Reconsidering repetition in language education: an edusemiotic approach

ABSTRACT

Since behaviorism fell out of favor as one of the prominent learning theories, language education has done away with using repetition of linguistic forms as one of the important strategies used in second-language classrooms. As a new direction in educational philosophy and theory, edusemiotics can offer a new perspective about the use of repetition in learning a new language. When language forms are treated as signs and not as substances, as in edusemiotics, linguistic particles can never be truly repeated, but each instance of a repetition of a language particle and structure disambiguates the meaning of a form in a different context. This paper argues that the repetition of language forms at the lexical, syntactical, phonetic, and discursive levels aids language learners to intuit meaning and function in the new language. Further, it is discussed that repetition of language forms prompts language learners to look for similarity in patterns between linguistic structures rather than surface-level similarity of forms of language. Finally, the use of linguistic repetition is examined for its affective and poetic bearing, as an important aspect of the acquisition of language.     

The Moral Efficacy of Aesthetic Experience: Figures of Meaning in the Moral Field

Abstract

This paper proposes to analyse the process that makes paths of action meaningful. It argues that this process is one of "figuration". The term "figuration" intends to outline how the experience of moral meaning is one that already positively marks out a field and to identify and analyse the mechanisms used for such marking and selection. It is my contention that these mechanisms predate the persuasion to a moral path; they are the process through which this path is constructed as meaningful. This thesis is elucidated through an analysis of the tactics of meaning in Kant's moral theory. Kant turns to aesthetics as a means of corroboration for his moral theory, but he also attempts to limit the scope of the interactions between his aesthetic and moral theory. For instance, when he writes on the topic of form in aesthetic taste or outlines the technical specifications of aesthetic judgment, it is arguably the arcane peculiarities of his system that are met. For this reason, Kant insists on the merely analogical relations between beauty and morality. However, it is also possible to see how certain aspects of Kant's aesthetic theory execute wider, and potentially more important, functions for his practical philosophy, such as providing meaningful orientation for the ascetic moral attitude of his duty-ethics. In this respect, certain figures of Kant's aesthetic theory may well be viewed as complementing the dependence in his moral philosophy, in the important sections on moral pedagogy and methodology, on appeals to heroic models and stories as ways of shaping and inculcating the moral disposition. This paper considers these aspects of interaction between Kant's aesthetic and moral philosophies as both (1) a problem for the consistency of his philosophy given his avowed exclusion of aesthetic and religious elements of meaning in his duty-ethics; and (2) as a case study for the new, schematic analysis of "moral figuration" outlined in the paper.     

Ownership in Theory and in Practice: Transfer of Authority in UN Statebuilding Operations

The language of ‘ownership’ is commonly used in statebuilding operations, but it is not clear that the term has either consistency or substance. It certainly does not have its literal meaning, in the sense of rights of possession either of property or a formal stake in an organization, such as shares in a corporation. Instead ownership tends to be used figuratively – much as ‘buy-in’ in this context usually does not suggest an actual financial transaction – to refer in a more vague way to the relationship between stakeholders, with meanings ranging from a sense of attachment to a programme or operation, to (rarely) actual controlling authority. This essay explores how ownership emerged as a shibboleth of the development community and how it has influenced UN statebuilding operations. The emphasis will be on rule of law institutions, but the critique of ownership applies to post-conflict operations more generally.     

Narrating the Landscapes of Entrepreneurial Regionalism: Rescaling, ‘New’ Regionalism and the Planned Remaking of València,Spain

Abstract

This paper analyses the instrumental role of cultural landscape in the regionalisation of European states and identities through a case study of the planned redevelopment of València, capital of the Spanish autonomous region the Comunitat Valenciana. Briefly articulating recent theories of state rescaling and ‘new regionalism’ to cultural landscape this paper poses the question: how may landscapes be planned by ‘new’ regional states to rescale regionalist territories and imaginaries? The planning and promotion of the cultural entertainment complex the City of Arts and Sciences demonstrates how one regional state—the Generalitat Valenciana—sought to redefine an historically contested and historicist regionalism through landscapes of modern, entrepreneurial regionalism. Paying more attention to the cultural landscape enriches our theories of how state rescaling and ‘new’ regionalism are narrated discursively and represented materially.     

Recognition as Redistribution

Abstract

This paper aims to explore and examine the implied commitment to the premises of recognition in Rawls’s account of redistributive justice. It attempts to find out whether or not recognition relations that produce humiliation and cultural injustice can be followed to their logical conclusion in his theory of redistribution. This paper makes two claims. Firstly, although Rawls does not disregard the harms of misrecognition as demonstrated in his notion of self-respect being the most important primary good, he cannot liberally accommodate the idea of humiliation as a case of injustice without compromising the basic premises of his theory. Secondly, while resource distribution produces indirect side effects that can impact upon cultural injustice, addressing recognition issues through the prism of redistribution can inadvertently result in further misrecognition. The paper concludes that in the final analysis Rawls wrongly takes redistribution as the overarching principle of justice to which recognition is but a subservient principle.     

The Blues Voice of Houston Baker,Jr. as Political Theory: An(Other) American Paradigm?

The work of Houston Baker, Jr. in Afro-American literary studies is almost unparalleled. Baker argues that in America there is a distinctive American cultural language, a vernacular, only black Americans share in by virtue of their race. This distinctive language is the result, he argues, of their condition with regard to the larger American culture and society. Baker claims that because of the "special circumstances" (chattel slavery and continued racism) that black Americans found and continue to find themselves in they have had to devise social, cultural, and political strategies that were significantly different from the dominant "white" culture. Thus, Baker argues, special analytic "tools" are necessary for grasping the ultimate messages contained in the cultural (political) works of Afro-American writers and thinkers. It is my argument that Baker is engaging in an explicitly political project. My intention in what follows is to "decode" Baker's work, to ferret out the assumptions and political theory behind his attempt at transfiguration of American cultural discourse. It is my contention, finally, that his method is unlikely to secure what is in its broadest form a very worthwhile political project.     

The Meaning of Federalism in The Federalist: A Critical Examiniation of the Diamond Theses

Language poses a serious problem in political discourse whenterms like federalism come to mean anything, everything, andnothing. An issue of some importance is how "confederation"was conceptualized in The Federalist, how that conceptualizationwas subject to critical analysis, especially in Federalist 15and 16, and how the resolution of that critique contributedto the conceptualization of a federal system of governance.This essay was written in response to a re-reading of MartinDiamon's essay on "The Federalist's View of Federalism." Theposition taken is that the theory of constitutional choice usedto articulate the arguments in The Federalist provides the appropriatelogic for construing the meaning of federalism despite the ambiguitiesof language contained in The Federalist.     

Social media as semiotic technology and social practice: the case of ResearchGate’s design and its potential to transform social practice

ABSTRACT

This article addresses the need for critical approaches to social media by bridging the focus on language and other semiotic resources that characterises discourse studies with the broader perspective on social media as social, cultural, economic and technological constructs that dominates media and cultural studies. Specifically, we propose a model for analysing how social media as semiotic technologies, that is, technologies designed to enable and constrain meaning-making, may transform social practices. By incorporating Van Leeuwen’s [2008. Discourse and Practice: New Tools for Critical Analysis. London: Oxford University Press] framework for the critical analysis of discourse and social practice, the model extends the social semiotic approach developed in recent critical multimodal studies of software such as PowerPoint to social media, which function primarily to provide platforms for and commodify social practices, rather than to offer rich arrays of semiotic resources for creating multimodal texts and artefacts. Using the academic social network site ResearchGate and the practice of research peer review, we illustrate the model’s capacity to account for the ways the design of social media platforms – through the semiotic resources they make available and the ways these are presented – enables and constrains their users’ ability to perform key social practices and has the potential to transform these practices.     

Back to Mangu Zambiri: Art,Politics and Identity in Northern Sudan

This paper is an attempt in cultural criticism from a certain aesthetic standpoint to investigate how the arts can give insight into the identity problem of Northern Sudanese. Given the archaeological and historical refutation of migration theory and the consolidation of the notion of the ethnic continuity of the central riverain inhabitants (the Ja'liyyin) as Nubians, the paper disputes the other characterization of them as a "culturally" Arabized Sudanese. To prove this, the long neglected aesthetic dimension as an essential component of culture is underlined. Challenging certain Arabocentric musical and literary discourses, the "Sudanese" nature of some aspects of Northern music and poetry is stressed. The concept "Sudanization" is adopted to define a historically ongoing key process which manifests itself in the arts. Also the term "specification" is used to describe alternative political and aesthetic discourses to define Sudanese identity such as the discourse of the Sudan People's Liberation Movement and other forces.     

Zeugmatic Spaces: Eastern/Central European Feminisms

This article stems from a sense of discontent and frustration that the cultural position of Eastern/Central European feminisms have not been theorized enough in comparison with other non-First World feminisms. To construct my argument, I use a rhetorical figure, zeugma, which is able to underpin the specificity and the commonalities of the post-Communist area feminisms as compared to the hegemonic feminisms of the world or to Third World feminisms. Zeugma (from an ancient Greek word meaning “bridge”) is a figure of speech that relies on balance and acceptance of grammatical difference. An almost perfect cultural space shifter, Eastern/Central Europe produces feminist discourses that constitute, in my opinion, zeugmatic spaces in the worldwide concerto of world feminisms. I suggest that many of the problems of contemporary feminist theory arise from the context that has defined feminist theory. Only if we fully understand this context will we be in a position to understand how to escape from the dilemmas posed by this context” (Joan C. Tronto, Moral Boundaries. A Political Argument for an Ethic of Care) “Which is why the critique of all discourses concerning gender, including those produced or promoted as feminist, continues to be as vital a part of feminism as is the ongoing effort to create new spaces of discourse, to rewrite cultural narratives, and to define the terms of another perspective—a view from ‘elsewhere’” (Teresa de Lauretis, Technologies of Gender)

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It is not just who you know: Dominant knowledge and civic participation

Abstract

Civic participation and its role in increasing social capital is touted as a key element in the regeneration of urban communities. This approaches assumes that urban communities are homogenized collective interests and misses the diversity of interests that capitalize on the growth of institutionally supplied social capital brought about through redevelopment projects. This article examines the participatory processes in a Southern California urban community using social and cultural capital frameworks to show that resident participation is a classed and racialized project that privileges those with dominant knowledge, cultural awareness and language skills. The field of contestation, or the political space developed by institutional players for urban regeneration also plays a key role in determining who participates and how decisions are made. While civic participation is presented as a process that is democratic and open to all, this article argues that participation exists within a cultural context that much like the ‘hidden curriculum’ in education, privileges the knowledge of dominant groups.     

Examining Honneth’s Positive Theory of Recognition

ABSTRACT

In this article I examine Axel Honneth’s positive theory of recognition. While commentators agree that Honneth’s theory qualifies as a positive theory of recognition, I believe that the deeper reason for why this is an apt characterisation is not yet fully understood. I argue that, instead of considering only what it is to recognise another person and what it means for a person to be recognised, we need to focus our attention on how Honneth pictures the practice of recognition as a whole, which according to him works to make societies into places of greater freedom. This conception of recognition as a freedom-enhancing practice is supposed to provide a solution to a key problem of Frankfurt School critical theory, namely of how to determine the emancipatory practice in which critical theory is rooted, which becomes apparent as soon as one turns to the context in which Honneth originally develops his theory of recognition. At the end of the article, I offer a few reasons for doubting the overly positive picture of the practice of recognition that Honneth provides us with.     

From Reason to Self-Realisation? Axel Honneth and the ‘Ethical Turn’ in Critical Theory

Abstract

In this paper, I take issue with Axel Honneth's proposal for renewing critical theory in terms of the normative ideal of ‘self-realisation’. Honneth's proposal involves a break with critical theory's traditional preoccupation with the meaning and potential of modern reason, and the way he makes that break depletes the critical resources of his alternative to Habermasian critical theory, leaving open the question of what form the renewal of critical theory should take.     

Morality without Intention

Abstract

An examination of how, in literature, silence and veiling are related to moral significance. The paper emphasizes Walter Benjamin’s essay on Goethe’s Elective Affiniites and Nathaniel Hawthorne’s “The Minister’s Black Veil” and poses the question of how the literary can possess moral meaning or effect when, as in these two works, silence and veiling appear as a means of refusing or denying intention. Benjamin’s and Hawthorne’s different critiques of the symbol are presented as the central issue around which the possibility of moral meaning is decided as an intentionless act. Benjamin’s preservation of the moral is interpreted as the cause of the paradoxical and contradictory sources of the expressionless and its critical violence as well as the veiling and secrecy he identifies as forming the true work of art. Against this account, Hawthorne’s story is read as the refusal of any preceding secret as the basis of a moral claim and thus as the defining category of the work of art.     

The Image

Abstract

The concept of ‘the image’ can be given historical, conceptual, aesthetic and moral specifications. This essay sets out some of the scholarly issues in the dense semantic field of ‘the image’. In particular, the essay considers how the meaning of the image is often determined in relation to the opposition between sensible form and intelligible idea. Specific attention is given to Kantian aesthetics, which inaugurates a specific way of understanding the sensible form as a mode of processing moral ideas.     

CasaPound Italia’s cultural imaginary

ABSTRACT

CasaPound Italia (CPI) is an Italian extreme-right movement. It has its headquarters in Rome but the movement has branches in other northern and southern cities. Members of CPI define themselves as ‘Fascists of the Third Millennium’. Bulli’s article focuses on the mix of cultural imaginaries that the organization offers to its members and sympathizers as well as for public consumption. The movement is able to function at different levels of political mobilization—and to recruit members by presenting a targeted set of incentives designed to engage them politically—which include various forms of cultural identification. All these levels are linked by a common idealized subjectivity that brings together classic elements of historic Fascism, including cultural references to the ‘speed of action’ typical of Futurism, with an overcoming of the party-centred post-Fascist Italian political subculture. Bulli’s article emphasizes CPI’s strategic construction of a multifaceted cultural imaginary in which language, communication and codes of conduct play a role comparable to values and ideology.     

How Organizational Identity Affects Hospital Performance: Comparing Predictive Power of Mission Statements and Sector Affiliation

Abstract

Organizational identity is an important concept in organizational theory, as it can contextualize the behavior of organizations and members. The literature presents divergent perspectives on organizational identity: some studies have characterized organizational identity as constrained by institutional forces, whereas others have contended it is socially constructed by organizational members. Studies have largely focused on the former perspective, measuring organizational identity by sector affiliation; the latter approach has rarely been empirically tested. Therefore, in addition to sector affiliation, this article proposes a different approach to operationalizing organizational identity by examining hospitals’ mission statements. The study also examines which of these dual forces have more predictive power regarding organizational performance. Together with hospitals’ sector affiliation, we test how the presence and frequency of mission statement language regarding access, cost, quality, or unique organizational values affect hospitals’ various performance metrics. Regression analyses with 172 acute hospitals in Florida reveal significant relationships between types of mission statement content, sectors, and performance indicators.