the politics of conflict and difference or the difference of conflict in politics: the women's movement in Nepal

This article argues that an adequately historicized and politicized understanding of the women's movement in Nepal (or elsewhere) requires a detailed examination of the construction of the gendered subject herself in the complex geo-political space of the emergent (Nepali) nation state. In turn, this unravelling of the gendered subject in Nepal serves to reinforce the premise that the representation of ‘the Nepali Woman’ as a single over-arching category is a contemporary construction, which has been achieved at the expense of consistently effacing the historically prior multiple and contested ethnic/caste identities taken by thrust upon women in what is now the new Nepal. The ‘natural’ goal of the women's movement since post-1990 Nepal to achieve a (single) feminist agenda has become part of the problem, as it can only be achieved at the expense of respecting the radical diversity and difference that is covered over by the ‘theoretical fiction’ of the unified nation of Nepal. The main important players, whether it be the women from mainstream political parties, or the women of the NGO world or the Communist Party of Nepal (Maoists), have all contributed to excluding and silencing radical diversity in the name of expediency and elite power brokering. Moreover, it is argued that the contours of this composite discourse continue to be shaped by the international aid industry in Nepal, where ‘development’ is not merely the epistemic link between Nepal and the ‘West’, it is also the locus classicus of generic apolitical consciousness-less Nepali woman whose cause is taken up by scholar and activist alike.     

Dancing across difference: Experience and identity in the classroom

This article uses Liquid Sky to consider the possibilities of feminist reorientations outside of formal and political orthodoxies and suggests that such disengagements from the dominant are alienated from the utopian rather than re-imagined as transgressive modes of utopian resistance. These disengagements are theorized as a postpunk feminist dystopia: that is, a de-emancipatory system of gendered and aesthetic practices that spatio-sonically shapes queer female sexuality as extrinsic to social and sexual ideals. This dystopia specifically frames the lesbian subject as a bodily terrain of self-estrangement, and names the film's network of alienated corporeal, subcultural, and sonic space. Feminist dystopia ultimately describes female empowerment's precarious position in a sexual and sonic landscape of non-normativity and offers a way to visualize oppositional practices that do not readily correspond to liberation.     

on the orgasm of the species: female sexuality,science and sexual difference

This essay interrogates the assemblage of female sexuality. Drawing on an analysis of Masters and Johnson's anatomical research and primatological research on monkeys, I argue that the female sexuality was the product of encounters between women, machines and monkeys. Orgasm's extra-species life produced a conception of female sexuality as natural in evolutionary and anatomical terms. The set of assumptions that follow this naturalisation of female sexuality through an emphasis on orgasm allow us to further deconstruct notions of female sexuality, naturalness and the politics of knowledge that produce this assemblage. Ultimately, I argue that this focus on anatomy and female orgasm allows us to see the stakes of an anatomically based sexual difference.