War Narratives: Framing Our Understanding of the War on Terror

Unlike past American wars, the current war on terror has not been associated with a centrally proffered narrative providing some guidance and orientation for those administering government services under state-of-war conditions. War is as much a cultural endeavor as it is a military undertaking, and the absence of a clear sensemaking narrative was detected in this study of public administrators from three agencies with varying proximity to the conflict. Q-methodology was used to explore the way individuals processed the war narratives put forth by the Bush administration and reported in the media immediately following the September 11 attacks. Though no distinct state-of-war narratives were found among the public administrators in this study, there are clear indications that latent narratives reflecting local political and organizational task environments have emerged.     

A Cold War before the Cold War: Early Soviet Relations with the West

The field of international relations has seen considerable debate about the reasons for conflict between revolutionary states and status quo powers. The two works reviewed here deal with the early years of the Soviet regime. The material presented indicates that tensions were largely the result of Bolshevik attempts to “export the revolution.” This indicates that it is the nature of a revolutionary state and its desire to challenge the international status quo that leads to tension with other powers.     

Organizing the War on Terrorism

The network of public agencies, private firms, nonprofit organizations, ad hoc groups, and individual volunteers that deals with natural and technological hazards and disasters did a remarkable job of responding to and helping us recover from the September 11th attacks. That national emergency management network, along with the national security and law enforcement networks, provides a foundation for our war on terrorism, helps us mitigate the hazard of terrorism, and improves our preparedness for future violence. However, coordinating the efforts of the networks will be a real challenge for the director of homeland security and his or her state and local counterparts. Coordination will necessitate using legal authority to assure compliance, economic and other incentives to encourage compliance, formal partnerships to encourage collaboration, informal understandings to encourage cooperation, and personal encouragement to influence appropriate action. A top–down, command–and–control approach to the war on terrorism, such as the proposed Department of Homeland Security is intended to provide, may be counterproductive.     

Civil War and the Social Contract

In this contract-theoretic modelthe government promises a transfer to itspotential opponent in return for notengaging in a civil war. Two causes ofcivil war are identified: (i) imperfectcredibility increases the cost of therequired transfer, and may make itunfeasible; (ii) asymmetric informationfaces the government with the classicefficiency/rent-extraction trade off, andcivil war is used as a screening device.This problem can be solved by creating amixed army. The model determines whether amilitary regime or a redistributive stateprevails in a peaceful equilibrium. Astatistical illustration is presented,using African data.     

War and pieces

There is increasing recognition among human geographers that conceptualising the spatiality of peace is a vital component of our collective disciplinary praxis. Within this emergent literature, this paper seeks to position anarchism as an ethical philosophy of nonviolence and the absolute rejection of war. Such an interpretation does not attempt to align nonviolence to any particular organised religious teaching, as has recently been advocated by some geographers. Instead, the paper argues that the current practices of religion undermine the geographies of peace by fragmenting our affinities into discrete pieces. Advancing a view of anarchism as nonviolence, the paper goes beyond religion to conceptualise peace as both the unqualified refusal of the manifold-cum-interlocking processes of domination, and a precognitive, pre-normative and presupposed category rooted in our inextricable entanglement with each other and all that exists. Yet far from proposing an essentialist view of humanity or engaging a naturalised argument that reconvenes the “noble savage”, the paper contextualises the arguments within the processual frameworks of radical democracy and agonism in seeking to redress the ageographical and ahistorical notions of politics that comprise the contemporary post-political zeitgeist.     

War and Splendour

Abstract

Collective performances cannot be understood only from the intentions of the organizers, participants and bystanders, and from their historical, political, economic and ideological contexts. Cultural performances close in on themselves and evolve with their own logic: that of ceremony and festival in which their own scenes of splendour, dance and war adjust to one another.     

Swedish intelligence in the Second World War

Henry C. Clausen and Bruce Lee, Pearl Harbor: Final Judgment (New York: Crown Books, 1992). Pp.485. $25.00.