Toward a holistic paradigm for Asian American Women's Studies: A synthesis of feminist scholarship and women of color's feminist politics

In this paper I propose a Women's Studies method for an Asian American Studies curriculum by incorporating a women-centred feminist historical approach and a holistic feminist anthropological approach with American women of color's feminist politics with an emphasis on the interconnectedness of sexism, racism, classism and homophobia in the American social systems and cultural ideologies.My work is based on the belief that an Asian American Women's Studies method must be founded on a feminist politics which is specifically derived from their own definition of themselves and feminism which are based on multiple consciousness raising and multiple identities of gender, race, ethnicity, class and sexuality.     

Feminism and feminist movements in the middle east,a preliminary exploration: Turkey,Egypt, Algeria,People's Democratic Republic of Yemen

Feminism, including in particular such notions as women's right to equality and their right to control their own lives, is, with respect to the Middle East's current civilization at any rate, an idea that did not arise indigenously, but that came to the Middle Eastern societies from ‘outside’. To predict and direct the future of that idea, and therefore the future of women in the Middle East—if this is indeed at all possible—an understanding of the development of feminism in the Middle East is crucial, including its transformations transplanted to a Middle Eastern, predominantly Islamic environment, and its different interpretations in the locally different cultures of the Middle East. It swiftly becomes apparent, in considering the history of feminism in the Middle East, that two forces in particular within Middle Eastern societies modify—hampering or aiding—the progress of feminism. First there are attitudes within the particular society, and the culture's and the sub-culture's formulations, formal and informal, regarding women. Second and perhaps as important, are the society's attitudes and relationship to feminism's civilization of origin, the Western world. Since the late nineteenth century, when feminist ideas first began to gain currency in the Middle East, a Middle Eastern society's formal stand on the position of women has often been perhaps the most sensitive index of the society's attitude to the West—its openness to, or its rejection of Western civilization. Thus Turkey's attitude of openness to Western civilization at the beginning of this century (with which this study begins) was epitomized by the abolition of the veil. More recently, the veiling of women in Iran has constituted perhaps the chief index and deliberately chosen symbol of Iran's rejection of Western civilization. The present article is the first of a series in which I will be exploring aspects of feminism in the Middle East.     

Women's experience of world war one: Suffragists,pacifists and poets

The period of 1914–1918 was a time of immense change for women in Britain. The Suffragist movement, begun in 1867, gained irresistible force, culminating in the Act of 1918 in which women were given the vote at thirty and men at twenty-one. It was not until the 1928 Act that for the first time in the history of Britain there was full adult suffrage, granting the vote to both sexes at twenty-one. The picture is a complex one; Mrs Pankhurst and her daughter Christabel identified their movement with the war effort, indeed their pre-war militancy became militarism. Mrs Fawcett, an avowed non-militant suffragist before the war, who believed in the verbal power of argument over revolutionary tactics, also supported the war effort and nationalism. However, there were other suffragists such as Sylvia Pankhurst, Emily Hobhouse, Catherine Marshall, Helena Swanwick, Olive Schreiner and Kate Courtney, who were opposed to the war. Mrs Pankhurst believed if women couldn't fight, they shouldn't vote. The pacifists believed that this view simply gave in to the argument for physical force. They also saw militarism as yet another version of the strong oppressing the weak and thus an emphatic form of patriarchy. However, although the suffragists were bitterly divided in their moral view of the war, they were united in the cause of women's emancipation.The war itself provided all classes of women with important opportunities to work outside the home, as munition workers, land-army workers, police-women, doctors and nurses. The experience of change caused by the suffrage movement, together with the effect of the war upon women's lives, transformed women's image of themselves in radical and irreversible ways.My paper draws on some 125 poems by 72 women poets; Scars Upon My Heart is the first anthology of its kind and testifies to women's involvement in the war and the impact it had upon their lives. The anthology is necessary reading, together with the soldier poets like Owen, Sassoon, Blunden and Rosenberg, whose war poetry has been known to us for the past sixty years, for a full understanding of the significance of war for women and men.     

Deeds,Words and Drama: A Review of the Film <Emphasis Type="Italic">Suffragette</Emphasis> (2015)

Review of the film Suffragette (2015), written by Abi Morgan and directed by Sarah Gavron, considering its use of fiction to explore women’s history, comparing it to other dramatic treatments of the suffrage campaign, its historical accuracy and its portrayal of the legal and social position of women, and wives, during the early twentieth century.