Work in the interstices: Woman in academe

Stress and anger are inevitable responses on the part of a woman entering the men's sanctuary of the University, and will be aggravated by her not recognizing that the University has been from its beginnings a patriarchal institution and is committed to remaining so. She fails to recognize the pollution sanctions that are levelled against her, interpreting them as personal, and thus struggles with imaginary foes. Hope lies not in confronting these mystifying primitive taboos directly, for she can never be admitted to the secret society and may not really want to be, but in drawing on the larger tradition of learning itself to renew the principles of education in general, and in particular her own work.     

Helena Normanton: legal crusader or myth Maker? ‘[S]urely the one thing history teaches us is that we cannot generalise,or even worse,categorise individual humans into saints and sinners,or heroes and villains’

ABSTRACT

Helena Normanton aspired to become a lawyer at a time when women were prohibited from entering the legal profession. This aspiration became a reality when, on 24 December 1919, she became the first woman to be admitted to an institution of the legal profession after the passing of the Sex Disqualification (Removal) Act 1919, thus enshrining her place in legal history. Her achievement was, without doubt, remarkable. She has become the ‘face’ of women’s entry to the legal profession, but what was her contribution to the opening the legal profession to women? How should history remember her? This article will examine her role in this history and compare it to her own narrative. Further it will consider how we reconcile her trailblazing challenge to the male exclusivity of the Bar with the difficulties her behaviour often presents to us. Helena Normanton: saint or sinner? And does it matter?     

工人阶级内部的两大群体:经理与工人

工人阶级内部存在着不同的利益群体,存在不同利益群体的客观基础是对资源的支配关系不同。随着向市场经济转轨的深入,工人阶级内部不同群体将日趋独立,阶层化(群体化)将日趋明显。经营管理者是在公有制基础上,直接支配生产资料,履行支配职能,行使支配权力,获得相应利益的社会集团。工人是在生产过程中,被管理,被支配并直接进行劳动,以此获得工资性收入的社会集团。     

Mary Augusta Ward (Mrs Humphry) and the opposition to women's suffrage[1]

This article analyses the tensions and contradictions in the work of the conservative writer and social reformer, Mary Augusta Ward and her role in the development of a constructive anti-suffragism designated as the ‘forward policy’. Ward's representation of the suffragette in her novel, Delia Blanchflower (1915), is discussed. Concentrating on Ward's principled support for women and her reforming imagination, the article shows how she shared much in common with feminists of her day and suggests ways in which her writing may be mined by historians and literary scholars interested in the history of women's suffrage.     

Feminist Literary Theory and the Law: Reading Cases with Naomi Schor

This article brings together feminist literary theory and law by approaching a number of U.S. Federal cases on sex equality in light of the work of the renowned feminist literary critic Naomi Schor, and shows that literary theory constitutes an under-explored resource for feminist legal critique. Schor’s writings constitute a sustained rumination on the relationship between reading and feminism. Drawing on writings on language and the body by key French feminist theorists, Schor advances a method of interpretation which she terms, provocatively, ‘clitoral reading’, and which focuses on the place of details relating to women’s bodies and desires within literary and cultural discourses. In the course of her career, she analysed texts from domains as diverse as literature, philosophy, visual art, the history of fashion, and photography. I will demonstrate that her work can make a valuable contribution to legal studies by using it as an interpretative lens to re-examine U.S. Federal court judgments.     

Uncovering the ‘saintly Anchoress’: myths of Medieval anchoritism and the reclusion of Katharine de Audley

This article uncovers the lost history of the early fourteenth-century religious recluse, Katharine de Audley, a woman whose life came to be both distorted and romanticised by legend and literary adaptation in the centuries that followed. Tracing first the various literary treatments of Katharine as medieval anchorite, and second, her lived history as it emerges from the records, and by placing both within the historical and ideological context of medieval anchoritism, the author argues for the female anchorite as forming part of a critical practice which continued to address socio-religious and personal needs both in her own day and long after she and her vocation had fallen from immediate cultural consciousness.     

‘Older Sisters Are Very Sobering Things’: Contemporary Women Poets and the Female Affiliation Complex

If, as history indicates, the directions of poetry are determined by its inheritance – that is, its perception of its past – in looking at literary records such as poems, reviews and other critical texts, it is possible to anticipate how twentieth-century women's poetry will come to be defined and the extent to which it will have value and authority. This in its turn will formulate the nature and status of women's poetry in the twenty-first century. In surveying twentieth-century poetry in Britain, the signs are that just as the label ‘poetess’ was a handicap to the self-perception of a woman at the beginning of this century, so the label ‘woman poet’ will shackle her in the next, largely because her end-of-the-twentieth-century predecessors will have become mythologized as a literary underclass, undermined and overlooked. One reason for the pattern of the last three hundred years, where women publish and then slip from literary histories, is that they do not receive proper attention from male-dominated literary criticism. Although women now seem to be sufficiently published to make segregation unnecessary, there is still a case for positive discrimination or their names will disappear from the records. Positive discrimination in the form of gendered segregation is, however, opposed by poets because of their uneasy relationship with one another. Women poets need an alternative line of development to the ‘masculinity complex’ whereby they unsuccessfully seek recognition within the male traditions, or the ‘female affiliation complex’ which prevents them from identifying themselves with one another. It will be argued that there is an emerging tendency in recent poets to plunder and appropriate the associations of the male tradition and that feminist critics need to theorize this aesthetic and make connections between poets so that they become positive role models for poets of the future.     

‘The <Emphasis Type="Italic">Purdahnashin</Emphasis> in Her Setting’: Colonial Modernity and the <Emphasis Type="Italic">Zenana</Emphasis> in Cornelia Sorabji's Memoirs

This article focuses on two memoirs written by Cornelia Sorabji in the 1930s – India Calling (1934), and a subsequent book, India Recalled (1936) – in order to explore how discourses of space and place shaped the representations of femininity which structure these texts. Specifically, I will examine Sorabji's apprehensions of femininity in relation to the Muslim and Hindu women she viewed as her legal ‘clients.’ I am equally interested in these texts as evidence of how memory works as a practice of history – how events as they were recalled and recorded in the volatile 1930s and, especially in the wake of the Katherine Mayo controversy, how they helped shape the versions of the respectable feminine produced in her public writing of the period.     

Helen Taylor’s work for land nationalisation in Great Britain and Ireland 1879–1907: women’s political agency in the British Victorian land movement

This article explores the contribution made by Helen Taylor to the Victorian land reform movement, 1879–1890. It concentrates on her political agency after 1882 to evidence that the importance of Taylor was three-fold. She was a leading activist in all land reforming groups and drew large audiences; she had independent means which enabled her to fund the organisations she was involved in and exert influence on them; and her background as John Stuart Mill’s step-daughter and intellectual collaborator put her in the position of being able to introduce the leading players in the 1880s land campaigns to one another. Taylor introduced Henry George and Michael Davitt to the leadership of the British land movement and thus enabled their involvement. Davitt’s and George’s importance in British land campaigns has been documented by historians but the woman who was instrumental in facilitating their involvement has been largely forgotten.     

Mimesis,metaphor and representation: holding out an olive branch to the emergent schreiner canon [1]

There are complex and interesting representational issues and interpretational practices involved in claiming to ‘know past lives’ and these have particular resonance in feminist terms. These ideas are examined in relation to a particular case study, of the feminist writer and theorist Olive Schreiner (1855-1920), although the discussion contributes to the ‘women's history and post-structuralism’ debate by eschewing taking up an abstract ‘position’ in favour of examining these ideas through a grounded historical example. A range of representations of Schreiner is discussed, including a photograph which her estranged husband contemporaneously had ‘touched up’ before sending it to some of her friends just after her death, and presentday representations of Schreiner in the emergent feminist canon of claimed knowledge about her. The ideas of mimesis and alterity are used both in relation to photographic representation and also in relation to the use of metaphor to stand for perceived facets of Schreiner's character. Representational issues are fundamental and ought not to be excised from feminist discussion; at the same time, the past and its ‘irreducible things that happened’ must also be taken seriously.     

New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries

Abstract

Approaching the material from the perspective of cultural history, this essay explores the ways in which England, in the late nineteenth and early twentieth centuries, witnessed considerable debate about the character of Portia from Shakespeare'sThe Merchant of Venice. Feminists seized upon her appearance as a lawyer to argue for Shakespeare's advocacy on behalf of women's emancipation. Anti-feminists stressed the character's acquiescence to male control of her affections and her estate. Thus for many readers and viewers of the play concern about the status of the New Woman, civic maternalism, married women's property rights, and women in the professions, overrode their interest in the play as a text about Christians and Jews.     

Barbara Leigh Smith Bodichon's Travel Letters: performative identity-formation in epistolary narratives

Barbara Leigh Smith Bodichon was a mid-nineteenth-century feminist, philanthropist and painter. This article examines Bodichon the female traveller as a way of discussing the process of identity-formation in letter-writing. It proposes reading letters through the lens of Judith Butler's theory of gender (1990). Following her concept of performativity, letter-writing is conceived as a performative act of identity-formation. The article argues that, conditioned by the addressee she wrote to, Bodichon gave written expression to her subjectivity in her travel letters via her epistolary persona. This autobiographical gesture acted as one means through which she constituted her identity as a female traveller. In turn, drawing on Butler's notion of subversive repetition, the article concludes that the resulting multiple epistolary ‘I's Bodichon developed in accordance with each of her addressees permitted her to venture into her subjectivity as a female traveller—ultimately prompting her epistolary challenge of normative codes.     

When the Earth is Female and the Nation is Mother: Gender,the Armed Forces and Nationalism in Indonesia

Takamure Itsue has many faces following different phases of her life: poet, activist-writer, anarchist, ethnologist and historian. Throughout these transformations, Takamure maintained her feminist position. This article concentrates on her politics of love, sex and marriage, formulated and presented in the pre-war period during the time of Japanese colonial empire. A specific focus is placed on her positionality in the act of writing within the discursive field of women whose nation was colonizing others, notably Koreans. The combination of positivistic craving for ‘scientific’ history to substantiate the uxorilocal tradition of Japanese matrimony and uncritical acceptance of ‘motherhood’ as a superior virtue led her to consequently embrace Japan's colonialism.     

Sybil Oldfield at Seventy‐Two: humanistic feminism—or thinking back through our grandmothers

Beginning with her autobiography, Oldfield traces the impact of her German‐English background on her lifelong anti‐militarism and her own need for ‘life‐savers’ in life, history and literature. Her feminism, deeply influenced by Virginia Woolf, is defined as humanism applied to women as well as men. The thread linking all her biographical writing has been her drive to resurrect the most humane of our forgotten ‘grandmothers’, whether Victorian mould‐breakers or German Resistance heroines. However deeply theoretically unfashionable, Oldfield’s biographical approach to women’s history is rooted in her conviction that the living cannot do without the dead and that it is possible for us to reach them.     

‘Blackberrying in the Sun’? Modernism and the Ageing Woman in Rhys’s Good Morning,Midnight, Woolf’s Mrs Dalloway and Sackville-West’s All Passion Spent

Jean Rhys, Virginia Woolf and Vita Sackville-West break with tradition in re-envisioning the aging woman. No longer content with representing the forlorn dowager or the redundant females of Gaskell’s Cranford, these writers challenge earlier representations while also confronting modernism itself. Instead of focusing on youth, they ‘make it [modernism] new’ by carefully detailing the various ways ageism and sexism make us ‘the other’, as they speak out against the interlocking oppressions of ageism and sexism. Whereas Rhys underscores what it means to be an impoverished, aging woman, Woolf and Sackville-West shift their concerns to the ways in which their characters come to terms with aging. For Woolf, there is both a sense of mourning and a sense of celebration as Clarissa attempts to unite her world through her ‘offering’ of parties that ‘defy’ the Gods. In contrast, Sackville-West’s dutiful Lady Slane claims her independence for the first time in her life, as she refuses the ways in which her children infantilize her.     

She's old enough to be a beautiful young boy: Sarah Bernhardt,breeches roles and the poetics of aging

This essay argues that Sarah Bernhardt's choice to play young male roles late in her career served as a radically anti-agist feminist response to the limiting and often demeaning professional and social opportunities afforded aging women. While scholarship has attended to Bernhardt's cross-dress roles through the lens of gender, this essay highlights her “breeches” roles, in particular Hamlet and L’Aiglon as cross-age and cross-gender. By examining “aging” as the contextual mode by which gender functioned, we open up new terrain with which to examine and appreciate Bernhardt's significance in the scope of theatre history, women's history and aging studies. In the title roles of Hamlet and L’Aiglon, Berhnardt assumed youth and male-ness on stage, which both highlighted her offstage socially perceived deficits (aged and female) and challenged the designation of those identities as deficient; performance threw into flux what had been assumed static. And the public responded. Far from honoring the assumed cultural hetero-normative contract that aging women acquiesce public visibility, Bernhardt's breeches roles (re)constructed her body as female (from aging/sexless) and demanded audience members’, male and female, desiring gaze.     

Portraying history and heroism in Rebecca West's The sentinel

Rebecca West's early interest in the suffragette movement gives us a strong sense of her development as a writer and feminist thinker, as her feminist perspective shifts from impassioned and enthusiastic supporter of the suffragettes in her incomplete novel, The Sentinel, to the more measured assessments in her early journalism. This article discusses some of the ways in which the imagery, iconography and militant discourse of suffragette writing and public speaking shaped the imagination of the young Rebecca West. It also shows how her celebration of female heroism in The Sentinel, often conveyed through detailed depictions of the women she admired, creates a vivid and informed version of feminist history.