Victorian feminism and Gissing's the odd women: ‘why are women redundant?’

Gissing's The Odd Women (1893) has variously been considered as feminist and also as anti-feminist. Here it will be argued that irrespective of the ideological stance of the novel, it may be seen as a close and realistic rendition of certain feminist issues. This can be observed via an examination of some important statements by Victorian feminists such as Barbara Bodichon and Jessie Boucherett on the subject of ‘superfluous’ women and work. They were concerned, firstly, with the articulation of the problem and its opposition to the ornamental view of women, and, secondly, with practical solutions and their implementation. It is into this second area that Gissing's novel may be seen to fit, providing a close fictional analogy with the activities of the Langham Place Circle.     

The London trade in the printing and binding of books: An experience in exclusion,dilution and de-skilling for women workers

The role of women in the bookbinding and printing trades has always been significant in that they provided a variety of essential functions. The early days of printing saw the continuation of business rights and assets through marriage to the widows and daughters (often technically skilled) of printers whose livelihoods were controlled by the powerful Stationers' Company. By the nineteenth century when the industrial revolution slowly had its effect on the trades, women performed a vital role in the bookbinding process as folders and sewers. But they had always been considered marginal within the trades and this too persisted into the nineteenth century when mechanisation and the growth of unions provided new arenas for industrial antagonism between male and female workers. By the end of this period women were established in low paid, low status work in spite of their historic inclusion as skilled workers in certain sectors. Even in these exceptional trades the more common patterns in the evolution of women's work had prevailed.     

Class,ethnicity and gender intertwined: Jewish women and the East London rent strikes, 1935-1940

Abstract

Feminist theorists have long debated whether gender or class position is of primary importance in shaping women's political consciousness; the consequences of ethnic or religious distinctions have not been examined as fully. This article hopes to rectify some of these oversights by focusing on the experiences of working-class, east London Jewish women involved in the pre-war rent strikes organized by the Communist-led Stepney Tenants' Defence League. It attempts to explain why so many of them became left-wing militants while their female Irish neighbors, equally marginalized, often gravitated towards the radical right. It concludes that in these close-knit communities ethnic identity proved more politically salient than did class or gender.     

A child at any price?: An overview of issues in the use of the new reproductive technologies,and the threat to women

Since the advent of modern contraceptive techniques, sexuality and reproduction have been divided more than at any other time in human history. At first, this was seen as a liberating process for women, particularly for heterosexual women. Now, new reproductive technology has separated sexuality and the procreative process even further: a child can now be created without recourse to sexual intercourse. This too has been presented as a liberation for women. However, within this process men are gaining control of an experience uniquely female. The result of allowing this technological process to go unchecked could be the elimination of women and the development of artificial wombs.     

‘sometimes it feels like the twin towers fell on our heads too’: East London women and the war on terror

Using the turn of the century blackface performer Bert Williams as a case study, this essay explores how we might think about black male performativity in the New World as a historical formation, one that extends both over the time of modernity and across the space of diaspora. I draw from contemporary theories of circum-atlantic performance and black feminist studies of the impact of slavery on black racial and gendered identities, to argue that performance affords a unique window into how blackness is constructed in a space between the black male performer and his equally racialized New World audience. The essay theorizes a notion of key black male performances as ‘signature acts’, then explores discussions of minstrelsy by other black American writers such as Ralph Ellison, Ishmael Reed, and the black British writer Caryl Phillips. Using Fanon's notions of triple-consciousness in tandem with Brechtian and Freudian theories of alienated performances and jokes, the essay concludes with a brief analysis of some of the gendered significations in lyrics from Bert Williams' first musical comedy and then also in a novel about the performer by Caryl Phillips.     

Colonising motherhood: evangelical social reformers and Koorie women in Victoria,Australia, 1880s to the early 1900s

Abstract

This article examines the separate worlds of evangelical social reformers of the World's Woman's Christian Temperance Union and mission-based Indigenous women in the late nineteenth and early twentieth centuries in the colony of Victoria. The Woman's Christian Temperance Union (WCTU) activists, characterising themselves as the organised motherhood of the world, claimed maternal moral authority to promote for their sex a legitimate place in public life and full citizenship. Simultaneously Koorie women on the scattered mission stations of the colony, their lives under increasingly intrusive surveillance, were forced on painfully unequal terms to negotiate with mission managers and colonial officials for the right even to raise their own children. Unable to perceive the plight of Koorie mothers, the WCTU reformers, characterising themselves as the organised motherhood of the world, aligned themselves with the so-called ‘civilising’ endeavours of their fellow evangelicals, the missionaries, oblivious to their collusion in the colonial state's grievous assaults on Koorie human rights and civil liberties     

Field-faring women: the resistance of women who worked in the fields of nineteenth-century England

In nineteenth-century England, women worked on farms at many different tasks. They frequently did laborious, repetitive work in the fields. In the 1860s this labour was defined as unfeminine by the middle class. The women who did it were described as unsexed and immoral. Working-class radicals took up and adopted this imagery in order to demand a male breadwinning wage when they fought their employers. However, the women also directly challenged their employers' authority and were frequently at odds with the development of that new male working-class respectability which stressed women's role as wives and mothers. This paper looks at the resistances of the field women and the response to their action by the radical, mainstream and feminist press of the second half of the nineteenth century. It highlights the complex relationship between class and gender.     

neither here nor there: the reproductive sphere in transnational feminist cinema

This article examines representations of motherhood in three transnational feminist films: Anayansi Prado's Maid in America (2004), Sabiha Sumar's Silent Waters (2002) and Marjane Satrapi's Persepolis (2007). While these films differ at the levels of genre and style as well as in terms of their production contexts, they each feature several scenes that engage the tension between distance and proximity, separation and unity – an always unresolved tension integral to the reproductive sphere. Each film also provides at least one close-up shot of a mother's hands preparing food for her charge. Tracing Mary Ann Doane's explication of the close-up shot's engagement with the capitalist logic of the microcosm and macrocosm, I will show how the aforementioned films resignify what Doane identifies as the close-up's compensation for the loss of unity in modernity. The recurring image of a mother's labouring hands interrogates the false unity of the capitalist macrocosm, while also complicating the purportedly separate microcosm in which modern subject can touch and hold a given commodity. These films show that transnational mothers are simultaneously held within the immobile space of reproduction – owned and exploited by the larger structures that depend on their labour – while also actively recreating the cultures that render them invisible.