Narratives of progress: Zimbabwean historiography and the end of history

This brief commentary takes its inspiration from the opening address delivered by John Hoffman, and printed in these pages; that is, progress is usefully understood as a contradictory, contested and ambiguous process. But rather than attempt a comprehensive survey of the past 40 or so years of academic analyses of Zimbabwe's pasts, what follows has as its focus the emergence of ‘patriotic history’ and particularly its nationalist antecedents. These are critically examined. Although not concerned with the generality of recent studies that are neither nationalist nor materialist in orientation, this paper sketches in outline the rise, fall and rise of radical accounts. It ends by suggesting how such analyses might be taken forward.     

Family history,identity, and public history: writing a history of The Benevolent Society in its 200th year

Abstract

Since 2011, the authors have worked together on outputs associated with the bicentenary of The Benevolent Society of New South Wales, Australia's oldest charity, established in 1813. This article focuses on one of those outputs—a project making use of family histories of clients of The Benevolent Society's Asylum, in the second half of the nineteenth century, to reveal the histories of these families in colonial New South Wales. The project also involves an exploration of the many different ways in which contemporary Australians are active agents in the creation of historical knowledge when practicing family history.     

Home Is Where Mother Is: Ideals and Realities in Australian Family Houses of the 1950s

Following the austerity of war, Australians in the 1950s were keen to pursue their inter-related ambitions of building families and homes. Architectural design was heavily influenced by modernism and focused particularly on the perceived needs of mothers and children, imagined to be ever-present in the home. Architects recommended modernising and centralising the kitchen so that the mother could efficiently complete chores while supervising her children. They advised designing children’s bedrooms to provide privacy and stimulate creativity, as well as incorporating indoor and outdoor play areas. While these ideals were promoted in housing magazines, analysis of other sources reveals that the reality of 1950s housing was more complex. Many Australians lived in dwellings representing the design conventions of previous eras. For those building new houses in the 1950s, postwar shortages and personal finances often constrained aspirations. Others disliked the fact that modernism challenged traditional spatial and social precepts. Even for that minority residing in newly constructed, architecturally designed housing, families did not always inhabit domestic spaces in the manner anticipated by architects. Attention to a range of historical sources allows a fuller understanding of the broad spectrum of postwar housing and the diverse ways in which 1950s Australian families dwelt in their homes.     

Australian National Anthologies: A Study of Poems and Poets

This article analyses the contents of fifteen Australian “national” poetry anthologies published between 1946 and 2011. The study has three basic aims: to identify the most anthologised poems (as determined by the greatest number of inclusions in all anthologies), to identify poets with the most poems anthologised, and to identify the poets most consistently represented during this period. Based on quantitative data derived from each anthology’s table of contents, this article provides an empirical and analytical account of Australian national poetry anthologies over a six-decade period. The results reveal a core group of consistently anthologised poems and poets. While each anthology is different, there is a degree of consensus among national anthologists regarding the inclusion of “standard anthology pieces”. This article also considers the role of national anthologies in supporting a hierarchy of established literary reputations and perpetuating a poetic tradition in Australian literature.     

Australian Cinema Studies: How the Subject Is Taught in Australian Universities

Since the mid-1970s, the subject Australian Cinema, and its various synonyms and neologisms, has been studied in humanities, social sciences and the arts in Australian higher education, and research in the field has played an important role in informing the critical approaches underpinning curriculum. Yet to date there is limited insight into the types of subjects offered, approaches to curriculum and syllabus, and their alignment with research. This article maps Australian cinema studies in higher education at an undergraduate level, and provides insight into common curriculum and syllabus models. Findings are drawn from an online survey of university course handbooks, content and thematic analysis of study guides and weekly syllabus, and correspondence with coordinators. Twenty-seven universities offered subjects with a dominant Australian cinema focus. Australian cinema studies is firmly embedded in national cinema curriculum, and three common curriculum models include the following: (1) a historical chronology of Australian cinema, (2) a text-dominant approach organised around the weekly study of a key film and (3) an approach predominately structured around Australian cinema discourses and critical theory. Despite the increasing importance of transnational approaches to Australian screen in research, transnationalism rarely functions as a dominant organising logic for curriculum in its own right.     

Testing the west: Consumerism and national identity in eastern Germany

With unification, Western‐style consumerism washed over East Germany in a gigantic wave that stood in marked contrast to the socialist reality of limited supply and suppressed demands. This article examines the impact of consumerism as a repository of national identities in the new Länder in the aftermath of 1989. It argues that from a quantitative perspective East Germans firmly internalised consumerism by approximating to the consumption levels of their Western compatriots. Easterners also filled consumerism with political meaning. By buying certain products they expressed emerging regional pride, defiance against the sweeping transformation processes and a nostalgic and romanticised reference to the GDR past. These mass‐cultural expressions of national identity serve as telling indicators for the continued separation of the publics’ psyche in east and west.     

National identity in the contemporary Baltics: comparative quantitative analysis

This paper is about contemporary national identity attitudes in the three Baltic states as ethnic democracies. It presents the results of a quantitative comparative study using data from the International Social Survey Program, collected in 2013. The parameters of comparison include the perceived importance of various national identity criteria and the pride in a nation’s achievements in various spheres. The results show that Baltic national identity focuses not on ethnic homogeneity, but on commitment and loyalty, to reflect upon the current situation more than the historical past, and to have the potential for the integration of ethnic minority members.     

"Real Solemn History" and its Discontents: Australian Political History and the Challenge of Social History

The relationship between Australian political and social history has received little historiographical attention. Political history has been lauded or, more often, dismissed as traditional historical practice, while from the 1960s social history took its place as a catch-all phrase for various "new" histories concerned with everyday life. This article examines the place of political and social history in the nascent Australian academic historical profession of the 1950s to the early 1970s, and then explores the impact of the new social history on academic political history. It will suggest that while there was only limited exchange before the late 1980s, in the last twenty years social history has contributed modestly to a reconstituted understanding of political history as part of lived experience.
"[…] I can read poetry and plays, and things of that sort, and do not dislike travels. But history, real solemn history, I cannot be interested in. Can you?"
"Yes, I am fond of history."
"I wish I were too. I read it a little as a duty, but it tells me nothing that does not either vex or weary me. The quarrels of popes and kings, with wars or pestilences, in every page; the men all so good for nothing, and hardly any women at all — it is very tiresome: and yet I often think it odd that it should be so dull, for a great deal of it must be invention […]". ¹     

Regimes of truth: Australian combat photography in the Second World War

This paper examines the policies and directions framing the professional practice of Australian combat photographers in the Second World War. It argues that while their endeavours to offer an account of the nation at war were constrained by predictable considerations of politics and censorship, their commitment to truth was also framed and constricted by an array of cultural considerations. The nation’s ongoing engagement with the history of the First World War, the contrasting organisational cultures of the bureaucracies that the photographers served, and Australian culture’s visual inarticulacy concerning death on the battlefield played key roles both individually and collectively in shaping the photographers’ practices and outputs. The paper will trace the operations of these influences and contend that, as a result, the photographers’ visual record of the Second World War, particularly as it related to the death of Australian servicemen, served to conceal rather than reveal the ultimate truth about the Australian experience of the war.     

Salafi pluralism in national contexts: the secular state,nation and militant Islamism in Kosovo,Albania, and Macedonia

ABSTRACT

This article explores the question of how Albanian Salafi Muslims have engaged with and provided religious interpretations to issues peculiar to Albanians’ historical and sociopolitical context, as well as considering the ethnic group’s recent engagement in Middle Eastern conflicts. Utilizing Salafism’s doctrinal concepts of takfir (excommunication of another Muslim) and al-wala’ wa-l-bara’ (loyalty and disavowal) as guiding analytical tools, the article investigates Albanian Salafi Muslims’ position and discourse on the following three Albanian-specific issues: (i) engagement with the secular state by voting for their representatives (leaders); (ii) the question of nation and nationalism; and (iii) the question of militant Islamism related more recently to the Syrian conflict. Though there are different nuances among Albanian Salafi Muslims, the article shows the sharper distinctions and divergences that exist between the mainstream and rejectionist Salafis when considering the ways they have engaged with the three issues under analysis. Also, despite the general agreement in literature about Salafism’s globalized acculturalization impact on localized Islam(s), the analysis deduces Salafism’s ‘re-culturalized’ and ‘re-nationalized’ face in the Albanian-specific context, something prevalent among the mainstream Salafi Muslims of this ethnic group in the Balkans.     

Repopulating the Industrial Landscape: Giving Former Employees a Voice in History

This paper examines the concept of putting history “under the power of the public”. It discusses the role played by former employees in researching and publishing the histories of two former large industrial history/heritage sites in Perth, Western Australia. The projects originated not in academia but from past employees who sought the help of labour historians to record the histories. Former employees provided much of the research material and assisted as sources of information, interviewers and interviewees, site guides and critics of work put forward for publication. While academic authors were responsible for interpreting their own research, past employees had a voice in the ways in which the sites’ stories were presented to the public, and the veracity of that information. The article explores the subversive potential of subaltern histories such as these, as well as some principles for putting history under the power of the public. It concludes by examining the strengths and weaknesses of this method, including the extent to which the pressures of academia discourage historians from engaging with “popular” projects requiring “a different voice”.     

The fate of the Assyrian minority in early independent Iraq: a test case of political violence based on rational primordialism

Analyzing ethno-national conflicts is usually not easy in that not all quantitative scientific tools are useful to the student of a conflict based on primordial elements. The burden of studying the outcome of a conflict is all the more complex given that the two conflicting groups might be at two different stages of their political development at any given time during the course of the conflict. In the case of the fate of the [Eastern Christian] Assyrian community in early independent Iraq, the political rationale for decisions taken by each party was drawn from different sociological, historical and political realms. Decisions in times of conflict and their political and historical ramifications are not always rational, since they draw upon primordial/communal considerations rather than the accurate reading of the overall true strategic scene.

The violence was an outcome of a combination of primordial differences and rational choice. The Iraqis sought to establish a new sovereign state with minimal disturbances from its Christian minority that they perceived as not belonging to the new nation. As for the Assyrians, they chose violence believing that at least some superpowers would support them. Historically, this rational decision based upon a primordial dispute turned out to be a mistake primarily because of lack of external support, weak internal cohesion of the group, and feeble leadership.     

Policing protest in the Australian Capital Territory: the introduction and use of the Public Order Act 1971

This article examines the reaction by the Australian Federal Government to the protest movements of the 1960s–1970s and their attempts to use public order legislation to thwart radical discontent in Australia. It argues that the Public Order (Protection of Persons and Property) Act 1971 was aimed at the threat of “violent” protests, particularly the tactic of the “sit-in”, and that to this end, the legislation was an overreaction to the actual threat posed by the protest movements at the time. It also shows that after a long gestation period, the Act was ill-equipped to deal with the changing nature of demonstrations in the 1970s, such as the problems caused by the erection of the Aboriginal Tent Embassy. Thus, after an initial flurry of use in mid-1971, the law has been seldom used since.     

Contested spaces: the use of place-names and symbolic landscape in the politics of identity and legitimacy in Azerbaijan

This article deals with the political manipulation of symbolic landscape, using post-Soviet Azerbaijan as a case study. In particular, it looks at the practice of toponym changes as an element of political legitimization and national identity-making. The political use and manipulation of place-names and symbolic landscape is a relatively recent phenomenon that became particularly widespread in the twentieth century. It is widely used for ideological or nationalist purposes throughout the world – from Iran to Israel, from former Yugoslavia to the USSR. However, I argue that post-Soviet Azerbaijan represents an unusual case where one can clearly see strikingly different patterns of place-name manipulation in the pursuit of political legitimacy. It argues that while questions of political legitimacy and nationalism found their reflection in the policy of place-name manipulation, their uses followed clearly different routes and were confined to separate areas.     

Suits and Frocks: Dressmakers and the Making of Feminine Identity in Postwar Australian Society

In a context of heightened domestic ideology post–World War II, self-employed dressmakers contributed significantly to the making of the identity of Australian women. Through the skilled work of interacting with their clients and sewing their clothes, dressmakers both supported individual women’s presentation of “self” and operated at the intersection of gender and class relations. Working at home, they were not only making women’s clothes but also producing the social world. Drawing on interviews with thirteen women, this paper explores how such dressmakers’ work constructed a visual representation and interpretation of a feminine identity particular to their time, place, and local cultural context.