The Gothic,the Death Drive and Angela Carter

Abstract

This essay situates Angela Carter's The Bloody Chamber and Other Stories (1979) in a 1970s era in which a feminist reclaiming of various things—the streets, the night, as well as fairy tales—is the order of the day. It examines the complex nature of Carter's status, in this context, as a controversial writer. Is Carter a writer who contests or colludes with the forms of reality presented in and by her fiction? This question may be seen as framing the main debate about Carter as a ‘problematic’ or ‘polarizing’ figure. The different sides of this argument are assessed in this essay. From reading ‘The Bloody Chamber’ as an exemplary reworking of the Gothic, and itself one of Carter's fictions of the death drive, the essay reaches a clear conclusion of its own regarding the vexed contest/collude dimension of Carter's storytelling.     

Here Versus There: Creating British Sexual Politics Elsewhere

This reflection draws upon two recent ‘moments’ in British sexuality politics—a series of Parliamentary debates on Global LGBT rights and Brighton Pride’s campaign to ‘Highlight Global LGBT Communities’. It contrasts these two moments in order to demonstrate how, at a time when LGBT rights have ostensibly been ‘won’ in the UK, there is an increasing tendency to shift focus to the persecution of SOGI minorities elsewhere in the world. This shift in focus sets up a binary of here versus there that is politically persuasive but ultimately limited and limiting. By reflecting on the way that this growing trend of creating sexual politics elsewhere occurs in two very different locations in British politics and activism, we seek to begin a conversation about the relational affects of placing sexual politics ‘elsewhere’.     

New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries

Abstract

Approaching the material from the perspective of cultural history, this essay explores the ways in which England, in the late nineteenth and early twentieth centuries, witnessed considerable debate about the character of Portia from Shakespeare'sThe Merchant of Venice. Feminists seized upon her appearance as a lawyer to argue for Shakespeare's advocacy on behalf of women's emancipation. Anti-feminists stressed the character's acquiescence to male control of her affections and her estate. Thus for many readers and viewers of the play concern about the status of the New Woman, civic maternalism, married women's property rights, and women in the professions, overrode their interest in the play as a text about Christians and Jews.     

Sonnet to the Suffragette Emily Wilding Davison (1872–1913)

This piece is a sonnet written for the British suffragette Emily Wilding Davison (1872–1913) who died on 8 June 1913 after being badly injured, four days earlier, when she rushed onto the Derby racecourse and attempted to grab the reins of Anmer, the King's horse. An article by June Purvis titled ‘The Battles of 1918 Go On’, in the Times Higher Education, 7 August 2008, which mentioned the struggles of women in the past for equality and also their struggles today, including the debate within the Church of England's General Synod about whether women should become bishops, inspired the author to visit Emily's grave which is very close to her home. She now visits it regularly, and has composed this sonnet to her.     

the reinvention of feminism in Pakistan

This article argues that there has been a significant turn in the discourse of feminist politics in the Islamic Republic of Pakistan. The author suggests that the rise of a new feminism – rooted in Islamic discourse, non-confrontational, privatized and personalized, whose objective is to ‘empower’ women within Islam – is not a post-9/11 development but rather a result of unresolved debates on the issue of religion within the progressive women's movement. It has been due to the accommodation of religion-based feminist arguments by the stronger secular feminist movement of the 1980s that paved the way for its own marginalization by giving feminist legitimacy to such voices. The author argues that the second wave of feminism may have become diluted in its effectiveness and support due to discriminatory religious laws, dictatorship, NGO-ization, fragmentation, co-option by the state and political parties in the same way as the global women's movement has. Yet it has been the internal inconsistency of the political strategies as well as the personal, Muslim identities of secular feminists that have allowed Islamic feminists to redefine the feminist agenda in Pakistan. This article voices the larger concern over the rise of a new generation of Islamic revivalist feminists who seek to rationalize all women's rights within the religious framework and render secular feminism irrelevant while framing the debate on women's rights exclusively around Islamic history, culture and tradition. The danger is that a debate such as this will be premised on a polarized ‘good’ vs ‘bad’ Muslim woman, such that women who abide by the liberal interpretation of theology will be pitted against those who follow a strict and literal interpretist mode and associate themselves with male religio-political discourse. This is only likely to produce a new, radicalized, religio-political feminism dominating Pakistan's political future.     

Challenges posed by the new wave of farmland investment

Despite recent headlines about the ‘land rush’, scant empirical evidence implies that the debate is often theoretical and dominated by preconceived notions. To provide evidence that could better inform the debate, this paper focuses on three areas. First, we find that new land demand, which skyrocketed after the 2007/08 commodity price spike, remained at high levels, with a strong focus on Africa, and often countries with weak land rights protection. Some countries transferred large areas to investors, frequently locals, with limited benefits and in many cases negative impact due to weak processes and limited capacity. Second, complementing the focus on demand with an assessment of agro-climatic potential point towards major scope for productivity increase on currently cultivated areas and allows identification of countries where demand for land expansion may concentrate. Finally, comparative analysis of country policies highlights the need for recognition of existing rights, an emphasis on voluntary transfers, transparency, and thorough review of economic, social, and environmental viability as necessary—though by no means sufficient—conditions to reduce the likelihood of negative impacts.     

Mimesis,metaphor and representation: holding out an olive branch to the emergent schreiner canon [1]

There are complex and interesting representational issues and interpretational practices involved in claiming to ‘know past lives’ and these have particular resonance in feminist terms. These ideas are examined in relation to a particular case study, of the feminist writer and theorist Olive Schreiner (1855-1920), although the discussion contributes to the ‘women's history and post-structuralism’ debate by eschewing taking up an abstract ‘position’ in favour of examining these ideas through a grounded historical example. A range of representations of Schreiner is discussed, including a photograph which her estranged husband contemporaneously had ‘touched up’ before sending it to some of her friends just after her death, and presentday representations of Schreiner in the emergent feminist canon of claimed knowledge about her. The ideas of mimesis and alterity are used both in relation to photographic representation and also in relation to the use of metaphor to stand for perceived facets of Schreiner's character. Representational issues are fundamental and ought not to be excised from feminist discussion; at the same time, the past and its ‘irreducible things that happened’ must also be taken seriously.     

Citizens of their World: Australian Feminism and Indigenous Rights in the International Context, 1920s and 1930s

Inter-war Australia saw the emergence of a feminist campaign for indigenous rights. Led by women activists who were members of various key Australian women's organizations affiliated with the British Commonwealth League, this campaign proposed a revitalized White Australia as a progressive force towards improving ‘world’ race relations. Drawing upon League of Nations conventions and the increasing role for the Dominions within the British Commonwealth, these women claimed to speak on behalf of Australian Aborigines in asserting their right to reparation as a usurped people and the need to overhaul government policy. Opposing inter-war policies of biological assimilation, they argued for a humane national Aboriginal policy including citizenship and rights in the person. Where white men had failed in their duty towards indigenous peoples, world women might bring about a new era of civilized relations between the races.     

Emmeline pankhurst: a biographical interpretation [1]

This article examines a dominant narrative about, Emmeline Pankhurst, leader of the Women's Social and Political Union (WSPU), the most notorious of the groupings campaigning for the parliamentary vote for women in Edwardian Britain. It is claimed that this narrative is to be found in the influential book, The Suffragette Movement (1931), written by one of Emmeline's daughters, Sylvia. In this book, Sylvia portrays her mother as a traitor to the socialist cause, a leader who deliberately encouraged wealthy Conservative women to join the WSPU and who failed to mobilise the working classes, a misguided autocrat who supported a single-issue campaign, a weak woman easily swayed by her eldest daughter, Christabel, and a failed mother who neglected her less favoured children, Harry, Adela and Sylvia.     

Sybil Oldfield at Seventy‐Two: humanistic feminism—or thinking back through our grandmothers

Beginning with her autobiography, Oldfield traces the impact of her German‐English background on her lifelong anti‐militarism and her own need for ‘life‐savers’ in life, history and literature. Her feminism, deeply influenced by Virginia Woolf, is defined as humanism applied to women as well as men. The thread linking all her biographical writing has been her drive to resurrect the most humane of our forgotten ‘grandmothers’, whether Victorian mould‐breakers or German Resistance heroines. However deeply theoretically unfashionable, Oldfield’s biographical approach to women’s history is rooted in her conviction that the living cannot do without the dead and that it is possible for us to reach them.     

Creating a Space for Absent Voices: Disabled Women's Experience of Receiving Assistance with Daily Living Activities

Feminist research on community care and ‘informal carers’ identified this as a women's issue but failed to address the interests and experiences of older and disabled women - those who received ‘care’. One consequence is that such feminist research has implicitly, and sometimes explicitly, undermined disabled women's rights to a home, children and personal relationships. Using qualitative research, the article highlights the actual experience of women whose physical impairment means that they need help with daily living activities, looking at the different circumstances in which such help is received.The disability movement's concept of ‘independent living’ raises particular issues for disabled women. ‘Independent living’ is about having choice and control over the assistance needed, rather than necessarily doing everything for yourself. However, gender inequalities may also inhibit the choice and control that women have in their lives.Assistance can be given within a personal relationship as an expression of love, but disabled women may also experience abusive, restrictive or exploitative relationships. Public services do not generally provide assistance in a way which enables a woman to have choice and control in her life, or even to carry out child-caring or homemaking tasks. The research on the various ways of receiving personal assistance found that those women who were able to purchase their own help were most likely to be living independently, in the sense of exerting choice and control in their lives.Feminist research can help to create a space for disabled women's absent voices, and add to the pressure for change in the way that personal assistance needs are met. This is a human and civil rights issue which has a key impact on the control that disabled women have over their lives.     

Theorising The Everyday

This article reflects on the gender politics integral to theories and cultural histories of the everyday in the contemporary Humanities and (to a lesser extent) Social Sciences. Since the 1990s feminist scholars have observed the gender bias integral to many canonical twentieth-century theories of the everyday. In spite of these observations, I suggest that much everyday life theory and recent studies that map a cultural and intellectual history of the everyday continue to reflect this gender bias. I suggest that one possible reason for this is women’s historical exclusion from the realm of theoretical discourse broadly conceived, and propose that in order to trace alternative critiques and histories of the everyday feminist scholars need to look to alternative modes of cultural and discursive production—for example, literature, the essay and art—through which to trace implicit and explicit analyses of the everyday by women. The second part of the article turns to the work of the twentieth-century photographer Dorothea Lange as a case in point. While Lange’s work has never been discussed in studies of the everyday, the concept underpins her practice and her work offers some suggestive points of comparison to approaches to the everyday both in Lange’s time and in contemporary theory. Focusing on her little-known essays ‘Documentary Photography’ and ‘Photographing the Familiar’ and some of her images of rural California during the Depression years, I examine her account of the role of the ‘familiar’ and everyday to the social, aesthetic and ethical potential of documentary photography as a medium at the time.     

‘You do manage it so well that I cannot do better’: the working life of Elizabeth Jeake of Rye (1667–1736)

This article contributes to the debate around early modern women’s work. It concerns not waged labour but rather the unpaid contributions made by women to both home and the business undertaken by their husband. It focuses on Elizabeth Jeake, the wife of Samuel Jeake, a merchant from the Sussex port of Rye. Through the letters exchanged between the family, it explores Elizabeth’s skilled work in support of her husband. This included giving instructions to contractors, gathering and disseminating business and investment information, negotiations with Samuel’s business partners and acquaintances, managing property and tenants, negotiating credit relationships and purchasing and selling commodities.     

Alice’s Adventures in Wonderland as an Anti-Feminist Text: Historical,Psychoanalytical and Postcolonial Perspectives

This article is an attempt to engage with the question ‘Is Lewis Carroll’s Alice’s Adventures in Wonderland a feminist book?’ Arguments from historical, psychoanalytical and postcolonial perspectives are presented and discussed. By summarizing and engaging with both sides of the debate, this article detects the source of the unresolved conflicts surrounding whether Carroll’s novel is a feminist text to be the different sides’ distinctive interpretations of Alice’s social identification. The pro-Alice-as-feminist-icon camp simply identifies her as an active and potentially subversive female role model for women, and thus subsumes Alice under the general category of women by assumption, whereas the iconoclastic camp, including the author of this article, reading Alice’s Adventures in Wonderland as an anti-feminist text, purports to differentiate the role of little girls and the role of adult women in the Victorian period. It argues that Alice’s supposedly unconventionally unfeminine characteristics do not necessarily imply Carroll’s enthusiasm for women’s liberation from marginality and domesticity, and instead they reveal his misogynistic fear of adult women and his pessimistic and nostalgic mourning for the loss of girlhood innocence and the inevitable corruption that ensues. The fictional character’s conformist ideologies are also detected in her participation in the oppressive system and mindset of British imperialism, which paradoxically further confines her in the oppressed domain of female inferiority and domesticity.     

Double Melancholy: The (Class) Politics of Loss in Jeanette Winterson’s Why Be Happy When You Could Be Normal?

In his essay ‘The “Uncanny”’, Sigmund Freud claims that ‘the double was originally an insurance against the extinction of the self’. The author suggests that literary writing, particularly memoir, can perform a kind of doubling, enacting this ‘self-preservation’ through ‘self-observation’. In her memoir Why Be Happy When You Can Be Normal?, Jeannette Winterson seeks to convey a ‘doubleness at the heart of things’. The author argues that this ‘doubleness’ functions on two levels, both of narrative and of politics—Winterson’s preoccupation with her subjectivity is informed by politics and her politics are structured around her subjectivity. In order to think through the text’s focus on what the author deems maternal melancholy and ambivalence, the author considers how political melancholy works through and against Winterson’s desires for self-creation. Attending to the themes of writing, loss, adoption and depression throughout, the author sustains a class analysis that is motivated by a queer feminist approach. The author argues that the text works to recall the poor/working-class body into the narrative of the bourgeois subject in order to legitimate the present self—the double—both as exceptional and as different from the other.     

Capricious Intentions in Stevie Smith’s Poems and Drawings

Abstract

There is a contradiction in how Stevie Smith saw the relationship between her poems and drawings. On the one hand, she looked at her doodles as vital to her poetry and backed with a great deal of intentionality. She painstakingly cut and pasted them into her drafts and left detailed notes to her publishers when those placements were not to her exact specifications. On the other hand, though, she talked about her doodles as if they were ephemeral and backed only by caprice. This essay argues that Smith’s doodles play at the intersection of intentionality and caprice; in doing so, they become deliberately detachable objects that signify both placed with and when displaced from her poetry. Decisions, whether by Smith or by her editors, to move or remove an image have both subtle and dramatic changes for readers’ experiencing of her poems. This paper relies on archival and published sources to provide readings of several of Smith’s poems including ‘Do Take Muriel Out,’ ‘The Rehearsal,’ ‘The After-Thought,’ and ‘Not Waving but Drowning.’ In their continual ability to be removed and reattached to her poetry, Smith’s doodles destabilize the texts that they supposedly compliment, while at the same time also revitalizing them by allowing them to remain open to new interpretations.     

A Radical in Retirement: Clara Collet, 1920–1948 1

The subject of this article is a neglected period in the life of the prominent feminist social investigator, Clara Collet (1860–1948). The article establishes a narrative account of Collet’s life in retirement from primary and secondary sources, which then provides a context for an evaluation of the most notable political ideas found in her later texts. Some Colletian writings from before 1920 are also discussed, partly because previous Collet scholarship has neglected her connections with the Women’s Freedom League and the feminist wing of the Labour movement during her middle‐age years. Like many progressives of her vintage, Collet’s political opinions were an amalgam of liberal and socialist ideas, and the article also makes connections between her views and wider debates within intellectual history, for example, the ‘New Liberalism’ and ‘new feminism’ debates. The article concludes that Collet’s political opinions during her old age were in many ways more radical than those she had expressed during the earlier stages of her lengthy career.