Testimonies in Light: Nan Goldin: Devil's Playground

Nan Goldin: Devil's Playground, recently shown at the Whitechapel Art Gallery in London, represents the first retrospective in the United Kingdom for this American photographer who has lived, and photographed, internationally. Renowned for her photographs of the intimate lives of her friends-herself and the queer and drugs/bohemian communities-Goldin has taken a startling aesthetic/pictorial turn in her new photography. Prosser evaluates Goldin's career and the changes in it, and considers where her photography leaves the documentary tradition from which she arose. Charting in particular a trajectory towards light in her oeuvre, and working with the notion of testimony rather than documentary, Prosser suggests that Goldin has moved from an empathetic but critical representation of gender roles to a spiritual, accepting and visionary perspective on life and loss. His readings of photographs are focused on those from the exhibition and the curating of the exhibition is considered.     

'The fact that possesses my imagination': Rachel Carson,Science and Writing

Rachel Carson is a famous but unknown writer. She is remembered as a pioneering heroine of the ecological movement, but even her Silent Spring is hardly read and the great books about the sea that made her name are unknown to the public. Recent biographical accounts have focused on the problems Carson faced as a woman entering the male-dominated scientific community, and the sexist reception of her books. But her real life was plainly in her writing. Although the accounts of geology in The Sea around Us and of genetics in Silent Spring are outdated, her books remain classics, not only for their lucidity and beauty, but for a vision of the impersonal processes of evolution and geological time comparable to Darwin's. This is especially true of her trilogy of books on the sea: The Sea around Us , describing the biochemistry, history and geography of the oceans and their tides, Under the SeaWind, focusing on the interdependent lives of sea-creatures, while The Edge of the Sea deals with the lives, great and microscopically small, of the intertidal world. The corresponding theme of Silent Spring is the death of nature through man's folly.     

Endings and Beginnings …

How women remember, represent and write about their own lives and each other's lives is a central problem in the field of feminist auto/biography. Eglantyne Jebb (1876–1928) did not live long enough to write her own life story, but she is known as the founder of the Save the Children Fund in 1919 and as the author of the Declaration of the Rights of the Child, which was adopted by the League of Nations in 1924. Women who had a great deal invested in the telling of Jebb's life story provide the only accounts we have of her life. This article contributes to the field of feminist auto/biography by providing a fuller depiction of the life of Eglantyne Jebb. Today, the value of Jebb's private writing lies in its wit and honesty. Her letters and diaries illustrate the familiar hard and heroic struggle to accommodate to the ordinary and extraordinary demands of family relationships, the search for adult intimacy, the desire for a meaningful career and the acceptance, in the final years of her life, of new challenges and possibilities whereby Eglantyne Jebb became a notable humanitarian and children's rights activist.     

‘a miserable sham’: Flora Annie Steel's short fictions and the question of Indian women's reform

The article examines a few short stories of Flora Annie Steel, a Scottish memsahib who spent a number of decades in the late nineteenth century in India with her husband, a British colonial official. Steel's short stories are interesting because they were produced at a time when most Anglo-Indian fictions (especially those authored by memsahibs) focused exclusively on station romances, and they explore with some seriousness and sense of complexity, issues related to the impact of Imperial reformatory intervention in the lives of Indian women. Her female contemporaries wrote fictions that more often than not completely ignored the existence of Indians, and even famous male writers like Kipling stereotypically reduced Indian women either to sexually licentious or completely passive, voiceless entities. Steel, in her stories, examines questions of gender, sexuality and reform in the context of Indian women's lives in ways that often seem to go beyond such racial stereotypes. The stories have been examined within the context of the different political and social formations of the specific regions – Punjab or Bengal – in which they are based, since women's reform had very different trajectories in these regions. The remarkableness of Steel's stories, however, lies in their attempting to look at the reform question from the Indian women's perspectives. What cannot be ignored are the ways in which these stories attempt to go beyond the prevalent Anglo-Indian modes of stereotyping or completely erasing Indian women and register their voices in examining questions related to their reform. This is not to say that racial and Imperial hierarchies are entirely abandoned in her writings. In fact the omniscient narrator in these fictions often narrates in ways that sustain and strengthen such hierarchies. However, there are moments when the diegetic narrative mode gives way to an ironically nuanced narrative voice and to ambivalences that seem to gesture at complex questioning of the bases of Imperial authority and its ostensibly benevolent intervention in the lives of Indian women. It is these moments that make the stories worth exploring.     

‘This accursed child’: the early years of Marie Madeleine Jodin (1741-90) actress,philosophe and feminist

The childhood and early youth of Marie Madeleine Jodin (1741- 90) who later achieved some notoriety as an actress, correspondent of Denis Diderot and feminist, throws light on the lives of an artisan family in mideighteenth-century France and on the experience of one delinquent daughter. This study examines Marie Madeleine Jodin's life in relation to different categories of discrimination which she experienced; as a Protestant child, as a libertine daughter and as an actress. Her experience illustrates the workings of systems of authority employed in the eighteenth century to control young women as it impinged on an individual. It is argued that the violent familial and institutional conflicts of Jodin's early life were later reflected in her feminist treatise, Vues législatives pour les femmes (1790), which called for the establishment of a Women's jurisdiction over women. In particular her proposal to eliminate public prostitution and her attacks on the police des moeurs (morals police) have their origin in the bitter experience of her incarceration in a prison for prostitutes in her late teens. The collusion of authority (la police des moeurs) with les filles publiques came to symbolise for her the corruptions of the ancien régime     

The Day I Will Never Forget: an interview with Kim Longinotto

The documentary filmmaker Kim Longinotto talks to Catherine Fowler about her latest film The Day I Will Never Forget (2003) about female genital mutilation (FGM) in Africa. Longinotto’s films have consistently interrogated our understanding of womens’ place in the world, and her latest film is no exception. She discusses how she found her subjects: Fardohsa, a midwife who has been campaigning against FGM, a group of girls who have (successfully) taken their parents to court in order to prevent FGM being practised, and Fouzia, a girl of nine who reads a poem that she wrote the day after she was circumcised, asking her mother to explain why she put her daughter through such a painful experience. Longinotto also discusses the ethical issues raised by her filming of a circumcision of two sisters, and the wider issues that her film engages: the powerless position of women in African societies, the confusion of religion and culture in discussions of FGM, and the impact of saying ‘no’ to this practice.     

The sacred may not be the same as the religious: Angela Carter's ‘Impressions: The Wrightsman Magdalene’ and ‘Black Venus’

John Everett Millais's painting The Bridesmaid (1851) depicts a young woman, on the evening of a wedding, attempting to conjure up a vision of her own future husband. This work has been linked to a number of others by Millais dealing with marriage, and has been seen as an articulation of 'matrimonial ideology'. Brown sets the picture in the context of the widespread, though clandestine, practice of fortune-telling, through which women in particular attempted to foreknow, and thus control, the central event of their lives. One of the most frequent questions asked of fortune-tellers was 'whom shall I marry?', the question the girl in the painting has herself asked. However, drawing on recent critical work on 'proposal composition' pictures, Bown argues that men, too, faced great uncertainty on the brink of marriage, and that artists repeatedly explored this uncertainty through attempts to represent a complex female subjectivity in their works. In The Bridesmaid Millais (who was thinking about marriage in the early 1850s) depicts a woman telling her fortune, but he also seeks to represent her as full of thoughts and feelings. The artist, and the viewer of the painting, then, engages in an act of divination in which he tries to discover the mysterious secrets of female subjectivity.     

Lessons from “Around the world with Oprah”: Neoliberalism,race, and the (geo)politics of beauty

On 6 October 2004, viewers went “Around the world with Oprah” and received a rare glimpse inside the lives of 30-year-old women from 17 different countries. When Oprah turned her gaze (and that of middle-class American housewives) eastward, she highlighted South Korean women's penchart for plastic surgery. Oprah's “trip” to South Korea is emblematic of Western discourse surrounding South Korean Women's plastic surgery consumption, most of which focuses on cosmetic eyelid surgery or the sangapul procedure as it is called in South Korea. Given its widespread popularity, the sangapul procedure has come to signify South Korean women's acquiescence to not only patriarchal oppression but racial oppression as well. This essay goes beyond the psychologization of South Korean women in order to ask what such psychological musings obscure about the very political nature of beauty itself. Using “Around the world with Oprah” as a starting point, then, this essay examines beauty at the intersection of race, technology, and (geo)politics in order to show that, in an era of neoliberalism, plastic surgery is often rationalized as an investment in the self towards a more normal, if not better future. As this essay suggests, such a framing of plastic surgery is contingent on Oprah's production of neoliberal feminism based on liberal notions of choice. Given her global reach, these neoliberal feminist subjects are not produced equally, however, but are discursively constructed along a First World/Third World divide.     

Gendered Testimonies: Autobiographies,Diaries and Letters by Women as Sources for Caribbean History

Although history has been one of the main disciplines through which we can understand gender, the paucity of data written or recorded by women makes it more difficult for the historian to research women's lives in the past. In the Caribbean, this task has been made easier by the discovery of a few key sources which allow an insight into the private sphere of Caribbean women's lives. These records of women who have lived in the Caribbean since the 1800s consist of memoirs, diaries and letters. The autobiographical writings include the extraordinary record of Mary Prince, a Bermuda-born enslaved African woman. Other sources which have been examined are the diaries of women who were members of the elite in the society, and educated women who worked either in professions or through the church to assist others in their societies. Through her examination of the testimonies of these women, the author reveals aspects of childhood, motherhood, marriage and sexual abuses which different women – free and unfree, white, black or coloured – experienced. The glimpses allow us to see Caribbean women who have lived with and challenged the definitions of femininity allowed them in the past. It demonstrates that the distinctions created between women's private and public lives were as artificial then as they are at present.     

Revolutionary Spaces: Photographs of Working-Class Women by Esther Bubley 1940-1943

This article had several purposes. First, I wanted to highlight the work of Esther Bubley, an American photographer whose documentary work for the Farm Security Administration and the Office of War Information in the early 1940s is largely unknown. Second, I wanted to show how her images complicated and undermined the traditional themes of Depression era photography in the United States. Third, by looking at her images of women, my intention was to reveal how she worked against depictions of femininity during the Depression, and in confrontation with one-dimensional portrayals of women as America entered the Second World War. In conclusion, I contend that Bubley's images were fundamentally portrayals of working-class femininity represented as being an individual - rather than a symbolic - experience. Most specifically in the images I have examined, Bubley deconstructs an ideological image of female working-class identity which was central to documentary photography in 1930s America. For example, unlike in photographs by Dorothea Lange, Bubley did not portray working-class women as metaphoric sites of passive endurance which would eventually lead to the rejuvenation of American nationalism. Rather, she showed working-class women to be potentially subversive in the ways they defined themselves against the legacy of 1930s photography and in opposition to the ideological impositions of wartime propaganda. As a result, Bubley's images of working-class women waiting in bars for lonely soldiers, or looking for a future beyond the confines of their boarding house existences while remaining outside the middle-class boundaries defined by capitalist consumerism, set out a pictorial foundation for working-class female identity which exists beyond the context in which the photographs were taken. Consequently, Bubley's work highlights individual self-identity, personal empowerment and self-conscious desire in working-class women which was - and still is - confined and repressed by economic disadvantage and systematic marginalization from an American society defined from a middle-class point of view.     

Creating a Space for Absent Voices: Disabled Women's Experience of Receiving Assistance with Daily Living Activities

Feminist research on community care and ‘informal carers’ identified this as a women's issue but failed to address the interests and experiences of older and disabled women - those who received ‘care’. One consequence is that such feminist research has implicitly, and sometimes explicitly, undermined disabled women's rights to a home, children and personal relationships. Using qualitative research, the article highlights the actual experience of women whose physical impairment means that they need help with daily living activities, looking at the different circumstances in which such help is received.The disability movement's concept of ‘independent living’ raises particular issues for disabled women. ‘Independent living’ is about having choice and control over the assistance needed, rather than necessarily doing everything for yourself. However, gender inequalities may also inhibit the choice and control that women have in their lives.Assistance can be given within a personal relationship as an expression of love, but disabled women may also experience abusive, restrictive or exploitative relationships. Public services do not generally provide assistance in a way which enables a woman to have choice and control in her life, or even to carry out child-caring or homemaking tasks. The research on the various ways of receiving personal assistance found that those women who were able to purchase their own help were most likely to be living independently, in the sense of exerting choice and control in their lives.Feminist research can help to create a space for disabled women's absent voices, and add to the pressure for change in the way that personal assistance needs are met. This is a human and civil rights issue which has a key impact on the control that disabled women have over their lives.     

Suffragette sisters in old age: unpublished correspondence between Christabel and Sylvia Pankhurst, 1953–57

Christabel Pankhurst (1880-1958) and Sylvia Pankhurst (1882-1960) were key figures in the fight for women's suffrage in Edwardian Britain but became estranged in 1914 over differences of view about policies and tactics for winning the vote. They had no contact with each other for almost forty years. In the spring of 1953, Sylvia had a severe heart attack and was not expected to survive. Christabel wrote a letter of sympathy to her which led, over the next four years, to intermittent correspondence between the two sisters. In these letters, which form the basis of this documentary article, the authors begin by reminiscing about their childhood and parents; later, they comment on what they perceive to be inaccuracies and/or malice in books about the suffragette movement that were published after the Second World War. In many of the letters, the sisters reflect on their memories of their involvement in the women's suffrage movement, some three decades earlier. The correspondence reveals, however, that the renewed contact between the sisters did not lead to any real meeting of minds. Two of the letters are reproduced photographically in full     

Fighting for Fame: The ‘Heroines of Pervyse’ and the Disputed Construction of a Public Image

Abstract: This investigative analysis bases itself on an array of documentary material from the archives of the Imperial War Museum in its effort to recover the intricate story behind the two British volunteer nurses who made their name during the First World War with the first-aid station they set up in Pervyse, a mere stone's throw away from the Belgian firing line. The essay juxtaposes a variety of documentary sources—the unpublished diaries of the two women, Geraldine Mitton's reconstruction of the story out of the nurses' journals and letters in The Cellar-House of Pervyse (1916), and two photograph albums, ‘The Women of Pervyse’, bequeathed to the Imperial War Museum—in a quest to understand how the two nurses came to acquire their status of national heroines. Sifting through the source material, this investigation reveals the numerous inconsistencies and gaps that exist between the published and the unpublished accounts of the dressing station, whose true genesis is obscured by several competing narratives. A close reading of Mitton's account and the photographic portraitures discloses that neither of these documents ought to be taken at their face value. They need to be understood as valuable tools in the nurses' own battle for authority, public recognition and their opportunity to feature as genuine protagonists in the arena of war.     

Left Activism,Succour and Selfhood: the epistolary friendship of two revolutionary mothers in 1970s Britain

At the height of mass activity on the Left, the ascendancy of the women's liberation movement (WLM), and the beginnings of real social and personal change for men and women, the 1970s are increasingly seen as the decade when sixties permissiveness began to be truly felt in Britain. This article draws upon a personal archive of correspondence from this turbulent decade, between two revolutionary women, Di Parkin and Annie Howells. It argues that the women's letters form an important contribution to new understandings about the construction of the post-war gendered self. The letters represent an interchange of motherhood, domesticity, far-left politics, and close female friendship. The article will show how the women's epistolary friendship offers intimate insight into female self-fashioning at a breakthrough social and political moment in 1970s Britain. As they reflected on some of the key political and social themes of the decade—class, labour, race and gender relations, as well as international politics—Di and Annie sought to negotiate themselves in relation to shifting discourses and social patterns. Writing as relational female subjects and individuals, the women's letters became simultaneously a private and shared space in which to compose themselves as women, revolutionaries and feminists, and autonomous sexual subjects. As a result, this article will show, the epistolary lives of these two radical women inform valuable understanding about some of the complex ways in which post-war individuals used available cultural and political resources to find meaning in their lives.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

‘Fanm Se Poto Mitan’: Haitian Woman,the Pillar of Society

In this paper Marie-Jose N'zengou-Tayo draws on a variety of sources, both historical and contemporary, to describe the journey of Haitian women from nineteenth-century post-War of Independence, to present-day Haitian society.The paper is divided in two sections. In the first, the author traces a brief social history of women, quoting anthropological and sociological studies from the 1930s to the 1970s. She begins with rural peasant women noting their significant involvement in farming, marketing and in the internal food trade sector. The development of polygamy and common law unions as the most common form of conjugal union is seen as a practical response to survival in rural Haiti. The author notes the major impact on women's lives of continued political upheavals, violent repression, rural degradation and migration to the cities. Opportunities for employment in a deprived urban setting, and women's initiatives in income generating are also described under the Duvalier regimes. A brief overview of the lives of the middle class is included, although there is a paucity of research in this area available to the author. Violence against women is a regular threat facing domestic workers, and a means of repression used by the state against women across classes.In the second section N'Zengou-Tayo addresses the literary representation of Haitian women by both female and male Haitian writers. The paper examines how female writers have developed subversive narrative strategies to shape a female identity in order to break away from the stereotypes portrayed in men's writing.N'Zengou-Tayo concludes that the tremendous contribution of Haitian women to their society has neither been recognized nor documented. Despite this, the resilience of Haitian women, whether in their daily lives or in their writing, has enabled them to make strides towards improving their lives.     

Supporting the underdog: feminism,animal rights and citizenship in the work of Alice Morgan Wright and Edith Goode

Abstract

In this article, the author examines the overlap between feminism and animal causes, particularly through the lives of two women, the sculptor, Alice Morgan Wright (1881-1975), and her friend, Edith Goode (1882-1970). Feminism and animal causes had connections in the late nineteenth century, particularly in campaigns to abolish vivisection. Wright and Goode held to these politics throughout their lives, and were ‘precursors of a generation yet to come’ who would argue the connections – as many ecofeminists do today. Both women were involved in suffrage campaigns, and continued to be involved in women's organisations such as the National Woman's Party. They were, however, opposed to all injustice, including human mistreatment of animals. Feminism was, to Wright and Goode, part of a wider set of problems; animal cruelty reflected a greater barbarism leading to mistreatment of humans. Accordingly, they actively campaigned for legislation to protect animals and the environment, and lobbied the fledgling United Nations to include such measures. That challenge to the United Nations represented a unique attempt to bring animals into citizenship' a move being made again today, through initiatives such as the Great Ape Project.     

Mimesis,metaphor and representation: holding out an olive branch to the emergent schreiner canon [1]

There are complex and interesting representational issues and interpretational practices involved in claiming to ‘know past lives’ and these have particular resonance in feminist terms. These ideas are examined in relation to a particular case study, of the feminist writer and theorist Olive Schreiner (1855-1920), although the discussion contributes to the ‘women's history and post-structuralism’ debate by eschewing taking up an abstract ‘position’ in favour of examining these ideas through a grounded historical example. A range of representations of Schreiner is discussed, including a photograph which her estranged husband contemporaneously had ‘touched up’ before sending it to some of her friends just after her death, and presentday representations of Schreiner in the emergent feminist canon of claimed knowledge about her. The ideas of mimesis and alterity are used both in relation to photographic representation and also in relation to the use of metaphor to stand for perceived facets of Schreiner's character. Representational issues are fundamental and ought not to be excised from feminist discussion; at the same time, the past and its ‘irreducible things that happened’ must also be taken seriously.     

‘Sugar,Sugar’: questioning the sexual division of labour on Jamaica's sugar plantations in Sistren's The Case of Miss Iris Armstrong and Sweet Sugar Rage

Through an analysis of Sistren Theatre Collective's play The Case of Miss Iris Armstrong and the Collective's documentary film Sweet Sugar Rage, this article looks at the way the sexual division of labour on Jamaica's sugar plantations during the 1980s was based on the following gendered myths: women's labour capacity is lower than their male counterparts; and men are the breadwinners for their families. The article also critiques the sexism in the Jamaican union movement which did not support female workers and actively kept women's wages lower than men's on the plantations.