blowing the love-breath: healing men in Caribbean women's writing

Caribbean women writers (such as Erna Brodber and Opal Palmer Adisa, who are discussed in this article) often include men in women's liberatory quests as participants: helpers, healers or caregivers. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory, which embraces and redefines from a feminist perspective the affective fallacy (over-interpreting a text based on one's feelings) so dreaded by the New Critics. This article interrogates how to read through affects across multiple intersecting differences between the text and the reader (such as race, class, culture and gender). A self-reflective negotiation between an outsider reader and a text's healing communities reveals the limits of the reader's ability to participate. The affective fallacy in this context becomes a useful tool for reading, but here it seeks a very different goal from that for which it was previously used. The transcultural feminism of difference relies on affectivity and emotions as a political force and a method for meaning; however, knowing the boundaries of one's affects prevents one from intrusively taking on the other's suffering through sympathetic reading. Women's sexual healing processes in the novels discussed in this article are not self-evidently or solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations. Participation in these affective moments between the novels’ women and healing men is made possible by the reader's parallel process of embracing and curtailing her affective responses to the suffering of the other.     

Giving Afghan Women a Voice: women's writing in Afghanistan

This article considers how far women's rights have improved in Afghanistan since the intervention by the international community in 2001. It examines this question through the author's experience of working with an Afghan women's writing group. It looks at the tension between allowing Afghan women to voice their experiences, and the danger of their writing embracing depictions of the female as ‘victim’. It concludes that while depictions of Afghan womanhood may appear to promote ‘negative’ images, the women themselves offer positive role models.     

the politics of conflict and difference or the difference of conflict in politics: the women's movement in Nepal

This article argues that an adequately historicized and politicized understanding of the women's movement in Nepal (or elsewhere) requires a detailed examination of the construction of the gendered subject herself in the complex geo-political space of the emergent (Nepali) nation state. In turn, this unravelling of the gendered subject in Nepal serves to reinforce the premise that the representation of ‘the Nepali Woman’ as a single over-arching category is a contemporary construction, which has been achieved at the expense of consistently effacing the historically prior multiple and contested ethnic/caste identities taken by thrust upon women in what is now the new Nepal. The ‘natural’ goal of the women's movement since post-1990 Nepal to achieve a (single) feminist agenda has become part of the problem, as it can only be achieved at the expense of respecting the radical diversity and difference that is covered over by the ‘theoretical fiction’ of the unified nation of Nepal. The main important players, whether it be the women from mainstream political parties, or the women of the NGO world or the Communist Party of Nepal (Maoists), have all contributed to excluding and silencing radical diversity in the name of expediency and elite power brokering. Moreover, it is argued that the contours of this composite discourse continue to be shaped by the international aid industry in Nepal, where ‘development’ is not merely the epistemic link between Nepal and the ‘West’, it is also the locus classicus of generic apolitical consciousness-less Nepali woman whose cause is taken up by scholar and activist alike.     

Pain,purification, pleasure: Representations of the body in contemporary women's writing in Serbia

Based on Elizabeth Grosz' division of the main approaches to the issue of the body in feminist theory, this article aims to present the gradual change in understanding corporeality among the prominent contemporary women writers in Serbia. The examples selected, from writings by Svetlana Velmar-Jankovic, Jelena Lengold and Ljubica Arsic, illustrate the shift from approaching the body in "generic human" terms and as a locus of collective identity, over the psychological and social construction of the body, its disassemblage in the parodic game, all the way to the integrative understanding of the body as lived. This gradual recognition of the lived body in the works by the three selected authors is to be found in the stories about dead bodies, corpses and simulation of the human body.     

Writing stri dharma: international feminism,nationalist politics,and women's press advocacy in late colonial India

This article contributes to recent historical debates regarding the shared connections between the colony and the metropole in British-ruled India through the examination of Stri Dharma, a widely known journal started in India in 1918 by British feminists. Neither completely British nor Indian in character, this women-run journal emerged during the 1920s and 1930s as an international feminist news medium targeted at Anglo-Indian, Indian, and British women readers. This broad-ranging audience participated in a complex political dialogue determined by both class and race tensions that created a sometimes uneven forum for the exchange of ideas. Through a close examination of this title and other primary source materials related to the context of women's suffrage and Indian nationalism, this article engages with contemporary feminist scholarship in order to trace the underlying cultural and political factors that motivated British and Indian women writers to create a periodical based on universalist principles of gender solidarity and international cooperation during the late colonial period.     

Unravelling Identities: Performance and Criticism in Australian Feminisms

The following article is an exploration of the non-linear and non-unified identities that make up Australian feminism. The main premise is that the divergent strands of rational and romantic thought, central to the project of liberalism, are inherent in the characterization of Australian feminisms. As a result, there have always been tensions between feminists, centred around politics of self-identification. These tensions continue to exist, but to be articulated in different ways in different decades as a result of the ever changing relationships between feminist, state and media/public discourses. These ideas are explored through comparing two key moments in our recent past in which differences between feminisms were declared. These two events - the Mary Daly visit to Australia to promote Gyn/Ecology in 1981, and the debate engendered by Helen Garner's The First Stone in 1995 - are taken to be performative metaphors through which the continuities and discontinuities of the nature of Australian feminisms can be subjectively explored.     

Connecting Women's Histories: the local and the global

ABSTRACT

The articles in this Special Issue are drawn from some of the contributions to a conference held at Sheffield Hallam University, UK, from 29 August to 1 September 2013 titled ‘Women's Histories: the local and the global’. The articles reflect on diverse aspects of the entangled histories of women across the world, mainly, but not exclusively, during the twentieth century. They explore the range of ways in which women's history, international history, transnational history and imperial and global histories are interwoven.     

Kinship and friendship: quaker women's networks and the women's movement sandra stanley holton

Women Friends (or ‘Quakers’) were largely absent from the debates on the position of women in Britain in the 1830s-50s. But a significant group of women Quakers emerged at the forefront of organisations formed in the 1860s to campaign for Women's rights, participation in which was still by no means a norm among their co-religionists. A notable presence among them was a group of women Friends, identified here as the Bright circle, linked by kinship, religion and radical politics. This article analyses the relationship between public and private lives among the Bright circle, especially in terms of the strength of the political networks on which they were able to draw. It examines the church culture of Friends in general, the domestic culture of this circle in particular, and the basis of its networks in domestic life. It concludes that the values and activities on which this network was built illustrate the way in which personal and public lives may overlap, so that the women among this circle were able to sustain identities that were authoritative, and simultaneously family-centred, outward-looking and publiclyminded.     

Histories of now: listening to women in British film

ABSTRACT

The research project ‘Calling the Shots: Women and contemporary film culture in the UK, 2000–2015’ investigates contemporary women's film history through two primary routes: the statistical analyses of the numbers of women in six key above-the-line professions (director, writer, producer, executive producer, cinematographer and editor), and interviews with 50 women in those same roles (by August 2018 we had interviewed 58). This paper focuses specifically on the permutations of the interview process for constructing women's film history in the contemporary period. Taking into consideration the theoretical, methodological and political issues at stake in recording oral histories of working women filmmakers, we contemplate the consequences of collecting and writing history that is still in medias res.