the ripples of violence

The received view in mainstream philosophy is that violence is an ‘act’, to be defined in terms of ‘force’ and ‘intentionality’. This approach regrettably and inexcusably tends to prioritise the agent performing the act of violence in question. This paper argues that we should resist this tendency, in order to prioritise the victim or survivor of violence, and her personal experience, not that of the perpetrator. Starting from an analysis of the devastating impact of violence that characterises the experience of sexual violation and its aftermath, based on the memoirs of Susan Brison (philosopher) and Alice Sebold (novelist), we will then proceed to argue that violence should not be thought of merely in terms of an ‘act’, but also as an ‘experience’, the difference being that an act is temporally determinate while an experience is temporally indeterminate. With the help of a phenomenological approach, we will argue that violence has time-indeterminate intended and unintended consequences; these are the ripples of violence. Finally, some of the moral, legal and political implications of acknowledging the temporal indeterminacy of violence will be highlighted.     

家庭暴力概念的法理辨析

家庭暴力现象由来已久,我国对家庭暴力问题进行专门立法不过是最近两年的事情。最高人民法院 对新《婚姻法》作出的司法解释明确规定“家庭暴力”是“行为人以殴打、捆绑、残害、强行限制人身自由或者其他手 段.给家庭成员造成一定伤害后果的行为”。要正确适用这一司法解释,必须准确界定家庭暴力的概念。     

food

The shift to companionate marriage in South Asia and elsewhere is widely read as a move from ‘tradition’ to ‘modernity’ resulting in an expansion of individual agency, especially for women. This paper critically examines the narratives of urban middle-class women in Sri Lanka spanning three generations to illustrate that rather than indicating a radical shift in the way they negotiated between individual desires and social norms, the emphasis on ‘choice’ signals a shift in the narrative devices used in the presentation of the ‘self’. The paper illustrates how young women’s narratives about marriage appear to suggest ‘modernity’ as inevitable—that its processes are reconstituting the person who, less constrained by ‘tradition’ and collective expectations, is now experiencing greater freedom in the domain of marriage. However, it also shows how urban middle-class families in Sri Lanka have collectively invested in the narrative of choice through which ‘a choosing person’ is consciously created as a mark of the family’s modernity and progress. Rather than signalling freedom, these narratives about choice reveal how women are often burdened with the risks and responsibility of agency. The paper illustrates that the ‘choosing person’ is produced through narratives that emphasise agency as a responsibility that must be exercised with caution because women are expected by and obligated to their families to make the ‘right’ choices. Hence, a closer look at the individualised ‘choosing person’ reveals a less unitary, relational self with permeable boundaries embedded within and accountable to family and kinship.     

Men's violence,men's parenting and gender politics in Sweden

In this article, I discuss how the politics of survival in the science fiction TV series “Battlestar Galactica” (BSG) correspond to contemporary biopolitics in late modern Western society. BSG takes place in a post-apocalyptic world where war between artificial, non-human bodies and organic, human bodies emphasizes the importance of sustained population growth and, ultimately, survival for the human race. The BSG survival narrative accentuates the challenges that advanced reproductive technologies pose to the female body and how this is interrelated to state regulation of reproduction and population control. As a political fiction, BSG facilitates a discussion of the dynamics of choice and duty in relation to post-human reproduction: the right to choose not to reproduce as well as the right to reproduce. In light of my analysis, I suggest that the BSG survival narrative concludes with a displacement of discourses of choice onto discourses of obligation due to biotechnological advancement. I posit that BSG's endorsement of post-human reproduction, coupled with a pro-natalist approach to population control, represents post-human reproduction as an evolutionary advancement the female body cannot refuse. As such, the BSG survival narrative reinscribes gender as a category of difference and the link between the female body and reproduction as key norms for late modern societies.

“I'm not a commodity, I'm a Viper pilot”

Starbuck, BSG 205: The Farm     

Boxers,Christians and the culture of violence in north China

History in Three Keys: The Boxers as Event, Experience, and Myth, by Paul A. Cohen. New York: Columbia University Press, 1997. Pp.xviii + 249. £27.95/US$34.50 (hardback); US$18.50 (paperback). ISBN 0 231 10650 5 and 10651 3

On the one hand, the Boxers have been condemned as a product of uncivilised, irrational, superstitious anti‐foreignism among the common people. On the other, the Boxers are praised as patriotic anti‐imperialists. This latter characterisation remains the prevailing view not only in current Chinese writings but also in some recent Western accounts. While not denying the unsettling impact of certain aspects of foreign imperialism at the end of the nineteenth century, it is argued here that greater emphasis must be placed on the endogenous factors that gave rise to the Boxer Movement. In its broadest sense, the movement was a multi‐stranded and complex response to mounting internal and external pressures. A careful analysis of this conjuncture of factors will provide a more satisfactory explanation for the fateful events of 1898–1900.     

Reciprocity and rape: Blackness and the paradox of sexual violence

This essay expands Saidiya Hartman's unflinching paradigmatic analysis in Scenes of Subjection of the modes of historical continuity in which Black women are barred from reciprocity, recognition, and incorporation ab initio (Hartman, Saidiya V. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press.). By engaging the works of key Marxist feminist theorist Leopoldina Fortunati, I will demystify the ways in which these three homologies which non-Black women depend upon for the coherence of their complaint are parasitic on the flesh of Black women and men.