Eyes left! Some comments on Christo van Staden's ‘Claiming the African Mind’

SUMMARY

This commentary piece charts the ways in which cultural studies, both in relation to Communication Studies and other disciplines, has emerged over some 20 years in South Africa. This development is considered in contrast with Christo van Staden's commentary piece ‘Claiming the African mind’ in Communicatio (vol 22 no 2, pp 71–76). After tracing social, political and intellectual origins of one strand of cultural studies in South Africa, that which has evolved at the Centre for Cultural and Media Studies (CCMS) at the University of Natal, the article recounts some of the considerations which have emerged for the practice of interdisciplinary cultural studies since 1990. The article concludes by outlining some of the efforts under way in CCMS to confront these challenges in the spirit of the Centre's previous approaches and attitudes.     

Bending conventions: agency and self-portrayals in Japanese translator commentary

Abstract: The recent surge of interest in the figure of the translator has brought translator-authored writing into the spotlight in Translation Studies. Investigations into translator commentaries (in-book paratexts such as prefaces and afterwords) have generally mined them for data about translation history and procedures. Yet translator commentary also offers a potential space where translators can stake positions as cultural agents through first-person writing. This article investigates how translators present themselves in such texts, using Japanese literary translators as an example. It takes a random sample of Japanese translator commentaries from books in various literary genres, establishes their textual conventions, and then performs close readings of five commentaries to explore how translators write themselves into their text. The translators show themselves to be concerned with how their writing is received. Some use devices such as pastiches and anecdotes to entertain and inform readers, asserting their voice as writers. Others frame their identity as members of literary communities or socially conscious individuals. In so doing, they project identities as cultural agents. Consequently, this study argues that translator commentary should be re-examined in translation studies as a potential site of subjective expression and positioning in the literary field.     

Book reviews

Fragile Peace: State Failure, Violence and Development in Crisis Regions Tobias Debiel and Axel Klein, Eds Zed Books, London, 2002, pp. 256. ISBN 184277171X Nobly, Fragile Peace: State Failure, Violence and Development in Crisis Regions seeks to address how 'deep-rooted structures of violence' can be transformed to enable development, which will 'facilitate socio-economic welfare and political participation, as well as... the realization of cultural identity'. (p. 3.) With a focus on 'concrete policy recommendations geared towards practical politics', Fragile Peace is a discussion of post-conflict reconstruction and peace building with case studies drawn from the Caucusus, Central America and the Horn of Africa. The contributors for this edited volume originally were participants in a series of five international workshops, entitled the Development and Peace Foundation's Policy Forum on Regional Conflict Management, conducted between November 1999 and 2000. Reflecting the diverse nature of the workshops' participants, the authors hail overwhelmingly from think tanks and academia in Germany and the UK, but also include contributors from South America, the United States and Georgia.     

Cultural Studies as ‘Psycho-babble’. Post-LitCrit,methodology and dynamic justice

ABSTRACT

Methodology, policy and the turn to post-LitCrit, are both strengths and weaknesses in cultural studies. As strengths, they have freed the field from the tyranny of quantitative methods and a deterministic positivism; but they are simultaneously weaknesses, in that cultural studies now exhibits an ambiguous relation to the ‘material’ – to contexts. Texts are disarticulated from contexts in the post-LitCrit ‘tradition’. The consequences of inapplicable appropriations of cultural studies are now seen in regressive applications supposedly couched within the democratising imperative that was once the raison d'etre of the field. This study examines the consequences of the loss of the ‘material’ from certain inflections of cultural studies. Reports of the South African Human Rights Commission into Racism and the Media constitutes my case study. Using the concept of dynamic justice, I propose a return to context based on evaluative criteria rooted in the human condition. Instead of ‘Texts’, or even ‘class consciousness’, I argue that the principal contextual criteria for cultural studies research could be based on the socio-political value ideas of Freedom and Life Chances.

[T]ensions and contradictions abound; sophistry has replaced rigour in many an instance and dilettantism parades as expertise and informed judgement.

John Williams (1999) on intellectuals in the ‘new’

South Africa.

I'm not racist, I only hate whites, not blacks

Ma Maloi, rejecting her daughter-in-law's allegations about her racism against their white neighbours. Going Up, sitcom, Episode 24, South African Broadcasting

Corporation.

Though cultural studies emerged from an impeccable lineage of both theoretical critique and empirical immersion, some post-1990 variants reflect an ambiguous relationship with empirical methodology, factual accuracy and the material. Media studies exhibits an often strained relationship with content analysis and numerical methods (Ruddock 1998). Cultural policy studies tend to forget the dialectic which keeps critique alive in its delicate relationship with state and funding agencies (Tomaselli and Shepperson 1996). Originally concerned with the study of power relations and democratisation, cultural studies has been on occasion over the past decade definitionally reduced merely to a form of ‘writerly expression’ (Willoughby 1991). Conversely, it has been accused of becoming a discourse of pseudo-liberation (McChesney 1996), and, during the struggle against apartheid, of being the vanguard of new fascisms (Edgecomb 1984). For some, cultural studies is the central disorganising principal in journalism education (Windschuttle 1998). The relationship between cultural studies, which emphasises the ‘popular’, and the propositions of human rights movements, is also unclear.     

Kawabata's views of language and the postwar construction of a literary genealogy

Abstract

This paper shows the ways in which, in the immediate post-war period (1945–1951), Kawabata Yasunari (1899–1972) reflected on his earlier, pre-war literary career and re-envisioned his postwar literary trajectory by constructing a new genealogy of the modern novel in Japan, in relationship to the intricate issues of the literary styles of the modern novel, ‘national language’ (kokugo), and the literary tradition. By examining his Shin bunshō tokuhon (New Guide to Literary Language, 1950), which presents Kawabata's past and present views of literary language, I will argue that Kawabata's changing views of language and literary style must be understood in the context of contemporary debates over national language policy and language reform movements. I will show the manner by which Kawabata formulated his views of language in dialogue with his two rival writers: Yokomitsu Riichi (1898–1947) in the prewar period and Tanizaki Junichirō (1886–1965) in the postwar period. As we shall see, the death of his close literary colleague Yokomitsu in 1947 and Tanizaki's unflagging literary exploration during and following the war prompted Kawabata to position himself in a genealogy of modern Japanese literary writers as well as in relationship to the linguistic and literary tradition of Japan.     

Designating structures: cultural studies,philosophy and semiotics

SUMMARY

In this article the author deals with the subject of the philosophical underpinnings of the field of cultural studies, with reference to the traditions within which and against which the field originally defined itself. The social and historical context within which cultural studies originated defined which theoretical agendas were valid for the kind of discussions that were possible in the field. While these may have been relevant for the time and place of the field's origins, the validity of the frameworks in contexts other than the original one may be doubtful. Against this, he suggests some directions in which to explore the possibility of reconstituting the idea of culture within alternative conceptual frameworks. These include the methodological semiotics and pragmatic semantics of C S Peirce, Wittgenstein's notion of the public essence of signification, and revisionist concepts in the Philosophy of Science.     

(Re)inventing African oral traditions and national heritage(s) through film images: The case of Keita! The Heritage of the Griot [1995] and Kare Kare Zvako: Mother's Day [2004]

ABSTRACT

The aim of this article is to explore how African films such as Keita! The Heritage of the Griot and Kare Kare Zvako: Mother's Day reinvent oral traditions on-screen, so that the traditions are revitalised and given new life in a contemporary world where visual and literary narratives have tended to dominate the collection and dissemination of information. The ontological and cosmological dimensions of African oral traditions provide the cultural humus that continues to feed the narrative structures of most African films. It is argued that the films' conscious refusal to be totally submerged in European modernism or their capacity to merge some traditional aspects with modern values is what constructs the multiple subjectivities that most African filmmakers strive to bring out. By using oral narrative structures embedded in songs, storytelling, myths, legends, poems, riddles, anecdotes and proverbs, the selected African films recreate traditions and heritage; they help to preserve African values that face a Western onslaught, promoted through European languages. Oral narratives carry a freight of cultural meanings infused in different modes of expression, while articulating the philosophies and beliefs of African people. It is important to recognise and [re]discover the critical role played by oral narratives in order to understand the epistemologies and ontologies that inform the construction of African films. A study of this nature is critical in that it builds on the existing indigenous knowledge systems embedded in orature (oral literature) that remain threatened by European cultural imperialism, which is promoted through the Hollywood film paradigm.     

‘Ek sê, heita!’: Kwaito and the construction of community

Abstract

Kwaito can be described as the new music of the new South Africa. Since its emergence over a decade ago, kwaito still blasts from minibus taxis, on the new urban commercial stations formed after media liberalisation, and on street corners from Cape Town to Johannesburg. Kwaito is young, vibrant and decidedly black. This is hardly surprising in a context where music, like everything else, is a highly racialised terrain. This article describes the emergence of kwaito, and explores community radio station, Bush Radio's, broadcasts of kwaito music, looking at how these broadcasts create a sense of community. First, kwaito's emergence within the context of South Africa's mainstream cultural industries is articulated. Then kwaito music is explored as a signifier of black identity. This article is located within a cultural studies framework, which approaches musical genres as cultural texts capable of generating multiple meanings (Grossberg, 1993).     

The collaboration of ‘ghostwriting’ and literature – the case of Kawabata Yasunari

Abstract: Kawabata Yasunari is Japan's first Nobel Prize recipient for literature and thus an emblem of the modern Japanese writer, but as this essay demonstrates, this writer's career, like that of so many throughout Japan's premodern and modern history, is spanned by the curious practice of ghostwriting. Taking up the specific case of Kawabata, the article exposes a wider conflict between the modern West's notion of the original artist, underwritten by its idea of individualized creativity, and modern Japan's persistent adherence to ghostwriting's more collaborative premodern concept of creativity. Subjecting fine-grained literary historical analysis to its far-reaching theoretical consequences for the modernness of modern literature, Japanese and otherwise, this essay shows how the spectre of Kawabata's ghostwriting haunts our contemporary, and therefore possibly anachronistic, understanding of ‘modern’ literary practice.     

Rearranging the figures on the tapestry: what Japanese direct translation of European texts can tell us about kanbun kundoku

Abstract

From the earliest stages of reading and writing in the Japanese archipelago, the methodology of kanbun kundoku (vernacular reading of literary Sinitic) has been an important means of engagement with Chinese texts. The kanbun kundoku process of glossing and syntactic rearrangement transforms a literary Sinitic source text into a kind of ‘translationese’ that preserves as closely as possible the diction and structure of the original while making it accessible to readers who may have little or no competence in spoken varieties of Chinese. Yet whether this process should be understood as fundamentally a form of translation is a matter of debate among scholars. In this article, I argue that looking at the early modern phenomenon of ōbun kundoku, by which Japanese scholars applied kundoku methodology to European languages (including Latin, Portuguese, Dutch and English), can offer a valuable perspective. These forms of direct translation are an important although comparatively under-studied aspect of Japanese encounters with European texts and they offer an instructive perspective on kanbun kundoku: the longstanding Japanese method of engagement with foreign-language texts that was their inspiration. The theoretical writings of Japan’s early modern scholars of Dutch unmistakably acknowledge a basic commonality between these two forms of kundoku while also clarifying the ways in which the application of kundoku to European languages was distinct from application to literary Sinitic.     

‘The one great Hyperpower in the Sky’: anti-Americanism in contemporary European literature

In this article, three recent works by French, English and German authors are analysed as examples of anti-Americanism in contemporary European literature. Luc Lang's travel book, 11 septembre mon amour (2003), John Le Carré's spy novel, Absolute friends (2003) and Frank Schätzing's apocalyptic ‘eco-thriller’ Der Schwarm (2004) were all written in response to the ongoing ‘war on terror’, and each presents a remarkably antagonistic interpretation of the United States and its role in the world today. Although the literary strategies employed in these negative representations of the US are very different in each case, the three books share a deep disgust not only with American foreign policy, invariably interpreted as a reckless, deranged bid for global hegemony, but also with American culture and society in general. This article interprets this disgust as an expression of a deep-seated, irrational Americanophobia—that is, of ‘anti-Americanism’.     

Terrorism and subversion of the state: Italian legal responses

Political assassinations constitute a specific form of violence intended to take someone else's life against that person's wish. The act of killing (the ‘event') is distinguished from the cultural interpretation given to that act (the ‘rhetorical device'). The essay examines the rhetorical device as a cultural artifact to construct and interpret the deliberate serious attempt(s) to kill a specific actor for political reasons having something to do with the political position (or role) of the victim, and with the symbolic‐moral universe out of which the assassin/s act(s). This universe generates the legitimacy and justifications required for the act, which are usually presented in quasi‐legal terms although the acts are typically not the result of a fair legal procedure.     

Jimmy Carter and the Horn of Africa: Cold War Policy in Ethiopia and Somalia by Jackson,D

Ennio Di Nolfo (ed.), Power in Europe?II. Great Britain, France, Germany and Italy and the Origins of the EEC, 1952–1957. (Berlin and New York: Walter de Gruyter, 1992), DM238.

Simon J. Nuttall, European Political Cooperation (Oxford: Clarendon Press, 1992), 343pp. £30, ISBN 0 19 827318 5.

Michael Smith and Stephen Woolcock, The United States and the European Community in a Transformed World (London: Pinter publishers for Royal Institute for International Affairs, 1993), 120 pp., £22.50 hb, £9.95 pb. ISBN 086187 0972/086187 0980.

Richard H. Ullman, Securing Europe (London: Adamantine Press, 1991), 175pp., £12.95. ISBN 0 7449 0036 0.

Cornelia Navari (ed.), The Condition of States: A Study in International Political Theory (Milton Keynes: Open University Press, 1991), 238pp.

Francine Friedman, (comp. and ed.) Yugoslavia: A Comprehensive English‐Language Bibliography (Wilmington, Delaware: Scholarly Resources, 1993), xv + 547 pp., indices, US$ 120.

Richard Dean Burns (ed.), Encyclopedia of Arms Control and Disarmament (New York: Charles Scribner's Sons, 1993), three vols., 1692 pp. inch index, US$280, ISBN 0 684 19281 0.     

Language Use in Postcolonial Zimbabwean Alternative Theatre Performance

Abstract

This paper deploys the sociolinguistic concepts of indexicality and language ideologies to examine Amakhosi Theatre Productions and Rooftop Promotions’ use of language and linguistic frames as a performance resistive strategy in the postcolonial Zimbabwean landscape. These concepts offer a framework to critically appraise the political, social, ideological and cultural meanings latent in language/s used in alternative theatre performances, which have the ability to influence and define identities and ideological structures. From this lens, colonial residual hegemony, dominance and cultural subjugation expressed through English and/or Shona are challenged and re-framed through code- switching, translanguaging and language mixing. From an interpretive approach, this paper shows that the creative linguistic methods employed by Amakhosi Theatre Productions and Rooftop Promotions to reject normative and metropolitan power enforced by English purists (Ndebele and Shona in the context of Zimbabwe) over means of communication. In essence, this paper provides deeper insights into syncretic linguistic forms, and culture vis-à-vis colonial residual domination, hegemony and cultural subjugation in postcolonial Zimbabwean alternative theatre.     

“They don't garden here”: NGO constructions of Maya gardening practices in Belize

Communities in southern Belize have among the poorest health outcomes in the region, including high rates of under-nutrition. In response, an NGO school garden programme has been initiated to improve health and nutrition. An analysis of the programme as it relates to home garden practices and diet in two Q'eqchi' Maya communities illustrates the complexity of challenges faced by NGOs. Most notable are issues of legitimacy, cultural appropriateness, self-interest, and constructed conceptions of their target communities, all of which raise the question of what is more important: autonomous and healthy communities or the preservation of the NGO programme?

« Ils ne font pas de jardinage, ici » : constructions d'une ONG des pratiques de jardinage mayas au Belize

Les communautés du sud du Belize affichent certains des pires résultats de la région en matière de santé, y compris un taux élevé de sous-nutrition. Pour remédier à cette situation, un programme de potagers scolaires mené par une ONG a été lancé pour améliorer la santé et la nutrition. Une analyse du programme du point de vue de ses liens avec les pratiques de culture de potagers familiaux et le régime de deux communautés mayas Q'eqchi’ illustre la complexité des défis auxquels sont confrontés les ONG. Les questions les plus notables sont celles de la légitimité, du caractère approprié sur le plan culturel, de l'intérêt propre, et des conceptions construites de leurs communautés cibles, autant de questions qui soulèvent celle de savoir ce qui est plus important : des communautés autonomes et en bonne santé ou la préservation du programme de l'ONG?

“Aquí no realizan jardinería”: construcciones de ong en torno a las prácticas de jardinería de los indígenas mayas de Belice

Las comunidades del sur de Belice muestran algunos de los peores resultados de salud en la región, entre los que se incluye una alta tasa de desnutrición. Con el objetivo de mejorar la salud y de combatir la desnutrición, varias ong impulsaron un programa de jardines escolares. Una evaluación del programa en torno a las prácticas de jardinería en el hogar y a la dieta de dos comunidades maya q'eqchi’, ilustra la complejidad de los retos enfrentados por las ong. Entre los más destacados se encuentran temas de legitimidad, de idoneidad cultural, de interés egoísta y de conceptos construidos por las ong respecto a sus comunidades destinatarias. Estos retos provocan la reflexión en relación a si es preferible tener comunidades autónomas y sanas o conservar programas de ong.

“Eles não cultivam hortas aqui”: promoção de práticas maias de jardinagem por uma ONG em Belize

Comunidades do sul de Belize estão entre as que possuem os mais baixos indicadores de saúde da região, incluindo altas taxas de desnutrição. Em resposta ao problema, um programa de horta escolar de uma ONG foi criado para melhorar a saúde e nutrição. Uma análise do programa no que se refere a práticas de cultivo de horta doméstica e dieta em duas comunidades maias de Q'eqchi ilustra a complexidade dos desafios enfrentados pelas ONGs. Os pontos que mais chamam atenção são as questões de legitimidade, adequação cultural, interesse próprio e concepções construídas sobre suas comunidades-alvo. Tudo isso suscita a questão sobre o que é mais importante: comunidades autônomas e saudáveis ou a preservação do programa de ONG?     

The meaning of post-apartheid Zulu media

Abstract

This article explores the relationship between certain South African media corporations, growing post-apartheid Zulu media platforms, the size and diversity of Zulu-speaking media consumers, and the historical socio-cultural construction of ‘Zuluness’. This relationship, this author observes, manifests largely through media corporations’ increasing recognition of Zulu people's pride in Zulu (i.e. the language) and ‘Zuluness’ – all of which are historical products of various forms of socialisation. Coopting this pride, profit-driven media corporations are commodifying Zulu and ‘Zuluness’. This commodification via the establishment of Zulu media outlets is paradoxical: 1) it is a transformation of a public and open Zulu cultural sense of ‘being’ into institutionally determined commodities exchangeable for revenue, for the ultimate benefit of media owners other than the masses of Zulus themselves; 2) it is a form of commoditisation that gives Zulu a linguistic profile that has historically been accorded only to English and Afrikaans. This article's argument is further briefly articulated through various intellectual frames: Graham Murdoch and Peter Golding's conceptualisation of critical political economy of communications and culture (2005); John and Jean Comaroff's anthropological analysis of commercialisation of ethnicity (2009); and, for South African specificity and precedent, through Herman Wasserman's reading of Afrikaans media corporations’ commercialisation of Afrikaans language and identity. Then the question is: What does the explored relationship mean for South Africa's multilingualism?     

Dandelions dancing in the snow

Abstract: This article is a translation of the keynote address delivered at the ‘Relire Kawabata au 21e siècle – modernisme et japonisme au-delà des mythes’ conference hosted by the Maison de la culture du Japon (Paris) and Université Paris Diderot-Paris 7 on 17–18 September 2014. It situates Kawabata Yasunari's late unfinished novel Tanpopo (Dandelions) within Japanese modernity and literary history, in particular drawing an array of connections between the work and the history of the rural northern mountain country of Japan.     

Simbole in interkulturele kommunikasie

SUMMARY

The first part of this article: “Symbols as message-bearers” discusses the nature and occurrence of symbols, symbol systems and classifications, and the way these manifest a society's specific world view. Symbolic systems are paradigms in which certain concrete cultural constructions (eg. houses, meals, clothes etc.) occur as syntagms. The analysis of symbolic mechanisms grants access to a culture's unique constitution of meaning. Verbal and non-verbal communication symbols are briefly discussed.

The second part depicts the manifestation of symbols in certain cultural arrangements in which symbolization plays a great part, like myths, religion, art and rituals.

The final part maintains the use of symbol analysis as utilization of the cultural totality for intercultural communication. By involving the symbol system as well as the unique communication patterns, successful communication transcending intercultural boundaries, becomes more likely.     

In search of proximate enemies

Abstract: The post-Cold War context has accompanied the ascent of East Asian economies and consumer markets, as exemplified by China, while Japan's experience has been marked by the struggle with an economic slump after the collapse of the so-called bubble economy. Japan has been actively promoting ‘cool Japan’ instead of the economy, but even more notable is the rise of the Korean Wave. Joined together with political contestation over historical issues, anti-China/Korea sentiments have been growing, as is the accompanying hate-speech movement against resident Koreans in new-millennium Japan. Growing East Asian rivalry along with the relative decline of Japan, the widely shared sense of socio-economic predicament and the upsurge of digital media communications have been conjoined to generate the hunt for proximate enemies – China, Korea, and resident Koreans in Japan – as the object of expressions of hate. How to develop better uses of digital media towards the cultivation of dialogic cultural citizenship is an imperative issue.     

Kawabata and cinema: the ambivalence of knowledge,medium, and influence

Abstract

Many researchers have considered the involvement of Kawabata Yasunari in cinema and the medium's possible influence on his literature. Such approaches, however, tend to assume a definition of the motion pictures as visuality or montage that then influences Kawabata instead of first considering Kawabata's own conception of cinema, his own film theory. By analyzing his writings on film, including his film criticism, short stories involving cinema, and his involvement in the film A Page of Madness, this paper outlines Kawabata's conception of cinema and argues that he developed a portrait of cinema that posed it as a challenge to identity, perception and knowledge itself. Often associated with the female body, the movies became to Kawabata both an object of fascination and a threat, something ultimately to be controlled through literature and the literary subject. What influenced his literature was then perhaps this perception of cinema as posing an epistemic crisis. It is his ambivalence towards this challenge that can serve as a key for elaborating on Kawabata's complicated location within prewar modernism.