加入工会是否促进了农民工就业稳定？

农民工群体更高质量和更充分的就业一直是社会各界关注的焦点问题。研究基于 2017 年全国流 动人口动态监测调查（CMDS）数据,分析了加入工会对农民工就业稳定性的影响。研究发现：加入工会对农民 工就业稳定性产生了显著的正向影响;与高技能农民工相比,加入工会对中低技能农民工的就业稳定性促进作 用更为明显;相较于男性农民工群体,加入工会对女性农民工群体的影响更大;加入工会对非国有企业农民工 的就业稳定性的影响比对国有企业农民工就业稳定性的影响更大。为促进农民工稳定就业,研究建议：应引导 农民工积极入会,工会应针对不同技能水平、不同性别、不同单位性质的农民工开展不同的服务。     

省总工会关于服务农民增收和维护农民工合法权益的六条措施

一、大力发展进城务工农民加入工会组织。全省工会今年要以农民工为主要对象,新发展工会会员30万人。农民工较多的企业没有建立工会组织的,要尽快建立工会组织,并大力发展农民工加入工会;企业已建立工会但没有吸收农民工入会的,要把农民工尽快吸收到工会中来。要指导和帮助农民工与企业签订劳动合同,     

吸收农民工加入工会应注意的几个问题

农民工的生存现状凸显了农民工加入工会的迫切需求，作为一种新的实践，各地在操作的过程中，在认识上可能会产生一些偏差。事实上，农民工加入工会是途径不是目的，而且要遵循自愿原则、结合社会变迁理解工会的职能，同时注意对农民工会员管理模式的创新。     

农民工的组织状况研究

自工会"十四大"之后,农民工组织建设受到人们的重视,主要关注的是农民工加入工会的问题.农民工尽管已有自己的正式组织--工会,但非正式组织仍是主体.要加强农民工的组织建设,必须认识非正式组织的特征、形成条件、功能及组织管理政策.     

组织起来切实维权--对沈阳市建筑行业农民工的调查与思考

农民工是工人阶级的重要组成部分,作为一个群体是社会经济发展的重要力量.全社会都要对农民工给予关怀,维护农民工权益的最好途径是吸纳农民工加入工会.     

关注新生代农民工是社会管理和工会工作的重要任务

新生代农民工是我国经济和城市建设的建设者.新生代农民工是我国社会管理必需的责任.建立完善社会管理制度,使新生代农民工成为改革开放的受益者.发挥工会作用,吸收新生代农民工加入工会,维护他们的切身利益,也是建立和谐劳动关系,建立稳定社会关系,促进企业生产和国民经济健康发展的重要保证.     

树立与时俱进以人为本的理念 提高对农民工加入工会的认识

农民工是在我国工业化和城镇化进程中,农村富余劳动力进行非农转移和异地就业中形成的一个特殊社会群体。目前,无论从理论上还是现实中,农民工已经成为我国产业工人的重要组成部分。正视农民工的社会地位和作用,充分认识新时期工人阶级队伍外延和内涵发生的深刻变化,不断提高对农民工加入工会的认识,是各级工会组织践行“三个代表”重要思想,牢固树立和落实科学发展观的必然要求。站在发展的前沿:从推进城镇化、工业化和现代化的宏伟目标看,吸收农民工加入工会具有历史的必然性。农民是工人阶级的后备军,农民工是工人阶级的新生力量。党的十…     

中共重庆市直属机关工作委员会、重庆市总工会联合发出《关于组织市直机关劳务工加入工会有关问题的通知》

根据王鸿举市长9月14日在全市进城务工农民服务管理工作会议上讲话中指出：“要支持工会组织依法维护农民工合法权益。农民工可以融入企业工会组织。也可以加入社区工会”的精神。党工委和市总于9月26日联合发出《关于组织市直机关劳务工加入工会有关问题的通知》。《通知》指出，要站在全党全国工作大局的高度。充分认识依法组织劳务工加入工会工作的重要性，加强领导。采取措施，积极稳妥地把劳务工组织到工会中来。为维护他们的合法权益提供组织的保障。     

浅谈农民工外出务工前加入工会组织的必要性和可操作性

近些年来,如何把农民工组织到工会中来,已经成为摆在各级工会组织和工会工作者面前的一个重要课题。笔者根据自己多年从事县(市)工会工作的经验和对这一课题进行的调研,认为农民工外出务工前,在当地的县、乡加入工会组织,以工会会员的身份到异地务工十分必要;就业地工会组织按当地工会组织的分属范围随时接收管理,具有很强的可操作性。现提出一些个人的看法和设想,以供商榷。一、农民工外出务工前加入工会组织的必要性1.农民工外出务工前加入工会组织是顺应时代发展的需要。鼓励和支持农村剩余劳动力转移,是党和政府解决“三农”问题的重要…     

关于农民工工伤案的思考

杨春文是一名农民工，他在沈阳鲁园加入工会组织并担任过鲁园工会副主席。在担任鲁园工会副主席期间，他为农民工讨薪等维护农民工合法权益做了大量工作，受到农民工的欢迎。工作变动后，他继续关心和帮助其他农民工，亲身体验农民工遇到的各种问题和解决的难度，潜心调研，对农民工这一社会问题进行了探讨研究。这篇《关于农民工工伤案的思考》，为我们揭示了解决农民工工伤方面遇到的实际问题及相关政策法规中值得探讨的地方，提示我们从政策层面更深入地研究解决农民工问题。文章中的个人观点仅供参考。     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Beyond the scarcity scare: reframing the discourse of hunger with an eco-mind

Solutions to world hunger continue to be impeded by a frame – a set of assumptions – that keeps much of humanity focusing narrowly on quantitative growth. The result is greater food production and greater hunger. Yet, across the world another way of seeing, one grounded in the relational insights of ecology, is transforming food systems in ways that both enhance flora and fauna and strengthen human relationships, enabling farmers to gain a greater voice in food production and fairer access to the food produced.     

Here be monsters: a choreomaniac's companion to the danse macabre

Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Haraway, this vade mecum asks what it might mean to engage ethically with that which is not supposed to exist, but which haunts us nonetheless. In other words: what does it mean to move, live and engage with spectres in digital times?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.