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This article critiques Australia's official discourse of multiculturalism, with its rhetoric of ‘celebrating cultural diversity’ and tolerance, by looking at the way in which this discourse suppresses the ambivalent positioning of ‘Asians’ in Australian social space. The discourse of multiculturalism and the official, economically motivated desire for Australia to become ‘part of Asia’ has resulted in a relatively positive valuation of ‘Asia’ and ‘Asians’, an inversion from the racist exclusionism of the past. Against the self-congratulatory stance of this discourse, this article signals the operation of ambivalence at two levels: at the structural level, insofar as it points to the inherent contradictions in the idea of the ‘multicultural nation’ and its fantasy of a harmonious ‘unity-in-diversity’, and at the subjective level, in the sense that the ethos of multiculturalism doesn't erase the ambivalent relations of acceptance/rejection between majority and minority subjects. Several instances of such ambivalence pertaining to the positioning and representation of the ‘Asian’ woman are given.  相似文献   

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Commentary on Asperger's Syndrome both within and outside of the neurodiversity movement relies heavily on the dichotomy between the socially skilled neurotypical or normal mind and the socially inept, but possibly brilliant, autistic other, who is usually male. These discourses often position neurotypicals—particularly neurotypical women—as an oppressive social force that hinders the individuality of men with Asperger's Syndrome as they impose compulsory sociality—the normative behavior associated with ‘social skills’ or the ability to understand and conform to the dominant behaviors and attitudes. At the same time, many women who have been diagnosed with high-functioning autism also regard neurotypical women as arbiters of conformity who gain cultural authority by imposing dominant norms and values. The popular construction of the neurotypical woman is based on long-standing gender stereotypes rooted in post-war discourses about normative femininity. More recently, difference feminism has revived these generalizations by suggesting that women think and act according to a feminine epistemology based on feeling rather than reason. Both the neurodiversity movement and the larger cultural mainstream continue to promote retrograde forms of female power based on a distortion of the empathetic and relational qualities commonly associated with women.  相似文献   

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《Labor History》2012,53(3):359-382
A wolf ran along the swamp a bear rambled on the heath; the swamp moved at the wolf's tread and the heath at the bear's paws there iron rust rose and a steel rod grew where the wolf's feet had been, where the bear's heel had dug. (The Kalevala) In the summer of 1916, independent action on the part of immigrant miners on Minnesota's Mesabi Iron Range, the source of the bulk of the nation's iron ore and the taproot of the powerful Steel Trust, drew the Industrial Workers of the World (IWW or Wobblies) into a conflict with some of the nation's most powerful capitalists and employers. The Mesabi's mine-owners—led by the omnipresent Oliver Mining Company—had grown accustomed to an almost colonial dominance over the region after successfully breaking up earlier strikes led by the Western Federation of Miners (WFM). Acute demand for iron ore from Europe, the curtailment of European immigration, and an increasingly radical Range workforce seemed to bode well for the Wobblies' chances, however, and the existence of a vibrant socialist movement among the immigrants who lived and worked on the Mesabi Range, especially among radical Finns, held out a ray of hope and a possibility for success that IWW organizers simply could not pass up.  相似文献   

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In recent years, rather than addressing the needs of sex workers themselves or of trafficked persons, international anti-trafficking law has been mobilised towards an ideological end, namely the abolition of sex work. The vulnerability of ??third world?? female sex workers in particular has provided a potent image for justifying state intervention backed by the full force of the criminal law. Moral legitimacy has been afforded to this by a radical feminist discourse which views sex workers as nothing but hapless victims. Drawing on the work of Martha Fineman and legal realists like Robert Hale, this article redeploys vulnerability in trafficking debates to depart from its narrative of victimhood and to offer a renewed critique of liberal legalism, which has in the trafficking context been characterised by legal strategies of criminalisation and the attendant rescue and rehabilitation of trafficked persons. Specifically, it examines how three Indian social legislations regulating bonded labour, contract labour and inter-state migrant labour, and targeted at the domestic trafficking of men, conceptualise vulnerability in substantially different ways when compared to the 2000 Palermo Protocol on Trafficking (at least as it has been enforced to date). To the extent that these Indian laws construe the vulnerability of labour as systemic, trafficking is understood as a problem of labour migration to be addressed primarily by labour law. As such, this view of vulnerability, I argue, not only helps to de-exceptionalise trafficking as always equivalent to the trafficking of women for sex work, and therefore sex work, but also to substantively address the vulnerability of both male and female workers in other labour markets.  相似文献   

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The published collection of Jean Rhys's correspondence opens with two undated photographs of Rhys on facing pages. The author's pose is nearly identical in the two images: her head rests on her hands and her large, dark eyes, rimmed with black liner, look directly out at the viewer. In both pictures, Rhys's hairstyle is exactly the same - though the colour and texture have changed - and the vivid pattern on her clothing is also similar. Both are portraits of a strikingly beautiful woman, and together they suggest a narrative embodying several concerns central to Rhys's early fiction: the exhibition of feminine beauty, the passing of time, and the social, biological and economic consequences of ageing for women. The strong continuities between the two photos, along with their striking differences, serve as a visual representation of the need for women to appear unchanging, to weave a narrative or create an image of the self that keeps the past and present contemporaneous in order to maintain value in the sexual marketplace. The inter-relations of gender, value, age and expenditure suggested by the two photographs are articulated in Jean Rhys's early novels, which depict the economy of investment and loss that women face as they age. In Rhys's texts - and particularly in her two first-person narratives - there is an attempt to recreate in prose the simultaneous experience of past and present, not simply as an example of modernist experimentation with narrative continuity, but also as a specifically gendered response to the economic and social consequences of ageing for women.  相似文献   

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In this article, we have traced some of the dominant cultural narratives shaping current understandings of youth crime and suicide. We have aimed to show some of the ways that our received understandings of what the problem is and what should be done about it are social constructions that privilege a certain kind of scientific explanation. By starting from the premise that narrow, highly regulated approaches to studying these complex problems are bound to be inadequate we have argued that alternative ways of thinking, studying and doing prevention need to be considered. A number of theoretical frameworks, including constructionist, critical, and postmodern paradigms, have been identified as having a useful contribution to make. We conclude by recommending ways of thinking and doing prevention that capitalize on young people's wisdom, recognize more collaborative approaches to knowledge-making and community building, and enable multiple forms of critical engagement and resistance as well as engendering practices of hope and solidarity.  相似文献   

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ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.  相似文献   

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Journal of Youth and Adolescence - Although prior studies have identified several risk factors for gun carrying, no prior longitudinal studies have examined a comprehensive set of explanatory...  相似文献   

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《Child & Youth Services》2013,34(3-4):29-42
The last 15 years have witnessed a marked increase in the development of intervention techniques designed to promote isolate children's friendships and to increase their peer group interactions. However, there has been a paucity of research directed towards defining social competence and its underlying skill components. With the practitioner in mine, the present report presents a recent intervention strategy for remediating social withdrawal, followed by our current development of a skill deficit model designed to expand our knowledge case of causal contributors. PEERS, a broad-based intervention program, involves all of the child's social agents, thus assuring him/her of entry into the peer group in an atmosphere of social support. Our more comprehensive view of social withdrawal examines deficits in four skill areas: the child's social, language, and motoric competences, and the parents' child-rearing ability. Additional research is needed to pinpoint the precise relationship between these skill components and social withdrawal. With the further contributions of researchers in the field, we foresee the development of a more refined set of intervention procedures which the practitioner may use selectively to meet the individual needs of each child.  相似文献   

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