Young women’s negotiations of gender,the body and the labour market in a post-feminist context

This article explores the ways the body and femininity is understood and negotiated in relation to employment. This article draws on interview data from an Australian study which aimed to explore what it meant to be a ‘young woman’ in neoliberal late modernity, and in relation to the paradoxes of post-feminism. Though there has been an unprecedented rise in youth post-secondary school participation in Australia and elsewhere, girls’ and young women’s increased investment and participation in education has not provided the same gains as for their male counterparts. All interview participants described being aware of gender inequalities and gender discrimination in the workplace, including the glass ceiling, the gender pay gap, and demands and pressures on women to balance career and motherhood, however many did not associate these issues with ‘feminism’. We explore the dynamics of notions of equality, difference and the body in participants’ discussions of work and their anticipation of motherhood and the logics by which gender inequalities are sustained.     

‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s)

Feminist scholarship has invested attention in popular culture as a terrain upon which understandings of feminism are circulated, contested and explored. This is particularly so in the contemporary moment in which feminism appears to have achieved a new ascendency. But whilst popular culture and feminism are recognised as inextricably enmeshed, there remains the implicit or explicit assumption in feminist scholarship that popular media culture could do ‘better’, and that there is a more ‘authentic’ form of feminism waiting to find representation. In response to this context, this article undertakes an analysis of Twitter responses to Celebrity Big Brother: Year of the Woman (2018) in order to explore the ways in which a popular media text provides an arena for the negotiation of popular feminism. Rather than positioning reality TV and celebrity culture as a site of ‘ideological ruin’ for feminism, this article explores how CBB is discussed in relation to feminism as popular television, and the ways in which this may offer affordances and limitations. The article concludes that feminist media scholars need to give due attention to the complexities of popular feminism as articulated by popular media culture.     

Feminist perspectives report of the feminist perspectives working group to the closing plenary

This article is based on the experiences of the feminist perspectives workshop that met each day of the Congress. It discusses feminism as a worldview and particularly applies that perspective to the Congress proceedings. It examines the Congress in terms of three vital aspects of feminism: power, strategy and diversity. Finally, it suggests some ways in which a global feminist perspective might improve future international conferences.     

the new woman and ‘the dusky strand’: the place of feminism and women's literature in early Jamaican nationalism

This essay analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. Largely overlooked, this archival material is significant because it suggests a subtle yet significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late nineteenth and early twentieth century, but rather, it emerged in a broader phenomenon of respectable, middle class nationalism, encompassing the overlapping projects of Jamaican nationalism and Pan Africanism. Thus, it becomes clear that first wave feminism, including white women writers, played a key but brief role in the formation of the middle class nationalism that would later dominate Jamaica's transition to independence. During the first five years of publication of the Jamaica Times, women wrote a significant proportion of the short stories published. However, they became marginalized as black folk culture became the defining symbol of national authenticity. The marginalization of middle class women writers reflects a broader pattern. In adopting first wave feminism from Britain and the United States, Jamaican nationalists reproduced colonial race and class dynamics that established an unbridgeable divide between middle class women, who served as ‘ladies bountiful,’ and the usually darker-skinned compatriots to whom they ministered. This class division continued to limit feminist activism in Jamaica throughout the first and second waves.     

Cindy Sherman in a New Millennium: Fashion,Feminism, Art and Ageing

ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of ‘fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.     

‘A crisis in woman's history’: Frances power cobbe's duties of women and the practice of everyday feminism

The article explores the ways in which Cobbe's Duties of Women grapples with new challenges facing the late nineteenth-century feminist movement, with an emphasis on the particular force of Cobbe's text that results from her unique role as a mainstream journalist of mid-Victorian feminism to non-feminist-identified audiences. It argues that Duties of Women participates in the ongoing negotiation of the representation of suffrage, both within feminist communities and in the ways that feminism is represented and understood by a non-feminist public. Specifically, the author argues that Cobbe's lecture series and book are generically linked to the conduct book. They offer advice for the appropriate daily practice of emancipated womanhood at a time when significant changes in feminist practice, such as the increasing emphasis on suffrage, threatened, in Cobbe's view, the larger public perception of that movement.     

A feminist family: the stracheys and feminism,c. 1860-1950

This article explores the importance and meaning of feminism within one prominent British family across two generations, spanning the later nineteenth and the twentieth centuries. It discusses the changing nature of feminist activism, the ways in which suffrage and feminist activities could become full-time occupations for some women and looks at the links between personal or personal relationships that this sometimes entailed. Focusing on the younger women in the family, however, it also shows how feminism came to be seen as antithetical to modernity and as having little to offer those who sought personal and sexual emancipation in the period after the First World War.     

the reinvention of feminism in Pakistan

This article argues that there has been a significant turn in the discourse of feminist politics in the Islamic Republic of Pakistan. The author suggests that the rise of a new feminism – rooted in Islamic discourse, non-confrontational, privatized and personalized, whose objective is to ‘empower’ women within Islam – is not a post-9/11 development but rather a result of unresolved debates on the issue of religion within the progressive women's movement. It has been due to the accommodation of religion-based feminist arguments by the stronger secular feminist movement of the 1980s that paved the way for its own marginalization by giving feminist legitimacy to such voices. The author argues that the second wave of feminism may have become diluted in its effectiveness and support due to discriminatory religious laws, dictatorship, NGO-ization, fragmentation, co-option by the state and political parties in the same way as the global women's movement has. Yet it has been the internal inconsistency of the political strategies as well as the personal, Muslim identities of secular feminists that have allowed Islamic feminists to redefine the feminist agenda in Pakistan. This article voices the larger concern over the rise of a new generation of Islamic revivalist feminists who seek to rationalize all women's rights within the religious framework and render secular feminism irrelevant while framing the debate on women's rights exclusively around Islamic history, culture and tradition. The danger is that a debate such as this will be premised on a polarized ‘good’ vs ‘bad’ Muslim woman, such that women who abide by the liberal interpretation of theology will be pitted against those who follow a strict and literal interpretist mode and associate themselves with male religio-political discourse. This is only likely to produce a new, radicalized, religio-political feminism dominating Pakistan's political future.     

Material Feminism and Epigenetics: A ‘Critical Window’ for Engagement?

ABSTRACT

While there is increasing interest in gender and sex issues in the medical field, most research in medicine can still be defined as operating with a binary of sex/gender. Epigenetics presents a marked challenge to such binaries as it operates across many tightly held boundaries, blurring the lines between the biological and social. Feminist scholars are paying attention to this new field and reconsidering relationships between the politics of matter, biologies and the social in new ways. The aim of this article is to investigate how theoretical insights from material feminism might enhance epigenetic research. Rather than repeat important critical arguments that point to the dangers of reductionism and biological essentialism, we make a case for examining the ways that material feminism can engage with epigenetic research by broadening ideas of reproduction (beyond in-utero effects) to relational and political views of gender and sex within a materialist framework. In conclusion, we suggest that a focus on material-discursive co-formations has the potential to contribute to an established body of feminist theory and science work; increasing awareness of the intra-action of gender and sex in relation to exposures, and increasing political leverage in supporting health-enhancing environments.     

Interactive narrators and performative readers: Gendered interfacing in Heian narratives

In Go Fish, Rose Troche and Guinevere Turner's seminal lesbian film from 1994, one of the protagonists complains that the woman who her friends want to set her up with has cupboards of herbal tea and no sex appeal. In the course of the film, the women end up together, but the joke/not-joke about lesbians and their fondness for herbal tea remains. What can we make of this conjunction? What does the linkage of tea and lesbianism connote and how does tea function within representational economies of lesbianism? On the one hand, tea functions as prelude to eroticism and codes for the opacity of lesbian sex. On the other hand, it also works to consolidate stereotypes about lesbianism. In this essay, the author explores the factors that make this almost joke possible – the gendering of tea as feminine, stereotypes about lesbian feminism – and examine ways in which it has been deployed as a form of lesbian shorthand. In working to understand why tea has evoked this stereotype, a sense of American counter-cultures, Orientalism, and historical memory come together to paint second-wave lesbian feminism as out of touch, politically inactive, and intimidated by sex. But what alternatives might tea open towards? Focusing on tea, then, gives us access to economies of desire and pleasure that both build on perceptions of radical feminism and expands upon it by establishing a vernacular of fluids, taste, and tactility.     

Successful female aging for beginners: Carolyn Heilbrun/Amanda Cross and perspectives of gendered aging in The Players Come Again

Although Carolyn Gold Heilbrun (1926–2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction which evidence an intense reflection upon female aging as well as her long-standing commitment to feminism. Works such as Reinventing Womanhood (1979), The Representation of Women in Fiction (1983), Writing a Woman's Life (1988), and The Last Gift of Time: Life Beyond Sixty (1997) explore the ways in which women in general and the author in particular experience the changes that maturity involves as an enriching process rather than as a path into decay and loss. This paper contends that these might perhaps shed a new light into her fiction as Amanda Cross, which includes The Players Come Again (1990). Taking her essays in feminism and literary criticism as a basis, my aim was to reveal the extent to which Heilbrun's commercial mystery novels represented a springboard to the theories she put forward in her essays, which vindicated the difficulties as well as the joys involved in a gendered experience of aging.     

A bit of a dirty word: ‘feminism’ and female teachers identifying as feminist

Following the identification of a gap in the literature around reasons for contemporary women’s self-identification as ‘feminist’, this paper discusses an empirical study of an intergenerational group of contemporary Australian female teachers collaboratively designing English curriculum around girls’ media. The paper explores the group’s shared conversations around feminism, over a series of meetings, as we (teachers and researcher) plan curriculum and negotiate broader subject positions possible for girls and women. These contexts include the competing discourses of feminism and postfeminism and how these mediate texts chosen for study, our pedagogical approaches, and the ways we experience our own lives. In this study, we struggle to find a shared language, across generations, with which to work collaboratively in a community of practice committed to the critical study of media, but involving different individual orientations to ‘feminism’. This is a space in which impediments to the feminist study of girls’ media quickly emerge. The paper also serves as a reminder that feminist scholarship takes place in schools, as well as in the academy, and that the gender studies work teachers do in schools is potentially whole population work, worthy of keen attention in the gender studies academic mainstream.     

Beyond Repudiation: The Affective Instrumentalisation of Feminism in Girlfriendly Spaces

As a mediated sensibility, Gill, McRobbie and Angela have argued that postfeminism is held together by an incorporation of feminist ideas, in order to position feminism as ‘past’, a positioning which contributes to the production of highly individualised subjectivities. This article highlights an emerging modality of feminine subjectivity in which feminism is affectively incorporated, but, rather than being repudiated, it is deconstructed and instrumentalised to fit within norms of girlfriendship. To draw attention to how this discussion may open a more nuanced understanding of the relations between feminist and postfeminist subjectivity, I explore a set of blogs hosted on Tumblr that are situated within ‘girlfriend’ culture. In these blogs, young women articulate humorous reactions to everyday situations based on assumptions of common, feminine experience. I suggest that girlfriendliness, as an emerging normative condition of youthful femininity, constructs an instrumental relation to feminism requiring the discerning, selective performance of traits suggesting an acceptance of certain feminist ideas. Rather than proceeding to a repudiation of feminism per a classically postfeminist sensibility, feminism is dismantled into an affective plasticity that is flexibly incorporated to show individual value, creating ‘likeable’ and resilient femininities. This article draws attention to shifts in the regulation of femininity that occurs on the plane of the affective, calling for an expanded analytical approach that more broadly problematises the instrumentalisation of feminism as a technology of subjectivity.     

‘What can I do next?’: Cosmetic Surgery,Femininities and Affect

This article is based on a study of young people's understandings and experiences of body work (or body modification) in relation to gender and health. Drawing on feminist and Deleuzian–Spinozan approaches to the body, the article explores the embodied sensations, or affects, associated with the body's physical modification through cosmetic surgery as one practice of body work. This approach pursues a non-dualist analysis of the body and contributes to new understandings of body-modification practices such as cosmetic surgery as processes influenced, and informed, by affect. Through examples of differing experiences and trajectories relating to the practice of cosmetic surgery, which has long been a contentious issue in feminism, the article makes evident what a feminist Deleuzian approach means in practice and what it can contribute to analyses of the body in/and society. This approach can assist in exploring the complex ways in which gendered embodiments assemble, and in understanding the dynamics and processes informing differing bodily possibilities related to gender.     

Contradictions in teaching feminism

This paper is concerned with the tensions present in the teaching of a subject which has its roots in political struggle, and which questions the ‘value-free’ nature of academic discourse itself. How is it that one can teach feminism without resorting to polemics, yet not obscure the central political ramifications of feminism and feminist theory? The next issue for discussion is whether there are any first principles of feminism, and these are tentatively sketched-out. Then, the way in which these basic axioms might be taught without limiting the openness of academic criticism is considered and contrasted with the notion of “academic neutrality.” Finally, the dangers of producing a hollow conformity to feminist orthodoxy is posed as a possible problem.     

The failure of feminism in Greenwich Village before World War I†

One crucial element of the cultural transformation which pre‐World War I Greenwich Village radicals believed would pave the way for socialist revolution was the liberation of women, not only in political and economic terms, but also in terms of lifestyle. However, both male and female Village feminists found themselves shackled by vestiges of Victorianism and torn between visions of women as naturally maternal and pacifistic and other images of women which demanded sexual equality. The Village was a community supportive of the new feminism, but the variety of feminism that emerged from it suffered from the complacency of male feminists who believed that they could be patrons of feminism, the acceptance of inflated claims advanced by the women's movement, a tendency to accept sexual liberation in lieu of more profound socio‐economic changes, and a failure to create a feminism relevant to the masses of working women in society at large. The young people who came to the Village in the 1920's were more interested in social rebellion than in social reform. Sexual freedom became the sum total of feminism; the end product of the New Freedom was the Flapper.