Is ‘Chloe liked Olivia’ a lesbian plot?

Despite Virginia Woolf's lesbian vision of love and friendship between Chloe and Olivia in A Room of One's Own, the literary and critical text often serves to shut lesbians into a closet of prose. Among the debilitating myths used by writers are the ‘Phaon myth’ (that authentic lesbian experience must be terminated by an inauthentic heterosexual rescue), the vampire myth, and the myth of masculinity. The latter in particular has served to divide heterosexual women from their lesbian sisters, so that much feminist literary criticism displays a pervasive heterosexual bias by ignoring or distorting lesbian texts and subtexts. This paper suggests ways in which the word and concept ‘lesbian’ is being reclaimed by lesbian writers and critics. It calls for all women to destroy patriarchal myths about lesbians; reread literary texts for their lesbian subtexts; recover the works of lesbians, particularly lesbians of color; and, finally, proclaim the word ‘lesbian’ forcefully despite the threats posed by a misogynistic academy and society.