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1.
Those who support torture in ticking-time-bomb cases are often criticized as failing to consider empirical objections to torture; however, torture's critics often wield this charge uncritically, doing little more than throwing out platitudes without considering the role of those platitudes in the dialectic. I agree with the critics that more empirical engagement is owed than is typically on offer, but deny that such engagement vindicates their position. This article therefore considers various stock objections to the actual use of torture, while ultimately arguing that those objections fail to undermine the use of torture in exceptional cases. In particular, we will consider the efficacy and reliability of torture, the institutional requirements for torture, the nefarious spread of torture, and whether there are better alternatives to torture. In each of these discussions, let us frame them against the associated contentions made by critics regarding the inapplicability of ticking-time-bomb cases to the real world. The last two sections of the article consider where the burden of proof falls in this debate and, in particular, whether the proponent of torture needs real-world ticking-time-bomb cases to defend exceptional torture, as well as what such cases might be.  相似文献   

2.
Abstract

This article is divided into two distinct parts. The first part contextualises John Trengove’s internationally renowned, award-winning, feature-length isiXhosa film, Inxeba. The second part of the article is an interview with Batana Vundla, conducted by Mark Kirby-Hirst (Film Theory and Visual Discourse Subject Manager at The Open Window), held in mid-2018, shortly after the High Court’s decision was made public regarding the final classification of Inxeba. The interview ranges from Batana Vundla’s history in the South African film and television industries, to the production processes behind the scenes of the film and concludes with a focus on the nuanced manner through which the film often broaches a wide variety of physical and psychic traumata.  相似文献   

3.
In current armed conflicts around the world, over 90 per cent of casualties are civilians. This article reviews medical and anthropological evidence of the psychosocial effects of extreme experiences such as torture, mutilation, rape, and the violent displacement of communities. The consequences for women and children are considered in particular. The author argues that the social development programmes of non-governmental development organisations should be extended to support social networks and institutions in areas of conflict, and ends by giving guidelines for mental health promoters working in traumatised communities.  相似文献   

4.
This article responds to the debate provoked by the author's ‘Does capitalism need the state system?’ (Cambridge Review of International Affairs, 20:4 2007, 533–549) and his exchanges with Justin Rosenberg (Cambridge Review of International Affairs, 21:1 2008, 77–112). It is divided into three parts. The first restates the issues, situating them in the context of a growing Marxist preoccupation with the international in recent years, and contrasts the ‘high road’—Rosenberg's attempt to use Trotsky's concept of uneven and combined development to provide a transhistorical perspective on intersocietal relations—with Callinicos's own preferred ‘low road’ of more focused analysis centred on the prevailing mode(s) of production. The second addresses the fundamental criticisms addressed to him by Hannes Lacher, Benno Teschke and John M Hobson, all of whom deny that there is a necessary relation between capitalism and the interstate system. The third considers the more specific comments offered by Neil Davidson, Gonso Pozo-Martin, and Jamie Allinson and Alex Anievas, before concluding with an appeal for a move off the terrain of abstract theory to more empirical studies that can test the relative value of rival conceptual constructions.  相似文献   

5.
6.
SUMMARY

In this article the authors use 1922, (a ‘true story’) to probe the social function of television in South Africa. In particular they examine the transformations effected on historical “fact” by the genre of docudrama and the kinds of preferred readings this offers television viewers. The popularity of this form, they suggest, is that in this world of uncertainty, the docudrama gives viewers both pleasurable access to, and a moral orientation towards, the ‘real’.  相似文献   

7.
Anya Benson 《Japan Forum》2015,27(2):235-256
The long-running Japanese children's media franchise Doraemon is commonly interpreted both inside and outside academic discourse as a representation of a positive vision of the future, an analysis based partially on its portrayal of a lovable robot. This view is supported by the series' use of ‘science’ to represent unlimited accessibility, and the branding of the series as a companion to children's scientific education. Doraemon's celebration of the future's boundless potential is complicated, however, by the impulse in recent works to reject the same notion of ‘progress’ on which the series relies. The works remain frozen in a romanticised vision of 1960s’ Japan, and have come to connote childhood nostalgia while presenting characters that do not grow or change over time. In the 2008 film Nobita to Midori no Kyojinden, the perpetual act of returning that defines much of Doraemon today is taken to a dramatic extreme, as a pre-modern ideal becomes the blueprint for both morality and might. Doraemon constructs temporal mixtures that simultaneously glorify both the past and the future.  相似文献   

8.
ABSTRACT

This article analyses Russia’s endeavours in legitimising the annexation of Crimea in the eyes of the Western community. The paper argues that Russia’s strategy of “silencing” the international contestation has been focused on the use of the West’s “language” for the justification of contested actions. Starting from the assertion that the formulation of Russia’s foreign policy is determined by Western normative frameworks and by the West’s international behaviour, the article scrutinised Moscow’s official narrative after March 2014 by comparing it with the West’s arguments used in particular in the cases of NATO’s intervention in Yugoslavia and the recognition of Kosovo’s independence.  相似文献   

9.
A central concern of much contemporary Marxist scholarship in international relations (IR) is to internally relate global capitalism and the state system without reducing one of these systems to an epiphenomenon of the other. A recent attempt at this is Justin Rosenberg's reformulation of Leon Trotsky's idea of uneven and combined development (U&CD). This article examines the internal relations of ‘unevenness’ and ‘combination’ as presented by Trotsky and reworked by Rosenberg. From this anatomization of the concept, we focus on the problematic status of U&CD as a transhistorical general abstraction arising from the exchange between Callinicos and Rosenberg (Cambridge Review of International Affairs, 22:1 2008, 77–112) and suggest our own possible solution. We argue that while the uneven and combined nature of historical development represents a truly transhistorical phenomenon, its distinct causal determinations, articulated and expressed through inter-societal competition, are only fully activated under the specific socio-historical conditions of generalized commodity production. These theoretical points are illuminated through three specific historical examples (the Meiji Restoration, the ‘Eastern Question’ and the origins of the two World Wars). Finally, we illustrate some of the dangers of analytical overextension found in Rosenberg's own ambiguous use of U&CD.  相似文献   

10.
Abstract

This article uses corpus linguistics (CL) to computationally quantify and qualitatively explain how meaning is represented vis-à-vis core values in the text of the 2009 annual reports of the South African banking sector. Core values prescribe the behaviour, attitude and character of an organisation and may be indicative of an organisation's ideologies. This article draws on the work of Fox (2006a and b), who advances the new development of merging linguistics and corporate communication, and in so doing adopting a transdisciplinary perspective on language. Written text is an ideal method with which to capture an organisation's ideologies through corporate public discourse (CPD) such as annual reports, because the organisation can control the content and distribution. However, as corporate messages are generally written by the ‘entity’ and not by the individual, writers essentially accept the banks’ practicing power through consent. The results illustrate how the repeated use of content words may skilfully position the reader of the text positively towards the South African banking sector's core values represented in the text. Researching language in organisations not only facilitates strategic competence in comprehending communication processes, but can also be beneficial in terms of more credible CPD.  相似文献   

11.
SUMMARY

Against the background of a theory about press-party parallelism the author of this article argues that the Johannesburg based newspaper, THE STAR, supported the use of political violence when this newspaper supported the government of the day. As an example he illustrates how THE STAR vigorously defended the strong steps taken by the Smuts Government against revolutionaries in 1922. This was at a time when THE STAR was associated with colonial control and mining interests. During the mine worker strikes in 1913, 1914 and 1922 THE STAR supported the government's use of military measures to suppress revolt, and identified ‘communists’ and ‘agitators’ as the primary force behind the strikes. Today the same newspaper opposes the government's arguments for strong measures against revolutionaries. According to the author the implications of his historical evidence are disquieting: they suggest that on occasion newspapers are so tightly linked to a political party and other interests that truth, balance and fairness are of secondary interest.  相似文献   

12.
This article examines Kitano Takeshi's film Kikujiro (Kikujirō no Natsu, 1999) from two directions: first, as an as an experiment in moving versus still photography, and second, as an exploration of time, memory and Japanese identity. I argue that it is in Kitano's cinematic use of elements from the kabuki drama that the two aspects come together. Kitano plays upon the conventions of both kabuki and film media to highlight the significance of the ‘still shot’ as it functions in human memory. By presenting moments of the story in the format of a child's photograph album, Kitano is able to explore ideas of ‘adult’ and ‘child’ as equally arbitrary constructions. Throughout Kikujiro, Kitano draws on a rich tradition of film, drama and television convention in order to explore the idea of where identity comes from – does it come from the past, the present, or do we make it up ourselves? Kitano places emphasis on the still mie pose to heighten emotion and draw attention to the present moment. By contrasting this method against that of photography, Kitano juxtaposes past and present modes of expression, enabling him to interrogate notions of time and the supposed timelessness of art. Finally, Kitano's critical use of the past locates identity not in some distant, unobtainable myth of the nation, but in the lived experience of each individual as a human being.  相似文献   

13.
Abstract

If colonial Africa was governed through ‘indirect rule’ or ‘decentralised despotism’ (Mamdani 1996:8), its legacy remains surprisingly intact post independence. If the notion of the tribe lay at the heart of indirect rule and was effected by institutional segregation, such identities were discursively produced and sustained by being constantly flagged through a range of institutional structures in order to produce ‘willing subjects’ (Foucault 1977). The media has increasingly played a central role in flagging such identities as well as those that contest them, notably a civil identity.

This article examines how ethnic identity continues to be discursively deployed in opposition to democratic governance by focusing on one incident, namely the choice of the Swazi monarch‘s twelfth bride at the annual Reed Dance and its contestation by the bride's mother. The Times of Swaziland covered this dispute and provides an interesting case study. The analysis identifies how the contestations between customary and human rights discourses in this one African location are variously deployed and negotiated by the social actors in this instance, and it teases out the contradictions and tensions between them.  相似文献   

14.
Abstract

An attempt is made to analyze physical differences between the Achille Lauro incident and seizure of hostages on board aircraft, for their impact on terrorist use of the news media. Among the important differences considered are the following: the number of hostages, the range and endurance of the transportation vehicle, the possibilities of disappearing into the unknown, the degree of “de facto torture” in the physical situation of the hostages, the ease of media (especially television) access, the general accessibility of the vehicle for rescue efforts, and the sheer novelty of this mode of terrorist attack. Some analogies are drawn with terrorist seizures of railroad trains and buses, including comparisons of media behavior.  相似文献   

15.
Abstract

This article investigates the complex relations between heritage and memory through an analysis of the UNESCO World Heritage ‘Sites of Japan’s Meiji Industrial Revolution’ and its component Miike coal mine. When discussing this World Heritage Site, scholars and the media have focused on the diplomatic controversy over the history of forced labour between Japan and South Korea, interpreting it as a new example of a dispute over history in East Asia. However, this understanding oversimplifies the relations between heritage and memory. Based on fieldwork research and documentary analysis, this article investigates the diversity and complexity of the collective memory of Miike coal mine from a local perspective. The results show that there is a sharp dissonance between the World Heritage story and some of the ex-miners’ memories, which focus on the negative past, fu no isan. Documentary analysis shows that fu no isan has two different but closely related meanings: negative legacy and negative heritage. Fieldwork research reveals that the various commemorations of fu no isan in the local community, mainly based on ex-miners’ social networks, constitute a form of vernacular memory, independent from the official memory of the World Heritage. Finally, I conclude that heritage can be public memory, rather than just official memory, as long as it is open to plural memories of the past.  相似文献   

16.
Khatija Khan 《Communicatio》2016,42(2):210-220
The film Gangster’s Paradise: Jerusalema, released on August 29, 2008, decries the proliferation of crime, violence and social decay in the South African post-colony. The aim of this article is to interrogate the banality in the use of violence and power in the South African post-colony. The filmic narratives of Gangster’s Paradise: Jerusalema reveal that behind the ‘rainbow’ façade presented by South Africa, one encounters festering poverty in ‘non-white’ communities, racial acrimony, broken promises, social and class struggles, and tales of betrayal of the majority of black people by the elite black leadership which now sit comfortably in the seats vacated by their former colonisers. An analysis of the narratives of the film Gangster’s Paradise: Jerusalema permits one to locate apartheid-based economic disparities as still haunting mainly ‘non- white’ local communities, although some whites have not been spared by the vicious new normal of poverty and the effects of corruption. This interpretation is further questioned in the film which shows that, after apartheid, the nationalist leadership encouraged a negative culture of entitlement. The irony in the film is that the masses are also tainted in so far as they commit crimes against other ordinary people and refuse to take responsibility or, rather in an escapist way, blame all the woes of the post-colony on apartheid. Thus, the narratives of Gangster’s Paradise: Jerusalema beg the question: What is going wrong with the dream of democracy for all, irrespective of race, that was the founding principle of the new nation?  相似文献   

17.
ABSTRACT

One of the greatest changes organisations in South Africa experienced through the country's democratisation is the introduction of ‘legitimate’ activism in organisational settings. Organisational communication literature – specifically as manifest in the excellence theory – compounded this through views on the potentially positive impact activism could have on organisations by ‘pushing’ them beyond equilibrium to a state of dynamic equilibrium – mediated through strategic and effectual communication. This view, however, is somewhat fouled by occurrences such as those at Marikana, and concomitant strikes in the country's platinum industry, which have held the economy ‘captive’ in various ways. Organisations – especially the mining industry – need to ask ‘How much activism is too much activism?’ and organisational communication practitioners need to introspectively consider whether this theoretical contribution should not perhaps have come with greater guidance in terms of the chary (if not restrained) implementation of this potentially positive, yet almost insidiously dangerous, communicative feature. this article aims to explore activism in the mining industry of South Africa, specifically from the vantage points of industry heads, as it concerns the changed communicative landscape in this industry post-marikana. to this end, the article will report on seven qualitative, semi- structured interviews – along with existing literature on the topic – as it offers up six considerations in applying the aspect of excellence and ‘positive activism’ within organisations in South Africa's mining industry.  相似文献   

18.
This article tracks the European Union’s efforts at the Association of Southeast Asian Nations (ASEAN) Regional Forum (ARF), from 2004 to 2008, to encourage Myanmar directly or indirectly to engage in security cooperation. It, then, explores Myanmar and ASEAN's reactions to the devastation caused by Cyclone Nargis to Myanmar’s Irrawaddy delta in 2008. It focuses on ARF as a forum whereby interactions take place. It examines whether the complementary of the analytical variables provided by the logic of consequences and appropriateness [March, J.G. and Olsen, J.P., 1998. The institutional dynamics of international political orders. Oslo, Arena Working Paper No. 5; 2004. The logic of appropriateness. Oslo, Arena Working Paper No. 9], social mechanisms [Checkel, J., 1999. Social construction and integration. Journal of European public policy, 6 (4), 545–560.] and observations derived from interviews (Southeast Asia and Brussels) can explain ASEAN and Myanmar’s reactions and, also, the EU’s behaviour in relation to the Myanmar-Nargis event. The EU’s role is explored through the co-chair’s summary reports of the meetings that the EU co-chaired with ASEAN. The article uncovers the EU’s efforts to encourage ASEAN to take up responsibilities and Myanmar to accept multilateral security options. It argues that, as the EU tried to inspire Myanmar to connect with cooperation, “Myanmar hit by Cyclone Nargis” motivated the EU Council to include the "responsibility to protect" as a new goal of the European foreign and security policy of December 2008.  相似文献   

19.
ABSTRACT

Since its inception in 1982, postfeminism continues to be a highly contested concept in cultural, media and gender studies, due to its diverse interpretations by academics. While a specific definition is debatable, for purposes of this article, the meaning of postfeminism is articulated as a pluralistic and contradictory discourse that has a particular fascination with, and the erotic representation of, female bodies. It includes hyperfemininity, heterosexual love, and hypersexuality, as well as an emphasis on the maternal drive and domesticity. This articulation of postfeminism frames the discourse used to analyse the female heroines in Robert Rodriguez’s Planet Terror. Furthermore, this article questions the (ir)relevancy of postfeminism to the socio-political realities in post-apartheid, postcolonial South Africa.  相似文献   

20.
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