Preventing ‘robotised women workers’: women,sport and the workplace in Scotland 1919–1939

This article examines a new area of women's leisure; women's participation in work-related sport. The growth and development of industrial welfare in Scotland in the interwar period will be discussed. Within broader studies, Stephen Jones, Helen Jones and Melling have all indicated that there was a growth in industrial welfarism in Britain from the turn of the twentieth century. This development of welfarism, which included provision of educational classes, pensions and medical support, increasingly also encompassed a variety of sports and physical activities. By looking at case studies, developments in provision across a range of industries will be examined. This discussion will draw on a wide range of sources from a variety of women's employment, from factories to clerical positions and from the retail sector to the civil service. This article will examine the types of sporting opportunities open to women through their workplaces, including organised welfare schemes and independent employee-led activities. Moreover, it will explore working women's experiences of these activities and the ways in which they chose to participate in sport.     

Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s

This article demonstrates the crucial importance of the radio medium in the post-suffrage era as a space in which women could expand their sphere of influence and enact their responsibilities as citizens. It challenges previous scholarship which has argued that during the early decades of radio women were confined to the world of the everyday and the domestic. In the interwar years, Australian feminist organisations were quick to take advantage of the still-developing radio medium, which they used to publicise their activities to mass audiences. One such organisation was the United Associations (UA), founded in Sydney in 1929 by Jessie Street and Linda Littlejohn. Perth feminist Irene Greenwood was introduced to radio broadcasting as a member of the UA in the 1930s, and she later drew on these media skills and her extensive feminist networks to create her own innovative and interactive radio program in Western Australia, Woman to Woman (1948–1954). Correspondence between Greenwood and her audience shows that the program provided women from diverse backgrounds with the opportunity to engage publicly with significant political debates, to create a new imagined community of listeners, to communicate across geographical and class boundaries, and to become media producers themselves.     

World citizens: Australian women’s internationalist broadcasts, 1930–1939

This article examines how Australian women broadcasters used radio to claim their own voices as experts on international affairs and encourage other women to become active world citizens in the 1930s. During a decade when the Great Depression limited the ability of many to travel, and the increasing calamity of the rise of fascism and the descent into World War II brought foreign affairs to the forefront of public debate, broadcasting became a key tool used by internationalist women to educate their female listeners about the world beyond Australia’s shores. They also used the medium to encourage other women to become actively involved in international causes including feminism, peace activism and Zionism. Through their broadcasts, women such as Constance Duncan, Irene Greenwood and Ruby Rich demonstrated the value of radio as a tool for active citizenship and further opened up the public sphere to women’s voices and opinions on social and political issues.     

Learning as territoriality: the political ecology of education in the Brazilian landless workers’ movement

In this contribution, I explore the importance of agroecological education in the Brazilian Landless Workers’ Movement (MST). I analyze how certain MST educational programs are based in a critical place-based pedagogy. This type of pedagogy can serve as a form of territoriality, influencing individuals’ interactions with the land. Drawing upon a political ecology of education perspective, I conclude that MST educators can serve as Gramscian ‘organic intellectuals’, by using a critical pedagogy of place as a form of territoriality to: (1) create a conception of place that is not discrete, but instead relational, and (2) advocate counter-hegemonic land usage.     

The Spectacle of Woman as Creator: representation of women composers in the French,German and English feminist press 1880–1930

The period 1880–1930 saw women composers achieve unprecedented prominence as composers of large-scale works. This success coincided with the first wave of feminist movements in England, France and Germany. This article views the junctions where these two groups of women met through the vehicle of the feminist press, documenting the tensions and misunderstandings that occurred between emerging women composers attempting to be taken seriously as creative entities and feminists seeking to improve the political, social and professional lot of women. The pervasive aesthetic of male musical genius remained unquestioned by many feminists in spite of examples of female creative brilliance.     

‘A Woman’s Place …’: Male Representations of University Women in the Student Press of the University of Liverpool, 1944–1979

Deciphering the manner in which women have been, and continue to be, represented in society is an integral element of a feminist critique. This article explores male representations of university women as presented in the student press of the University of Liverpool between 1944 and 1979. It is suggested that university women were represented as ‘other’ and stereotyped in a negative manner in the years 1944 to 1959. Furthermore, they were presented as unattractive, unwelcome, and in most cases at university to find a husband. The years 1960 to 1979 signified a shift with regard to the representation of university women; however, continuity with the earlier period was retained in the visual imagery of female students and the way in which ‘careers’ were presented as distinctly male. University women remained part of the ‘male gaze’ and were, ultimately judged on the basis of their sexual attractiveness to the derision of their intellectual abilities.     

‘Belles from Bristol and Bournville in New Surroundings’: female confectionery workers as transnational agents, 1918–1928

ABSTRACT

In existing histories of the development of multinational business, women are usually absent. Yet when the British confectionery companies of Cadbury, Fry and Pascall took the bold step to build an entirely new factory in Tasmania in the early 1920s, women workers were important, and mobile, actors. This article draws on business history archives and genealogical material, from both Britain and Australia, to explore how a select group of British women became the ‘pioneers’ of the Cadbury-Fry-Pascall company. It examines why women were key to the formation of an Australian subsidiary, how they influenced, and sometimes challenged, the creation of workplace culture and practice, and the consequences of this mode of female labour migration.     

An echo in France of the British women’s suffrage campaign

ABSTRACT

The reputation of the suffragettes and the Pankhurst family in France was often considered to be too militant for the French journal La Française. This feminist journal praised the suffragettes whilst keeping a distance from such ‘trouble-makers’. This was a complex acceptance. In particular, from 1912, when some suffragettes engaged in violent tactics, the journal began calling for non-violent actions. After the Representation of the People Act was passed in 1918, La Francaise waited ten months to rejoice in this news. Now it began to suggest that British women were showing French women how to win their own enfranchisement, which was not granted until 1944. A few weeks before the 1928 Equal Franchise Act, the journal praised more and more Emmeline Pankhurst's radical spirit. This article suggests that the British suffragette movement had an influence on the women’s suffrage campaign in France although often in complex and contradictory ways.     

Beyond the Centre: women in nineteenth-century Iceland and the grand narratives of European women’s and gender history

In recent years, women’s and gender historians have paid attention to the dissonance between the grand narratives of European women’s history and the history and experiences of marginal regions and countries. This article discusses the challenge of writing women’s history from the margins—Iceland—into the framework of the grand narratives of European women’s and gender history. It is argued that this framework grounded in theories of progress and modernisation is too narrow, offering little space for different or marginal voices from rural societies. Using the case study of the ‘ordinary’ woman Sigríður Pálsdóttir (1809–1871), the article argues that more voices from the margins and different histories, broaden our understanding of the multi-vocal and multi-levelled history of women in Europe.     

‘Quality’, Cinema and the ‘Superior Woman’ Persona: understanding women’s film criticism in post‐war Britain (1945–59)

Criticism was a particularly buoyant area of film culture in Britain during the post‐war period, a regular feature in newspapers, periodicals, magazines, and BBC radio programmes. What has not been widely recognised is the central role that women played as critics of film at this time, and where their interests differed from those of their male peers. This article recovers the contribution made by women film critics, arguing that middle‐class writers such as C. A. Lejeune and E. Arnot Robertson adopted a form of ‘distanced amusement’ with regard to themes of sentimentality and romance (associated with low‐brow female pleasures). This strategy permitted them to engage with the broader cultures of film‐watching, commenting on subjects such as female crying and character identification, and recognising cinema‐going as a pleasurable activity for women, subjects which male critics did not discuss. These findings expand knowledge about film criticism in the post‐war period and reconfigure received understandings of film culture to account for women’s gendered contribution to the critical field.     

Regendering modernism: the woman artist in Irish women’s fiction

The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien, which both feature women as artists. This figure provides in both cases a mode of combining a commitment to narrative realism with a self-reflexive exploration of the role of art, thus evading the fictional polarities of the period. The woman artist as fictional character also offers an opportunity to explore the relationship between gender, sexuality, politics and art. The linkage between sexual dissidence and aesthetic freedom is a persistent trope of modernism in the Irish context, even if it is often critically submerged under the figure of exile. Both The Troubled House and As Music and Splendour might be considered to be supplements to Irish modernism in the Derridean sense, ‘an originary necessity and an essential accident’. Through the figure of the woman artist, both of these marginal novels transgress the configurations of gender at the heart of that modernism’s aesthetic project. Both link transgressive sexuality with artistic production. In doing so they posit a very different relationship between sexuality, aesthetics and politics.     

‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

networks of violence in the production of young women’s trajectories and subjectivities

This paper focuses on the deployment and interdependence of different expressions of gendered and classed violence in shaping the choices, trajectories and subjectivities of young women on vocational beauty therapy courses. It takes as its premise the understanding that, far from simply being an aberrant expression of interpersonal or intergroup aggression, violence is embedded in social life in multiple and complex ways, reverberating through women’s lives to reproduce disadvantage and subordination. The paper draws on theoretical and empirical investigations of the interrelationships between structural, direct and symbolic expressions of violence and asks what this literature can offer in challenging normative, often individualised, conceptions of violence. Drawing on an ethnographic case study of National Vocational Qualification (NVQ) beauty therapy courses and the young women undertaking them, I explore the accounts of students and their tutors on becoming and being ‘beauty girls’. I consider what these accounts might tell us about how forms of symbolic and interpersonal violence intersect with, reproduce and legitimise the violence involved in unequal and unjust socio-economic structures. I argue that the ways in which different forms of violence mutually reinforce each other at a micro-level produce an embodied ‘sense of limits’ that ultimately reproduces the structural violence of gendered and classed inequalities. The examples given illustrate both a ‘chronology of violence’ in young women’s lives, and the way in which those lives can be understood, at least in part, as embedded in and shaped by networks of violence. Finally, I briefly consider examples of dissent and resistance, the conditions under which they might be possible and the ways in which, through the interplay of different forms of violence, they might also be curtailed.     

‘In the case of a woman’ or ‘the headache’: married women’s nationality and Canada’s Citizenship Act at home and Europe, 1946–50

In addition to making Canadian nationality independent of British subjecthood, the 1946 Canadian Citizenship Act made women’s nationality independent of marriage, but did not repatriate women who married aliens before 1 January 1947, when the act became law. This article examines the lobby to repatriate the women, most of them married to European allied soldiers and living in Canada or Europe, and wider contexts involved. Scrutinizing the citizenship claims made by and for ‘ordinary’ but racially privileged white women in a dominion that was both a receiving nation on the cusp of renewed immigration and a neo-colonial state vis-a-vis Indigenous peoples, it acknowledges the woman’s heartfelt sentiments and assesses the lobby against the continuing disabilities imposed on status-Indian women who ‘married out.’ The delayed reform of 1950, which fell short of automatic repatriation, and the absence of feminists from a lobby related to a long-identified feminist issue, are also addressed, as are topics in need of further research.