Alice Havergal Skillicorn,Principal of Homerton College,Cambridge, 1935-60: a study of gender and power

This article sharpens our understanding of the intersection of the discourses of gender and power in the woman principal's role by an in-depth study of Alice Havergal Skillicorn, Principal of Homerton College, Cambridge, 1935-60. Like previous principals, Skillicorn constructed a subjectivity which was dual gendered. In her public life as principal, she adopted a masculine discourse of power which subordinated feminine discourse into the private sphere. But this marginalisation of feminine discourse in her public role made her unable, except in her most intimate emotional relationship, to enact an appropriate femininity in her private life. After a theoretical and contextual introduction, it is shown how Skillicorn marginalised and negated her femininity through her body, by failing to adopt feminine standards of attractiveness in her appearance and clothes. She successfully wielded autocratic power in the public sphere with a masculine discourse of political skill, financial acumen and, most importantly, an instrumentality in her dealings with staff and students, which was entirely devoid of a feminine desire to be liked. The difficulties she faced in the private sphere - difficulties which were assuaged but not overcome by homoerotic friendship - are also discussed.     

‘You do act differently when you're in it’: lingerie and femininity

This paper examines British women's accounts of buying and wearing lingerie taken from in-depth interviews exploring experiences of shopping in sex shops. Lingerie forms one part of a sexual consumer culture that is positioned within a neoliberal discourse of postfeminism. Women's engagement with the representation of lingerie, the way they enact lingerie buying and wearing in their everyday lives and the ways they speak about these practices show complex and often incongruous strategies of accommodation and negotiation. Such strategies can make lingerie pleasurable and liveable whilst at the same time expressing forms of anxiety, ambivalence or laughter directed towards the performance of femininity and feminine sexuality required and represented by lingerie. I contend that it is precisely through this often contradictory engagement with lingerie that strategic counter discourses emerge, by which women can resist some of the respectable norms of female sexuality. Women position themselves in ambivalent ways in relation to the visual imperative of feminine sexuality represented by lingerie, particularly through an embodied discourse of comfort and discomfort, or through the playful and pleasurable performance of non-naturalised gender roles.     

The Missionary Narrative as Coercive Interrogation: seduction,confession and self‐presentation in women’s ‘letters home’ 1

This article takes as its starting point the late nineteenth and early twentieth century missionary discourse of feminine self‐denial, and attempts to chart the ways in which it became a subversive theme in women missionaries’ ‘letters home.’ It argues that in the simultaneously public and private act of letter writing, women missionaries created complex sexual and political self‐narratives. By co‐opting the imperial rhetoric of a threatening, violent East, and then setting up their letters as conversations with an invisible interrogator, missionary women repeatedly forced their audiences to discover the various ways in which they had been seduced by this East, and had thereby deviated from accepted feminine norms. In the process, they both reinforced imperial notions of race and civilization and undermined the likewise imperial notion of protective domestic space.     

‘The time of storms’: managing bourgeois girls’ puberty in France, 1800–1870

This article examines the medical literature published in France in the period 1800–1870 on the subject of puberty and menstruation to argue that, in conjunction with the extension of school life for bourgeois girls, the period saw the emergence of a distinctive conception of feminine adolescence that pre-dates the better-known concepts articulated in the late nineteenth century. It goes on to look beyond the scientific discourse to ask what impact this new medical understanding had on the management of girls’ puberty, examining first the way it affected school practice, before using a detailed case-study of the life of Solange Dudevant to highlight the ways in which medicalised understandings of puberty and menstruation co-existed with other forms of knowledge.     

Leona helmsley: The construction of a woman tax evader

Conclusion To paraphrase marjorie Kornhauser’s famed observation, a taxcollection system for revenue only is a chimera. If, for the American woman, tax collection were only, and only ever, about revenue, then they would have constantly and consitently collect it from us. When we did not have what they say we should have, then they would penalise us. The fact of the matter is, that when they do collect it from us, it is, more often than not, because they have been successful in their efforts to help us sustain ourselves in an image which they have created. One problem with self-assessment is that exemplary penalties are allowed; indeed, arede rigeur. The latest example of a feminine image which spurrerd the American tax collector to action is the Leona Helmsley equation of consumption—plus—feminine equals “ off with her head”. If only for this reason, self assessment demands to be, as Handelman and Green might argue, politicised with the feminine voice. With thanks to Peter Alldridge.     

Sexual frigidity: the social construction of masculine privilege and feminine pathology

This study examines how mid-twentieth century physicians used the term ‘sexual frigidity’ to disempower women. Conceptualizing medical texts as accounts, I focus on how medical authors saw, described and explained sexual frigidity from the 1930s to the 1960s in both scientific writings and in those aimed at the general public as sex guides, marriage manuals and advice columns. The study concludes, that behind the pretext of treating a woman’s frigidity, psychiatrists and gynecologists, using the language and theoretical structures of psychoanalysis, constructed a narrative in which ‘normal’, non-frigid women always see their man through a lens of unlimited patience, tenderness and altruism. Their attitude is always welcoming, joyous, and worshipful. By contrast, women defined as sexually frigid see their man through a lens of bitterness and resentment, an attitude which reaches its apotheosis during the man’s attempts to engage them in intercourse. Through the frigidity narrative, mid-twentieth century physicians managed to pass judgment, not only on women’s sexuality, but on their autonomy, their character, and the success or failure of their marriage: they are to blame when their husband leaves them for another woman; they are to blame when their husband is impotent; and they only have themselves to blame if they are unable to function in a sexually ‘healthy’ way. The discourse that seemed preoccupied with a woman’s genitals, with their feelings and contractions, was also interested in a woman’s heart, her intentions and activities, with particular emphasis on how she performed as her husband’s housekeeper and companion. There was scarcely an attitude, feeling, or interpersonal activity known to women from which mid-twentieth century physicians did not impute some connection to frigidity.     

Frances gillam holden and the children's hospital dispute, 1887: woman's sphere,feminism and nursing

This paper examines the confrontations of a late nineteenth-century ‘lady superintendent’ with men and masculinity. It analyses the problematical links between femininity, feminism and ‘reformed’ nursing, in a period when the latter two were emerging from the first. A central focus is the extent to which the discourse of ‘woman's sphere’ was meaningful for such single, employed, middle-class women as the subject of this paper, Frances Gillam Holden, in the specific context of hospitals and professional health care. This paper argues that such a discourse informed her challenges to male/medical professional power and her bids for authority and recognition in her workplace. Ultimately this challenge failed, in that male/medical power was vigorously reasserted. However, such attempts suggest the gradual shifts in late nineteenth-century constructions of femininity and domesticity towards the possibility of feminism, not only in the familiar suffrage struggles, but also in such obscure locations as the Children's Hospital in Sydney     

Research in progress: A report on policies of access to aid as a medical treatment in the U.K.

This paper is the first research report of a comprehensive study of AID as a medical treatment in the U.K. It examines the policies that determine who is able to receive AID when it is administered by doctors in medical clinics. Findings from the survey upon which this report is based indicate that AID treatment is administered under highly discriminatory policies. Women's access to treatment is restricted according to marital status, sexual preference, disability and costs. By operating under restrictive policies, doctor's discretion and medical jurisdiction extends beyond the immediate concerns of the health of patients and into the realm of social control.     

COLLUDING WITH OR CHALLENGING HEGEMONIC MASCULINITY?

Research about masculinities in schools often focuses on hegemonic masculinity. This can have the effect of reinforcing the privilege associated with hegemonic masculinity, as well as overlooking differences amongst boys and the plural practices individual boys engage in. Drawing on empirical research in two South Australian primary schools with students aged 6–7 and 11–13, this article examines the complex ways in which boys engaged in plural gender practices. Practices differing from a discourse of (local) hegemonic masculinity related to three key themes: displaying ‘intelligence’ and being studious; involvement in traditionally ‘feminine’ activities; and being caring, loving family and friends, and engaging in cross-gender friendships. This article utilises these themes to argue that practices could work alongside or present challenges to practices relating to a discourse of hegemonic masculinity. An examination of how age and masculinities interweave suggests that a divide between hegemonic and other masculinities and practices is not as distinct as has often been theorised.     

‘Happy Abortionists’

Recent feminist scholarship about abortion in Australia has focused on the politics of abortion as it is played out in the law, the media, public discourse and political debate. This article seeks to offer new angles on the politics of abortion by focusing on the provision of abortion services and in particular the position of doctors in relation to abortion in Australia since the early 1990s. It crafts a theoretical framework to think about the place of doctors, and their patients, in abortion provision and sketches a history of doctors over the last two decades. It is based in a small interview project conducted by the author in 2013 and uses interviews to supplement documentary evidence with ‘inside information’ about local histories and the micro-politics of decision-making in order to build an account of the multifaceted position of doctors in relation to abortion. It also uses the interviews to build a picture of the subjectivity of doctors who play a crucial part in the provision of abortion services. It argues that the ‘pro-choice versus anti-abortion’ spectrum is inadequate for understanding the multiple negotiations that doctors make in relation to abortion. Responsibility is devolved, often to the individual, albeit in sometimes resistant environments. Neoliberal female consumer citizens, empowered by as well as subordinated to dominant discourses, are often oblivious to the history and politics that make abortions available. Some doctors, although caught up in these forces, claim to be ‘happy abortionists’.     

The prototypicality of gender: Contemporary notions of masculine and feminine

Femininity and masculinity, as abstract, nonbiological concepts, are very difficult to define. Culturally and socially induced, they are subject to drastic change over time. This article presents prototypical notions of feminine and masculine, as they appeared from a categorisation test performed by Dutch students. The interdisciplinary combination of feminist theory and cognitive linguistics enabled a consideration of various interrelated questions, and their implications for feminist criticism. Can we speak of possibly significant changes in contemporary views from the traditional, well-known views of masculine and feminine?     

Rethinking Constructs of Maternity in the Novels of Elena Ferrante and Alice Sebold

This article explores how Alice Sebold and Elena Ferrante place the feminine—and indeed often the maternal—body at the very centre of their narratives. The body—as a locus that filters the broader tensions and conflicts experienced by their female protagonists—in fact emerges as a key site of ‘contestation’ in their works. Through a close analysis of a selection of ekphrastic images, and photographic metatexts in particular, the author draws attention to how the two authors employ textual negotiations of the feminine body to question and problematize normative conceptions of femininity and motherhood. Ultimately, the author suggests that they not only challenge but also shift the perspective of, or indeed refocalize the dominant visual narrative of, the maternal/feminine body and the long history of objectification of the latter. In so doing, the author situates the two writers at the forefront of rethinking contemporary constructs of maternity and femininity.     

Social orientation and the social self-esteem of gifted and talented female adolescents

Carlson's developmental theory of self-concept provides a theoretical explanation for equivalent levels of self-esteem among both sexes, despite sex differences in self-concept. The present study tests the applicability of Carlson's theory for a sample of gifted and talented female adolescents by examining three dimensions of possible self-esteem antecedents: actual talent ratings, self-perceptions of talent, and personality attributes. According to Carlson, talent ratings, self-perceptions, and personality attributes consistent with the feminine gender-role stereotype and a social orientation should emerge as positive predictors of the female adolescent's social self-esteem. Results of the regression analyses indicate that the best prediction of the social self-esteem of gifted and talented female adolescents is obtained from a combination of stereotypic feminine socially oriented and stereotypic masculine personally oriented predictor variables. For this sample, constructs such as androgyny appear to be more relevant to the understanding of social self-esteem than dichotomies such as personal-social orientation.This research was supported in part by a grant from the Women's Educational Equity Act, U.S. Office of Education Grant OE G00760497.Received Ph.D. in educational psychology from Case Western Reserve University. Research interest is the career development of the gifted and talented.Received Ph.D. from the University of California, Berkeley. Research interests include individual differences, the gifted and talented, and creativity.     

What Does Feminism Want?

This conference confirms the loss of a singular, unified women's movement under the pressures of race, sexuality and class and asks for new directions. The need to rethink collectivity suggests that identification is a priority for feminism rather than desire , which has been the dominant discourse of the psychoanalytical wing of the movement. There are psychoanalytical accounts of the group, but they will have to withstand New Labour's punitive address to the superego by its conservative personalizing of social issues. Thus the relation between psychoanalysis and politics is now a major issue, revealing as it does the problems of coercion in an environment where collective accountability has ceased to exist. Our models of the feminine can be neither Thatcher nor Diana both of whom occlude social accountability. Though the question of sexual difference has not gone away, we need to reformulate the problems, finding new forms of language and of public speech to address a wider constituency, and a radical politics that will reach beyond the academic world. Finally, arising from this, two questions need to be asked. What does feminism want a subject to be? Does feminism want something to serve in the place of some kind of truth?     

new millennium’s feminine subject of feminism

This paper explores the changing feminine subject of feminism by investigating women’s sexual daydreams. Described by Rosi Braidotti following Luce Irigaray as the ‘virtual feminine’, and by Teresa de Lauretis as the ‘space-off’, the feminist subject is a mutating configuration embodying that which is not colonised from phallogocentric representations. Following Frigga Haug’s work on daydreams, the paper is informed by a study that draws on responses from nineteen women in a university setting to an anonymous online survey that asked them to write a daydream about how they would like to express their sexualities in an ideal world. The data reveal that these women of the new millennium imagine spaces of gender/sexual equity, characterised by a spirit of sexual adventure and ethical and emotionally intimate sex. I argue that these sexual imaginings are more progressive than earlier ones, filling in some of the details omitted from contemporary hegemonic representations of feminine sexuality. Arguably providing a snapshot of the feminist subject in its ongoing historical metamorphosis, the paper considers the meaning of these transformations.     

How the Sublime Comes to Matter in Eighteenth Century Legal Discourse – an Irigarayan Critique of Hobbes, Locke and Burke

This article examines the way in which the sublime comes to matter within various eighteenth century legal discourses, particularly in the work of Thomas Hobbes, John Locke and Edmund Burke. The essay seeks also to relate the theoretical works of these philosophers and lawyers to practical legislative developments of the period, in particular, the passage of the Black Act in1726 and the Marriage Act in 1753. The sublime comes to matter to the law in this period in the sense that philosophical conceptualizations of the sublime in terms of power and transcendence become increasingly significant to representations of the nature and function of English law. Such theoretical accounts of the law as are found in the work of Hobbes, Locke, and Burke, moreover, translate into juridical practices designed to affirm the status of the law as a transcendentally sublime source of political authority in the eighteenth century. This article subjects that understanding of the law to a feminist critique that draws upon the work of the French philosopher, Luce Irigaray. It will be shown that the sublime within Western thought is generally associated with a sense of dread as to the possibility of the annihilation of consciousness. This ontological dread entails, in Jean Francois Lyotard’s terms, a recognition of the possibility of “nothing further happening” to the subject. Within Western discourse, this dread is projected onto, or made material in the form of, some ‘other’ that is, in Irigaray’s estimation, most usually feminine. Thus, the sublime comes to matter in this second, ontological sense and it is within this context that the transcendental sublime emerges as a response to a sense of dread that is projected on to some material, feminine, or feminised, ‘other’. In eighteenth century legal discourse, this ‘other’ take the form of the ‘state of nature’, or the revolutionary mob, or the revolutionary female who signifies more than anything a return to animality and chaos –an ontological and political fall from grace. The Black Act and the Marriage Act, with their shared emphasis upon the preservation of political stability and patriarchal property rights, may in this context be regarded as manifestations in the legal domain of the metaphysical principles of the transcendental sublime – with its emphasis upon an escape from, and a control of, the dreadful, feminine ‘other’. This revised version was published online in July 2006 with corrections to the Cover Date.     

Menstrual fictions: languages of medicine and menstruation,c. 1850–1930

Abstract

Gynaecological narratives of menstruation in the late nineteenth century placed woman firmly within the orbit of domesticity by virtue of her biology. In the rhetoric of medical ‘truths’, menstruation was defined as a ‘ldisability’, a physical ‘illness’ and a threat to emotional stability. Thus, it was argued, women could not hope to achieve equality with men when the dictates of Nature (as opposed to society) stipulated that they remain mothers, carers and homemakers. This article explores the notion that narratives of menstruation were created and articulated through subjective readings of social and cultural truths: menstruation was perceived and defined through the medium of ideas relating to what femininity was and ought to be. An examination of the medical languages of menstruation articulated between 1850 and 1930 reveals that the creation of menstrual knowledge was in perpetual flux. What remained a constant, however, was the appropriation of the female body as a field for the definition of ‘difference’     

‘red tips for hot lips’: advertising cigarettes for young women in Britain, 1920-70

The girl or woman smoker is a twentieth-century phenomenon. In 1900, smoking was invariably associated with sexually deviant womanhood. Today, smoking is firmly, if contentiously, established as a feminine practice in British society. This article examines one aspect of the twentieth-century feminisation of smoking in Britain, namely, the ways in which smoking practices have been presented as appropriate for young women in the period 1920-70. Advertisements featured in magazines for young women aged 15-29 years have been chosen as a particularly apt medium through which to explore some of the ways in which cigarettes and smoking practices have been delineated and infused with meaning. These advertisements constituted a discourse for the circulation of messages about the relationship of women to cigarettes. Findings reveal a number of shifts in cigarette advertisements featured in Women's magazines from 1920 to 1970. Firstly, during the 1930s and early 1940s, advertisements were, in contrast to later counterparts, preoccupied with establishing smoking as a feminine practice. Key to processes by which smoking was feminised were various mechanisms whereby the cigarette was depicted as part of the presentation of a heterosexual identity and where smoking practices were embedded in heterosexual relations and rituals. Secondly, there was a discernible shift in the way women were addressed by advertisements, from potential women smokers in the 1930s to more general consumers in the 1960s. Thirdly and relatedly, the significance attached to women smoking changed between 1920 and 1970. In the 1930s, smoking was utilised to signify that women were ‘modern’; in the period 1960-70, smoking served to indicate that women were recognised, and accorded status, as consumers     

Gendertyping sports: social representations of masculine,feminine, and neither-gendered sports among US university students

Sport is shifting from being hegemonically masculine but it is unclear how sports are viewed as gender segregated or gender integrated. Previous quantitative studies of gendertyping sports have reported mixed findings. Gendertyping constructs social representations that shape institutional and individual sport activities. This study examined how particular sports are represented as masculine, feminine and/or neither-gendered in one sample of 310 students at a US university. Qualitative open-ended recall questions asked students to name three masculine, feminine and neither masculine nor feminine sports. Results revealed that most students were aware of and used hegemonic gendertyped terms to describe sports. Recall questions elicited 2515 namings of 80 different sports that were arrayed as a spectrum of social representations of gendertyped sports ranging from masculine to neither-gendered to feminine. Some representations were hegemonic segregated masculine sports, many were integrated neither-gendered sports, and fewer were segregated feminine sports. Gendertyped social representations of sports offer cultural toolkits for calibrating the practices of doing and redoing gender in sport.     

Film noir’s ‘gal producers’ and the female market

ABSTRACT

This article surveys publicity surrounding the work of three female producers active in Hollywood in the 1940s and early 1950s: Joan Harrison, Virginia Van Upp, and Harriet Parsons. All three produced key titles in the cycle of film noir that emerged during this period. Publicity that emphasized their work behind the scenes on these productions was part of broader attempts to cultivate a female audience for film noir. Marketing campaigns suggested that ‘gal producers’ catered to unconventional feminine appetites for criminality and violence, all the while celebrating their ascendance in the traditionally male-dominated profession of producer. Such profiles would have been particularly appealing to female moviegoers during the Second World War, when many women held jobs previously dominated by men, and in the immediate postwar period when they sought to retain those lucrative positions.