‘A Jazzed and Patchwork Modern’: ‘future’ girls and modern masculinities in the early popular romances of Berta Ruck

As a best‐selling writer of popular romances during the first half of the twentieth century, Berta Ruck (1878–1978) has been characterised as a producer of ‘omelettes of frivolity and sweetness’ whose appeal was confined to adolescent girls and the servant classes. Closer attention to some of the early novels and to her own evaluation of her work, however, reveals her attempts to confront and articulate the impact of societal change upon a generation whose world was being irrevocably altered by the Great War and its aftermath. Her almost forensic attention to local detail and her treatment of contemporary questions of gender identity make her a compelling chronicler of the period and lend credibility to her claims of a broader readership than that generally associated with the genre.     

"A jazzed and patchwork modern": "future" girls and modern masculinities in the early popular romances of Berta Ruck

As a best-selling writer of popular romances during the first half of the twentieth century, Berta Ruck (1878-1978) has been characterised as a producer of 'omelettes of frivolity and sweetness' whose appeal was confined to adolescent girls and the servant classes. Closer attention to some of the early novels and to her own evaluation of her work, however, reveals her attempts to confront and articulate the impact of societal change upon a generation whose world was being irrevocably altered by the Great War and its aftermath. Her almost forensic attention to local detail and her treatment of contemporary questions of gender identity make her a compelling chronicler of the period and lend credibility to her claims of a broader readership than that generally associated with the genre.     

Orwell's despair,Burdekin's hope: Gender and power in dystopia

George Orwell's 1984 bears a striking resemblance to a little-known anti-fascist dystopia, Swastika Night, that was published twelve years earlier. While the similarities between the two books are in some cases remarkable, of even greater interest is the different treatment of political domination and gender ideology in the two novels. Orwell's critique of power worship is inherently limited by his inability to perceive that preoccupations with power and domination are specifically associated with the male gender role. By contrast, Katherine Burdekin, a feminist writer who published Swastika Night using the pseudonym ‘Murray Constantine’, focuses her critique on the ‘cult of masculinity’ and the fascist dictatorship to which it can lead. Her novel is set 700 years in the future, after Hitlerism has been established in Europe as the official creed, and with it a ‘Reduction of Women’ to an animal level. This essay analyses the relationship between gender and power as understood by these two writers, one world-famous, the other forgotten.     

An Interview with Ahlam Mosteghanemi

Ahlam Mosteghanemi was the first Algerian woman writer to publish a novel in the Arabic language. Her work is therefore very significant in the context of Arab women's writing and feminism. Her novels express a unique understanding of social and political events, and convey the impact of these events on individuals by combining love stories with political and social history, fused together in present time. The interview examines Ahlam Mosteghanemi's novels and the impact of colonization and post-colonization on Mosteghanemi, her writing, Algeria and the Algerian people. Mosteghanemi's decision to write in Arabic and the themes of her novels are directly informed by the Algerian war of independence and as such can be seen both as a statement of independence from the Eurocentric homogenization of language and discourse, and as a feminist political statement. The interview seeks to deconstruct the widespread image of feminist literature as a genre that attempts to explore the female experience through an unnuanced binary focus on the opposition between the male and female within a patriarchal society. The interview pays particular attention to the rich symbolism of Mosteghanemi's novels. Even in the English translation there is a strong sense of the historical and geographical reality of Algeria, an ancient country repeatedly invaded by colonizing forces, and struggling again in the modern world to establish an independent identity. The interview looks at some of the significant themes raised by Mosteghanemi in her novels. In addition to this, the interview pays particular attention to the issue of translation in Mosteghanemi's novels and to her attitudes towards her readership.     

Over the centuries: a history of Wollstonecraft reception

ABSTRACT

Both Wollstonecraft’s fame and infamy are attributable to her lived experience as the woman author of the only radical republican feminist text published in the pamphlet war of the 1790s. Yet, her radical republican politics were divorced from her gender politics in the early reception. This paper argues that this separation was subsequently sustained in part by interpretive practices that rest on the suppression of the original split. It shows that over the nineteenth and twentieth centuries, both outside and within academia, the dominant interpretive tendency of neglecting Wollstonecraft’s radical republican politics has deradicalized both her historical political thought and her iconic image. This conventional reception has both enabled and limited the resources made available through Wollstonecraft to feminists throughout history.     

The Double Play of Mirrors: Anna Kavan,Autobiography and Self-Portraiture

Abstract

Better known as the author of complex visionary novels of female experience, it is important to note that Anna Kavan was not only a writer, but also an artist, painting throughout her adult life in tandem with her writing. This article considers the nature of the relationship between her literary life and her artistic life, and what her novels tell us about her relationship to the cultivation of her self-image. Famously destroying her personal archive, shirking notable correspondents and recapitulating a mental disquiet across many of her paintings and prose works, it is of little surprise that Kavan’s enigmatic presence often figures more prominently than serious discussion of her literary and artistic achievements. How did this mercurial relationship to identity shape the ways in which Kavan explored her self-image?     

‘If Not Yourself,Who Would You Be?’: Writing the Female Body in Agatha Christie's Second World War Detective Fiction

The mystery writer Agatha Christie (1890–1976) has long been understood as a best-seller who could negotiate the demands of the marketplace, but who never tried to engage with political or social issues. Formulaic, linguistically simple and dependent on stereotypes, her books have a reputation as ‘animated algebra’—retreats from reality. This essay rethinks Christie's political significance, with reference to selected texts published during the Second World War. During the crucial war years, Christie published murder mysteries prolifically, mostly set in country houses or holiday resorts. Apparently escapist settings, however, gave her space to explore problems facing women at a time when men had been displaced to the battlefield. The majority of Christie's victims in these texts are women and, more than usual, the plots revolve around identifying or misidentifying corpses. In the two novels explored here—Evil Under the Sun (1941) and The Body in the Library (1942)—Christie considers women as victims in commercial and domestic narratives. In both cases, women trade identities with each other in death: for example, a schoolgirl dresses up for a Hollywood screen test, only to be killed, her body swapped with a glamorous dancer's to obscure the time of death. In life and in death, characters read women as combinations of bodies and cosmetics. Far from avoiding reality, Christie engaged with concerns of the day. Her detective fiction rarely references war directly, but there is a running commentary on domestic and commercial spheres, and women's roles, as victims, within these.     

Inevitable Answers: The Joke and its Relation to Social Equilibrium in the Novels of Ivy Compton-Burnett

The majority of existing studies of Ivy Compton-Burnett’s comedy class her as either a ‘camp’ novelist, or a social satirist in whose novels jokes are used for either oppression or subversion. The present essay proposes a new reading of the social uses of jokes in Compton-Burnett’s novels. In these domestic fictions, family life is characterized by constant strife, most commonly of a verbal nature. As part of their daily struggle for power and position, her characters use aggressive jokes to keep each other in check. This process does not distinguish primarily between oppressors and oppressed, but between successful and unsuccessful egotists. As an ideal result, a social equilibrium emerges that is at least vaguely habitable to all. This way, Compton-Burnett’s comedy is essentially conservative; the ultimate function of the jokes employed by her characters is not to permanently transform social structures, but to maintain the delicate balance of power within the family.     

Melancholia in Vita Sackville-West’s Hogarth Press Novels

Author Vita Sackville-West (1892–1962) has been understood as an author who celebrates in both prose and verse the institution of the English country estate, in part because of her personal attachment to her family’s Kentish house, Knole. The four popular novels that Vita Sackville-West published with the Hogarth Press during the early 1930s—The Edwardians (1930), All Passion Spent (1931), Family History (1932), and The Dark Island (1934)—are no exception, save for their particular focus on the agnatic inheritance of both aristocratic title and estate along with the female subject’s exclusion from that system. While the first pair of novels entertain the possibility of mediated success in obtaining the loved object, either the estate itself or an effective substitute, the latter works become melancholically resigned to the restrictions that effectively disinherit the aristocratic eldest daughter. This escalating melancholia, often Freudian in its narrative presentation, directs the novels’ successive focus less toward the act of mourning the loss of the country house, of some version of Knole either real or imagined, and more to the vexing inability to both acknowledge the disinheritance and mourn the loss. In fact, the melancholic dynamic threatens to erase each of Sackville-West’s protagonists, and as her novels detail the advancing impact of this disinheritance, the female characters face literal extinction. Thus, the celebratory stance so often attributed to Sackville-West is, in these works, a far more critical and essentially abject perspective that demands compensation.     

blowing the love-breath: healing men in Caribbean women's writing

Caribbean women writers (such as Erna Brodber and Opal Palmer Adisa, who are discussed in this article) often include men in women's liberatory quests as participants: helpers, healers or caregivers. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory, which embraces and redefines from a feminist perspective the affective fallacy (over-interpreting a text based on one's feelings) so dreaded by the New Critics. This article interrogates how to read through affects across multiple intersecting differences between the text and the reader (such as race, class, culture and gender). A self-reflective negotiation between an outsider reader and a text's healing communities reveals the limits of the reader's ability to participate. The affective fallacy in this context becomes a useful tool for reading, but here it seeks a very different goal from that for which it was previously used. The transcultural feminism of difference relies on affectivity and emotions as a political force and a method for meaning; however, knowing the boundaries of one's affects prevents one from intrusively taking on the other's suffering through sympathetic reading. Women's sexual healing processes in the novels discussed in this article are not self-evidently or solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations. Participation in these affective moments between the novels’ women and healing men is made possible by the reader's parallel process of embracing and curtailing her affective responses to the suffering of the other.     

remembering home: nation and identity in the recent writing of Doris Lessing

In the UK, the writing of Doris Lessing has frequently been associated with left-wing politics and the second-wave feminist movement. Critics have concentrated primarily on issues of class and gender and have focused their attention on novels published in the 1950s and 1960s. This essay suggests that Lessing's work is over-ripe for reassessment in relation to ideas from post-colonial theory. Her writing repeatedly addresses questions about national identity and its imbrications with ‘race’. These ideas intersect in complex ways with her more familiar analysis of gender and class. This essay discusses Lessing's recent novel The Sweetest Dream (2001), which was widely read as an attack on the political idealism of the 1960s. It relates the novel to her collection of essays, African Laughter (1992), her recent essay on the situation in Zimbabwe, ‘The Jewel of Africa’ (2003) and the second volume of her autobiography, Walking in the Shade (1997). Zimbabwe (previously Southern Rhodesia) is of crucial importance in these works. The article explores how Lessing makes use of notions of city, home and memory that can be instructively compared with some of Toni Morrison's ideas in her novel Beloved (1987) and the essays ‘Home’ (1998) and ‘The Site of Memory’ (1990). Lessing revises the notion of ‘home’ so that it becomes capable of both recognizing racial and national differences and moving outside them. She also interprets memory as productive for the individual and the nation only when it becomes, as Morrison would say, ‘rememory’: when it can acknowledge the importance of imagination in dealing with trauma and thus suggest the fluctuating, mobile status of identity. The article demonstrates that similar ideas about home and memory are present in her fiction, essay and autobiography, indicating that her intention is to explore generic classification and blur the boundaries between different methods of writing personal and political history. Lessing's work strongly suggests the possibility that apparently ‘fictional’ writings may be more fruitful than ostensibly factual ones in allowing individuals and nations to make sense of their immediate pasts.     

Weblogistan goes to war: representational practices,gendered soldiers and neoliberal entrepreneurship in diaspora

In this article, which is based on twenty four months of combined online and off-line ethnographic research, I show the way that some Iranian diasporic bloggers use their weblogs as entrepreneurship resources during the ‘war on terror’. Through a discourse analysis of a documentary film about Weblogistan and interviews with diasporic Iranian bloggers in Toronto, I argue that Weblogistan is implicated in discourses of militarism and neoliberalism that interpellate the representable Iranian blogger as a gendered neoliberal homo oeconomicus. The production of knowledge about Iran in transnational encounters between the media, think tanks, policy institutions and the Iranian diasporic self-entrepreneurs, relies on gendered civilizational discourses that are inherently tied to the ‘war on terror’. Following feminist scholars who have theorized militarism and gender, I argue that dominant representations of Weblogistan produce different gendered subject positions for Iranian bloggers. Although the masculine blogger soldier takes freedom to Iran through his active participation in proper politics (enabled by his freedom of speech in North America and Europe), the woman blogger finds freedom of expression in writing about sex and telling the truth of her sex in a confessional mode. It is in this war of representation that women bloggers negotiate their subjectivity while shuttling in and out of local and global politics, as subjects of politics (markers of freedom and oppression) and political abjects (not worthy of political participation).     

A Nurse and a Soldier: Gender,Class and National Identity in the First World War Adventures of Grace McDougall and Flora Sandes

In this article the author explores the ways Grace McDougall, Commandant of the First Aid Nursing Yeomanry (FANY), and Flora Sandes, Captain and combatant in the Serbian Army, negotiated gender, class and national identity and enhanced women’s claim to personal and collective power during their work at the Front during the First World War. The author analyses Sandes and McDougall’s writings and their accounts of personal heroism and focuses on two aspects: first, their participation in the physical dangers of war and the creation of audacious stories of physical bravery that aligned them with male combatants; and second, their performance of ingenuity, intellect and action that gave them power, status and credibility, and consolidated their leadership and authority. In their different ways, both women modelled resistance to female subordination and made the case for women’s participation in war.     

Theorising The Everyday

This article reflects on the gender politics integral to theories and cultural histories of the everyday in the contemporary Humanities and (to a lesser extent) Social Sciences. Since the 1990s feminist scholars have observed the gender bias integral to many canonical twentieth-century theories of the everyday. In spite of these observations, I suggest that much everyday life theory and recent studies that map a cultural and intellectual history of the everyday continue to reflect this gender bias. I suggest that one possible reason for this is women’s historical exclusion from the realm of theoretical discourse broadly conceived, and propose that in order to trace alternative critiques and histories of the everyday feminist scholars need to look to alternative modes of cultural and discursive production—for example, literature, the essay and art—through which to trace implicit and explicit analyses of the everyday by women. The second part of the article turns to the work of the twentieth-century photographer Dorothea Lange as a case in point. While Lange’s work has never been discussed in studies of the everyday, the concept underpins her practice and her work offers some suggestive points of comparison to approaches to the everyday both in Lange’s time and in contemporary theory. Focusing on her little-known essays ‘Documentary Photography’ and ‘Photographing the Familiar’ and some of her images of rural California during the Depression years, I examine her account of the role of the ‘familiar’ and everyday to the social, aesthetic and ethical potential of documentary photography as a medium at the time.     

'Money,for the night is coming': Jean Rhys and Gendered Economies of Ageing

The published collection of Jean Rhys's correspondence opens with two undated photographs of Rhys on facing pages. The author's pose is nearly identical in the two images: her head rests on her hands and her large, dark eyes, rimmed with black liner, look directly out at the viewer. In both pictures, Rhys's hairstyle is exactly the same - though the colour and texture have changed - and the vivid pattern on her clothing is also similar. Both are portraits of a strikingly beautiful woman, and together they suggest a narrative embodying several concerns central to Rhys's early fiction: the exhibition of feminine beauty, the passing of time, and the social, biological and economic consequences of ageing for women. The strong continuities between the two photos, along with their striking differences, serve as a visual representation of the need for women to appear unchanging, to weave a narrative or create an image of the self that keeps the past and present contemporaneous in order to maintain value in the sexual marketplace. The inter-relations of gender, value, age and expenditure suggested by the two photographs are articulated in Jean Rhys's early novels, which depict the economy of investment and loss that women face as they age. In Rhys's texts - and particularly in her two first-person narratives - there is an attempt to recreate in prose the simultaneous experience of past and present, not simply as an example of modernist experimentation with narrative continuity, but also as a specifically gendered response to the economic and social consequences of ageing for women.     

Eileen Power's Asian journey, 1920-21: history,narrative, and subjectivity

Abstract

This article analyses the travel writings of the British medieval historian, Eileen Power (1889-1940), during her year-long journey around the world in 1920-21 as the first and only female awarded a travel fellowship administered by the Trustees of the University of London in the years following the First World War. Drawing upon a comparative reading of her official Report to the Trustees and her private diary record of her ‘Tour du Monde’, we examine the various dimensions of subjectivity and identity evident in her narrative of the journey, interrogating the difference which gender makes in the relationship of European travellers to empire. In addition, we examine how the narrative of her journey and subsequent historical narratives were part of those Orientalist forces/discourses which produced and were produced by the West's relationship to the East in the first half of the twentieth century.     

Imperialist Women and Conservative Activism in Early-Twentieth-Century Britain: the political world of Violet Milner

While elite women's imperialist activism in early-twentieth-century Britain is now well recognised, little attention has been paid to how this female imperialism was integrated into broader right-wing politics. The adherence of many right-wing women to a conventionally ‘masculine’ model of empire is also under-researched. This article explores the connections between imperial and wider right-wing politics, the new forms of Conservative activism for women they generated, and the ‘masculinist’ gender model of this imperial Conservatism, through an investigation of the political life of Violet Milner (1872–1958). It emphasises the impact of the South African war in forming imperial ideologies which influenced attitudes to ‘domestic’ as well as imperial politics; highlights the degree to which elite women participated in the campaigns of the Edwardian radical right over tariff reform, national service and Ulster, and in the interwar ‘diehard’ campaigns over India; and traces the enduring influence of turn-of-the-century imperial attitudes into the post-war era as demonstrated by her revival of the ‘Milner religion’ and her editorship of the National Review.     

Gendered Division of Labor among Special Settlers in the Soviet Union, 1941–1956

In the early 1940s, the Germans of the Soviet Union were mobilized into the labor armies to work for the Soviet war effort. Despite the nationwide ‘feminization of machinery’ in the Soviet Union during the war years, German women deportees were denied access to skilled employment out of a mixture of gender stereotypes and fear of treason. Labor patterns and access to technology in labor armies thus offer a curious insight into the workings of a large sector of economy of the Soviet Union based on forced labor as well as help expose stereotypes about the gendered division of labor that persisted in the Soviet Union despite its many years of gender equality propaganda.     

feminism,policy and women's safety during Australia's ‘war on terror’

The main argument in this article is that the Australian government in power from 1996 to November 2007 failed women's domestic security by denying the central policy role of women's organizations in the struggle against domestic violence and by successfully expunging public debate on gender issues in Australian governance, while participating in the ‘war on terror’ to guard national security. In bringing together a discussion about the war on terror and the importance of feminism for women's security, key issues about feminism, race and gender are considered. This article also explores the prevalence of violence against women and the social implications of the lack of leadership in public debate about the gendered nature of violence against women. Under the Australian government led by Prime Minister John Howard that gained power in 1996 and was defeated in 2007, women's organizations lost financial support and women's policy infrastructure was decimated. Violence against women, however, continued to increase, reaffirming women's place in Australian society as insecure and dangerous. After more than 30 years of struggle to maintain domestic violence and sexual assault as serious social policy problems, provide services, support and advocacy for women who are victims of violence and assault, women's organizations are coming to terms with a society where there is a blindness to the role of gender in violence against women.