Multiple femininities in two Russian women’s magazines, 1970s–1990s

In both the late Soviet and post-Soviet periods, femininity and beauty were traits often attributed to the ideal working mother portrayed and promoted in state media. But with greater exposure to global beauty ideals in the post-communist era, the sexualized and beautified female body acquired a social value that was independent of its role in the reproductive process. In this paper, I analyse changes in the way care for the female body was represented in two Russian women’s magazines Rabotnitsa and Krest’yanka (1970s–1990s). Over this period, the ideal of the working mother figures less prominently and there is an increasing focus on the ways that women-consumers ought to work on their individual body-projects. This might appear to be a radical change. But by analysing the representations of women more carefully, I show that the move towards the privatization of the body project was already under way in the late Soviet period, but only for some categories of women. That is, non-Slavic women of various ages could be working mothers, but individual consumption was a realm reserved for their Slavic countrywomen.     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

The teacher's tale: On teaching women's studies

The teaching of Women's Studies is beset with difficulties as much as rewards: in this brief article some reflections are offered on the experience of being a teacher on a Women's Studies course. It is suggested that teaching Women's Studies often differs from teaching more conventional disciplines, but that this offers a chance for academic innovation.