Editing daphne du maurier

The author of this article edited all Daphne du Maurier's work for nearly forty years, from 1943 until she published her last book in 1981. The article discusses the qualities which made her a best seller, whose books are read and studied in universities all over the world, and provides insights into her skill as a writer, and into the links between her books and her own life. It describes how author and editor worked together, and seeks to throw light on du Maurier's complex and often contradictory personality. There are also quotations from her letters, published here for the first time. Because of the author's particular relationship with du Maurier, the article gives a new and personal insight into how so many world-famous books came into being.     

Elena Poniatowska: The feminist origins of commitment

Elena Poniatowska is a well-known, living Mexican woman writer who portrays the reality of the marginal, the disenfranchised, the oppressed. There is therefore an irony at the centre of her ‘popularity’ for many of the men who have reviewed her books have not recognised the reality she presents: they have imposed their own male reality on her work — and praised it. By such means is her reality negated and made invisible while it is simultaneously appropriated.     

Histoire/histoires: special issue in honour of claire duchen

Claire Duchen died on 15 March 2000 after a long and very brave struggle with ovarian cancer. She died aged 45, but already with an established reputation as a leading scholar of French feminism. As Siân Reynolds wrote in her obituary for The Guardian newspaper, Claire was central to a global network of feminist scholars as a writer, translator, research coordinator, and for over 10 years, from 1987–1997, regional editor for Africa and Europe of Women's Studies International Forum. Her particular areas of specialism, in which she published widely were French Studies, especially French feminisms on which she published two well-known books, Women's Studies, and contemporary French and European Women's History, on which she published her last book this year.² She was respected as a scholar and valued as a colleague and a friend by many women and men around the world.     

The Day I Will Never Forget: an interview with Kim Longinotto

The documentary filmmaker Kim Longinotto talks to Catherine Fowler about her latest film The Day I Will Never Forget (2003) about female genital mutilation (FGM) in Africa. Longinotto’s films have consistently interrogated our understanding of womens’ place in the world, and her latest film is no exception. She discusses how she found her subjects: Fardohsa, a midwife who has been campaigning against FGM, a group of girls who have (successfully) taken their parents to court in order to prevent FGM being practised, and Fouzia, a girl of nine who reads a poem that she wrote the day after she was circumcised, asking her mother to explain why she put her daughter through such a painful experience. Longinotto also discusses the ethical issues raised by her filming of a circumcision of two sisters, and the wider issues that her film engages: the powerless position of women in African societies, the confusion of religion and culture in discussions of FGM, and the impact of saying ‘no’ to this practice.     

The making of Catherine Cookson's autobiography

Catherine Cookson's Our Kate, is undoubtedly one of the most widely read English language autobiographies ever written. It is loved by her fans and has also been drawn on quite frequently by historians seeking details of early-twentieth-century life amongst the very poor, and especially by those concerned with the fate of illegitimate children. The production of this work was complicated and lengthy, however. It took Cookson twelve years to write Our Kate, and she discarded many drafts before settling on the final version of her story and of her depiction of herself. This article explores the process Cookson went through in writing her autobiography and the ways in which she managed ultimately both to create a very distinctive persona and to use it to develop and expound her social, religious and moral values and beliefs in their most authoritative form.     

'The fact that possesses my imagination': Rachel Carson,Science and Writing

Rachel Carson is a famous but unknown writer. She is remembered as a pioneering heroine of the ecological movement, but even her Silent Spring is hardly read and the great books about the sea that made her name are unknown to the public. Recent biographical accounts have focused on the problems Carson faced as a woman entering the male-dominated scientific community, and the sexist reception of her books. But her real life was plainly in her writing. Although the accounts of geology in The Sea around Us and of genetics in Silent Spring are outdated, her books remain classics, not only for their lucidity and beauty, but for a vision of the impersonal processes of evolution and geological time comparable to Darwin's. This is especially true of her trilogy of books on the sea: The Sea around Us , describing the biochemistry, history and geography of the oceans and their tides, Under the SeaWind, focusing on the interdependent lives of sea-creatures, while The Edge of the Sea deals with the lives, great and microscopically small, of the intertidal world. The corresponding theme of Silent Spring is the death of nature through man's folly.     

Simone signoret (1921–1985)—The body political

In this article I examine the multifaceted nature of the French actress Simone Signoret, an international star whose film career spanned 40 years (1945–1985). This study investigates the different ways in which her performances and her body-as-performance can be read. It also takes on board the complex intertextuality of this star, who was not just a textual embodiment of the political and historical times in which she lived, but also a woman who was before her times, and as such, was extremely modern. The article argues that for this reason she was a star who disturbed and that her performances, throughout her long career, challenged the perceived notions of femininity and the place of women in society. As such, Signoret offered a new set of possibilities for women to engage with in terms of their identity within the social order of things, possibilities that suggested that identities, including sexual identity and agency, need not be fixed, but are constantly able to be negotiated and rethought.     

Unveiling the Forbidden: Same-sex Love as a Motif in Lydia Wahlström’s Writing

This article investigates how the historian and writer Lydia Wahlström (1869–1954) wrote about same-sex passions in a time when homosexuality was forbidden by law and tabooed in literature. There were of course also, during the first decades of the 1900s, many people who lived in same-sex relationships, some of them openly enough that this can still be discerned in the historical material. Lydia Wahlström was among them. She was active in the suffragist movement and one of its most prolific leaders, speakers, and writers. Wahlström was awarded a doctorate in history in 1898 and then became the director of studies at the Åhlinska School for girls in Stockholm. Alongside this, she wrote numerous articles and non-fiction books on a wide range of subjects as well as three romans-à-clef. In these novels, she wrote about the love that dared not speak its name, but she had to draw a veil over the forbidden motif in order to write about it. The interesting thing is that Wahlström did not mask the controversial motif more than that the observant contemporary reader could understand the underlying meaning in the novels and that it becomes even clearer to those who read her autobiography that was published many years later. This article deals with writing about same-sex love in a profoundly homophobic time.     

Eve Drewelowe: feminist identity in American art

Eve Drewelowe (1899–1988) was an American artist who attended the University of Iowa, where she received a BA in Graphic and Plastic Arts in 1923. During these early years when university art programs were being established, Drewelowe became the first person to receive an MA in art from the University of Iowa; one of the first people to receive such a degree in the United States. Drewelowe reinvented herself throughout her life and her artwork reflects a current knowledge of modern styles that emerged in the twentieth century. Drewelowe exhibited under the name Eve Drewelowe Van Ek shortly after her marriage in 1924 until the early 1950s, when she chose to resume using only her own surname. During the three intervening decades, her signature varies from one artwork to the next. In some instances, the artist later rubbed out or painted over the ‘Van Ek’ with little attempt to conceal the change, leaving a visual indicator of the artist's identity struggles. Her personal papers also reflect the challenges she faced reconciling public expectations of her role as the wife of a university dean with her profession as an artist. This essay considers the ways Drewelowe performed her identity as an artist in order to maintain her personal autonomy against the backdrop of the male dominated social and artistic world.     

Conversations with Lil: A play with Alzheimer's in five scenes and a couple of phone calls

Editors’ note – Elinor Fuchs's family memoir, Making an Exit, the story of her mother Lillian's unusual career and later memory loss, was published in 2005. Since that time Elinor has been invited to speak before many different groups on her experience as a caregiver. On occasion, instead of a talk, she has offered a performance, spliced together from the fragments of conversation she taped with her mother over several years. In these conference performances, Elinor performs both her own words and her mother's, and reads all notes, scene titles, asides, and “stage directions.”     

Detailing Judicial Difference

In January 2004 Baroness Brenda Hale became the first woman to sit on the Appellate Committee of the House of Lords. Five years on, she has brought to her judicial role a lightness of touch that belies her increasingly significant impact on the court’s jurisprudence. Early forecasts that she would be “just a bit different” from her male companions have proved prophetic. However such assessments have stemmed primarily from a focus on her decision-making on a case-by-case basis. But what of her jurisprudence as a whole? This paper considers arguments for a more sustained and coherent methodological approach to analyses of Baroness Hale’s (and other judges’) jurisprudence as a framework through which to better understand and explore the potential of judicial difference and to better inform current debates about increasing judicial diversity in England and Wales.     

Sybil Campbell,first woman judge and supporter of higher education for women

ABSTRACT

Sybil Campbell was appointed a Metropolitan stipendiary magistrate in 1945, the first woman to become a full-time judge in the courts of England and Wales. She sat for 16 years, at Tower Bridge Magistrates’ Court, where she met with a great deal of opprobrium from the national and local press, trade unionists and individuals, much of it directed to the fact that she was a woman dispensing justice, with some severity, in a working-class community. She weathered the criticism with indifference and continued until her retirement, in 1961. Her pioneering example, however, did not encourage the appointment of other women to a judicial role until the appointment of Elizabeth Lane as a county court judge in 1962. This article examines her judicial career and her work for the British Federation of University Women, of which she was Honorary Secretary and its honorary vice-president.     

Takamure Itsue: The first historian of Japanese women

Takamure Itsue was born in a small mountain village on the southern island of Kyushu. Cherished by her parents as a child given by Kannon Buddha, she was educated to be a teacher. Her stormy marriage to Hashimoto Kenzo paralleled her career as a poet, writer, and anarchist. Through a spiritual crisis she came to the decision to study the history of Japanese women. Exchanging a pledge with her husband who promised to support her in every way possible, she engaged in the task of identifying the path that Japanese women had taken. From the day in 1931 when she was 37, till the day she died, she literally dedicated herself to this goal by never leaving her study. Her findings about the matriarchal tradition of Japan were revolutionary and provided a unique historical framework for feminists of the 60s and 70s as well as an invaluable legacy for historians, sociologists, and anthropologists. Both because of her scholarly achievements and the poignant relationship she wove with her husband. Takamure Itsue remains a star that Japanese women seek in the dark sky.     

The Portrayal of Disabled Children in Recent British and American Fiction for Young People

A comparative analysis of the treatment of disabled children in contemporary works of British and American writers. Novels of fantasy, realism, historical fiction and family relationships are examined, with the hope that such books will be an avenue toward a better understanding of the needs and feelings of the disabled in our society.     

‘Modernist Madonnas’: Dorothy Todd,Madge Garland and Virginia Woolf

During the 1920s Vogue magazine in the UK was transformed from a society paper into a magazine of high modernism and the avant‐garde. The editor was Dorothy Todd. Todd was assisted by her protégée and lover, the Australian‐born Madge Garland. During this period Garland and Todd developed friendships with Virginia Woolf, other members of Bloomsbury, writers such as Rebecca West and artists such as Marie Laurencin. Madge Garland also developed friendships with artists, couturiers and intellectuals in both Paris and London. Dorothy Todd was sacked from Vogue in 1926 because of what was perceived by Conde Nast as its rather too bohemian direction. Todd’s career never recovered from this blow. Garland, however, went on to become a leading fashion journalist, businesswoman and textile expert. In 1947 she was appointed to the Royal College of Art, London, as the first Professor of Fashion Design. In the last stage of her career Garland wrote a number of books about art, fashion history and gardening. This article considers the lives and achievements of Dorothy Todd and Marjorie Garland, and their involvement with Virginia Woolf as her fashion advisors, editors and acquaintances. The article also examines the way in which Vogue celebrated the work of non‐Bloomsbury members and explores Marjorie Garland’s major contribution to fashion journalism, history and teaching in the UK.     

On teaching women's studies in Hungary

The author taught Women's Studies courses for 2 years in Hungary. In the beginning she thought it would be a simple matter, but as she and her students explored the differences in experience in Hungary and the United States, she realized that there were profound epistemological differences. She explores some of those differences here. Evidence presented is taken from student writings and discussions and from oral history interviews.     

Alice Notley's disobedient cities

The American poet Alice Notley has described one of her goals as being to take up ‘as much literary space as any male poet’ (Notley, 2005: 6), a phrase that questions the nature of ‘literary space’, and its relationship to material and political spaces. In Disobedience (2001), as in her earlier book The Descent of Alette (1992), the city is imagined in relation to what lies beneath it. Both of these extended poem sequences set up urban underground geographies, Alette – a mythical underground of caves and ghostly trains, and Disobedience – a largely subterranean Paris that shifts between the ‘real’ metro and a series of filmic dreamscapes. In challenging the scope and scale of canonical epics with feminist reconfigurations of form, her work engages with the public space of the city. This article will explore the connection between the extended poetic forms she uses in these two books, and ways in which her work conceptualizes the gendering of city space through relationships between the body and language. Through reference to readings of Michel de Certeau by Meaghan Morris and Doreen Massey, I will show how Notley's approach to problems of language and form, and their potential solutions, are not only enmeshed in certain spatial concepts but also able to offer a critique of them.     

Helen Taylor’s work for land nationalisation in Great Britain and Ireland 1879–1907: women’s political agency in the British Victorian land movement

This article explores the contribution made by Helen Taylor to the Victorian land reform movement, 1879–1890. It concentrates on her political agency after 1882 to evidence that the importance of Taylor was three-fold. She was a leading activist in all land reforming groups and drew large audiences; she had independent means which enabled her to fund the organisations she was involved in and exert influence on them; and her background as John Stuart Mill’s step-daughter and intellectual collaborator put her in the position of being able to introduce the leading players in the 1880s land campaigns to one another. Taylor introduced Henry George and Michael Davitt to the leadership of the British land movement and thus enabled their involvement. Davitt’s and George’s importance in British land campaigns has been documented by historians but the woman who was instrumental in facilitating their involvement has been largely forgotten.     

Anjela duval: Breton poet, peasant and militant

In 1981 Brittany lost one of its national heroes, a self-educated woman of extraordinary vision and talent, an adamant defender of her native Breton language, and a full-time farmer. Anjela Duval began writing poetry when she was in her early fifties, and within 10 years was recognized by many of her compatriots as one of the most accomplished and powerful poets of the language. A frequent theme of her poetry was the necessity for Bretons to reclaim their language and their culture from the encroachments of the French: as has literary fame spread, so did her prominence as a leader in the cultural and linguistic revival in Britanny during the 1960s and '70s. Her modest farm became a mecca for poets, writers, singers, and other artists and intellectuals committed to the promotion of the Breton language and culture: her literary and emotional impact on contemporary Bretons has been enormous.This article sketches in the main outlines of this unusual woman's life, filling them in with selected examples of her copious poems (which the author has translated from the Breton). A brief consideration of Duval from a feminist perspective is provided in the final section.