Jan Christian Smuts (1870–1950) in Context: An Answer to Mazower and Morefield

This article engages with the recent scholarship of Mark Mazower and Jeanne Morefield regarding the South African and Commonwealth statesman Jan Christian Smuts (1870–1950), and in particular with their contention that Smuts was preoccupied with issues of racial superiority, and that this was his main motivator in matters of politics, both internationally and domestically. However, during his lifetime Smuts did not see the ‘Native question’ in the form in which it manifested from the 1950s onwards. It is therefore unfair and inaccurate to over-emphasise the racial question when writing about Smuts. Any historical account of Smuts must keep at least one eye on what Smuts could not have foreseen and must place Smuts in the context of his own time. Progression from smaller to greater wholes – one white nation instead of two language sections; a united South Africa instead of divided colonies and republics; membership of self-governing Dominions in a single British Commonwealth, and membership of international organisations, in particular the League of Nations, and later the United Nations – these were the ends to which Smuts’ energies were unreservedly devoted throughout his career. This is the correct lens through which to view Smuts’ liberal credentials.     

“The most patient of animals,next to the ass:” Jan Smuts,Howard University,and African American Leadership, 1930

Former South African Prime Minister Jan Smuts’s 1930 European and North American tour included a series of interactions with diasporic African and African American activists and intelligentsia. Among Smuts’s many remarks stands a particular speech he delivered in New York City, when he called Africans “the most patient of all animals, next to the ass.” Naturally, this and other comments touched off a firestorm of controversy surrounding Smuts, his visit, and segregationist South Africa’s laws. Utilizing news coverage, correspondence, and recollections of the trip, this article uses his visit as a lens into both African American relations with Africa and white American foundation work toward the continent and, especially, South Africa. It argues that the 1930 visit represents an early example of black internationalism and solidarity, reflecting a shift from sociocultural connections between Africa and the diaspora to creating political movements on behalf of African people. To contextualize this visit, we assess events surrounding a meeting that the Phelps-Stokes Fund organized for Smuts at Howard University, using this as a lens into the two disparate, yet interlocked, communities.     

Foreign Debt and Literary Credit: Pablo Neruda and Walt Whitman

The article draws in relief how translators carry with them cultural and ideological horizons that necessarily imbue their literary production with distinctly situated historical, political, and personal dimensions. It does so first by examining how The New York Times 's translation of Pablo Neruda's 1972 address to the PEN Club reframes (or distorts) his views on political and literary issues ranging from the negotiation of the Chilean national debt to his literary indebtedness to Walt Whitman, and then by examining how Neruda's 1955 translation of Whitman's 'Salut Au Monde!', refashions and relocates Whitman's work, imbuing it with a communist ethos consistent with Neruda's own.     

Hostility and Hospitality: Muhammad Qazvini's Critique of Louis Massignon

In his magnum opus The Passion of al-Hallaj, the famous French scholar of mysticism, Louis Massignon (1883–1962), studied the life of the tenth-century religious figure and martyr Mansur al-Hallaj. While this earned Massignon high accolades, most famously from Edward Said in Orientalism, his contemporaries disputed the value of his contributions. In particular, this article will closely examine the writings of Muhammad Qazvini (1877–1949), an Iranian philologist who wrote a private letter to a colleague referring to Massignon's ‘Orientalist charlatanism’. Through Qazvini's private reflections we are able to explore the critical undercurrents of French Oriental studies, particularly in Qazvini's assessment of Massignon's concept of hospitality.     

Fantasy as ‘Recovery,Escape and Consolation’ in the Short Stories of Isaac Bar Moshe

Isaac Bar Moshe (1927-2004) was born in Baghdad and immigrated to Israel in 1950. This article deals with his literary world, which is split between realism on the one hand and fantasy, mysticism and dreams on the other, with both these planes reflecting his perspective on various existential questions. The article focuses on the short stories in his book Behind the Wall (1973), which, like many of his other works, are largely anchored in his private life and depict a bleak reality, with dreams and fantasy offering the only hope of escape into a better, more spiritual world. The article concludes with an analysis of Bar Moshe's stories in terms of the three functions of fantasy – ‘recovery, escape and consolation’ – as formulated by writer and philologist J.R.R. Tolkien in his book Tree and Leaf.     

Dining with Sam Orr: Nation Review and the Restaurant Reviews of Richard Beckett

In Australia in the 1970s, restaurant dining became a popular middle-class pastime, and restaurant criticism began to play an important role in the shaping of Australian tastes. Richard Beckett was one of the most prolific Australian food writers of the 1970s and 1980s and one of the first to write a regular column devoted to restaurant reviews. Writing as Sam Orr, a satirical character invented to suit the ethos of the irreverent Nation Review, Beckett produced highly original reports of his dining experiences. He aimed to both educate and entertain his readers and to subvert the perception of restaurant dining as an elitist pastime. Beckett’s contribution as a tastemaker was disparaged at the time and has been largely neglected since. Through a consideration of the role of Nation Review, Beckett’s reviews, published responses to Sam Orr by both his critics and his fans and unpublished correspondence from readers, this article offers a reassessment of Richard Beckett’s role in the shaping of Australia’s tastes in restaurant dining through his endorsement of the distaste of taste.     

Ghosts in the Shell: On South Africa,the USA and Japan

This article surveys American literary responses to the rise of Japan as an economic power during the period from the late 1970s to the early 1990s, and examines how these responses were anticipated in the writings of the South African author Laurens van der Post. Paying particular attention to van der Post’s autobiography, Yet Being Someone Other (1982), I suggest that the author’s formative experiences aboard a Japanese trading vessel in 1926, coupled with South Africa’s close-knit trading relationship with Japan in the 1980s, enabled a perspective on Japan’s economic ascendancy that was markedly less reactionary than those in the USA. By emphasizing the historical contexts that held true at the time of publication, I situate Yet Being Someone Other in a framework that deliberately circumvents—without necessarily confronting—van der Post’s preferred version of his life story. Rather than “recovering” the author’s ‘place in the canon of South African literature, this article is intended to incorporate the author’s work into ongoing discussions of the representation of Japan and the Japanese in twentieth-century Anglophone writings.     

‘On the outskirts of the Empire’: Joseph Brodsky and Lithuania

This article explores the role of Lithuania in Joseph Brodsky’s life and works before and after his exile from Russia in 1972. As a former Soviet republic, Lithuania represented an intermediary space for Brodsky both culturally and geographically, contributing to his realization that it was a ‘rehearsal’ for his actual emigration. However, Brodsky’s notion of Lithuania changes when, after 1972, instead of representing a simulacrum of the ‘abroad,’ the poet sees Lithuania as a ‘home’ from afar. Emigration, in Brodsky’s case, thus became a realization of the myth of exile implicit in his earlier texts about Lithuania.     

Australia’s Army Nurse: Locating a Woman as the Heart of Sacrifice in the Hall of Memory

This article contests the misconception that the Hall of Memory of the Australian War Memorial, Canberra, represents an irreligious space. While accommodating the expectations of a post-secular society, this belief fails to recognise the influence of Christianity upon the generation that experienced World War I and developed the memorial practices that arose in response to it. Veteran-artist M. Napier Waller embedded complex religious symbolism in the scheme of three windows he designed and executed for the hall. Drawing on his individual experience of battle, personal philosophy of art and the medieval customs of his forebears, Waller told the story of Australia’s experience of the war and aligned a nation’s sacrifice with that of Christ: His Crucifixion, Resurrection and Ascension are symbolised in the south, west and east windows, respectively. The inclusion of a nurse was central to Waller’s plans and required he manipulate the men creating the memorial to achieve his goal. In doing so, he neutralised the greatest threat to his vision: its founder, Charles Bean, and located a woman of many identities—a Martial Madonna—as the heart of national sacrifice in Australia’s premier war memorial.     

Forming “affective communities” and narrative forms of affection: Damon Galgut’s Arctic Summer

This article examines Arctic Summer (2014) by Damon Galgut, a biographical novel focused on a period in the life of British author E.M. Forster. My inquiry is concerned with narrative form and aesthetics that limn affiliations between the two authors’ creative and sexual sensibilities and struggles, and how forms of affective affiliations are forged through narration and narrative stylistics. I discuss critical responses to Galgut’s oeuvre and trends in South African literary production post-1994, to introduce ideas about his non-conformist creative impulses. I reflect on hybrid narrative form, generic ambiguities, and aesthetics to consider how affective affiliations are fashioned in Arctic Summer and beyond the boundaries of the text when compared to Galgut’s In a Strange Room (2010). Leela Gandhi’s thoughts on “affective communities” inform my argument that the representation of sexuality and bonds of affection in Arctic Summer enables formal and nonconformist affinities across temporal and spatial registers.     

Troubling frames: Zapiro’s iconography on Oscar Pistorius as traumics

ABSTRACT

This study aims to examine the comics form in relation to its representation of perpetrator trauma. Specifically, the study considers a selection of Jonathan Shapiro’s iconography on Oscar Pistorius as biograph(y)ics, since the artist ‘commixes’ Pistorius’s life from his rise to athletic fame – through the court trials for his alleged murder of Reeva Steenkamp on 14 February 2013 – to his conviction followed by a thirteen-year jail sentence on 24th November 2017. In my reading of the panels, I draw on Hilary Chute’s notion of the ethics of testimony in illustrative art and Jacques Derrida’s theorising on hauntology and the revenant to argue that wrongdoers can also experience their crimes as trauma. This critical engagement enables me to read Shapiro’s panels as not merely reinforcing dominant interpretations of the fallen hero, but also as a means by which the cartoonist destabilises and reconfigures socially accepted notions of the villain.     

‘This is a Prison…A Death in Life’: Reza Shah’s troubled exile on the Island of Mauritius

Reza Shah, the feared and powerful master of Iran for nearly two decades, spent the last years of his life in lonely exile, on the island of Mauritius, then in South Africa. His life in exile was hardly a happy one. The place and conditions of his exile were dictated not by himself but by the British, and the relationship between the two remained uneasy. Britain’s handling of Reza Shah – the degree and freedom and choice they were prepared to allow him and his family – were determined by the exigencies of war. Reza Shah sought to loosen the bonds of British control. In Tehran, his son and successor, Mohammad Reza Shah, also played a role. He used what leverage he had with the British to help ease the conditions of his father’s exile, while he endeavored to protect Iran’s interests under a difficult foreign occupation. The push-and-pull of cross-purposes entailed by this triangular relationship defined Reza Shah’s life in exile in both Mauritius and Johannesburg. This article examines the Mauritian period of his exile.     

Ernest Cole: the perspective of time

Ernest Cole’s photographs reveal the contradictions and paradoxes of apartheid South Africa. At a very young age, and with little formal instruction Cole instinctively produced a significant documentary photo-book titled House of Bondage (1967). This article makes a close reading of some of Ernest Cole’s photographs in relation to the historical circumstances of apartheid and how they can be perceived through the lens of hindsight in postapartheid South Africa. The work offers a potent argument for the power of perception to uncover overlooked moments of the period. As an African, Cole’s photographs construct a narrative of apartheid from the position of an “invisible” black insider. In so doing, they tellingly reveal how he used the system of apartheid to his own advantage in his photographic practice. His photographs ask us to consider his modus operandi and the courage it took to make them at that time, offering the opportunity to behold moments that cut across gaps of space and time.     

Bemerkungen zur reform des Reichsjustizwesens in der Zweiten Hälfte des 16. Jahrhunderts

Summary

Voltaire and the ‘Glorious Revolution’ of 1688

From the start of his career Voltaire was pro‐English. Britain was for him the country of a ‘sage liberté’ which was the beneficial result of the civil wars. His contacts with the British community in Paris and the exiled Lord Bolingbroke help explain why he sought refuge in London after his imprisonment and his subsequent passion for English institutions. Voltaire's view of institutions was not always very accurate; he only saw the positive side and, intentionally or not, concealed a great deal. The religious foundation of the English character escaped him, as did the agrarian problems. For him the regime of 1689 constituted a constitutional ideal; the balance it achieved was a perfection to whose defects he was blind.

Voltaire had always been split between his admiration for the English system and his respect for the ‘enlightened’ work of Frederick the Great and Catherine Il. He inclined, especially towards the end of his life, towards England. He was one of the originators of a current, still very much alive in France, of an anglophilia of the left’. But the undeniable weakness in Voltaire's thought was his failure ever to ask how far the representative government he so admired was capable of being practised by the French.     

The meanings of oriental masquerade in T.E. Lawrence’s Arabian ventures

This article explores the changing trajectory of T.E. Lawrence’s interaction with the Arab East on the eve of modernity. It traces his pre-First World War scholarly interest in Levantine antiquities (his archaeological expeditions in Syria), through to his subsequent military engagement in the Arab Revolt (1916–1918). An analysis of Lawrence’s adoption of various forms of Middle-Eastern attire provides a narrative of the events that led to his metamorphosis from a passive scholar into an active soldier. The article examines the homoerotic strands in Lawrence’s assumption of Oriental disguise and highlights its metaphorical significance vis-à-vis the political marriage of British imperial interests and Arab nationalist ambitions in the Arab campaign. The article finally draws on the implications of the Anglo–Arab alliance and its impact on changing the region and altering the image of the ‘Unchanging East’.     

Revisiting Colonial Dismemberment in South Africa: On Cultural Text and the Mandela Nuclear Family

Abstract

For many years, Nelson Rolihlahla Mandela—in a number of his public statements and writings—frankly expressed his regrets regarding the strain that his anti-apartheid activism put on his immediate and nuclear family. From his marriage to Evelyn Mase, and later to his second marriage to Nomzamo “Winnie” Madikizela, one central thread that permeates both is the impact of colonial-apartheid dismemberment on the Mandela nuclear family. Thus, the focus of this article is on the critical analysis of a cultural text that was authored by the late former statesman to reflect on various aspects of his life. Relying on his autobiography, Long Walk to Freedom, the objective of the article is to understand how such a cultural text registers the idea of colonial-apartheid dismemberment as lived by the Mandela nuclear family under colonial-apartheid oppression. Besides the 27 years spent at Robben Island prison, much of Mandela's life was characterised by his neglect of family responsibilities, as a result of the lived realities of his activism against colonial-apartheid South Africa. Thus, using the case of Mandela's nuclear family structure, the article critically analyses the role of cultural texts such as autobiographies in registering colonial-apartheid dismemberment in South Africa.     

Inventing Tradition at Gunpoint: Culture,Caciquismo and State Formation in the Región Mixe,Oaxaca (1930–1959)

This article examines the links between the creation of a post‐revolutionary Mexican culture and the maintenance of traditional forms of cacical control. Taking as a case study Luis Rodríguez, a cacique from the state of Oaxaca, it is argued that he utilised state notions of indigenismo and indigenous cultural production to assert and maintain his position as the strongman of the Mixe ethnic group. However, despite the employment of state discourses, Rodríguez’s fiefdom was never subsumed into the corporate revolutionary state. Rather, these claims of ethnic unity were used as a smokescreen to deter state intervention. As a result, Rodríguez was forced to use intimidation and violence to control pueblos outside his immediate sphere of influence during the 1940s and 1950s.     

In Search of Native Dissidence: RT Kawa’s Mfecane Historiography in Ibali lamaMfengu (1929)

Abstract

This article situates RT Kawa’s Ibali lamaMfengu (1929) as a canonical text of South African historiography, and mfecane historiography in particular. In Ibali lamaMfengu, Kawa attempts to give an account of the origins of amaMfengu clans, who were Mfecane refugees, as well as their political situation, when they were incorporated into the Gcaleka kingdom of King Hintsa in the 1820s and 1830s. Kawa’s work is significant in clarifying key disputes on the origins of amaMfengu although is not comprehensive in detailing their early life amongst amaXhosa. Although a key text, its analysis was not only excluded, but rejected by ‘‘mainstream’’ South African historians in the 1980s and 1990s. This omission resulted in dominant scholarly versions of the Mfecane dismissing the validity of the interpretations and analyses of African writers, in effect, rendering Mfecane historiography a ‘‘white-only’’ debate. I demonstrate in this article that Kawa’s work is in fact, a valid and persuasive history of amaMfengu, and is largely accurate on the basis of their origins, their life under chief Hintsa, and the reasons for their exodus from amaXhosa, that led to their loyalty pledge to the British in 1835.     

“Bordering on Treason”? Sir Raphael Cilento and Pre‐Second World War Fascism in Australia

Sir Raphael Cilento died on 16 April 1985 at the age of ninety‐two. The notice in the Canberra Times spoke of Cilento's “worldwide” reputation in tropical medicine, his contribution to the public health service in Queensland, and his role with the United Nations in the immediate post‐war years. In short, he was an “eminent son of Australia”. But Sir Raphael Cilento's halo has been tarnished by his persistent eugenicist beliefs and his later association with the anti‐Semitic League of Rights. There were also lingering allegations and rumours about his apparent pre‐war association with Fascism. Without the evidentiary “smoking gun”, this association has occasionally been alluded to by scholars but never fully examined. Drawing on an unreleased, previously classified security file, this article addresses this question in Cilento's life. Through an examination of what the security service and military intelligence knew of Cilento's activities, the article argues that Cilento was at best an active fellow traveller and at worst a card‐carrying Fascist who narrowly escaped internment.