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Left-wing, middle-class journalists such as Ella Winter contributed decisively to the labor rebellion of the 1930s. In contrast to mainstream labor reporting, they practiced a form of anti-fascist, working-class journalism that consistently linked the drive for collective bargaining to a larger movement for social and economic justice. Winter and other writers such as Miriam deFord and Emily Joseph carried forward a tradition of labor defense, socialist feminism, and free speech advocacy that originated in the bohemian left of the early twentieth century. Rather than reducing women’s activism to communist intrigue or the exigencies of the economic crisis, this essay seeks out the deeper roots of women’s working-class journalism in the 1930s. It finds them in the democratic and aesthetic aspirations of the pre-Bolshevik left, even while it addresses the critical impact that the crisis of capitalism and the rise of fascism had on socialist feminist writers. Functioning as mediators, organizers, and witnesses to the movement, they bridged the gap between the middle and working classes, chronicling the experiences and articulating the aspirations of a multiracial proletariat. For these writers, radical commitment and responsible social commentary seemed entirely compatible. Out of this conviction, Winter and others helped build a cross-class coalition in California. In addition, they carved out lives of social purpose that allowed them to achieve a measure of female independence and professional achievement.  相似文献   

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Feminists debate the nature of in vitro fertilization (IVF) and women's choice in relation to it. In this article, we focus on the process of becoming and being an IVF user without questioning women's choices. This process is empirically examined within a feminist body approach. Based on interviews with 22 Israeli Jewish women who went through IVF treatments in two infertility clinics where one of the authors has herself undergone IVF treatment, the article focuses on women's pain. We ask how IVF users learn about, and manage pain, and whether the pain they experience drove them to abandon the treatment. The analysis we present reveals a process, based and shaped by the women's trust in IVF and by an inner struggle. Attempting to cope with pain, the women relied on an image of their bodies as detached from their souls, and they initiated exit points from IVF treatment once their emotional experience became powerful to the extent that such detachment could no longer be sustained.  相似文献   

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This paper is an intervention within feminist and queer debates that have re-posed so-called negative states of being as offering productive possibilities for political practice and social transformation. What is sometimes called the politics of negative affect or analyses of political feeling has sought to de-pathologise shame, melancholy, failure, depression, anxieties and other forms of ‘feeling bad’, to open up new ways of thinking about agency, change and transformation. Ann Cvetkovich’s recent memoir explores depression as a public feeling and argues that ‘feeling bad might, in fact, be the ground for transformation’. As she suggests, the question, ‘how do I feel’ could usefully be reframed as ‘how does capitalism feel’? This performative staging of political forms of psychosocial reflexivity opens up new strategies for survival, new visions of the future, and importantly de-medicalises feeling beyond an individual expression of psychopathology. The grounds for affective politics might be found within new feminist futures that are attentive to the relations between emotion, affect, feelings and politics. This paper will be situated within these debates and the challenge of thinking about the productive possibilities of negative states of being. However, rather than focus on depression, I will turn my attention to experiences such as psychosis and temporal dissociation, based on my long-standing research with the Hearing Voices Network. In the context of discussions of disability and capability I will discuss the value of concepts such as debility, and ‘living in prognosis’, and respond to the call to think through what such states might offer for feminist and queer practice.  相似文献   

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ABSTRACT

Indigenous maize from Mexico has become crucial for a wave of contemporary agricultural development initiatives seeking to cultivate a ‘Green Revolution for Africa’. Plant breeders developing disease-resistant hybrid maize for Africa use cutting edge technologies like CRISPR-Cas9 to mine the genomes of maize collected in Mexico 75 years ago, during the Green Revolution’s earliest incarnation. Historicizing this transnational linkage, this paper argues that Green Revolution science appropriates indigenous maize through racial logics rooted in whiteness. In the 1940s, American scientists sent by the Rockefeller Foundation to improve Mexico’s agriculture negotiated their own racial subjectivity through their encounters with Mexico’s indigenous people. In the process, they constructed a racial hierarchy that equated whiteness with scientific superiority and indigeneity with underdevelopment. This racialization undergirded a maize program led by E.J. Wellhausen that collected and catalogued hundreds of varieties of Mexico’s maize – and then distributed them to American seed companies. Wellhausen’s seeds formed the genetic backbone for subsequent Green Revolution projects. The ‘white science’ he embodied expanded as the Revolution sought out nonwhite agriculture across the global South. Today, the Green Revolution’s racial logics are re-articulated along its geographical and technological frontier, as indigenous maize provides the seeds for the African Green Revolution.  相似文献   

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Since the publication of The Sexual Politics of Meat in 1990, activist and writer Carol J. Adams (2000 [1990]) has put forth a feminist defence of veganism based on the argument that meat consumption and violence against animals are structurally related to violence against women, and especially to pornography and prostitution. Adams’ work has been influential in the growing fields of animal studies and posthumanism, where her research is frequently cited as the prime example of vegan feminism. However, her particular radical feminist framework, including her anti-pornography and anti-prostitution arguments, are rarely acknowledged or critiqued. This article challenges the premises of Adams’ argument, demonstrating that her version of vegan feminism is based upon an unsubstantiated comparison between violence against women and violence against other-than-human animals, and on the silencing and exclusion of sex workers as subjects. The article contests the limited reading of Adams, and of feminism, offered in some key works in animal studies and posthumanism, at the same time that it recognises the need to challenge the anthropocentrism evident in much feminist theory. By way of alternative approaches to the sexual politics of veganism, the article highlights the interventions of artist and activist Mirha-Soleil Ross, proposing that her situated and embodied commitment to animal rights brings sex worker agency into the story, while resisting simple comparisons among different forms of violence. The concerns raised by Ross overlap in compelling ways with recent research in performance studies and labour history, bringing the question of work and workers, animal and human, to the fore. These studies point towards a potentially more useful framework than that of Adams for understanding the human violence suffered by different species, including those destined to be eaten by people.  相似文献   

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The article is an exploration of the ways in which Emma Goldman was both a virtuoso of political theatrics – especially effective in a period when challenging ideas were suppressed – and an advocate of politically conscious theater. Goldman was among the first to bring awareness of European modern drama to the USA. Her appreciation for the theater was an integral part of her intellectual development and a strategic component of a political strategy that aspired to embrace all aspects of the human experience. The themes addressed in the plays about which she lectured and wrote served an integrative role – crossing class, ethnic, and national boundaries. Goldman herself lived with a high sense of drama, and played an imposing role on the political stage, which resonates even today.  相似文献   

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