Matilda sturge: ‘renaissance woman’ 1

Abstract

This article notes the virtual exclusion of women from accounts of the ‘Renaissance’ within late nineteenth-century British Quakerism. A focus upon a hitherto neglected figure, Matilda Sturge (1829-1903), author and Quaker minister, reveals her long-standing involvement in the aspects of Quakerism crucial to the Quaker Renaissance and as an active participant in the debates which preceded it. But Matilda Sturge also was active in the Home Mission movement, a project of Evangelical Friends, which has generally been represented as antithetical to the liberals of the Quaker Renaissance. Foregrounding women's experience introduces new perspectives on late nineteenth-century British Quakerism.     

Hélène Cixous's Autre Bisexualité and the Eternal Feminine in the Works of Nuala Ní Dhomhnaill

This article analyses the creative engagement of the Irish-language poet Ní Dhomhnaill with Hélène Cixous's écriture féminine. Ní Dhomhnaill translates Cixousian images and concepts into her texts, returning on several occasions to the concept of l'autre bisexualité (‘the other bisexuality’). Cixous uses this concept to rehabilitate—and celebrate—what she designates as ‘the feminine’, the alterity within and outside the self. For both writers, this alterity comprehends marginalized cultures as well as femininity. Both bring anti-essentialist convictions to their views of gender and cultural identity, but their respective poetics are born of shared preoccupations with biblical and mythological figures, and narratives often implicated in essentialism. Ní Dhomhnaill connects these archetypal figures with the cultural realities of post-colonial Ireland. The author argues that she draws on the works of Cixous to connect the indigenous Irish language and culture with the rehabilitation of femininity. But whereas, in Cixousian texts, ‘femininity’ eludes concrete definitions and stable meanings, in the works of Ní Dhomhnaill, it often signifies an authentic pre-colonial culture that is ripe for rediscovery in post-colonial Ireland. Ní Dhomhnaill simultaneously celebrates this culture and acknowledges its embeddedness in a Celtic patriarchy that her Cixousian tropes work to undercut.     

The political economy of ‘flex trees’: a preliminary analysis

With the rise of ‘bioeconomy’, trees are receiving increasing attention. This contribution conducts a preliminary analysis of the trajectories and the main drivers of change in the rise of new, flexible and multiple uses of trees. It assesses the political dimensions involved in this transformation, which is simultaneously ongoing, anticipated and imagined. Notes are offered on the issues to be considered when the flex-crop framework is operationalized to include the study of trees, and additional conceptualizations that help in analyzing the political economy of tree uses are provided. Areas needing further empirical study are identified and a preliminary research agenda is suggested. The flexible and multiple use of trees and tree-derived commodities is having a large impact on power relations in the global political economy of forestry and the forest industry, the asymmetry of which is based on who is best able to flex or de-multiply, thereby controlling commodity webs and processing technology. It is argued that while flexing seems to increase diversity, in practice it typically increases this only for the processing industry; the converse occurs in terms of the unification of the productive base into monocultures. However, these two processes go hand in hand, and illustrate how flexing is a deeply capitalist process.     

Feminism,imperialism and orientalism: the challenge of the ‘Indian woman’

Abstract

This article examines the content and process of imperialist discourse on the ‘Indian woman’ in the writings of two North American women, one writing at the time of ‘first wave’ feminism, the other a key exponent of the ‘second wave’ of the movement. By analysing these writings, it demonstrates how the content of the discourse was reproduced over time ith different but parallel effects in the changed political circumstances, in the first case producing the Western imperial powers as superior on the scale of civilisation, and in the second case producing Western women as the leaders of global feminism. It also identifies how the process of creating written images occurred within the context of each author's social relations with the subject, the reader and the other authors, showing how an orientalist discourse can be produced through the author's representation of the human subjects of whom she writes; how this discourse can be reproduced through the author's uncritical use of earlier writers; and how the discourse can be activated in the audience through the author's failure to challenge established cognitive structures in the reader.     

The ‘Wrongs’ of Women: Sex and Sexuality in Irish American Women's Writing

A key trait distinguishing the writing of Irish American women from that of their male counterparts is a strong feminist bent often expressed in stories featuring sex and sexuality. In ignoring these characteristics, Irish studies scholars have disregarded a trait established by Irish women writers in oral traditions as early as 600 and in written English since 1685. Much of this material was categorized as the ‘Wrongs of Woman’, a phrase used to describe stories about physical and sexual abuse. These same themes can be traced in the writing of Irish American women since the late nineteenth century. By focusing on these ‘wrongs’, Irish American women have not only carried on the tradition begun by their foremothers; they have also battled patriarchal bonds on three fronts: religion, which created such bonds; society, which reinforced them; and politics, which tries to recreate and re-impose them. A complete understanding of Irish American writing therefore depends on recognizing and adding the contributions of these women to the definition of the literature. This essay defines that cohort, then provides a historically contextualized examination of their literary attempts to address the ‘wrongs’ of women inflicted by religion, society and politics from 1899 to the present. In so doing, this discussion demonstrates the role played by Irish American women writers in promoting, protecting and perpetuating the rights of women in the United States and around the world.     

Life into art and art into life: visualising the aesthetic woman or ‘high art maiden’ of the Victorian ‘renaissance’

There has been a great deal of research concerning the effect of aestheticism on men in the late nineteenth century, especially in terms of their sexuality, but its impact on women has been largely dismissed as unnecessary, as women were naturally ‘feminine’. This article examines whether ‘the self-absorption and heightened emotional life of Aestheticism’ (J.B. Bullen, 1998 [Oxford: Oxford University Press]) was tolerable in women or if it was leading to disease, decay and corruption. Aestheticism's insistence on individuality and self-discovery were to have important consequences for women, fuelling the desire for a life of their own rather than solely service to others.     

‘Philosophical vacuity and political ineptitude’: the freewoman's critique of the suffrage movement 1

The Freewoman has commonly been read as an example of New Woman periodical publishing, through its focus on women's sexuality and autonomy from men. The journal appears to offer a more daring, twentieth-century and modern ‘new woman’, more willing than even her 1890s counterpart to embrace free unions or sexual experimentation. The Freewoman's extraordinary discussions of sexuality have tended to distract historians' attention from other elements of the debates it engendered. In particular, the political argument found within its pages has received insufficient attention; the journal tends to be misread as a socialist publication. Placing the journal as part of the New Woman narrative lends itself to an alternative view of the political subject of The Freewoman; the New Woman focus on individuality, autonomy and creative genius plays an important part in the distinctive political debates found within the journal. Although the suffrage struggle dominated Edwardian feminist activism, many Freewoman contributors rejected the vote entirely. In aperiod when new liberal or Fabian conceptions of an increasingly interventionist state appeared to sit comfortably with feminist demands for a more inclusive and socially responsible state, The Freewoman took an anti-statist stance. Rejecting the common suffragist metaphor of the state as the home writ large, Freewoman contributors saw the state as machine-like. The author explores the motivations for these positions, and the development of an individualist-feminist, or even egoist stance. Specifically, she outlines contributors' rejection of militant suffrage activism, and their contestation of the citizen as a rights-holding and consenting political subject, and maps the alternative political structures suggested within The Freewoman, and the manner in which concepts of individuality found within New Woman discourse served to construct a disturbingly elitist and even coercive feminist politics.     

Kiss and Tell: ‘The Writing Cure’ in Kathryn Harrison's The Kiss (1997)

The article challenges conventional assumptions regarding the question of incest survival within contemporary discourses. A textual analysis of Kathryn Harrison's autobiographical novel tracing her consensual sexual relationship with her father is used to address the issue of failed or unresolved mourning as a prototypically ‘modern’ cultural phenomenon. Psychoanalytically informed feminist literary criticism is used to explore the parallels between the cultural construction of femininity and failed or postponed mourning in western historical and philosophical traditions. Following the work of Juliana Schiesari and Kathleen Woodward, the article contends that melancholia is a gendered discourse that has historically privileged male theorists and film-makers, such as Barthes and Fassbinder. The article suggests that contemporary women writers, such as Harrison, are engaged in a revisionary approach to the construction of loss within their writing. By situating themselves at the heart of the contemporary family narrative, instead of the ‘melancholic’ margins, they are able to produce a counter-discourse that dispels the conventional dynamics of the traditional family romance. By using the ‘writing cure’ to overcome ideological loss, the desiring daughter is able to challenge misogynist constructions of femininity within contemporary literature.     

Writing independence: Gayatri Spivak and the dark continent of écriture feminíne

Public Sex: The Culture of Radical Sex, by Pat Califia. Cleis Books, 1994.

Stirring, Spinning, Sweeping. Performed by Marilyn Arsem with Virginia Abblitt. Slater Mill Historic Site, Pawtucket, Rhode Island, March, 1995.

The Lesbian Postmodern, edited by Laura Doan. Columbia University Press, 1994.

“Vulvamorphia.” Guest edited by Lillian Lennox. Lusitania #6 (1994).

Wonderland. Performed by Paula Josa‐Jones and Performance Works. Conceived and directed by Paula Josa‐Jones, choreography by Jones and dancers. World premiere at the Jacob's Pillow Dance Festival, Becket, Massachusetts. July 7–9, 1995.

Fast Trip, Long Drop, video by Gregg Bordowitz.     

‘In the case of a woman’ or ‘the headache’: married women’s nationality and Canada’s Citizenship Act at home and Europe, 1946–50

In addition to making Canadian nationality independent of British subjecthood, the 1946 Canadian Citizenship Act made women’s nationality independent of marriage, but did not repatriate women who married aliens before 1 January 1947, when the act became law. This article examines the lobby to repatriate the women, most of them married to European allied soldiers and living in Canada or Europe, and wider contexts involved. Scrutinizing the citizenship claims made by and for ‘ordinary’ but racially privileged white women in a dominion that was both a receiving nation on the cusp of renewed immigration and a neo-colonial state vis-a-vis Indigenous peoples, it acknowledges the woman’s heartfelt sentiments and assesses the lobby against the continuing disabilities imposed on status-Indian women who ‘married out.’ The delayed reform of 1950, which fell short of automatic repatriation, and the absence of feminists from a lobby related to a long-identified feminist issue, are also addressed, as are topics in need of further research.     

‘disparate in voice,sympathetic in direction’: gendered political blackness and the politics of solidarity

While political blackness seems to be making quite a comeback, this resurgence has also met with frustration and ambivalence. This paper aims to make sense of why this mobilising concept is accepted in some contemporary black feminist circles and outright rejected in others. It unpicks the diasporic dimensions of political blackness, reflecting on the issues that converged to foreground ‘black’ as the basis for mobilising women of African and Asian decent to engage in collective activism. Attention is given to the Organisation of Women of Asian and African Descent, a national network that linked black women’s organisations and expressed and projected what the author defines as gendered political blackness. Interrogating its implications and the tendency towards ideological policing, the author argues that political blackness must be viewed as a politics of solidarity. If it is to maintain its viability, political blackness needs reframing, contextualising and further analysis. A retelling of its ideological underpinnings, and crucially the tensions and contradictions inherent in political blackness, offers a critical lens through which to rethink how we use it as a mobilising tactic in the present.     

Audre Lorde’s Life Writing: The Politics of Location

Am I to be cursed forever with becoming somebody else on the way to myself? -Audre Lorde “Change of Season” I am a scar, a report from the frontlines, a talisman, a resurrection. -Audre Lorde “A Burst of Light: Living with Cancer”     

Regendering modernism: the woman artist in Irish women’s fiction

The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien, which both feature women as artists. This figure provides in both cases a mode of combining a commitment to narrative realism with a self-reflexive exploration of the role of art, thus evading the fictional polarities of the period. The woman artist as fictional character also offers an opportunity to explore the relationship between gender, sexuality, politics and art. The linkage between sexual dissidence and aesthetic freedom is a persistent trope of modernism in the Irish context, even if it is often critically submerged under the figure of exile. Both The Troubled House and As Music and Splendour might be considered to be supplements to Irish modernism in the Derridean sense, ‘an originary necessity and an essential accident’. Through the figure of the woman artist, both of these marginal novels transgress the configurations of gender at the heart of that modernism’s aesthetic project. Both link transgressive sexuality with artistic production. In doing so they posit a very different relationship between sexuality, aesthetics and politics.     

‘The knife in the hands of the children’? Debating the political mass strike and political citizenship in Imperial Germany

German trade union leader Ludwig Rexhäuser compared workers who might use the political mass strike to children one could not trust with a knife. No other worker leader so openly disparaged the masses, and some embraced worker activism. Nonetheless, pre-1914 German Social Democrats, in debating the mass strike, differed sharply over whether and which workers could be trusted with political agency, how workers could attain political maturity, and what tactics citizens might or should legitimately use. The contested nature of political citizenship within Germany's most democratic movement illuminates just how complex democracy and democratization have proven in practice.     

the new woman and ‘the dusky strand’: the place of feminism and women's literature in early Jamaican nationalism

This essay analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. Largely overlooked, this archival material is significant because it suggests a subtle yet significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late nineteenth and early twentieth century, but rather, it emerged in a broader phenomenon of respectable, middle class nationalism, encompassing the overlapping projects of Jamaican nationalism and Pan Africanism. Thus, it becomes clear that first wave feminism, including white women writers, played a key but brief role in the formation of the middle class nationalism that would later dominate Jamaica's transition to independence. During the first five years of publication of the Jamaica Times, women wrote a significant proportion of the short stories published. However, they became marginalized as black folk culture became the defining symbol of national authenticity. The marginalization of middle class women writers reflects a broader pattern. In adopting first wave feminism from Britain and the United States, Jamaican nationalists reproduced colonial race and class dynamics that established an unbridgeable divide between middle class women, who served as ‘ladies bountiful,’ and the usually darker-skinned compatriots to whom they ministered. This class division continued to limit feminist activism in Jamaica throughout the first and second waves.     

‘Writing from the Fringe of Empire’: understanding the gaps,silences and underlying whiteness in Jane Sarah Doudy’s literary works

Jane Sarah Doudy was a writer who often wrote to project an image of an ideal colonial community. Embedded within this literary construction were very clear ideas about cultural norms, colonial patriotism and racial hierarchies. Her literary works, however, have been shelved and forgotten for the better part of seventy‐five years. They have been revisited here to provide a fresh new site for acknowledging the political, cultural and historical significance of white settler women’s narratives and for understanding how one woman’s ‘dialogue of domination’ reveals much about the complex interracial boundaries and relationships that often occurred on the fringes of empire.     

‘Land grab’ as development strategy? The political economy of agricultural investment in Ethiopia

This paper examines the domestic political economy of so-called ‘land-grabbing’ in Ethiopia, assessing the motivations of the Ethiopian government, which has strongly promoted foreign agricultural investment. The paper draws on a unique set of federal and regional databases detailing foreign and domestic investments in Ethiopia to analyse the likely role investment will play in the Ethiopian economy and the areas which have been targeted for investment. The analysis identifies increased foreign exchange earnings as the main likely contribution of investment but in doing so highlights concerns for food security in Ethiopia, as the goal of national self-sufficiency has given way to a risky trade-based food security strategy. The paper also argues that the federal government's attempts to direct investment to sparsely-populated lowlands have important implications for the ethnic self-determination that is a key tenet of Ethiopia's federal system.     

‘Bigger than our friendship’: personal and political passions in the life of Anna Rochester, 1880–1966

This article explores the personal and professional life of Anna Rochester, Marxist economist and active member of the American Communist Party. Her political passions are intricately woven with the life and work of her romantic partner, Grace Hutchins, and together, they shared an ideological journey from Christianity to communism. While this personal relationship provided the emotional support central in sustaining a public career, their partnership was framed by strong allegiances to shared values and politics. In order to understand the merging of the personal and political arenas in Rochester's life, it is important to focus on the material conditions of Old Left organizational membership that encouraged a subordination of personal relationship to something, as Rochester believed, ‘bigger than our friendship’.