AFRICAN RENAISSANCE AND NEGOTIATION OF YORUBA IDENTITY IN THE DIASPORA: A CASE STUDY OF NIGERIAN STUDENTS IN CAPE TOWN

ABSTRACT

Drawing on poststructuralist discourse analysis and Hall's (1990) notion of diaspora cultural identities, this article explores the discontinuation and maintenance of Yoruba identity options by students at three Western Cape Province universities. Interviews and observations data are used to consider how different forms of representations and cultural practices associated with Yoruba in Nigeria lead to equally fragmented and hybrid lifestyles and identity options in the Diaspora due to the changed socio-cultural conditions. The argument shows the ruptures and fragmentation of Yoruba cultural elements as students try to fit into the South African socio-cultural contexts while trying to live ‘home’ life away from home. It also shows cultural appropriation by local South Africans who claim Nigerian [Yoruba] affiliation through wearing Yoruba attire and partaking in Nigerian [Yoruba] cuisine. The authors argue that identities are produced across national and ethnic boundaries not only through language choices, but also through dress, food and other semiotic resources, and that to promote the ideals of an African renaissance, there is need to recognise that Africa is a consequence of not just similarities, but more so of various critical points of profound difference and discontinuity. The article concludes that African renaissance entails embracing shared African cultural heritage and differences as the norm; and transnational competition, interdependency and interconnectedness are critical ingredients for the technological and socio- economic development of Africa.     

DEMOCRACY AND NATIONALISM IN HISTORICAL PERSPECTIVE: THE CASE OF MALAWI

The collapse of the Banda regime in 1994 has led to a renewedinterest in the nature of the Malawian political tradition.This paper seeks to contribute to the debate by focusing onthe political beliefs of nationalist politicians in the decadeleading up to the cabinet crisis of 1964 which marks, in someviews, the true origin of the Banda dictatorship. It suggeststhat early nationalist politicians like James Frederick Sangalaand Levi Mumba combined a belief in the importance of unitywith a democratic awareness of the virtues of civil society.As Congress grew in popularity, however, elements of a totalitarianideology, deeply intolerant of dissent, began to appear, notonly in Dr Banda's speeches but in those of his lieutenantsand subsequent opponents such as Masauko Chipembere and KanyamaChiume. This tendency increased with the founding in 1959 ofthe Malawi Congress Party which developed as an absolutist bodyboth in terms of its own internal structure and in the demandsit made on Malawian society. Some politicians drew on the autocratictradition of the colonial era to produce justifications forthe establishment of an African-controlled dictatorship. OnlyDunduzu Chisiza provided a coherent democratic alternative tothese views. And even Chisiza had difficulty in reconcilinghis belief in strongman government with the need to protectindividual rights. A totalitarian strain, deeply intolerantof dissent, had thus entered Malawian politics prior to 1964.But this strain coexisted with a democratic tradition, articulatedin particular by Mumba and Chisiza.     

IRAQ AND THE LESSONS OF VIETNAM: Introduction

Abstract

The following is the Introduction from a published collection of articles edited by Lloyd C. Gardner and Marilyn B. Young, Iraq and the Lessons of Vietnam: Or, How Not to Learn from the Past (New York and London: The New Press, 2007. 322pp. 978-1-59558-149-5). The book's Table of Contents appears on p. 486 below.

The specter of Vietnam has been buried forever in the desert sands of the Arabian Peninsula. — George H.W. Bush, 1991     

THE PRODUCTION OF HISTORY IN MALAWI IN THE 1960s: THE LEGACY OF SIR HARRY JOHNSTON, THE INFLUENCE OF THE SOCIETY OF MALAWI AND THE ROLE OF DR KAMUZU BANDA AND HIS MALAWI CONGRESS PARTY

This article joins the debate on culture, history and politicsin postcolonial Malawi. Concentrating on the production of historyin the 1960s, the paper shows how the decade marked the beginningsof serious research, teaching and public discourse of Malawi'shistory. It proceeds to examine factors, such as the existingliterature, which helped to fashion the direction which theplayers, mainly teachers and researchers, took in accomplishingtheir tasks. In this connection the paper considers the mannerin which Harry Johnston, the first person to write widely onthe peoples of the Lake Malawi region, influenced the historiographyof the country. It also evaluates the role of the Society ofMalawi and its publication, the Society of Malawi Journal, inthe production of history. Finally, the article pays attentionto the ways in which the work of historians was affected byPresident Kamuzu Banda and the policies and actions of his rulingMalawi Congress Party.     

THOMAS AND LUCY ATKINSON: PIONEERING EXPLORERS OF THE STEPPE

Thomas and Lucy Atkinson were pioneering explorers of the Russian, Siberian and Central Asian Steppe in the 1850s. They both wrote books about their journeys which were feted in their own time, and in particular Lucy Atkinson was one of the first women to describe travels in this region in her 1863 work Recollections of Tartar Steppes and their Inhabitants. Thomas Atkinson was also an accomplished painter, and his sketches of the steppe were highly sought after in the period. However, these two trail-blazing explorers have been largely forgotten today. How do we explain this anomaly? Is there any reason we ought to know more about the Atkinsons? Why have they fallen from public view? Did they add to the knowledge of the physical world or to ethnography? This article will try to put their journeys and their achievements into some kind of context and, hopefully, make the case for a reassessment of their contribution to the history of exploration.