successful popular South Korean film which was released in 2000, just a few months after the first inter-Korean summit: Joint Security Area JSA. By analytically reading JSA, it is revealed that, in South Korea, the traditional discursive practices based on the Cold War thinking have been eroded. For the South, the North is part of the Self (Korean-ness; love for the North as the same nation) and, at the same time, is an Other (South Korean-ness; contempt for the North as an inferior state). Related to this, South Korea appears to be the uneasy Self without a firm Other in between Korean-ness and South Korean-ness.  相似文献   

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Abstract

Mao's Revolution and the Chinese Political Culture structurally is two books. The first (parts I and II pp. 1-159) is a discussion of Chinese psychological characteristics based on the author's 1966 dissertation for MIT, The Chinese Revolution and the Politics of Dependency: The Struggle for Change in a Traditional Political Culture. The second (parts III and IV pp. 160-526) is a competent if somewhat narrow think-tank piece written in 1969 on the Hundred Flowers, the Great Leap, and the early phase of the Cultural Revolution.  相似文献   

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Until 2014, security responses to the Boko Haram insurgency were largely domestic and military. However, the increasing expansion of Boko Haram attacks in the Lake Chad Basin (LCB), compounded by the consequent humanitarian crisis, compelled a joint security action. This came in the form of the rejuvenated Multinational Joint Task Force (MNJTF), comprising forces from the LCB member states (Nigeria, Cameroon, Niger, and Chad) and Benin. My goal in this paper is to interrogate the cross-border dynamics and ramifications of the Boko Haram insurgency, and the nature of security responses to it. The analysis extends to the politics of cross-border security cooperation against Boko Haram in the LCB, as well as the impact of the MNJTF on Boko Haram’s evolving tactics. Along the way, the paper identifies key challenges to the effective operationalisation of the MNJTF.  相似文献   

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Cambodia’s youthful population is significantly responsible for a recent unexpected decline in the popularity of the Cambodian People’s Party, which has governed since the end of the Khmer Rouge regime. This increasingly young electorate has lived through an era of peace and openness with regular multi-party elections and impressive economic growth resulting in rapid structural change in the economy. Compared to their parents’ generation, this younger generation is better educated, highly mobile, aspires to salaried employment, and is well connected to new sources of information and technology. Because of this, their expectations, aspirations, opportunities, as well as challenges they face are remarkably different from those of older generations. However, Cambodia’s institutions of governance, dominated by personalized and patron–client networks that have been propped up by the ruling elite, has effectively marginalized this emerging youth population. This marginalization from political and economic resources has produced alienation and discontent, which represents a significant political problem for the ruling party’s political strategies.  相似文献   

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Chinese family enterprises in the United Kingdom have penetrated many different sectors of the economy, including restaurants, wholesaling, retailing, trading, manufacturing, property development, computer services and investment holding. Among the companies in these sectors, those involved in different segments of the food industry, as manufacturers, retailers and wholesalers, reputedly feature characteristics of Chinese culture. A majority of these enterprises, for example, function as family firms. This study explores the assertion that, among companies owned by ethnic minorities, culture strongly influences form of business development. This argument will be assessed through a focus on Chinese food-based enterprises in the UK. Two family-controlled companies, Seven Seas (Frozen Food) Ltd and Dayat Foods Packaging Ltd, were selected as case studies as they are involved in key business components of the Chinese food chain industry. Through an in-depth comparative study of the history and development of these two firms, we consider the argument that Chinese businesses have evolved well because of family ties and their inclusion in mutually-beneficial ethnically-constructed networks. Through these case studies, we provide an alternative perspective to diasporic Chinese business development which brings into question the extensive use of the concept of ethnic enterprise.
Gordon C. K. CheungEmail:

Edmund Terence Gomez   is Associate Professor of Political Economy at the Faculty of Economics & Administration, University of Malaya. He has held appointments at the University of Leeds (UK) and Murdoch University (Australia) and served as Visiting Professor at Kobe University, Japan. Between 2005 and 2008, he served as Research Coordinator at the United Nations Research Institute for Social Development (UNRISD), in Geneva, Switzerland. His most recent publications are Politics in Malaysia: The Malay Dimension (Routledge 2007), The State, Development and Identity in Multi-ethnic Countries: Ethnicity, Equity and the Nation (Routledge 2008) and The Chinese in Britain, 1800-Present: Economy, Transnationalism and Identity (Palgrave-Macmillan 2008). Gordon C. K. Cheung   is Lecturer in International Relations of China and Deputy Director of the Centre for Contemporary Chinese Studies at Durham University, United Kingdom. He previously taught at The Chinese University of Hong Kong, and served as Secretary of the Overseas Chinese Studies Foundation, Hong Kong. His research focuses are Chinese international political economy, Chinese business and development and Chinese diaspora. He held various visiting positions at the National University of Singapore, Renmin University in China, University of Oxford and Academic Sinica, Taiwan. He has authored four books and published many articles in leading academic journals. His recent books are China Factors: Political Perspectives and Economic Interactions (New Brunswick, N. J.: Transaction Publishers, 2007) and Intellectual Property Rights in China: Politics of Piracy, Trade and Protection (London: Routledge, 2009).  相似文献   

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The 1960s were undoubtedly the most culturally productive period in the contemporary history of Iran. During these years, artistic trends as well as art historical practices attempted to present the idea of national art, while the intellectual atmosphere was charged with the conflicting ideologies of the Cold War. The Pahlavi state's cultural policies, based on its pro-Western and at the same time nationalist visions, were in contrast with most intellectuals' attitudes towards art, which mainly followed leftist ideologies. Within such an ideologically charged space, the idea of combining Euro-American modernism and traditional views formed the dominant discourse of modern Iranian art. This article maps the interconnections among artists, art historians and cultural custodians in 1960s Iran, and explores the ways in which nationalist, nativist, modernist and communist-Marxist ideologies influenced the artistic trends as well as art historical narratives. After focusing on the ways art history was introduced through Orientalist viewpoints in Iran, the article will shed light on the role of visual artists within the intellectual community of the 1960s. The idea of ‘national art’, epitomised in the movements of Saqqa khanih and Talar-i Iran, will then be analysed. Finally, the article will evaluate these artistic activities within their ideological framework.  相似文献   

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The task of transforming countries affected by conflict towards sustainable peace has been a persistent problem. In response to growing intra-state conflict in the post-Cold War era, it has become the norm to prescribe a cocktail of liberal democracy and free-market economics as a universal formula for building peaceful societies. South Africa, since its post-democratic emergence into global affairs, has also been active in promoting peace in Africa along similar lines. This article embarks on an exploratory qualitative analysis of South Africa’s peacebuilding engagements in the Democratic Republic of the Congo (DRC). It aims to contribute a better understanding of South Africa’s peacebuilding engagements by utilising the DRC case study to point out areas of convergence and dissonance with the dominant liberal model of peacebuilding. The article finds that, although peppered with successes and failures, South Africa does approach peacebuilding in a unique manner. It also calls for a revision of South Africa’s approach, given the varying levels of success in the DRC.  相似文献   

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This article examines Zoë Wicomb’s wide-ranging use of intertextuality in the novel Playing in the Light to explore the links between identity construction and postcolonial authorship. Focusing on the characters as intertextual agents, I argue that the three coloured women on whom the novel focuses – Helen, Marion, and Brenda – use texts in distinctive ways that illuminate their struggles to position themselves in South Africa’s complex and changing racial landscape. Racial “passing” is one form of a larger pattern in the novel of the use of citation and imitation to achieve specific ends. By embedding the citations of Helen and Marion within the citation-rich narrative of Brenda, Wicomb lays bare the mechanisms of identity construction within a work that stages and highlights its own intertextual practices.  相似文献   

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Macro-level policies frequently transform and reconfigure local livelihood options. While there is a small but growing body of ethnographic work regarding ethnic minority livelihoods in Vietnam’s mountainous borderlands, there is far less research examining the state decrees and policies implemented there and the opinions of state workers who have to apply them. This article starts to address this gap. First, we examine contemporary Vietnamese state legislation regarding upland livelihoods. We focus on the directions found in 82 livelihood-related state decrees, examining their scope and edicts while critiquing what they overlook regarding upland livelihood needs and approaches. Then, from in-depth interviews with state officials in Hà Giang Province, a mountainous upland region with a proportionately large ethnic minority population, we explore the opinions of those charged with the implementation of these decrees. Building on O’Brien’s earlier work on rightful resistance in China, we suggest that a form of “rightful criticism” has emerged among upland state officials, allowing us to reveal the contours of political power in Vietnam’s borderlands. Moreover, we draw attention to the lack of acknowledgement of ethnic diversity in these uplands within policy and official practice.  相似文献   

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This article will argue that Zakes Mda’s 2007 novel Cion stages a dialog, one where two “Souths” – South Africa and the American South – speak to one another and give a critical voice to an under-acknowledged history of transatlantic discursive exchange on race and racial governance. Mda’s fictional South African critique, of an America still struggling with the cultural and political legacies of slavery, gestures towards a history of exchange between the two countries that in many ways is representative of a more global dialog on racial segregation during the first half of the twentieth century – of which both southern (US) segregation and apartheid are seminal examples. Moreover, this article explores various conceptualizations of race as well as the governance of racial relations as they have been articulated through ecological imaginaries, and especially between South Africa and the Southern United States over the course of the twentieth century. In this article, I argue that not only can apartheid (as well as pre-apartheid segregation) be rethought of as part of a global conversation on race and thus less as a South African anomaly, but also that the United States through its examples of various racialist technologies was highly influential across the colonial and apartheid worlds.  相似文献   

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Drawing on extensive archival research, this paper examines the controversies over the place and the role of cinema in early twentieth-century Brazil. It situates these debates in the context of Brazil’s struggle to come to terms with the powerful forces of modernity, in particular with issues of race, immigration, class formation and conflict, and changing gender roles. Tracing the discourses of Brazil’s cultural elites and also the practical responses of film entrepreneurs and exhibitors, the paper discusses how these interactions overlapped with changes taking place in Brazil’s cinematic landscape and illustrates how they had profound effects on film content, its function, and exhibition practices.  相似文献   

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