She's old enough to be a beautiful young boy: Sarah Bernhardt,breeches roles and the poetics of aging

This essay argues that Sarah Bernhardt's choice to play young male roles late in her career served as a radically anti-agist feminist response to the limiting and often demeaning professional and social opportunities afforded aging women. While scholarship has attended to Bernhardt's cross-dress roles through the lens of gender, this essay highlights her “breeches” roles, in particular Hamlet and L’Aiglon as cross-age and cross-gender. By examining “aging” as the contextual mode by which gender functioned, we open up new terrain with which to examine and appreciate Bernhardt's significance in the scope of theatre history, women's history and aging studies. In the title roles of Hamlet and L’Aiglon, Berhnardt assumed youth and male-ness on stage, which both highlighted her offstage socially perceived deficits (aged and female) and challenged the designation of those identities as deficient; performance threw into flux what had been assumed static. And the public responded. Far from honoring the assumed cultural hetero-normative contract that aging women acquiesce public visibility, Bernhardt's breeches roles (re)constructed her body as female (from aging/sexless) and demanded audience members’, male and female, desiring gaze.     

the ambivalence of colonial desire in Marguerite Duras's <Emphasis Type="Italic">The Lover</Emphasis>

This paper analyses the notions of desire and metissage that circulate in The Lover, Marguerite Duras's autobiographical novel about an illicit and scandalous sexual relationship between an adolescent French girl and a wealthy Chinese man set in 1920s French colonial Siagon. Rather than celebrate The Lover as a tale of a young French girl's resistance to colonial sexual mores and regulations, this paper seeks to excavate how that resistance both affirms and challenges the racializing and racist dynamics of colonial society. In particular, I explore the intertwining discourses of colonial sexuality, gender, race, and Orientalism that both produced and constrained the specific forms of desire and subjectivities available to and taken up by European women in French Indochina, and that circumscribe the story that Duras is able to tell about the French girl's love affair in The Lover. I suggest that Duras's portrayal of the French girl as a sexually autonomous female subject – one whose erotic relations are not bound by the dictates of colonial patriarchy – is made possible only by the ambivalent structure of the girl's desire, by her simultaneous attraction to and repulsion of the racialized others of the French colonies.     

‘Fresh attractions’: white slaveryand feminism in New Zealand, 1885–1918

Abstract

New Zealand women participated in an international debate over white slavery from the late nineteenth century. Features of that debate were common to several countries, but local commentators drew upon New Zealand's colonial position to evoke images of old-world ills in a new country. Ironically, however, New Zealand women were not convinced of the existence of white slavery in their country. As part of a catalogue of men's sexual and social oppression of women, the portrayal of gender relations in the anti-white slavery campaign was stark, but deliberate. In their demands that men take responsibility for ensuring that women had the right to walk the streets in safety, New Zealand feminists deployed the rhetoric of white slavery to argue for women's sexual and social freedom.     

Colonising motherhood: evangelical social reformers and Koorie women in Victoria,Australia, 1880s to the early 1900s

Abstract

This article examines the separate worlds of evangelical social reformers of the World's Woman's Christian Temperance Union and mission-based Indigenous women in the late nineteenth and early twentieth centuries in the colony of Victoria. The Woman's Christian Temperance Union (WCTU) activists, characterising themselves as the organised motherhood of the world, claimed maternal moral authority to promote for their sex a legitimate place in public life and full citizenship. Simultaneously Koorie women on the scattered mission stations of the colony, their lives under increasingly intrusive surveillance, were forced on painfully unequal terms to negotiate with mission managers and colonial officials for the right even to raise their own children. Unable to perceive the plight of Koorie mothers, the WCTU reformers, characterising themselves as the organised motherhood of the world, aligned themselves with the so-called ‘civilising’ endeavours of their fellow evangelicals, the missionaries, oblivious to their collusion in the colonial state's grievous assaults on Koorie human rights and civil liberties     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

Techniques of black male re/dress: corporeal drag and kinesthetic politics in the rebirth of Waacking/Punkin’

The improvisation-based dance Waacking/Punking developed in gay underground disco clubs of 1970s Los Angeles and circulated transnationally via television's landmark black music/dance show Soul Train. With almost all male progenitors passing during the early AIDS crisis, the culture was reborn in the 2000s to the transnational hip-hop/street dance arena, now a competition style dominated by nonblack cisgender females. While seeming to promote hetero-normative gender performance, learning the dance practice potentially queers movement norms through corporeal drag – techniques for trying on and refashioning movement that transform kinesthetic consciousness. At the same time, the obscure structural positioning of the black male figure associated with Waacking/Punking's historical context complicates and disorients gendered notions of power and racialized sexuality in its rebirth. This trans-methodological study centers experiences of black practitioners, drawing from first-person stories of pioneer and new generation dancers, as well as native ethnography and archival research. In subtle ways, Waacking practices redress black masculinity and question performing social inclusion under terms of a white patriarchal order – terms that suture blackness-to-pathology-to-violence. The erotic practice of Waacking/Punking may be understood as an embodied re-negotiation of hegemonic demands on gender and sexuality, made possible through its transmission of a black kinesthetic politics.     

Gender constructions and gender relations in cotton and chain-making in England: a contested and varied terrain

Abstract

While scholars have emphasised the positioning of women as wives and mothers in working-class culture in late nineteenth-century England, their position in the workforce remained significant, even in such disparate industries as cotton and chain-making. In the former, while excluded from spinning, women's employment in powerloom weaving brought them into the heart of the production process, encouraging their participation in workplace struggles and ultimately influencing a transformation in the working-class family in terms of fertility control. In chain-making, while some male workers attempted to position women in the domestic sphere, others were dependent on their labour. Cultural constructions of gender were thus undermined, as the struggle for the minimum wage superseded attempts to remove women from the workforce. In neither industry was equality between men and women realised, while antagonism on the basis of gender persisted. Yet women's identification with their work remained evident while mutuality across gender lines was also apparent, as women themselves played an active role in the shaping of gender relations. Conceptions of gender, as they intersected with particular labour market structures, thus came under duress. Consequently, a more complex picture of gender in working-class life emerges than an analysis which privileges cultural constructions would allow.     

Comparing Women in Canada

In Feminism and the Power of Law Carol Smart argued ??law must also be tackled at the conceptual level if feminist discourses are to take a firmer root?? (Smart in Feminism and the power of law, Routledge, London, 1989, 5). In Canada, the Women??s Legal Education and Action Fund (LEAF) ??tackled?? the concept of comparison in the age equality case of Withler v Canada, 2008 BCCA 539. Rejecting ??similarly situated ??(or ??groups??) comparison as inconsistent with substantive equality, LEAF advocated a ??contextual?? approach to import gender into the Withler frame. However, LEAF did not identify a male comparator even though all of the plaintiffs were women. Accordingly, it is unclear whether LEAF??s contextual approach obviates comparison, permits comparing some women to other women, or is synonymous with ??grounds?? comparison. I argue LEAF could have named the patriarchal state as the male comparator in Withler, thereby aligning their contextual approach with ??grounds?? comparison and offering substantive equality a ??firmer root??.     

Technocrats and Tortured Bodies: Simone de Beauvoir's Les Belles Images

Through an analysis of Simone de Beauvoir's final novel Les Belles Images (1966), this article examines how a 1960s French technocratic class dealt with individual and collective traumas, particularly how they placed their faith in an undying hope in the future while simultaneously ignoring the horrors of wartime violence. The article contends that Beauvoir's novel is a story of not remembering—or, more specifically, attempting to forget—Algeria and all the conflict signified to the average French citizen, including decolonization, torture, racial difference and political tumult. Analysis rests on the novel's representation of its protagonist Laurence, who had been shaken to the core after reading a newspaper article about a (likely Algerian) woman tortured to death, ultimately causing a nervous breakdown that forever altered her interactions with her family and fellow technocrats. Gender and nationality also figure centrally in this examination of the broader role that images—not only belles images—played in the construction of French national identity at this historical moment.     

New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries

Abstract

Approaching the material from the perspective of cultural history, this essay explores the ways in which England, in the late nineteenth and early twentieth centuries, witnessed considerable debate about the character of Portia from Shakespeare'sThe Merchant of Venice. Feminists seized upon her appearance as a lawyer to argue for Shakespeare's advocacy on behalf of women's emancipation. Anti-feminists stressed the character's acquiescence to male control of her affections and her estate. Thus for many readers and viewers of the play concern about the status of the New Woman, civic maternalism, married women's property rights, and women in the professions, overrode their interest in the play as a text about Christians and Jews.     

Property and proper chastity: Women's land rights in South Asia today

Bina Agarwal's ambitious and wide‐ranging book, A Field of One's Own: Gender and Land Rights in South Asia (Cambridge: Cambridge University Press, 1994), is reviewed. Agarwal's argument is that women in South Asia should have the same land rights as men. She considers, in detail, the pervasiveness with which such land rights are absent (although they do exist in certain limited areas), why this is so, and the means by which such rights might be obtained. Among the issues raised are: the need for women's organisations at the village level, whether legislation on its own can confer genuine rights (the answer is ‘no'), how control of women's sexuality connects with male control of land, and regional differences within India (especially between North and South). The book is seen to be a magisterial study of high quality. The one criticism made of it is the implication of Agarwal's theoretical discussion that gender ideologies are determined by economic causes. This is contested.

A Field of One's Own: Gender and Land Rights in South Asia, Bina Agarwal. Cambridge: Cambridge University Press, 1994. Pp.xxii + 572. £60 (hardback); £24.95 (paperback). ISBN 81 85618 63 1 and 64 X.     

Diamela Eltit: Clearing space for critical performance

Reggaeton's success in the international music scene has incited heated debates about the genre's genealogy. The dominant framework for discussing reggaeton's origin often relies on and reifies nation-based claims to the genre, overlooking how reggaeton resists being fixed to any single locale. In this paper I discuss the emergence of the reggaeton subgenre bhangraton (a mix of bhangra pop and reggaeton) and point to some of the ways that it challenged nationalist claims to reggaeton. Reggaetonera and Hindi-vocalist Deevani, in particular, complicates claims about racial, ethnic, and sonic purity that circulate within reggaeton by highlighting how race, gender, and affinity are performed and felt and by calling attention to the genre's multiple circuits outside the nation.     

Putting Dad in the Picture: fatherhood in the popular women's magazines of 1950s Australia

This article explores the shifting meaning of fatherhood within the popular women's magazines of 1950s Australia. Breadwinning fatherhood reigned throughout the decade, and magazines such as Women's Weekly and Woman's Day keenly emphasised the care of children as a mother's domain. Even in these manuals of idealised motherhood, though, this division was not inviolate. As the 1950s went on, letters, articles and advertisements make it clear that fathers—just as the breadwinner was legitimated by economic boom—were increasingly expected to do more than simply earn the bread, although these expectations fell some way short of a gender revolution.     

‘Sable venus’, ‘she devil’ or ‘drudge’? British slavery and the ‘fabulous fiction’ of black women's identities,c. 1650–1838

Abstract

In this article, the author addresses the problem of how much historians can understand about the identities of individuals living in a different epoch in time, in relation to what has been termed the ‘fabulous fiction’ of black women's identities in slavery and freedom. A central argument is that stereotypes of black women were highly gendered and clustered around contradictory representations, particularly the ‘Sable Venus’, ‘She Devil’ and passive ‘drudge’. Thus, the persistence of an African-centred ‘woman's culture’ and strategies of resistance, collaboration and survival are vital to understanding black women's self-defined (as opposed to white attributed) identities. The first section examines the relationship between gender, race and culture in the mediation of African and slave women's identities. This is followed by a critical deconstruction of the ‘Sable Venus’ and interrelated black and white gendered identities in colonial slave society. The final section analyses the importance of the ‘She Devil’ in representing the resistant slave woman who defied the ‘fabulous fiction’ of white stereotyping of black women. A wide time span is adopted in order to analyse how black women's relationship to the gendered power structures underpinning colonial slavery shifted over time, as did ‘white visions’ of their identities. Unifying themes are the central location black women had in the development of colonial relations between black and white and the implications of contact at the harsh interface of African and European cultures for black women's gendered identities.     

How Do Gender Values and Household Practices Cohere? Value–Practice Configurations in a Gender-egalitarian Context

Previous research has revealed a paradoxical simultaneity of egalitarian gender values and inegalitarian practices in Europe. The social-democratic welfare states, i.e. the Nordic countries, however, stand out collectively as having the most consistent relationship between egalitarian values and practices. The present article examines the consistencies and inconsistencies between gender values and practices among Norwegian married and cohabiting women and men, focusing particularly on the division of housework and childcare. Drawing on data from the Norwegian Generations and Gender Survey, we identify four distinct types of value–practice relationships in families. Analysis of predicted class membership probabilities reveals that half of our sample belongs to a family type with consistent gender values and household practices, of whom the majority has consistent egalitarian values and egalitarian practices. The other half belongs to a family type with inconsistent value–practice relationships. These are significantly gendered, leading us to recast the so-called paradoxical simultaneity of egalitarian values and inegalitarian practices into a female paradox and the simultaneity of inegalitarian values and egalitarian practices into a male paradox. We attribute the gendered nature of the inconsistencies between values and practices mainly to women's and men's dissimilar perceptions of how everyday household work is apportioned between partners.     

Peasant and state in Mozambique

Merle Bowen's study focuses on the evolution of the ‘middle peasantry’ in both colonial and postcolonial Mozambique. In doing so, she successfully challenges long‐standing, if highly problematic, notions that the Mozambican economy consists of a ‘traditional’, subsistence‐oriented peasant sector with only nominal links to ‘modern’ forms of agriculture, the urban areas, and regional and international markets. At the same time, she usefully illuminates continuities in colonial and post‐independence agrarian policies and shows the ways in which the experience of smallholder agricultural co‐operatives under the Portuguese shaped the peasantry's perceptions of, and responses to, collective agriculture under Frelimo. However, the evidence in Bowen's case study does not necessarily sustain her central thesis that the post‐independence state, like its colonial predecessor, was ‘anti‐peasant’. This is one of several criticisms made of Bowen's text.

The State Against the Peasantry: Rural Struggles in Colonial and Postcolonial Mozambique, by Merle L. Bowen, Charlottesville and London: University Press of Virginia, 2000. Pp.xiv + 256. US$65 (hardback); $19.50 (paperback). ISBN 0 8139 1910 X and 1917 7.     

As unconscious and gay as a trout in a stream?: turning the trope of the Australian Girl

The instability of colonial representational economies, identities and tropes is the subject of analysis in this paper. I take as my starting point the anxieties that were generated during the late 19th century in relation to what I nominate the fictitiousness of settler subjects in colonial Australia. In order to examine these historical concerns and their explicitly gendered representations, I consider in detail one text, Rosa Campbell Praed's Fugitive Anne: A Romance of the Unexplored Bush (1902). This text was published in 1902 and was one of a number of romance novels this author produced for readerships in both colonial Australia and England. This adventure romance features the trope of the Australian Girl and also engages in varying degrees with discourses of colonial ethnography that, to my knowledge, have not been examined in relation to the ideological production and effects of this figure.     

A Raindrop Unfallen: innocence and Jacques-Henri Bernardin de Saint Pierre's Paul and Virginia (1788)

The following essay is a creative, and challenging, reflection upon key themes of this special issue. The essay brings Jacques-Henri Bernardin de Saint Pierre's tragic romance, Paul and Virginia (1788), into conversation with an artistic response, Julia Margaret Cameron's 1865 photograph. Paul and Virginia is the tale of two children on the idyllic Ile de France, whose love encodes an eroticised innocence. Cameron's rendition offers a visual re-imagining of the fairy tale. In her appreciation of text and image, Carol Mavor negotiates a space between critical and poetic writing. Mosaic-like in form, evocative fragments of prose, poetry and images, are brought together to reflect upon the elusive nature of seduction, desire and innocence—especially among women, mothers and children. This experimental work uses artistic expression to enable us to think differently about the Victorians' troubling legacy of eroticised innocence, and explores new ways to describe inner experience.