Remarks on the Visuddhimagga,and on its treatment of the Memory of Former Dwelling(s) (pubbenivāsānussatiñāṇa)

Journal of Indian Philosophy -     

A South Indian ?ākta Anthropogon?: An Annotated Translation of Selections from Mahe?varānanda’s Mahārthama?jarīparimala, gāthās 19 and 20

This article represents the first of a projected series of annotated translations of the Mahārthama?jarīparimala of Maheśvarānanda, a Śaiva Śākta author active in Cidambaram around the turn of the fourteenth century of the Common Era. The present translation includes excerpts from the text’s presentation of two of the levels of reality (tattvas), puruṣa and prakṛti. These two tattvas, the apex of the older Sāṃkhya scheme incorporated centuries earlier by the Śaivas, provide for Maheśvarānanda the centerpiece and climax of his understanding of the structure of the Śaiva cosmos. Fundamental to the rhetoric of Maheśvarānanda’s idiosyncratic presentation is his reliance upon a simultaneous strategy of integration and distinction of his argument within the wider world of Śaiva doctrinal common sense. He seeks to integrate the characteristic meditative structure of his Krama or Mahārtha system within a theological framework shared by all Śaiva theists. It can be seen that Maheśvarānanda’s interpretation of the junction between these two reality levels delineates a picture of what it is to be a human being, equipped with an inner life and a personality. The article also reviews the quality of the published editions of the Mahārthama?jarī, discusses its textual history, and offers a number of suggested emendations to the passages translated.     

(Close) the Door,the King (is Going): The Development of Elliptical Resolution in Bhāṭṭa Mīmāṃsā

This paper examines three commentaries on the ?abdapariccheda in Kumārila Bha??a’s ?lokavārttika, along with the the seventeenth century Bhā??a Mīmā?sā work, the Mānameyodaya. The focus is the Mīmā?sā principle that only sentences communicate qualified meanings and Kumārila’s discussion of a potential counter-example to this claim–single words which appear to communicate such content. I argue that there is some conflict among commentators over precisely what Kumārila describes with the phrase sāmarthyād anumeyetvād, although he is most likely describing ellipsis completion through arthāpatti. The paper attempts both a cogent exegesis and philosophical evaluation of the Bhā??a Mīmā?sā view of ellipsis completion, arguing that there remain internal tensions in the account of ellipsis preferred by the Bhā??a, tensions which are not entirely resolved even by the late date of the Mānameyodaya.     

Killing as Orthodoxy,Exegesis as Apologetics: The Animal Sacrifice in the Manubhāṣya of Medhātithi

Journal of Indian Philosophy - Deeply rooted in the Vedic tradition, animal sacrifice is a controversial issue associated with a larger discourse of violence and non-violence in South Asia. Most...     

Gradual and Sudden Enlightenment: The Attainment of Yogipratyakṣa in the Later Indian Yogācāra School

Journal of Indian Philosophy - In the later Indian Yogācāra school, yogipratyak?a, the cognition of yogins is a key concept used to explain the Buddhist goal of enlightenment. It...     

Liberation(s): The Notion of Release (vimokkha) in the Paṭisambhidāmagga

The Vimokkhakathā, a section of the Pa?isambhidāmagga, expounds the longest list of vimokkhas (releases, deliverances) found in Pali; it also finely elaborates on the notion of vimokkha through a crucial shift in Theravāda exegesis. In order to explore the meaning and nuances of vimokkha in the Pa?isambhidāmagga, this article focuses on its classifications and definitions, discussing their relation to the standard lists found in the Nikāyas. This examination highlights a multifaceted soteriology that supplies meditative practice with a consistent wholesome attitude; I will also demonstrate how various microstructure-levels affect the macrostructure of the Pa?isambhidāmagga, which in turn draws upon the wider structure of the Tipi?aka. In addition, the commentary to the enunciation of the releases (Vimokkhuddesava??anā), translated in Appendix, clarifies the structure of the vimokkhas, and their relationship with the whole Pa?isambhidāmagga.     

Studies on Bhartṛhari, 9: Vākyapadīya 2.119 and the Early History of Mīmāṃsā

Journal of Indian Philosophy - This article argues that in early Mīmā?sā the view was current that there are objects in the world corresponding to all words of the Sanskrit...     

Ptolemy and Purāṇa: Gods Born as Men

This is an addendum to an earlier essay on the Purāṇic cosmograph interpreting it in terms of the principles of stereographic projection: Kloetzli (Hist Relig 25(2): 116–147, 1985). That essay provided an approach to understanding the broad structures of the Purāṇic cosmograph but not the central island of Jambudvīpa or its most important region (varṣa) of Bhārata. This addendum focuses on the works of Ptolemy as a resource for understanding the Purāṇic materials. It reaffirms the broad outlines of earlier conclusions, but by understanding the major concerns of Ptolemy’s Geography, is able to provide a far ranging interpretation of the Purāṇic central island of Jambudvīpa. Viewed in the light of the main features of Ptolemy’s Geography, Jambudvīpa, the central island of the Purāṇic cosmograph, can be seen as a geograph modeled on the principles of Ptolemy’s Geography embedded within a larger cosmograph modeled on the principles of Ptolemy’s Planisphaerium—the earth at the center of the universe. Parallels between the seven Ptolemaic climates and the Purāṇic varṣas, the Nile and the Ganges, and the inhabited world (oikumene) and Bhārata deepen our sense of shared tradition as do representations of Bhārata alternately as Alexandria and Babylon.     

Ratnākaraśānti’s Theory of Cognition with False Mental Images (*alīkākāravāda) and the Neither-One-Nor-Many Argument

The paper aims to clarify Ratnākara?ānti?s epistemological theory that mental images in a cognition are false (*alīkākāravāda) in comparison with ?āntarak?ita?s criticism of the Yogācāra position. Although Ratnākara?ānti frequently uses the neither-one-nor-many argument for explaining his Yogācāra position, the argument, unlike ?āntarak?ita?s original one, does not function for refuting the existence of awareness itself as the basis of mental images. This point is examined in the first two sections of this paper by analyzing Ratnākara?ānti?s proof of the selflessness of entities (dharmanairātmya) and his application of the neither-one-nor-many argument for demonstrating the falsehood of mental images. On the other hand, the last section investigates into his defense of the alīkākāravāda against ?āntarak?ita?s severe criticism of it. Here, too, we can find his tactical usage of the neither-one-nor-many argument, or more precisely, one of its variants: the neither-identical-nor-different argument. Through the above procedure, we can see how Yogācāra philosophy survived in the late period of Indian Buddhism by blending the Madhyamaka opponent?s argument with its own thought.     

Nirvāṇa and Tathatā in the Early Yogācāra Texts: The Bodhisattva’s Adaptation of the Śrāvaka-Path

Indian and Chinese commentaries on the Bodhisattva-path assign to it a path of seeing analogous to that of the ?rāvaka-path. Consequently, the non- discursive insight of the bodhisattva is usually taken to be equivalent to the insight of the ?rāvaka when s/he experiences the unconditioned. Yet a matter of concern for the bodhisattva in the Prajñāpāramitā literatures and many other earlier Mahāyāna texts is that s/he should not realize the unconditioned (=nirvā?a) in the practice of the path before s/he attains Buddhahood. Because the bodhisattva has to accumulate immeasurable kalpas of merits in order to attain Buddhahood, s/he does not want to end the circle of existence by realizing the unconditioned. Ending the circle of existence would deprive her/him of the chance to attain Buddhahood. An early extant system of the Bodhisattva-path delineated in the Yogācārabhūmi (YBh), especially in the Bodhisattvabhūmi (BoBh) follows these early Mahāyāna sūtras in the treatment of the unconditioned. However, according to BoBh, the bodhisattva beginning from the first level can take rebirths at will and at the eighth level s/he enters into Suchness (tathatā) with non-discursive knowledge (nirvikalpajñāna). On the other hand, the bodhisattva has no esteem for the unconditioned and abstains from the abandonment of all defilements and the realization of nirvā?a. By comparing the Bodhisattva-path in BoBh with the ?rāvaka-path delineated especially in the ?rāvakabhūmi (SrBh) of the same YBh system this paper tests whether the insight of the bodhisattva or the insight of Suchness is endowed with properties equivalent to the transcendental status of nirvā?a or whether the insight of Suchness is a mundane insight, which still falls short of nirvā?a.     

Padmaśrī’s Nāgarasarvasva and the World of Medieval Kāmaśāstra

This essay introduces a special issue on the history of kāmaśāstra in medieval India. It briefly reviews the secondary scholarship on the subject from the publication of the first translations of the genre at the end of the nineteenth century. It highlights the relatively unexplored history of later kāmaśāstra, and stresses the need for contexualized and detailed studies of the many kāmaśāstra treatises produced in the second millennium CE. The introduction, and the essays that follow, also argue for an expanded interpretive framework for the genre, moving beyond ‘sex’ and ‘sexuality,’ to a more widely defined notion of a ‘kāma world’, in which sensual pleasure is understood as being deeply enmeshed with aesthetic, ethical and cosmopolitan cultures.     

Shared Typologies of Kāmaśāstra,Alaṅkāraśāstra and Literary Criticism

This paper brings kāmaśāstra into conversation with poetics (alaṅkāraśāstra) and modes of literary criticism associated with Sanskrit literature (kāvya). It shows how historical intersections between kāvya, kāmaśāstra, and alaṅkāraśāstra have produced insightful cross-domain typologies to understand the nature and value of canonical works of Sanskrit literature. In addition to exploring kāmaśāstra typologies broadly as conceptual models and analytical categories useful in literary-critical contexts, this paper takes up a specific formulation from the kāmaśāstra (the padminī-citriṇī-śaṅkhinī-hastinī type-casting of females) used by a twentieth century literary critic to frame the relationships between canonical poets of Sanskrit literature.