A Quest for Feminist Space and Time

Abstract

This article offers an investigation of practical and political aspects of new materialism on the basis of texts accepted for publication in Women: A Cultural Review. The authors emphasize various political strategies that appear in the collected essays; above all they stress the practical aspects of theory itself. Theory as praxis is a concept inspired by contemporary philosophers such as Georges Canguilhem, Gilles Deleuze, Michel Foucault and Donna Haraway. It can also be the basis for a politics of location and it highlights the importance of being situated in specific sociocultural, historical, local and geographical contexts. The authors raised the question of the potential alliances between their specific, Polish context and the possibility of participating in and creating a broader feminist movement, which proves to be possible thanks to a variety of perspectives that are considered important and worth considering in new materialism. In the article, the Polish Kongres Kobiet (‘Women's Congress’) initiative is presented as a platform for feminist activity which combines various kinds of political, social and cultural interests, concerns and goals. Along with the importance of space for feminist politics, the authors consider time as a crucial constituent of feminist activism. Both rethinking the past—tradition, heritage, history—and directing reflection towards the future hopes, possibilities, politics and theories, constitute important characteristics of the new materialism approach. The authors conclude by introducing the notion of the ‘politics of squatting’, which serves as a metaphor for a feminist quest for space and time.     

Dialoguing with the Divided Self as the Outline of a Becoming-Woman in Music

For more than 30 years, I have been researching contemporary women's classical music and have concluded that in the current time, it is difficult to believe in the utopian world for women in music that had once been imagined in the decade of the 1990s. According to Roffe, however, in Deleuzian thought utopia is not really about hope or an ideal society, but about who we are, and what we are capable of, here and now. In this paper, through a dialogue with the divided self, or what Deleuze refers to as the ‘dividual’, I will generate some thoughts about the kinds of actions that a dividual is able to produce at different stages of her work as a musician and an activist feminist. Specifically, the paper will aim to develop a new conception of subjectivity in order to sow the seeds for new ways of thinking about women in music. It will ask two questions: who acts, and who is the subject of that action?; and, how do new ways of thinking transform real world situations? The first question leads to the theme in Deleuze and Guattari's work of ‘a people to come’ or ‘becoming-woman’, the latter a concept that disrupts the male form of subjectivity, challenging the emphasis on ‘man’ as the standard by which all beings and things are measured. The paper will map the question leads to a demonstration of how the self, conceived as a dividual, is able to make an intervention into the nature of subjectivity while at the same time gesturing towards the ways in which the practices of musicology and feminist studies might be transformed.     

feminism and futurity: revisiting Marge Piercy’s <Emphasis Type="Italic">Woman on the Edge of Time</Emphasis>

This article considers the question of feminist futurity through Marge Piercy’s Woman on the Edge of Time (1976). While dominant readings of this novel have focused on its relationship to the feminist utopian genre and feminist theory from the 1970s, this essay aims to critically reframe the novel through contemporary feminist theorising on time and futurity. Drawing on recent feminist and queer theory that suggests that the future might most productively be figured through more nuanced and renewed engagements with the past, I argue that readings of Piercy’s novel that frame it only through its contemporary moment obscure the novel’s critique of singular, linear models of time. The novel represents the future through the themes of loss, mourning and haunting, which I argue resist a model of time that moves linearly from past to future and instead bring the past and future into complex relation with each other. In this regard, Piercy’s novel is read as representing a form of feminist futurity that engages with progress in time as necessarily uneven, discontinuous and fractured, speaking to contemporary demands for a feminist futurity that might require more nuanced accounts of the past.     

The Im/Possibility of Abandonment in New Materialist Ontologies

Organising prominent critiques of new materialism is the suggestion that it contains a gesture of abandonment. New materialism abandons the past to enable its self-promotion as a novel brand and generation of feminist intervention wedded to a particular vision of matter's transformative possibilities. Or it abandons questions of race in advancing a grand ontology, while simultaneously enacting a particular politics of perspective—one that is racialised. In this article we acknowledge the importance of these critiques as we engage them through an interrogation and opening of the nature of abandonment itself. From within a new materialist frame, we ask who or what abandons, and what assumptions about matter, race, the human and the iterative act of abandonment are at work in critiques of this field? We question how a new materialist approach enacts and recasts the positionality and privilege of ‘whiteness-as-humanness’ at the same time it is considered to elide these. Taking up with discussions from within critical race theory and approaches to human exceptionalism, we ask from this whether we can conceive of new materialism in terms of a perverse ontology that renders abandonment im/possible.     

Shock to Thought: An Encounter (of a Third Kind) with Legal Feminism

This paper takes a recently published text and, in examining it closely, argues that it exemplifies trends within feminist scholarship in law, which might be characterised asestablishing a form of orthodoxy. The paper explores some of the ways in which thiso rthodoxy is constructed and presented, and argues that it is characterised by a commitment both to `grand theory' and Hegelian dialectics. The adoption of this model of work seems to offer a chance to hold together the triangular figure of women/theory/law reform. The paper will argue that, whilst this model is clearly a valid choice, and attractive to feminist scholars in the promise it seems to hold, the model is not to be presumed but rather should be examined and considered in terms of its potential for feminist scholarship. Both within its own terms, and as part of the construction of an orthodoxy, the paper will argue that it is in fact problematic and that feminist scholarship would be better served by seeking an alternative theoretical model. An alternative is suggested, using the work of Deleuze, but it is acknowledged that this will require the acceptance of a very different theoretical configuration from that suggested by the triangular model of women/theory/lawreform.     

La Nouvelle Vague: Epiphanies, Encounters, Events

A recent collection of essays,Feminist Perspectives on Law and Theory,is here taken as the starting point for an analysis of the political trajectory of feminist jurisprudence. The ‘new wave’ of feminism borrows much of its inspiration from continental theory – from Derrida, Deleuze and Irigaray – and has been subject to criticism for its attention to language and its turn towards culture and aesthetics. Reviewing the materialist bases of the new wave, and particularly its concern with the immediacies of the body and events, it is argued here that it represents a return to the radicalism of feminist legal theory. This revised version was published online in July 2006 with corrections to the Cover Date.     

the narrative reproduction of white feminist racism

White women’s racism has been the topic of many critiques, discussions and conflicts within British feminist theory and politics over the last fifty years, driven by women of colour’s insistence that white feminists must take on board the significance of race in order to stop perpetuating racism. Yet still today, feminist academia and activism in Britain continues to be white-dominated and to participate in the reproduction of racism and whiteness. This article examines the role of dominant historical narratives of feminism in enabling this reproduction, arguing that there is a direct correlation between how the feminist past is constructed in relation to race and racism and how feminist theory and politics are articulated in the present. Focussing on three contemporary feminist texts that address feminism itself as a subject, it highlights three techniques used in these texts that, it is argued, are commonly employed in the narrative reproduction of white feminist racism. These are: (1) the erasure of the work of British feminists of colour; (2) white feminist co-option of work by feminists of colour; and (3) the narration of feminist theory and politics as having ‘moved on’ from racism. These techniques lead to evasion of the topic of white feminist racism, both historically and in the present. They also reinforce the construction of British feminism as a story that belongs to white women. The article argues that in order to work towards ending white supremacy, white feminists must relinquish control of the feminist narrative and stop moving on from the topic of white feminist racism.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

Feminism and the Technological Age

Abstract

Feminism advocates for the inclusion of women within the modern economy, but this has implicated feminism in a hyper-capitalist and instrumental mode of organising social life. Feminism has helped to legitimise the ubiquitous reach of this regime into all areas of social life, even parenting. Feminism can learn from Heidegger's proposition that in questioning modern technology we may open up a way of coming into a free relationship with it—to be open to the divinity of living beings and things. Jessica Benjamin's account of the relationship between the mother and her infant in terms of intersubjectivity seems to fit Heidegger's proposition for it highlights a dynamic and receptive exchange between two unique living beings. The question for feminism at this time is: how can it own its complicity with modern technology while opening up its distinctive contribution to finding a way of coming into a free relationship with it?     

The Loneliness of the Feminist Historian

Abstract

Feminist historians in Australia have achieved the critical mass that means that they no longer need to be the sole woman's voice pleading to get women into the history corridors and inside the books. By looking back at recent history reflexively, this article celebrates the achievement of feminist historians over the past four decades in making profound impacts on mainstream historical writing and understanding. Engaging in particular with the work of feminist historians Joan Scott and Joy Damousi, ‘The Loneliness of the Feminist Historian’ considers whether feminist history has a future. It also reflects upon the author's memories of the feminist history movement from the 1970s and 1980s—its aims, its achievements and its significant successes, especially compared with other social science disciplines. It explains how certain ‘great (female) historians’ made courageous efforts to internationalise and pluralise feminist history. It also probes the meaning and relevance of ‘professional masculinities’, pointing out that feminist historians were supported by key male historians, who backed them in gaining career and publishing opportunities. Additionally, the challenges of Indigenous scholars led to a sharpening of critical approaches to colonialism. This article argues, however, that feminist historians cannot afford to cling to the excitement of the early conferences of the 1970s and 1980s, for if they expect their practice to thrive, they must constantly critique it, using the most innovative and best tools of our era, including the empirical, the reflexive, the whimsical and the theoretical.     

Beyond the ‘big three’: the development of feminist theory into the 1990s

Abstract

This paper examines some of the changes that have taken place in Western feminist theory during its recent past. It begins by questioning whether previous practices of labelling feminism as liberal, Marxist or radical are still useful. It then considers those influences that have especially effected feminist thinking, particularly Lacanian psychoanalysis and post-structuralism. The paper argues that the nature of feminist theory has been profoundly transformed since the early days of second wave feminism. While some of these changes have been positive, others have had unfortunate and negative consequences. The paper concludes with some suggestions as to how the usefulness and political potential of feminist theorising might be harnessed for the future.     

Non/living Matter,Bioscientific Imaginaries and Feminist Technoecologies of Bioart

ABSTRACT

Bioart is a form of hybrid artistico-scientific practices in contemporary art that involve the use of bio-materials (such as living cells, tissues, organisms) and scientific techniques, protocols, and tools. Bioart-works embody vulnerability (intrinsic to all beings) and depend on (bio)technologies that allow these creations to come into being, endure and flourish but also discipline them. This article focuses on ‘semi-living’ sculptures by The Tissue Culture and Art Project (TC&A). TC&A’s artworks consist of bioengineered mammal tissues grown over biopolymer scaffoldings of different shapes and require sterile conditions of a bioreactor and constant care in order to survive. The article explores how bioart-works are always already intertwined with multiple (bio)technologies and techniques of care and labour, forming specific feminist technoecologies that challenge conventional bioscientific and cultural imaginaries of embodiment and the relation between physis and techné. TC&A’s sculptures expose life as the non/living: the processual enmeshment of the organic and inorganic, living and non-living, and growth and decay. The article argues that thinking with and through the feminist technoecologies of bioart mobilises philosophical inventiveness: not only does it problematise the entwinement of technology and biomatter and of culture and nature, but it also prompts us to rethink the ontology of life.     

Feminist Political Science and Feminist Politics

Abstract

This article moves away from issues of the impact of women and feminist scholarship on political science to examine the relationship of feminist political science to a political constituency. It traces the trajectory of feminist political science from its close relationship with women's movement activism in the 1970s to the highly professionalised disciplinary subfield of today. It highlights some of the dilemmas resulting both from professional imperatives and from the norms of research excellence stemming from new forms of research governance. It finds that feminist political science has been pushed towards addressing an international community of scholars in a language inaccessible to local publics. But it finds that despite such pressures, feminist political science has still sought to produce work that is of direct relevance to achieving women's movement goals, whether within public policy or within political institutions broadly conceived. While it may no longer be speaking the same language, it is still seeking to identify the obstacles to change and the possibilities for transformation. This can be seen particularly clearly in the area of research on the intersection of electoral systems, quotas and party structures. Yet even here tensions can emerge, as with the concept of ‘critical mass’, perceived by activists as a crucial discursive tool but problematised by feminist scholars.     

Does Feminist History have a future?

Abstract

Contemporary shifts in scholarship and institutional agendas, I argue, have created new sets of challenges for feminist history. While these do not undermine the paradigms of this scholarly endeavour, there has been an inevitable shift in how feminist history is now written, conceptualised and undertaken. A hallmark of dynamic and innovative scholarship is a capacity to evolve and respond to intellectual challenges and developments. There is much to be positive about in the future, as I believe feminist history at its best has not remained a passive or static body of knowledge, but continues to be reformulated and reconceptualised, but with this dynamism comes uncertainties which institutional change can bring. While I do not believe these are systemic enough to pose a challenge to the enterprise, I suggest they do create cause for wider discussion, especially about the place of the humanities more generally in the corporate university of the twenty-first century.     

The forgetting of Mary Wollstonecraft’s religiosity: teleological secularism within feminist historiography

ABSTRACT

Religious concepts and themes are central to many of Mary Wollstonecraft’s writings, yet rarely feature within popular representations of her life, work and legacy today. This paper examines the forgetting of Wollstonecraft’s religiosity in light of the broader narratives that western feminism circulates about its past and present, focusing particularly on the historiographical practices and temporal tropes that construct feminism as a quintessentially secular project. It also considers the potentially transformative impact that unforgetting Wollstonecraft’s religiosity could have within feminist historiography and politics in the present, in terms of parochializing the political certitude of secular feminism and the politics of division conducted in its name.     

Feminist Materialism and Covid-19: The Agential Activation of Everyday Objects

ABSTRACT

This article takes up and make the case for the study of Covid-19 through the lens of feminist new materialism and asks how this approach might draw out perspectives and insights overlooked by other frameworks. I begin with a brief introduction to Covid-19 followed by an analysis of the virus through the lens of feminist new materialism by drawing on the work of Karan Barad (2003), Rosi Braidoitti (2011), and Jane Bennett (2004). I contend that the interconnected frameworks articulated by each of these theorists provides the basis for a more robust understanding of the viral non-human (Covid 19) and everyday objects (the toilet roll and medical masks) whose agentic power is embedded in larger assemblages of natureculture. This kind of analysis is urgent in light of our current media-saturated, interconnected, highly politicized, and expert-adverse environment.     

Always More Than Two: Vibrations,the Foetus,and the Pregnant Person in Childbirth Singing Practices

The goal of this article is to expand the theoretical approaches in feminist research that have explored the relationship between the pregnant person and the foetus in terms of constitutive relationality. I examine new ways of understanding and conceptualizing such a relationship, which may be enabled by the concept of vibration, by focusing on a childbirth-singing method developed and taught by Finnish music educator Hilkka-Liisa Vuori. This article is based on ethnographic fieldwork; I participated in a course on childbirth singing taught by Vuori and interviewed women who had used singing and vocalizing during pregnancy and labour. With the help of new feminist materialisms and feminisms inspired by Gilles Deleuze and Felix Guattari’s thinking, I suggest that sound and music as vibrations are agential matter that allow us to rethink the dyad between the pregnant person and the foetus. I argue that when the foetus–pregnant person dyad is approached as a constitutive relationality, more than two bodies are always involved.     

Feminist biography and feminist history

Abstract

This article seeks to explore the relationship between biography and the many new developments evident in feminist history. Taking as its particular focus the history of nineteenth- and twentieth-century English feminism, it looks at the divergence between an approach to biography which assumes it to be concerned with the lives of exceptional individuals and an interest in the history of feminism which has ceased to regard it as being the story of heroic victories on the way to women's emancipation. The growing interest in the lives, experiences and activities of past feminists who were not the leaders of major national campaigns suggests a new approach in general to the biographies of feminists – exploring how they lived and understood the broader situation of women     

‘Situated Knowledges’ and New Materialism(s): Rethinking a Politics of Location

Abstract

Playing a pivotal role in foregrounding a feminist politics of difference, a politics of location embodies what can be termed second-wave concerns that continue to inform contemporary feminist modes of inquiry and research. However, the attention to material specificity that locatability performs has emphasized the identity of the speaking subject at the same time as it has acknowledged materiality's entangled engagements as suggestive of the complicated production of any identity. In her 1988 essay ‘Situated Knowledges’, Donna Haraway both raises and responds to the challenge of a feminist politics of location in a way that anticipates a convoluted politics of the subject, in particular where she is not satisfied to relinquish universality and objectivity, or the ‘non-local’, in her provocative thinking through of situated knowledge production. The partial perspective she uncovers insists that the capacity for identity is addressed as a political gesture, with a reminder that any appeal to perspective is a non-innocent participation in what it helps to produce. In taking up Haraway's essay, the author engages with the problematic nature of a politics of location that is confounded by the direction of its critical interventions, and in such a way anticipates and performs new (feminist) materialist concerns. Questioning the nature of non-locatability and its political imperatives, the author suggests an ‘annunciative politics’ through which to consider some of the implications of Haraway's figuring of the partial perspective, to ask after feminism's political impetus with the tensions raised in Haraway's argument kept alive.