Gandhian selfhood and gendered embodiment

Girls, Girls, Girls! Bad Girls. Curaied by Marcia Tucker. The New Museum of Contemporary Art, New York City. Part I: January 14‐February 27, 1994. Part II: March 5‐April 10,1994.

Bad Girls West. Curated by Marcia Tanner. UCLA Wight Art Gallery, Los Angeles, January 25‐March 20,1994.

No More Nice Girls. Curated by Nicole Demerin, Mary Duffy, Joy Glidden, and Tona Hamashige. ABC No Rio, New York City, March 4‐April 1,1994.

Dirty Dishy Divine. Written and composed by Tiye Giraud. Directed by Laurie Carlos. Choreographed by Christina Jones. Dance Theater Workshop, New York City, January 19–23,1994.

Twilight: Los Angeles, 1992. Conceived, written, and performed by Anna Deavere Smith. Directed by George C. Wolfe. Original Music by Wendy Blackstone. Joseph Papp Public Theater, March‐May, 1994, and at the Cort Theatre, New York City, May‐June, 1994.

The America Play. Written by Suzan‐Lori Parks. Directed by Liz Diamond. Joseph Papp Public Theater, New York City, March, 1994.

1962. Written and directed by Iris Rose. Assisted by Christine Larchian. Downtown Art Company, New York City, February 10–20,1994.

Pikipikilauifi. Choreographed and danced by Tiina Helisten. The Department of Performance Studies, Tisch School of the Arts, New York University, New York City, December 17,1993.

Clit Notes. Performed and written by Holly Hughes. Directed by Dan Hurlin. P.S. 122, New York City, February 17–27 and March 4–5 &; 11–12,1994.

Naked Breath. Written and performed by Tim Miller. Highways Performance Space, Santa Monica. February 18‐March19,1994.

Hand‐held Journeys: A Showcase of Experimental Work by Women Filmmakers. Curated by Euridice Arratia. Joseph Papp Public Theatre, New York City, October 1993.

Bodylore. Edited by Katharine Young. Publications of the American Folklore Society, New Series, The University of Tennessee Press, Knoxville, 1993.     

Adolescent males with urogenital anomalies: Their body image and psychosexual development

Three midadolescent males with major congenital urogenital anomalies and multiple surgical repairs are described. Each patient had suffered repeated profound insults to body image concepts and gender identity from infancy onward, now clearly reflected in his psychosocial behavior and in figure drawings. Of major importance is the total lack at any time of counseling and emotional support as a part of comprehensive management. A plea is made for awareness of the psychological effects of such disorders and the need for long-range therapeutic planning from early childhood through adolescence to develop sound compensatory modes of coping with this stress.Formerly fellow in adolescent medicine, New York University Medical Center, at the time the material for this report was collected. Received his M.D. and pediatric training at Boston University School of Medicine and Boston City Hospital. Research interests include comprehensive health care for adolescents and the effects of illness on adolescent psychological development.Received his Ph.D. in psychology from Heed University, Miami, Florida, and training in psychology and child development at New York University. Research interests include the psychological effects of hospitalization on children and youth, minimal brain dysfunction, and developmental assessment in infancy.Received her M.D. from the University of Rochester, pediatric training at University of Minnesota Hospitals and Babies Hospital, New York City, and training in adolescent medicine at Beth Israel Hospital, New York. Research interests include psychological effects of illness and hospitalization in adolescents, legal rights of minors, and adolescent sexuality.     

Reviews

Rachel Rosenthal . Edited by Moira Roth. Baltimore and London: The Johns Hopkins University Press, 1997.

Mourning Sex: Performing Public Memories . By Peggy Phelan. Routledge, 1997.

Phaedra in Delirium . Written by Susan Yankowitz, directed by Alison Summers, performed by Kathleen Chalfant, Peter Jay Fernandez and Sandra Shipley. Presented by the Women's Project and Productions and the Classic Stage Company, New York City. January 20‐February 15, 1998.

Face to Face . Performed by Peeling the Banana, Second Stage Theatre. New York City, April 27, May 4, May 11, 1998.

Dancing the Self: the Solo Art Form . Featuring choreographers Terry Hollis, Amy Kail, Mark Kenison, Laura Staton, and Kathy Westwater in new solos. The 92nd Street Y Harkness Dance Center, New York City. February 1, 1998.

Jack Smith: Flaming Creature . A museum exhibition at P.S. 1 Contemporary Art Museum, Long Island City, NY, October 29, 1997‐March 1, 1998.     

Briefly noted

Modern Girls, Shining Stars, The Skies of Tokyo 5 Japanese Women. By Phyllis Birnbaum. 1999. New York: Columbia University Press.

Japanese Women: New Feminist Perspectives on the Past, Present and Future. Kumiko Fujimura‐Fanselow and Atsuko Kameda, eds. 1995. New York: Feminist Press, City University of New York.

The Voyage of Contemporary Japanese Theatre. By Senda Akihiko. Translated by J. Thomas Rimer. 1997. Honolulu: University of Hawai'i Press.

Geisha. Liza Dalby. 1998. Berkeley: University of California Press.     

Reviews & Resources

Theater

Split Britches, by Lois Weaver in collaboration with Deborah Margolin and Peggy Shaw, directed by Lois Weaver for the Split Britches Company, Open Gate Theatre, New York City.

Beauty and the Beast—The Otic and Only World‐Famous Vaudeville Revue, written by Deborah Margolin in collaboration with Lois Weaver and Peggy Shaw, directed by Lois Weaver, Spring 1983, WOW Cafe, New York City.

'night, Mother, by Marsha Norman directed by Tom Moore, Golden Theatre, New York City.

The Department, by Barbara Gar‐son, directed by Chris Kraus, May 1983, Theater for the New City, New York City.

Sappho and Aphrodite, by Karen Malpede, directed by Lois Weaver, presented by the Sappho and Aphrodite Company as a work‐in‐progress, Provincetown Playhouse, March 1983, New York City.

Cloud 9, by Caryl Churchill, directed by Tommy Tune, Lucille Lortel Theatre, New York City.

Dance

With Longings to Realize, Johanna Boyce and Performance Group, January, 1983, Dance Theatre Workshop, New York City.

Theory and Play of the Duende, by Pilar Rioja, Repertorio Espanol's Gramercy Arts Theater, April 1983, New York City.

Ms. Barbie and Her Friends or Whose Life to Live, by the Barbara Mahler Dance Theater, March 1983, Cash Performance Space, New York City.

Music

Thoughts on Women's Popular Music

Meg Christian, Bottom Line, April 1983, New York City.

Holly Near and Ronnie Gilbert in Concert, Lincoln Center, Avery Fisher Hall April 13, 1983, New York City.

Books

Divine Dancer: A Biography of Ruth St. Denis by Suzanne Shelton. Garden City, New York: Doubleday & Company, Inc., 1981. 338 pp. Bibliography. Index.

American Women Dramatists of the Twentieth Century, A Bibliography. Brenda Coven. Metuchen, New Jersey & London: Scarecrow Press, 1982. 237 pp.

Women in Film: Both Sides of the Camera by E. Ann Kaplan. New York and London: Methuen, Inc., September, 1983.

Biographical Dictionary of Dance.Barbara Naomi Cohen‐Stratyner. New York: Schirmer Books, 1982. 970 pp.

American Women in Jazz: 1900 to the Present—Their Words, Lives, and Music.Sally Placksin. U.S.A.: Wideview Books, 1982. 322 pp. Bibliography, index, and discography.

Women in Theatre: Compassion and Hope.Karen Malpede. New York: Drama Book Publishers, 1983. 265 pp. Selected bibiography and index.

Listings     

Reviews

Certain Fragments: Contemporary Performance and Forced Entertainment By Tim Etchells, 1999. New York: Routledge

Up Your Ass Written by Valerie Solanas, Directed and Presented by George Coates, Performance Works at P.S. 122, New York City, February 7–25th, 2001

Siren Songs: Representations of Gender and Sexuality in Opera Edited by Mary Ann Smart. Princeton: Princeton University Press, 2000.

The Garden An installation by Paul McCarthy, Dietch Projects, New York City

39 MICROLECTURES: in proximity of performance by Matthew Goulish, London: Routledge, 2000     

Reproduction and Scale: A Response to Skeggs and Wilson

This paper draws on the concepts of reproduction and scale to suggest that Skeggs and Wilson, in their contributions to this issue of Feminist Legal Studies, both identify a future-oriented reworking of historically accumulated value. The spectacular emotional labour of British reality television and the parody of mechanistic labour in Bangkok’s sex shows may be seen as instances in the affective search for future security in transnational markets. Capitalist subjectivities are still being produced through these gendered and sexual activities, but they are being produced with television audiences and sex tourists whose geopolitical baggage becomes part of the show.     

Reviews & Resources

Theatre

The Miss Firecracker Contest, by Be A Henley at Westside Arts Theatre, New York City.

Me and My Shadow by Terry Wolver‐ton, at ABC No Rio in New York City, Fall 1984.

A Good American Novel, by Beth Lapides, at P.S. 122, New York City, December 1984.

nubs? (?nubs/'nebz/n: an ugly woman), by Lisa Goldberg, produced at SUNY‐Binghamton Fine Arts Center, December 1984.

Out/In The World: Life in the Work of Jane Bowles, created, directed and performed by Ellie Covan, produced by Open Channels in New York City, October‐November, 1984.

Dance

Pooh Kaye and Eccentric Motions at Dance Theatre Workshop, New York City, October 1984.

Sequestered Gestures, Carol Martin, Experimental Intermedia Foundation, December 1984.

Senta Driver's Harry, Emanu‐El Midtown YM‐YWHA, New York City, October 1984.

Marie Chien Noir at the Jerusalem Festival, Israel, Summer 1984.

Film

A Question of Silence, directed by Marlene Gorris, Netherlands. A Quartet Films Release, 1982.

An earlier version of this review, “Ordinary Women Who Kill,” appeared in the New York Native, August 13–26, 1984.

Books

The Diaries of Judith Malina: 1941–1957 by Judith Malina. NY: Grove Press, Inc., 1984. 464 + index. Cloth: $22.50; paper: $11.95.

Women in Motion by Alexa L. Foreman. Bowling Green, OH: Bowling Green University Popular Press, 1983. 245 pp. + bibliography. Cloth: $19.95.

Women Composers, Conductors, and Musicians of the Twentieth Century by Jane Weiner LePage. Metuchen, NJ: Scarecrow Press, Inc., Volume I, 1980; Volume II, 1983. 275 pp. and 360 pp. respectively, index. Cloth: $18.50 and $21.50 respectively.

Stormy Weather: The Music and Lives of a Century of Jazzwomen by Linda Dahl. NY: Pantheon Books, 1984. 268 pp. + notes, discography, bibliography, index. Paper: $12.95.

Mother of the Blues: A Study of Ma Rainey by Sandra B. Lieb. Amherst, MA: University of Massachusetts Press, 1981. 173 pp. + discography, appendices, notes, bibliography, two indices. Paper: $9.95.

Listings     

Sabina Berman: Brief overview

Privilege, by Yvonne Rainer, 1991.¹

Bitch! Dyke! Faghag! Whore! Parti. (The Sex Show). Createdand performed by Penny Arcade. Presented by Theater for the New City, New York, October 13, 1990.

Daytrips. The Women's Project. Voyage to Lesbos. WOW Cafe. Hamlet. Barnard College. November, 1990.

Excerpts from the Attorney General's Report on Pornography ‐A Hard Place Theatre production. The Playground Theatre, New York City, January 10–20, 1990.

We Keep Our Victims Ready. Written, performed, and directed by Karen Finley. The Joyce Theater, New York City. September 18–22, 1990.

“Find Out Who Killed Laura Palmer” Episode of TwinPeaks, television series, directed by David Lynch. ABC.

World Without End. By Holly Hughes. P.S. 122, New York City, October, 1990.     

Bosnian refugee women in (re)settlement: gender relations and social mobility

Bosnian refugee women adapted more quickly than their male partners to their host environments in Vienna and New York City because of their self-understanding and their traditional roles and social positions in the former Yugoslavia. Refugee women's integration into host societies has to be understood through their specific historical experiences. Bosnian women in exile today continue to be influenced by traditional role models that were prevalent in the former Yugoslavia's 20th-century patriarchal society. Family, rather than self-fulfillment through wage labor and emancipation, is the center of life for Bosnian women. In their new environment, Bosnian refugee women are pushed into the labor market and work in low-skill and low-paying jobs. Their participation in the labor market, however, is not increasing their emancipation in part because they maintain their traditional understanding of zena (women) in the patriarchal culture. While Bosnian women's participation in low-skill labor appeared to be individual families' decisions more in New York City than in Vienna, in the latter almost all Bosnian refugee women in my sample began to work in the black labor market because of restrictive employment policies. In contrast to men, women were relatively nonselective and willing to take any available job. Men, it seems, did not adapt as quickly as women to restrictions in the labor market and their loss of social status in both host societies. Despite their efforts, middle-class families in New York City and Vienna experienced substantial downward mobility in their new settings. Women's economic and social downward mobility in (re)settlement, however, did not significantly change the self-understanding of Bosnian women. Their families' future and advancements socially and economically, rather than the women's own independence and emancipation remained the most important aspect of their being.     

Structure of racial attitudes in white middle adolescents

Middle adolescent White children (N=101, mean age 17.0 years) were subjects in a study assessing the comparability of racial attitudes as measured through the use of various response formats. Attitudes toward White and Black racial stimuli, respectively, were assessed through responses to (1) a traditional, forced-choice format; (2) a dimensionalized, bipolar item format requiring placement of ten Whites and ten Blacks, respectively, along each of ten 7-point dimensions; (3) a format identical to (2) except in the requirement of only one racial stimulus attribution per dimension; and (4) a format requiring the estimation of the percentage of time a White and a Black stimulus, respectively, manifested each item characteristic. Although mean responses derived from the latter three response-latitude methods were directionally consistent with corresponding forced-choice, frequency data, neither the multidimensional locations of these means nor their intradimensional separations were very disparate. Moreover, although correlational analyses indicated relatively low forced-choice /response-latitude method consistency, and even lower, and essentially nonsignificant, intramethod consistency when intra-item Black-White ratings from the response-latitude methods were considered, moderate and significant consistencies existed in the intermethod comparisons among the response-latitude methods. This finding was taken as evidence of convergent and discriminant validation. It was concluded that inferences drawn about the structure of racial attitudes based on data derived from forced-choice formats are not supported by data derived from response-latitude methods and that, alternatively, these latter methods provide evidence for the existence of other attitude structures.Received his Ph.D. in developmental psychology from the City University of New York, New York, New York. Current research interests include the relation of organismic variables to personality/social development.Received his Ph.D. in experimental psychology from the University of Denver, Denver, Colorado. Current research interests include measurement theory and cognition.     

Dancing death by fire: In search of Roop Kanwar

The Distances: The Diary of Alina Reyes, adapted and directed by Ralph Denier, performed by Margo Lee Sherman, based on a story by Julio Cortazar, translated by Paul Blackburn at the Spanish Institute, New York City, April 1984.

Whoopie Goldberg, at Dance Theatre Workshop, New York City, February 1984.

Mud, written and directed by Maria Irene Fames, at Theatre for the New City, Fall 1983.

Sarita, witten and directed by Maria Irene Fames, at Intar, New York City, February 1984.

A ... My Name is Alice, conceived and directed by Joan Micklin Silver and Julianne Boyd. New York City, Spring 1984.

Delicate Feelings, book and lyrics by Rosalyn Drexler, music by Steve and Franne Rosenthal, directed by George Ferencz, at Theatre for the New City, New York City, May 1984.

Las Gringos, conceived by Martha Boesing, created by the company of At the Foot of the Mountain, directed by Martha Boesing/Jan Magrane, at the People's Center, Minneapolis, Minnesota, April 1984.

The Owl was a Baker's Daughter, by Alice Eve Cohen, at the Douglas Fairbanks Studio as part of the International OFF Festival, sponsored by Fools Company, Inc., Theatre Row, May, 1984.

Dance

Skydance/Skytime, choreography by Elaine Summers, Guggenheim Museum, June 7–10,1984.

Café Müller, by Pina Bausch, performed at Brooklyn Academy of Music, June 1984.

Bluebeard, or Listening to a Tape Recording of Bela Bartok's Opera, Bluebeard's Castle by Pina Bausch, at Brooklyn Academy of Music, June 1984.

Pina Bausch, at Brooklyn Academy of Music, June 1984.

Interview with Molissa Fenley

Ripe and Dance the Sacred Cow, by Susan Rethorst, St. Marks Church, New York Cilty, March 15–18, 1984.

Books

The Soap Opera by Muriel G. Cantor and Suzanne Pingree. Beverly Hills, CA: Sage Publications, 1983. 154 pp. + bibliography, index. Cloth: $29.95; paper: $9.95.

Ladies of the Evening: Women Characters of Prime Time‐Television by Diana M. Meehan. Metuchen, NJ: Scarecrow Press, 1983. 179 pp. + nous, index. Cloth: $16.00.

Women's Reflections: The Feminist Film Movement by Jan Rosenberg. Ann Arbor, MI: UMI Research Press, 1983. 143 pp. + notes, bibliography, index. Cloth: $39.95.

Saints and Shrews: Women and Aging in American Popular Film by Karen M. Stoddard. Greenwood Press, Westport, CT: 1983,155 pp. + bibliography, index.

The Music of Pauline Oliveros by Heidi Von Gunden. Metuchen, NJ: Scarecrow Press, 1983.195 pp. + notes, bibliography, catalog of compositions, discography, index. Cloth: $15.00

Listings     

Dréed's drag kinging of race,sex, and the queering of the American racial machine‐désirante

Help Wanted, written by Franz Xavier Kroetz, translated by Gitta Honegger, directed by JoAnne Akalaitis, presented by Mabou Mines at Theatre for the New City, New York City, February and April, 1986.

The Women Here Are No Different, by Nancy Beckett, directed by Jenny O'Hara, presented by 13th Street Repertory Company, New York City. (attended on 8.27.86).

The Early Girl, by Caroline Kava. Directed by Munson Hicks. Circle Repertory Theatre.

Crowsfeet Dance Collective, Performance Space 122, New York City. June 1986.

This Is For You, Anna/A Spectacle of Revenge, directed by June Guralnick; created by The Anna Project (initiated at the Nightwood Theatre in Toronto), Suzanne Odette Khun, Ann‐Marie MacDonald, Patricia Nichols, Banuta Rubess, Maureen White; performed by members of The Women's Ensemble Theatre: Mia Kanazawa, Alonia King, Judith Pucci, Debbie Smith.

Rate It X, produced by Lynn Campbell, Claudette Charbonnear, Paula de Koenigsberg and Lucy Winer. OMT Productions Inc and Channel 4 of London, 1985. NYC Film Forum 1987. Distributed by Interama Inc.

Interview with Filmmaker Marken Gorris, conducted by Katheryn White with Helma Klooss at the Barbizon Plaza Hotel in New York City during Holland Film Week at Carnegie Hall Cinema, Spring, 1986.

Sex &; Dance Series, Dance Theatre Workshop (DTW) and P.S. 122, October‐November, 1986.

L.O.W. in Gaia, by Rachel Rosenthal. The Kitchen. New York City.

Books

Interviews With Contemporary Women Playwrights, by Kathleen Betsko and Rachel Koenig. New York: Beech Tree Books, 1987. 480 pp. Index.

Feminist Theatre: An Introduction to Plays of Contemporary British and American Women, by Helene Keyssar. London: MacMillan Modern Dramatists, 1984. 223 pp. Bibliography and index.

The public forum

A Report on the Women's Preconvention of the National Educational Theatre Conference, Tisch School of the Arts and the Gallatin Division, New York University, August 15–16, 1986.

Founding Mothers: Contemporary Dance as a Canon for Women's Studies, Department of Dance in collaboration with the Women's Studies Program and the Research Center for the Arts and Humanities, University of Maryland, College Park.

The Third Annual Women in Theatre Festival, Boston, March 20–29, 1987.     

Cab fair: taxi driving and South Asian labor activism in New York City, 1985–1999

Abstract

The labor strike of 13 May 1998 was an historic event for the New York Taxi Workers Alliance (NYTWA). Under the leadership of Bhairavi Desai, 98% of New York City’s 24,000 yellow cab drivers refused to work. The strike disrupted the flow of city life, but it also shattered the belief that taxi drivers were atomized and therefore unable to organize, effectively exercise power, or earn basic working rights for themselves. This unprecedented strike was thus an act of self-assertion for taxicab drivers in the 1990s, who were predominantly of South Asian origin and had been victims of unjust violence and discrimination in the city. This article questions how immigrant taxi cab drivers came to cooperate with one another in the late nineties to fight for fair wages. It also explores how members of the NYTWA overcame class disparities and ethnic differences among themselves to serve common goals.     

Book notes

The Ku Klux Klan, By William Peirce Randel. Philadelphia and New York: Chilton Books, 1965. 300 pp. $5.95.

The Business Establishment. Edited by Earl F. Cheit. New York: John Wiley & Sons, Inc., 1965. 248 pp. $4.95.

Age of Excess: The United States from 1877 to 1914. By Ray Ginger. New York: Macmillan, 1965. 386 pps. $5.75.

Equality in America. By Alan P. Grimes. New York: Oxford University Press, 1964. 136 pp. $4.00.

The Quest for the Dream. By John P. Roche. New York: Macmillan, 1963. 308 pp. $5.95.

Quest for America, 1810–1824. Edited by Charles Sanford. New York: Washington Square‐NYU Press, 1964. 474 pp. $7.50.     

‘Settled in mobility’: engendering post-wall migration in Europe

The end of the bi-polar world and the collapse of communist regimes triggered an unprecedented mobility of people and heralded a new phase in European migrations. Eastern Europeans were now not only ‘free to leave’ to the West but more exactly ‘free to leave and to come back’. In this text I will focus on gendered transnational, cross-border practices and capabilities of Central and Eastern Europeans on the move, who use their spatial mobility to adapt to the new context of post-communist transition. We are dealing here with practices that are very different from those which the literature on ‘immigrant transnationalism’ is mostly about. Rather than relying on transnational networking for improving their condition in the country of their settlement, they tend to ‘settle within mobility,’ staying mobile ‘as long as they can’ in order to improve or maintain the quality of life at home. Their experience of migration thus becomes their lifestyle, their leaving home and going away, paradoxically, a strategy of staying at home, and, thus, an alternative to what migration is usually considered to be – emigration/immigration. Access to and management of mobility is gendered and dependent on institutional context. Mobility as a strategy can be empowering, a resource, a tool for social innovation and agency and an important dimension of social capital – if under the migrants' own control. However, mobility may reflect increased dependencies, proliferation of precarious jobs and, as in the case of trafficking in women, lack of mobility and freedom.     

Book Reviews

Gerda Lerner. Black Women in White America: A Documentary History New York: Pantheon Books, 1972.

Eleanor Flexner. Mary Wollstonecraft, A Biography. New York: Coward, McCann and Geoghegan, Inc., 1972.

Two Great Lives, and One Lesser Life

Eleanor Flexner. Mary Wollstonecraft. New York : Coward, McCann and Geoghegan, 1972.

Noel B. Gerston. Daughter of Earth and Water. New York : William Morrow and Co., 1973.     

The trade union press: An historical analysis

American Labor: from Conspiracy to Collective Bargaining. Created by Leon Stein and Philip Taft. New York: Arno Press. 1969.60 volumes. $744.50.¹

Women in Industry: A Study in American Economic History. By Edith Abbott. New York and London: D. Appleton. 1910. 408 pp. $14.50.

The Working‐Class Movement in America. By Edward and Eleanor Marx Aveling. Second edition. London: Swan Sonnenschein &; Co. 1891. 239 pp. $9.00.

The American Labor Movement: A Short History. By Mary Ritter Beard. New York: Macmillan. 1931. 206 pp. $7.50.

The Strike for Union. By Heber Blankenhorn. New York: H. W. Wilson. 1924. 259 pp. $9.50.

Labor Economics. By Solomon Blum. New York: Henry Holt. 1925. 579 pp. $20.00.

Women in Industry. By Louis D. Brandéis and Josephine Goldmark. New York: National Consumers' League. 1907.121 pp. $5.00.

American Syndicalism: The I.W.W. By John Graham Brooks. New York: Macmillan. 1913. 264 pp. $9.50.

Women and the Trades. Pittsburgh, 1907–1908. By Elizabeth Beardsley Butler. New York: Russell Sage Foundation. 1909.440 pp. $15.50.

Homestead: The Households of a Mill Town. By Margaret F. Byington. New York: Russell Sage Foundation. 1910. 307 pp. $11.00.

Labor and Politics: The Attitude of the American Federation of Labor toward Legislation and Politics. By Mollie Ray Carroll. Boston and New York: Houghton Mifflin. 1923. 206 pp. $7.50.

The Molly Maguire Riots: Industrial Conflict in The Pennsylvania Coal Region. By J. Walter Coleman. Richmond: Garrett and Massie. 1936. 189 pp. $7.00.

Men and Coal. By McAlister Coleman. New York: Farrar &; Rinehart. 1943. 350 pp. $12.50.

Industrial Goodwill. By John R. Commons. New York: McGraw‐Hill. 1919. 213 pp. $8.00.

Industrial Government. By John R. Commons and others. New York: Macmillan. 1921. 425 pp. $15.00.

Annals of the Great Strikes in the United States. By Joseph A. Dacus. Chicago: L. T. Palmer. 1877. 480 pp. $17.00.

The Laborer: A Remedy for His Wrongs. By William Dealtry. Cincinnati: William Dealtry. 1869. 420 pp. $14.50.

The Worker in Modern Economic Society. By Paul H. Douglas, Curtice N. Hitchcock, and Willard E. Atkins. Chicago: University of Chicago Press. 1923. 929 pp. $32.00.

Work‐Accidents and the Law. By Crystal Eastman. New York: Russell Sage Foundation. 1910. 361 pp. $13.00.

The Labor Movement in America. By Richard T. Ely. New York: Thomas Y. Crowell. 1886. 399 PP. $14.00.

Problems in Labor Relations. By Herman Feldman. New York: Macmillan. 1937. 353 pp. $12.50.

The Steel Workers. By John A. Fitch. New York: Russell Sage Foundation. 1911. 393 pp. $14.00.

Labor Problems: A Book of Materials for Their Study. By Edgar S. Furniss and Lawrence R. Guild. Cambridge, Massachusetts: Riverside Press. 1925. 621 pp. $22.00.

Working People and Their Employers. By Washington Gladden. Boston: Lockwood, Brooks. 1876. 241 pp. $9.00.

Labor and the Common Welfare. By Samuel Gompers. New York: E. P. Dutton. 1919. 306 pp. $11.00.

American Labor Dynamics, in the Light of Post‐War Developments. J. B. S. Hardman, editor. New York: Harcourt, Brace. 1928. 432 pp. $15.00.

Voluntarism in Organized Labor in the United States, 1930–1940. By George Gilmary Higgins. Washington, D.C.: Catholic University of America Press. 1944. 182 pp. $7.00.

The Strike: A Study in Collective Action. By Ernest T. Hiller. Chicago: University of Chicago Press. 1928. 304 pp. $11.00.

Studies in American Trade Unionism. By Jacob H. Hollander and George E. Barnett. New York: Henry Holt. 1906. 380 pp. $13.50.

The Voice of Labor. By Symmes M. Jelley. Philadelphia: H. J. Smith. 1888. 401 pp. $14.50.

Autobiography of Mother Jones. By Mary Jones. Edited by Mary Field Parton. Chicago: Charles H. Kerr. 1925. 242 pp. $9.00.

Some Ethical Gains Through Legislation. By Florence Kelley. New York: Macmillan. 1905. 341 pp. $12.00.

The Making of America: Labor. Robert M. LaFollette, editor. Chicago: John D. Morris. 1905. 433 pp. $15.00.

Civil War in West Virginia. By Winthrop D. Lane. New York: B. W. Huebsch. 1921. 128 pp. $5.00.

Conditions of Labor in American Industries. By W. Jett Lauck and Edgar Sydenstricker. New York and London: Funk &; Wagnalls. 1917. 404 pp. $14.50.

Adjusting Immigrant and Industry. By William M. Leiserson. New York and London: Harper &; Brothers. 1924. 356 pp. $12.50.

The Knights of St. Crispin, 1867–1874. By Don D. Lescohier. Madison, Wisconsin: Bulletin of the University of Wisconsin, No. 355. 1910. 101 pp. $4.50.

I Break Strikes! The Technique of Pearl L. Bergoff. By Edward Levinson. New York: Robert M. McBride. 1935. 314 pp. $11.50.

Men, the Workers. By Henry Demarest Lloyd. New York: Doubleday, Page. 1909. 280 pp $10.50.

The Women's Garment Workers: A History of the International Ladies' Garment Workers' Union. By Louis Lorwin (Louis Levine). New York: B. W. Huebsch. 1924. 608 pp. $21.50.

Children in Bondage. By Edwin Markham, Benjamin B. Lindsey, and George Creel. New York: Hearst's International Library. 1914. 411 pp. $14.50.

American Labor Unions. By Helen Marot. New York: Henry Holt. 1914. 275 pp. $10.00.

Organized Labor and the Law, with Special Reference to the Sherman and Clayton Acts By Alpheus T. Mason. Durham, N.C.: Duke University Press. 1925. 265 pp. $10.00

A Plain Man's Talk on the Labor Question. By Simon Newcomb. New York: Harper &; Brothers. 1886. 195 pp. $7.50.

The Modern Factory: Safety, Sanitation and Welfare. By George M. Price. New York: John Wiley &; Sons. 1914. 574 pp. $20.00.

The Problem of Group Responsibility to Society. By John Herman Randall. New York: Columbia University. 1922. 296 pp. $10.00.

Social Insurance, with Special Reference to American Conditions. By I. M. Rubinow. New York: Henry Holt. 1913. 525 pp. $18.50.

Readings in Trade Unionism. By David M. Saposs. New York: George H. Doran. 1926 451 pp. $15.50.

Union Policies and Industrial Management. By Sumner H. Slichter. Washington, D.C.: The Brookings Institute. 1941. 611 pp. $21.50.

The Accused and the Accusers, The Famous Speeches of the Eight Chicago Anarchists in Court. Socialistic Publishing Society. Chicago: Socialistic Publishing Society, n.d. 188 pp. $7.00.

The Pullman Strike. Leon Stein, editor. New York: Arno Press. 1969. 254 pp. $9.50.

Religion, Reform, and Revolution: Labor Panaceas in the Nineteenth Century. Leon Stein and Philip Taft, editors. New York: Arno Press. 1969. 581 pp. $21.00.

Wages, Hours, and Strikes: Labor Panaceas in the Twentieth Century. Leon Stein and Philip Taft, editors. New York: Arno Press. 1969. 528 pp. $18.50.

A Momentous Question. The Respective Attitudes of Labor and Capital. By John Swinton. Philadelphia and Chicago: Keller. 1895. 498 pp. $17.50.

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Labor's New Millions. By Mary Heaton Vorse. New York: Modern Age Books. 1938. 312 pp. $11.50.

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Listening and moving in the urban environment

This article discusses The Language of the Listening Body, a collaborative creative project between choreographer Hope Mohr and composer Michelle Nagai exploring an active listening and moving practice in the urban environment of New York City. Mohr discusses listening and moving practices in the studio and in ‘soundwalks’—walking meditations where participants are encouraged to maintain a high level of sonic awareness. The article discusses discoveries and questions that arose during a creative process with a focus on: (1) the relationship between listening-based movement research and public soundwalks, and (2) the unique issues involved in environmentally based creative process and performance.