The ‘Wrongs’ of Women: Sex and Sexuality in Irish American Women's Writing

A key trait distinguishing the writing of Irish American women from that of their male counterparts is a strong feminist bent often expressed in stories featuring sex and sexuality. In ignoring these characteristics, Irish studies scholars have disregarded a trait established by Irish women writers in oral traditions as early as 600 and in written English since 1685. Much of this material was categorized as the ‘Wrongs of Woman’, a phrase used to describe stories about physical and sexual abuse. These same themes can be traced in the writing of Irish American women since the late nineteenth century. By focusing on these ‘wrongs’, Irish American women have not only carried on the tradition begun by their foremothers; they have also battled patriarchal bonds on three fronts: religion, which created such bonds; society, which reinforced them; and politics, which tries to recreate and re-impose them. A complete understanding of Irish American writing therefore depends on recognizing and adding the contributions of these women to the definition of the literature. This essay defines that cohort, then provides a historically contextualized examination of their literary attempts to address the ‘wrongs’ of women inflicted by religion, society and politics from 1899 to the present. In so doing, this discussion demonstrates the role played by Irish American women writers in promoting, protecting and perpetuating the rights of women in the United States and around the world.     

The Representation of ‘Baby-Farmers’ in the Scottish City, 1867–1908

This article explores the manner in which women who provided paid childcare in Scotland were represented and collectively labelled with the pejorative term ‘baby-farmer’ across a forty-year period. It seeks to link the figure of the ‘baby-farmer’ to a wider sphere of discourses and moral frameworks than previously attempted, drawing parallels with other women engaged in processes of semi-public exchange. In so doing the article suggests a more complex articulation of gendered and spatial identity. In particular it asserts that the portrayal of these women was inextricably linked to wider conceptions of the Scottish city and that these pre-existing notions of urban space were integral to the representation of gender.     

‘Control Grabbing’ and small-scale agricultural intensification: emerging patterns of state-facilitated ‘agricultural investment’ in Rwanda

The Rwandan government's ongoing reconfiguration of the agricultural sector seeks to facilitate increased penetration of smallholder farming systems by domestic and international capital, which may include some land acquisition (‘land grabbing’) as well as contract farming arrangements. Such contracts are arranged by the state, which sometimes uses coercive mechanisms and interventionist strategies to encourage agricultural investment. The Rwandan government has adapted neo-liberal tools, such as ‘performance management contracts’, which make local public administrators accountable for agricultural development targets (often explicitly linked to corporate interests). Activities of international development agencies are becoming intertwined with those of the state and foreign capital, so that a variety of actors and objectives are starting to collaboratively change the relations between land and labour. The global ‘land grab’ is only one aspect of broader patterns of reconfiguration of control over land, labour and markets in the Global South. This paper demonstrates the ways in which the state is orienting public resources towards private interests in Rwanda, through processes that have elsewhere been termed ‘control grabbing’ [Borras et al. 2012 Borras, S.M., et al. 2012. Land grabbing and global capitalist accumulation: key features in Latin America. Canadian Journal of Development Studies/Revue canadienne d'études du développement, 33(4), 402–416. doi: 10.1080/02255189.2012.745394[Taylor &; Francis Online], [Web of Science ®] , [Google Scholar], 402–416].     

Visualising the ‘real’ and the ‘fake’: emotion work and the representation of orgasm in pornography and everyday sexual interactions

Visual representations of orgasm – whether in the flesh or mediated through a screen – are produced in a context of intense uncertainty about whether what is being seen represents an authentically experienced bodily event. Despite detailed scientific scrutiny and close attention to bodily signs, the authenticity of women's orgasm remains a site of cultural anxiety and contested gender politics. This uncertainty is exacerbated by the construction of female orgasm as inherently invisible or un-see-able, and ‘faking’ orgasm as a prevalent social practice. Drawing on existing literature from psychology, sociology and porn studies, this theoretical paper explores the problem of visually representing orgasm in the context of these uncertainties, and examines how the distinction between the ‘real’ and the ‘fake’ is structured by discourses of authenticity. Pornography and everyday sexual interactions provide ideal contexts for exploring the practices of producing and consuming visual representations of embodied experience because both necessitate a see-able orgasm which consumers/lovers can read as ‘real’. This paper demonstrates that considerable interpretative work is necessary to read the female body as authentically orgasmic in the context of cultural uncertainty, and that distinctions between the ‘real’ and the ‘fake’ are continually reworked. Drawing on the contrast between ‘surface’ and ‘deep’ acting (Hochschild, 1983), I argue that the distinction between the ‘real’ and the ‘fake’ cannot be established by recourse to unmediated bodily experience, and instead, researchers should consider how and when this distinction has traction in the world and the implications of this for gendered power relations, subjectivities and practices.     

The ‘Ins’ and ‘Outs’ of Women’s/Gender Studies: a response to reports of its demise in 2008

In the spring of 2008, fuelled by the impending demise of the undergraduate Women’s/Gender Studies programme at London Metropolitan University, a series of public statements proclaimed the death of Women’s/Gender Studies. This article constitutes a response to these statements. Taking a broadly European view of the state of Women’s/Gender Studies, it argues that the discipline has established a research infrastructure, mainstreamed its undergraduate curricula and its pedagogical underpinnings, and continues to attract research funding and significant numbers of postgraduate students. It finally suggests that the ‘fate’ of disciplines is not teleological but iterative.     

‘A Jazzed and Patchwork Modern’: ‘future’ girls and modern masculinities in the early popular romances of Berta Ruck

As a best‐selling writer of popular romances during the first half of the twentieth century, Berta Ruck (1878–1978) has been characterised as a producer of ‘omelettes of frivolity and sweetness’ whose appeal was confined to adolescent girls and the servant classes. Closer attention to some of the early novels and to her own evaluation of her work, however, reveals her attempts to confront and articulate the impact of societal change upon a generation whose world was being irrevocably altered by the Great War and its aftermath. Her almost forensic attention to local detail and her treatment of contemporary questions of gender identity make her a compelling chronicler of the period and lend credibility to her claims of a broader readership than that generally associated with the genre.     

Rules of thumb: British history and ‘imperial culture’ in nineteenth and twentieth-century Britain1

Abstract

This paper examines the traditions of both British imperial and British domestic historiography and calls for a re-mapping of both so that the so-called separate spheres of ‘home’ and ‘away’ may be brought back into the same fields of debate. Its central claim is that imperial ideology and its effects were not phenomena ‘out there’. Empire was not a singular place; nor did ‘home’ exist in isolation from it. In spite of the polarization, which has been characteristic of their historiographies, their relationship was dialectic rather than dichotomous. These insights, while derived in part from new trends inside British history itself, owe both their theoretical rigor and their self-avowedly political concerns to post-colonial and feminist historiographical work, which together insist on the desacralization of ‘Britain’ proper.     

Misogyny in ‘post-war’ Afghanistan: the changing frames of sexual and gender-based violence

Abstract

Although the US and NATO invasion of Afghanistan in 2001 was ideologically justified under the banner of democracy and women’s rights, the latter issue has been completely forgotten within the public sphere since then. As the war has officially ended in Afghanistan, new forms of misogyny and sexual and gender-based violence (SGBV) have arisen. The ‘post-war’ Afghan context presents an institutional normalization of violence, favouring a culture of rape and impunity. The changing frames of violence against women are widely related to the political situation of the country: while public attention is focused on peace agreements, women’s issues are relegated to banalities and depicted as ‘everyday’ news. Meanwhile, new frames of SGBV appear as body part mutilation within marriage, forced prostitution, and increasing domestic violence, partly due to the growing consumption of opium but also to the perpetuation of powerful warlords in state structures. This article draws on gender studies to analyse the current misogynist culture in ‘post-war’ Afghanistan, framing the new forms of violence induced by successive armed conflicts. It relies on interviews conducted in 2013 in Afghanistan; and on secondary sources, mostly taken from the Revolutionary Association of the Women of Afghanistan and Human Rights Watch reports.     

Patterns of agrarian transformation in Ethiopia: State-mediated commercialisation and the ‘land grab’

Much of the literature on the ‘land grab’ has thus far focused on the international drivers of foreign agricultural investment, with far less attention paid to the roles of developing country states and domestic political economy in changing forms of agrarian production. This paper analyses how global and domestic processes combine to produce patterns of agrarian transformation in Ethiopia, one of the main targets of foreign agricultural investment. The paper presents a typology of changes in land use and examines in detail three case studies of investments in Ethiopia drawn from this typology. The paper concludes that the most dramatic changes are taking place in lowland, peripheral regions where large-scale, capital-intensive farms employing wage labour pose a serious risk to pastoralists whose ‘use’ of land is contested by the state. Although the government has been careful to avoid mass displacement of settled smallholders, there are also important changes taking place in highland areas, with the government encouraging investments that combine the resources of investors with the labour and land of smallholders. These investments have resulted in exposure to new forms of market risk.     

The ‘Civilizing Mission’: The Regulation and Control of Mourning in Colonial India

The control of women's public form of mourning in India was undertaken in the colonial era by male social reformers. The article argues that this was both a part of the process which enabled the consolidation of colonial rule – since laments were repositories for the social memory of the dead which could lead to vendettas – and that this fed into the construction of a specific domestic ideology. The latter was predicated on the privatization and interiorization of grief, whereby women were enjoined to bear themselves with rectitude. The taming of the transgressive form of mourning, whereby women who had earlier exhibited their grievances in a spectacular form through lament, took to more quietist (devotional) forms, has reconfigured the relationship to death and mourning. However, this has been a partial phenomenon, limited to the upper-caste, middle-class milieu. Where women continue to hold a dependent position within community, nation-state and international economy, the article suggests that, in contexts of modern conflicts and warfare, where death runs ‘wild’, the exhibitionist and ‘wild’ forms of showing grief and anger continue to be demonstrated by women as an appropriate public response.     

‘Our Freedom and Its Results’: measuring progress in the aftermath of suffrage

This article draws on compilations and collections of essays published between 1917 and 1936 to examine how suffragists and labour women, active in the movement before the war, measured the impact of enfranchisement and offered public reflections on developments in the women's movement after 1918. The process of retrospective and prospective analysis on the part of activists who continued to campaign in the interwar period runs counter to the narratives of demise and defeat which figure so prominently in the history of interwar feminism. These sources reveal the idealism and pragmatism which provided the impetus for complex struggles on an ever-growing variety of fronts. The article also stresses the importance of a reflexive approach to sources from the period and the discursive strategies of participants in order to foster a more comprehensive understanding of debates about feminism in the interwar period.     

‘Private rooms and back doors in abundance’ :the illusion of privacy in pornography in seventeenth-century England

This article discusses pornography in seventeenth-century England in relation to the public/private debate. The seventeenth century is seen as bordering a shift from a communal, ‘public' style of living to a private, confined, inward-looking sensibility discernible from the eighteenth century. The increasing availability and development of a market for pornography, which goes hand in hand with the expansion of print culture, is seen as part of this shift, as it seems to exemplify par excellence the private consumption of printed material for private pleasure. The pornographic literature of the seventeenth century repeatedly invokes the idea of a public/private distinction to produce an eroticised narrative in which the illusion of privacy is constantly breached by the pursuit of voyeuristic pleasure.     

Ephemeral ‘communities’: spatiality and politics in rangeland interventions in Mongolia

In recent years, the number of community-based natural resource management projects for rangeland conservation and development has grown rapidly in Mongolia. Such projects seek to develop social capital through the formation of herder groups and pasture user groups, in order to enable the coordination of complex, collective tasks needed for sustainability. Through analysis of social networks, interviews and ethnographic data from two places where such projects have been implemented, Bayanjargalan, Dundgovi, and Tariat, Arkhangai, the paper demonstrates that the spatiality of pastoral social relations is much more extensive than assumed by these projects. Furthermore, rather than being neutral technical interventions, such projects are embedded in and proliferate politics. They often bolster the informal power of wealthy herders who gain more access to pasture, while at the same time leading to tensions between different levels of government and becoming objects of struggle between Mongolia’s two dominant political parties. For all of these reasons, these efforts have tended not to build trust, and the ‘communities’ they create, in the form of herder groups and pasture user groups, have tended to be ephemeral.     

Ironies of Emancipation: Changing Configurations of ‘Women's Work’ in the ‘Mission of Sisterhood’ to Indian Women

On her arrival in Travancore in 1819 Mrs Mault, as wife of the new missionary, immediately set about establishing a school for convert girls and a ‘lace industry’ to employ convert women. Her actions reflect that pattern of activism and organization historians of gender and imperialism have identified as the ‘mission of domesticity’ conducted by European and North American Christian missionary women to their non-Christian ‘sisters’ in the colonial empires being established by their respective nation-states throughout the nineteenth century. Mrs Mault was herself among the first generation of missionary women to pioneer this specifically female branch of colonizing endeavour, designed to ‘emancipate’ Indian women in terms of the norms of metropolitan ideologies of femininity and womanhood.Drawing on a case study of the London Missionary Society's activities in South Travancore, South India during the nineteenth and early twentieth centuries, I argue that this ‘mission of domesticity’ was not a straightforward transfer of conventions of marriage and motherhood to the colonial context. On the contrary, the project was from the start caught in a complex and contradictory web of agency and discourse which ‘remade’ not only convert women but missionary women as well. Central to this process of refiguring femininity on the imperial fulcrum were changes to the meanings of ‘work’ in relation to both ‘home’ and womanhood, articulated through a religious idiom and framework of action. The consequences of these processes, the article argues, were somewhat contrary. On the one hand, the Indian Christian woman is reconstructed as a wife, mother and worker, while on the other, the missionary women are bifurcated: the missionary wife increasingly viewed as an amateur appendage to her husband, firmly secured in the domestic sphere, while the single woman attains a new status as a professional worker.