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1.
Wendy Brown, States of Injury: Power and Freedom in Late Modernity (Princeton University Press) Princeton, New Jersey, 1995 Anne Edwards and Susan Magarey (eds), Women in a Restructuring Australia: Work and Welfare (Allen & Unwin) St Leonards, NSW, 1994. Tanya Castleman, Margaret Allen, Wendy Bastalich and Patrick Wright, Limited Access: Women's Disadvantage in Higher Education Employment (National Tertiary Education Union) Melbourne, 1995. Wendy Weeks (in collaboration with women in women services), Women Working Together: Lessons from Feminist Women's Services (Longman Cheshire) Melbourne, 1993. Shurlee Swain with Renate Howe, Single Mothers and Their Children: Disposal, Punishment and Survival in Australia (Cambridge University Press) Cambridge, 1995. Kathleen Barry, The Prostitution of Sexuality (New York University Press) New York, 1995. Susanne Kappeler, The Will to Violence: The Politics of Personal Behaviour (Spinifex) Melbourne, 1995. Jill Bavin‐Mizzi, Ravished: Sexual Violence in Victorian Australia (University of New South Wales Press) Sydney, 1995. Leonore Davidoff, Worlds Between: Historical Perspectives on Gender and Class (Polity Press) Cambridge, 1995. Alison Lewis, Subverting Patriarchy: Feminism and Fantasy in the Works of Irmtraud Morgner (Berg) Oxford, 1995. Adrian Howe, Punish and Critique: Towards a Feminist Analysis of Penality (Routledge) London, 1994. Susan Joekes and Ann Weston, Women and the New Trade Agenda (UNIFEM) New York, 1994. Ruth Frankenberg, White Women, Race Matters: The Social Construction of Whiteness (Routledge) London, 1993. 相似文献
3.
Ways of Seeing Red Mary Joannou, ’Ladies, Please Don't Smash These Windows’: Women's Writing, Feminist Consciousness and Social Change 1918–38, Oxford: Berg, 1995, £14.95. Gen Doy, Seeing and Consciousness: Studies in Women, Class and Representation, Oxford: Berg, 1995, £14.95. A Fragile Space Gill Perry, Women Artists and the Parisian Avant‐Garde: Modernism and ‘Feminine’ Art, 1900 to the late 1920s, Manchester: Manchester University Press, 1995, £45, £16.99 (pbk.). Poetic Dissent William McCarthy and Elizabeth Kraft (eds.), The Poems of Anna Letetia Barbauld, Athens, GA: University of Georgia Press, 1994. Fictional and Actual Nobodies Catherine Gallagher, Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace 1670–1820, Oxford: Clarendon Press, 1995, £25. Edward Copeland, Women Writing about Money: Women's Fiction in England 1790–1820, Cambridge: Cambridge University Press, 1995, £35. 相似文献
5.
Kate Lilley's long-awaited first book Versary is a most sophisticated and varied work with many turnings involved in its dynamic Janus-faced construction, looking both backwards and forwards in time, and brimming with imagination and many droll summaries of contemporary life—‘The shoes match the situation’—and in particular the constructs of gender and sexuality. Versary's complicated revolving symmetry begins with ‘Nicky's World’, partly inspired by The Young and the Restless, and ends with the appropriately disjointed ‘Sapphics’; that is, Versary moves backwards historically through artistic representations of love/sexuality and gender while the ‘story’ moves forward into self-realisation. Divided into five sections, the first and longest section ‘Lady in the Dark’ sets a racy tone: 相似文献
8.
Rachel Rosenthal . Edited by Moira Roth. Baltimore and London: The Johns Hopkins University Press, 1997. Mourning Sex: Performing Public Memories . By Peggy Phelan. Routledge, 1997. Phaedra in Delirium . Written by Susan Yankowitz, directed by Alison Summers, performed by Kathleen Chalfant, Peter Jay Fernandez and Sandra Shipley. Presented by the Women's Project and Productions and the Classic Stage Company, New York City. January 20‐February 15, 1998. Face to Face . Performed by Peeling the Banana, Second Stage Theatre. New York City, April 27, May 4, May 11, 1998. Dancing the Self: the Solo Art Form . Featuring choreographers Terry Hollis, Amy Kail, Mark Kenison, Laura Staton, and Kathy Westwater in new solos. The 92nd Street Y Harkness Dance Center, New York City. February 1, 1998. Jack Smith: Flaming Creature . A museum exhibition at P.S. 1 Contemporary Art Museum, Long Island City, NY, October 29, 1997‐March 1, 1998. 相似文献
9.
Certain Fragments: Contemporary Performance and Forced Entertainment By Tim Etchells, 1999. New York: Routledge Up Your Ass Written by Valerie Solanas, Directed and Presented by George Coates, Performance Works at P.S. 122, New York City, February 7–25th, 2001 Siren Songs: Representations of Gender and Sexuality in Opera Edited by Mary Ann Smart. Princeton: Princeton University Press, 2000. The Garden An installation by Paul McCarthy, Dietch Projects, New York City 39 MICROLECTURES: in proximity of performance by Matthew Goulish, London: Routledge, 2000 相似文献
13.
Vexing questions: Women and philosophy Moira Gatens, Feminism and Philosophy: Perspectives on Difference and Equality (Polity Press) Cambridge, 1991; Rosi Braidotti, Patterns of Dissonance (Polity Press) Cambridge, 1991. Rethinking democracy, reaffirming equality Ann Ferguson, Sexual Democracy: Women, Oppression, and Revolution (Allen & Unwin) Sydney, 1991; Anne Phillips, Engendering Democracy (Polity Press) Cambridge, 1991. Women's health Claudia Bepko (ed.), Feminism and Addiction (Haworth Press) Binghamton, 1991; Helen Roberts (ed.), Women's Health Matters (Routledge) London, 1992. Distinguishing the Intertwined: Multiplicity as Methodology and Recent Studies of Gender, Class, Ethnicity and Culture Gill Bottomley, Marie de Lepervanche and Jeannie Martin (eds), Intersexions: Gender/Class/Culture/Ethnicity (Allen & Unwin) Sydney, 1991; Kalpana Ram, Mukkuvar Women: Gender, Hegemony and Capitalist Transformation in a South Indian Fishing Community (Asian Studies Association of Australia Women in Asia Publication Series) (Allen & Unwin) Sydney, 1991; Shanti Rozario, Purity and Communal Boundaries: Women and Change in a Bangladeshi Village (Asian Studies Association of Australia Women in Asia Publication Series) (Allen & Unwin) Sydney, 1992; Ann Game, Undoing the Social: Towards a Deconstructive Sociology (Open University Press) Buckhingham, 1991 Writing through the body? Judith A. Allen, Sex and Secrets: Crimes Involving Australian Women since 1880 (Oxford University Press) Melbourne, 1990. Re‐mapping terrains Carol Pateman, The Disorder of Women (Polity Press) Cambridge, 1989; Lorraine Code, What Can She Know? Feminist Theory and the Construction of Knowledge (Cornell University Press) Ithaca & London, 1991; Elisabeth J. Porter, Women and Moral Identity (Allen & Unwin) Sydney, 1991. Inversions Betsy Warland (ed), Inversions: Writing by Dykes, Queers and Lesbians (Press Gang) Vancouver, 1991. Living laboratories Robyn Rowland, Living Laboratories, (Sun) Melbourne, 1992. Sharing household work Janeen Baxter, Diane Gibson with Mark Lynch‐Blosse, Double Take: The Links Between Paid and Unpaid Work (Australian Government Publishing Service) Canberra, 1990; Michael Bittman, Juggling Time: How Australian Families Use Time (Office of the Status of Women, Department of Premier and Cabinet) 1991. Feminist knowledge Sneja Gunew (ed.), Feminist Knowledge: Critique and Construct and A Reader in Feminist Knowledge (Routledge) London, 1990. Emotion and Gender June Crawford, Susan Kippax, Jenny Onyx, Una Gault and Pam Benton, Emotion and Gender: Constructing Meaning from Memory (Sage) London, 1992. As good as a yarn with you Carole Ferner (ed.), As Good As A Yarn With You: Letters between Miles Franklin, Katharine Susannah Prichard, Jean Devanny, Marjorie Barnard, Flora Elder show and Eleanor Dark (Cambridge University Press) Oakleigh, 1992. Women's rights Elizabeth Kingdom, What's Wrong With Rights?: Problems for Feminist Politics of Law (Edinburgh University Press) Edinburgh, 1991; A‐J. Arnaud and E. Kingdom (eds), Women's Rights and the Rights of Man (Aberdeen University Press) Aberdeen, 1990. 相似文献
14.
The Absence of lzanagi By Kei Takei Performed at La MaMa E.T.C., New York June 22–25, 2000 Otome Bunraku performs two Japanese classics Japan Society, New York September 13–16, 2000 Towa—Part I—Kanojo (Eternity—Part I—She) By Kishida Rio Performed at Kinokuniya Southern Theatre, Tokyo August 31‐September 9, 2000 Toothless By Kazuko Hohki Performed at Battersea Arts Centre, London June‐July 2000 Hagi‐ke no San‐Shimai (Three Sisters of the Hagi Family) By Nagai Ai Performed at Theatre Tram, Setagaya Public Theatre, Tokyo November 4–19, 2000 Women's Gidayū and the Japanese Theatre Tradition. By A. Kimi Coaldrake. 1998. London and New York: Nissan Institute, Routledge Japanese Studies Series. Xxix+262. With nine‐track CD. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. By Jennifer Robertson. 1998. University of California Press, Japan. Xvi+278. Angura: Posters of the Japanese Avant‐Garde. David G. Goodman. 1999. New York: Princeton Architectural Press. Viii+91. About Face: Performing Race in Fashion and Theater. By Dorinne Kondo. 1997. New York and London: Routledge. xiii +277. 相似文献
15.
From Mad Max to Sane Elaine Elaine Showalter, Hystories: Hysterical Epidemics and Modern Media, New York: Columbia University Press, 1997, £16.39; Picador, 1998, £6.99 But Words Can Never Hurt Me Judith Butler, Excitable Speech: A Politics of the Performative, New York and London: Routledge, 1997, £40. Women in Theatre: Practitioners’ Voices Lizbeth Goodman, Feminist Stages: Interviews with ‘Women in Contemporary British Theatre, Amsterdam: Harwood Academic Publishers, 1996, £18. Joanne Tompkins and Julie Holledge (eds), Performing Women/Performing Feminisms: Interviews with International Women Playwrights, Australasian Drama Studies Association Academic Publications 2, University of Queensland, 1997. Elaine Aston (ed.), Feminist Theatre Voices, Loughborough Theatre Texts, University of Loughborough, 1997, £7.99. Heidi Stephenson and Natasha Langridge, (eds), Rage and Reason: Women Playwrights on Playwriting, London: Methuen, 1997, £9.99. Life and Death in the Next World Christine Brook‐Rose, Next, Manchester: Carcanet, 1998, £9.95 pbk. 相似文献
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