Not being echo: Women's voices in New Australian fiction

Margaret Coombs, Regards to the Czar (UQP) St Lucia, 1988; Marion Campbell, Not being Miriam (Fremantle Arts Press) Fremantle, 1988; Mary Fallon, Working Hot (Sybylla Co‐Operative) Melbourne, 1989.     

Television in Indian Adolescents' Lives: A Member of the Family

To understand the effects of TV on youth, it is important to know the context in which they view it. This paper reports findings from an Experience Sampling study of 100 urban, middle-class Indian families to elucidate the context of use for this group. Mothers, fathers, and 8th graders carried alarm watches for 1 week and provided 13,674 reports on their activities and subjective states at random times across waking hours when signalled. TV viewing occupied 10.9% of these adolescents' time (about 12 h per week). Ninety percent of this viewing occurred at home, with majority of it, 73%, done with other family members, including 7% with grandparents, uncles, or aunts. This indicates that TV viewing for these youth is typically a family activity, occurring in a context in which parents' supervision and influence is likely. Adolescents' rates of viewing were correlated with mothers' rates of viewing, with rates for both higher when mothers were unemployed. Adolescents' TV rates were also correlated with fathers' rates and with fathers' type of employment. During TV viewing, adolescents reported lower than average challenge, worry, and paying attention, and higher than average choice, calm, and relaxation. As a whole, the findings indicate that the TV viewing of middle-class Indian youth is typically a relaxed antidote to the stresses of the day that they share with their families.     

Vulnerability in Domestic Discourses on Trafficking: Lessons from the Indian Experience

In recent years, rather than addressing the needs of sex workers themselves or of trafficked persons, international anti-trafficking law has been mobilised towards an ideological end, namely the abolition of sex work. The vulnerability of ??third world?? female sex workers in particular has provided a potent image for justifying state intervention backed by the full force of the criminal law. Moral legitimacy has been afforded to this by a radical feminist discourse which views sex workers as nothing but hapless victims. Drawing on the work of Martha Fineman and legal realists like Robert Hale, this article redeploys vulnerability in trafficking debates to depart from its narrative of victimhood and to offer a renewed critique of liberal legalism, which has in the trafficking context been characterised by legal strategies of criminalisation and the attendant rescue and rehabilitation of trafficked persons. Specifically, it examines how three Indian social legislations regulating bonded labour, contract labour and inter-state migrant labour, and targeted at the domestic trafficking of men, conceptualise vulnerability in substantially different ways when compared to the 2000 Palermo Protocol on Trafficking (at least as it has been enforced to date). To the extent that these Indian laws construe the vulnerability of labour as systemic, trafficking is understood as a problem of labour migration to be addressed primarily by labour law. As such, this view of vulnerability, I argue, not only helps to de-exceptionalise trafficking as always equivalent to the trafficking of women for sex work, and therefore sex work, but also to substantively address the vulnerability of both male and female workers in other labour markets.     

From a mimetic to a holographic paradigm in fiction: Toward a definition of feminist writing

This paper outlines a theory of fiction by examining the shift from the basically mimetic nineteenth century to be essentially non‐mimetic twentieth century. It further argues that the contemporary novel, as herein interpreted, constitutes a bona fide expression of feminist writing.

The paper contends thatthe transformation undergone by the novel as it moved from the nineteenth century to the twentieth century bears witness to the wide ranging transformation affecting the western world today. A number of inter‐related shifts have occurred ostensibly leading the western mind into a radically new world view, or new paradigm. Indeed, our culture is steadily moving from the absolutes of traditional physics to the relativity of the new physics and quantum theory; from a “logocentric”¹ to a “deconstructive”² universe; from a fragmentary (basically static and non‐creative) to a holistic (essentially dynamic and creative) realm; from representation to holography. Inasmuch as “representation” relates to “mimesis”, this paper ultimately redefines its aim by proposing to explore a shift from a mimetic to a holographic paradigm in fiction.

The notion of the holograph is therefore essential to the paper. As herein interpreted, holography not only challenges representation, but it also devalues the linear view of time (which is central to western culture) by focusing on the “now” and thereby delving into the depths of reality — the realm of the underlying, creative forces which the western world is presently releasing. It is precisely the release of long‐repressed forces that is drastically transforming western culture. This sheds new light on the problematics of western alienation which can now be reassessed in terms of “alienation from the creative source”.

In the final analysis, the paper contends that the emerging forces are essentially feminine. This posits an ultimate, all‐encompassing shift which may be said to be leading us from a male‐oriented to a holistically‐oriented culture: a culture that celebrates the essential oneness and fundamental dynamics of Life. Since the twentieth century novel has superbly explored and expressed the emergence of these forces, the paper regards it as the epitome of feminist writing. This writing is to be viewed as practice in the sense that it expresses the very process of change it has helped foster and in which it participates: the process of integration of the creative depths of being.