“Zones of indistinction” and visions of post-reconciliation South Africa in District 9

In this article, I explore the ways in which District 9 reflects South Africa’s current socio-political transition through the problematical representation of the film’s eponymous slum and its impoverished inhabitants as well as its protagonist, Wikus van der Merwe. Drawing on Giorgio Agamben’s influential ideas of biopolitics, I demonstrate the ways in which the film provides a compelling critique of the effects of neoliberal capitalism on post-apartheid transition and South Africa’s complex geopolitical landscape. In this regard, I analyze how the slum figures as a “zone of indistinction” where political and economic forces combine to produce the paradoxical conditions in which impoverished South Africans are included in a democratic social contract, but are simultaneously excluded from the socioeconomic benefits that it promises.     

Bernard Magubane’s critique of anthropology in southern Africa: an introductory essay

ABSTRACT

This essay is an attempt to piece together the fundamentals of Bernard Magubane’s critique of anthropology in southern Africa. The point is not to berate the discipline of anthropology, but to discuss Magubane’s work in relation to it. The essay comprises three main parts. First, it examines Magubane’s critique of southern African anthropology in a colonial situation – particularly in the 1960s, 1970s and 1980s. Second, it assesses the usefulness of anthropological notions of pluralism and ‘tribalism’ in explaining conflicts in Africa. The remainder of the essay contends with anthropological themes such as social change and ‘modernisation’ in southern Africa. Generally, anthropology had problems at two levels: political and epistemological. Politically, anthropology was a handmaiden of colonialism and imperialism; and its main flaw was to study southern African societies outside of history and context. Epistemologically, anthropology is a discipline founded on alterity, that is, on studying the cultural Other.     

Ecologies of relation: post-slavery,post-apartheid,and rethinking race across the Atlantic in Zakes Mda’s Cion

This article will argue that Zakes Mda’s 2007 novel Cion stages a dialog, one where two “Souths” – South Africa and the American South – speak to one another and give a critical voice to an under-acknowledged history of transatlantic discursive exchange on race and racial governance. Mda’s fictional South African critique, of an America still struggling with the cultural and political legacies of slavery, gestures towards a history of exchange between the two countries that in many ways is representative of a more global dialog on racial segregation during the first half of the twentieth century – of which both southern (US) segregation and apartheid are seminal examples. Moreover, this article explores various conceptualizations of race as well as the governance of racial relations as they have been articulated through ecological imaginaries, and especially between South Africa and the Southern United States over the course of the twentieth century. In this article, I argue that not only can apartheid (as well as pre-apartheid segregation) be rethought of as part of a global conversation on race and thus less as a South African anomaly, but also that the United States through its examples of various racialist technologies was highly influential across the colonial and apartheid worlds.     

Post-mao new poetry and “Occidentalism”

In their attempts to come to grips with the accelerated process of reform and globalization, Chinese intellectuals, poets, and critics have employed a discursive pracetied which could be called Occidentalism, the reverse of Said's well-known Orientalism. The purpose of this essay is to examine the manifestation of this change through the discursive practices employed by post-Mao new poets of the mid-1980s in relation to their projection of Western modern and postmodern thinking. In particular, I wish to focus on the Chinese poetic transformation of certain aspects of existentialism, Structuralist linguistics and the post-structural critique of language as implemented by these poets.     

Coetzee’s stones: Dusklands and the nonhuman witness

Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a counter-narrative parody of first-personal reports of violence in Dusklands. Such collections of nonhuman witnesses further disclose the longer temporality of ecological violence that extends beyond the text’s represented and imagined casualties. Linking the paired novellas of Dusklands, which concern 1970s America and 1760s South Africa, the essay finds in Coetzee’s strange early work a durable ethical contribution to South African literature precisely for its attention to nonhuman claimants and environments.     

The Beast in the Machine: Modernity,Aviation and the Legacies of Colonialism in Roger McDonald’s Slipstream

The expectation that a novel about a celebrity aviator will romanticise flight and glorify the pilot is a product of the mythologisation of aviation, which this essay understands is a response to the threat of technology and the alienating conditions of modernity. Roger McDonald’s novel Slipstream refuses to reproduce this mythology, expressing a literary aspiration to use the form of the modern novel to explore the entanglement of the subject under the conditions of postcolonial modernity. My argument will develop through three parts. The first section will explore the mythologisation of aviation as a symptom of modernity. The second will examine the ways in which the novel uses its modernist form to call into question the celebrity of the aviator and the spectacle of flight. This part of my argument is indebted to the critique by German philosopher Martin Heidegger of the technological mode of Being. Finally, I take up the postcolonial implications of the Heideggerian critique in a country in which many of modernism’s standard antidotes to the problems of its century are compromised by the legacies of colonialism.     

The Mixed Temporalities of Transnationalism in Dreams of Speaking

This article explores the mixed temporalities inherent in Gail Jones’s treatment of transnational grief in Dreams of Speaking (2006). I examine the novel’s interests in modernity and temporality and show how the atomic bombing of Nagasaki, in the novel, creates grief that is shared across national boundaries. The novel explores the coexistence of the modern and the unmodern, and Jones exemplifies this in the spectral nature of grief; it haunts the two protagonists throughout Dreams of Speaking. This article reads the coexistence of modernity and the unmodern alongside the ways in which Japan unsettles Eurocentric notions of colonial modernity (with its insistence on shared temporalities of progress) by having been a colonial power as well as by undertaking substantial modernisation in the postwar period. I employ Harry Harootunian’s notion of “mixed temporalities” to show the transnational dimensions in the cross-cultural interaction this novel facilitates. I compare the novel’s treatment of the bomb, and of temporality, to Salvador Dalí’s The Disintegration of the Persistence of Memory (1954) and highlight the transnational sentiments in Jones’s treatments of the tropes of water and resonance.     

The Revolution and its Discontents: Grenadian Newspapers and Attempts to Shape Public Opinion during Political Transition

Abstract

What role did the newspaper play in attempting to influence public opinion in the early stages of the Grenada Revolution and what are the terms in which printed discourses on the revolution were conceptualised? The Grenada Revolution was a discursive political process where branding and narration were necessary elements in securing the revolution’s authority and legitimacy. This paper argues that Cuba functioned as a metonym through which the revolution was translated in Grenadian periodicals. Even before the coup of 13 March 1979 Grenadian media represented the New Jewel Movement—the revolutionary party—as Cuban-inspired and socialist. In order to examine how socialism in general, and the socialist character of the People’s Revolutionary Government (PRG) in particular, was narrated, a comparison is staged between two newspapers—the government-run Free West Indian and the privately owned The Torchlight. Competing discourses on Cuban communism are analysed for the ways in which they stood-in for the Grenadian people’s hopes, aspirations and anxieties in the midst of radical political change. Issues including race, gender equality, property ownership, freedom of religious practice and freedom of travel are examined in relation to capitalism and socialism, and the PRG’s efforts to maintain narrative authority of the revolution.     

De-Europeanisation through Discourse: A Critical Discourse Analysis of AKP’s Election Speeches

Abstract

This article takes issue with the question of whether Turkey has been turning away from Europe in recent years, by adopting a critical constructivist lens to understand how, rather than why, Turkey’s presumed distance from the European Union (EU) is taking place. In doing that, it seeks to analyse the ways in which the political–societal transformation of the country as distanced from the EU is enabled by certain discursive practices which in turn contribute to the growing rift between Turkey and the EU. This is mainly conducted through a critical discourse analysis (CDA) of texts produced by former Prime Minister and now President Recep Tayyip Erdo?an on Europe and the EU during key election periods starting with the 12 June 2011 general election.     

The Language of the Nation: The Rise of Arabic among Jews and Christians (1900–1950)

Abstract

This essay explores the ways in which in the period following the First World War, non-Muslim communities participated in the establishment of Modern Standard Arabic as the foremost symbol of the new states that replaced the Arab provinces of the Ottoman Empire. A comparison of the sociolinguistic trajectories of Syriac Christians in North Iraq, Jews in Baghdad and Catholic Christians in Palestine suggests that Arabic’s function of undergirding the ‘Arab states’ thrived on earlier interpretations of Arabic as the language of interregional and interdenominational contacts and as the language of cultural, societal and political modernization rather than on exclusivist nationalist, ethnic or linguistic identifications. Put differently, the increased use of Arabic by those who also had other languages at their disposal resulted from the combination of pragmatism with commitment to societal modernization and inclusive nationalism. The linguistic trajectories of these three groups are analysed against the background of a rereading of George Antonius’ The Arab Awakening (1938) as a contemporary source for the rise of Arab nationalism among non-Muslim minorities.     

Deaf to women: Rhodes’s refusal to hear women or his own feminine voice within – a reading of Schreiner’s Trooper Peter Halket of Mashonaland

E.D. Morel’s chapter, ‘The story of Southern Rhodesia’, in his signal text The black man’s burden (1920), provides intertextual reference to Olive Schreiner’s work Trooper Peter Halket of Mashonaland (1897) in discussing libertarian thought and distinguishing aspects of male/female authorship. Schreiner’s feminist perspective affords her a wider purview of colonialist prerogatives than those exhibited by several contemporary male observers or commentators. The figure of Jesus, as pictured in her neglected political/moral parable, far from being ironic, sentimental or evangelical in purpose, embodies her ideal balance of female and male qualities. Schreiner relies on this redemptive icon both in an ethical and gendered sense to project new understanding and enlightenment onto the strife of the day, which allows her, in turn, to expose and critique Rhodes’s male deafness both to women and his own feminine nature. By contrast, Halket’s conversion, his feminisation, holds up the alternative of hope versus Rhodes’s predatory male soul and final moral damnation.     

Maori Self‐Determination: Towards Differentiated Liberal Citizenship

During the 1980s and 1990s biculturalism was the ascendant political philosophy for managing the relationship between the New Zealand Crown and the indigenous Maori population. Biculturalism understood Maori politics as a partnership between Maori and the state, grounded in the Treaty of Waitangi, the agreement signed in 1840 from which British government was established. Biculturalism was presented as morally superior to multiculturalism which was understood as setting aside Maori Treaty rights and rights of prior occupancy in favour of less substantive rights available to Maori as one of many ethnic minorities. However, a deeper reading of multicultural political theory provides an instructive critique of biculturalism's inherent limits from the perspective of the Maori right to self‐determination. It shows why biculturalism's influence waned. It also shows why Matike Mai o Aotearoa, a blueprint for constitutional transformation commissioned by tribal leaders is unlikely to succeed as a contemporary attempt to reassert biculturalism's influence. Multicultural theory is not a panacea for the right to self‐determination, but it does not restrict the development of a broader Maori‐centred differentiated liberal citizenship in the ways that biculturalism precludes.     

The truth in Almodóvar’s melodramatic moment: the curious interplay between melodrama and reality in High Heels

This article attempts to show how Almodóvar’s melodrama treats both reality and melodrama as if they belonged to the same ontology and destroys the boundaries between them. The essay is an effort to locate both the emotionality and the irony of Almodóvar’s melodrama, and particularly of his High Heels, in the intricate relationship between the notion of reality and the genre of melodrama, and to demonstrate how the ironic and the melodramatic modes supplement and reinforce each other despite their apparent opposition. It uses Peter Brooks’ and Henry James’ observations on nineteenth-century melodrama as a launching pad for a discussion of the ways in which Almodóvar revises the genre of melodrama at the junction between the twentieth and twenty-first centuries. The second half of the essay is dedicated to an analysis of High Heels, which illustrates the ambivalent relationships between reality and performance and between ironic and melodramatic spectatorship.     

Asbestos populism in David Foster Wallace’s Infinite Jest

ABSTRACT

This essay considers the changing relationship between asbestos and populism, as both terms travel across different semantic contexts. It argues that this dynamic relationship can help to outline a populist ecology, through which resource actors such as asbestos play a more significant role than either populist leaders or their people anticipate. Drawing on David Foster Wallace’s Infinite Jest as a site for examining the implications of this asbestos-inflected populist ecology, the essay suggests new ways of linking the recent populism of Donald Trump to an older, more articulate populism, exemplified by Pierre Trudeau.     

The 2011 Egyptian revolution chants: a romantic-Muʿtazilī moral order

While most literature on the 2011 Egyptian Revolution chants highlights the revolutionary role of poetry, little attention has been paid to the role that theology plays within this domain. This article argues that reading Abu al-Qassim al-Shabbi’s poem, ‘Life’s Will’ (1933), which inspired the chant for the fall of the regime, through the lens of Charles Taylor’s A Secular Age (2007) sheds light on the political relevance of the theological theme within this poem. The essay re-reads al-Shabbi’s investment in the Islamic mu?tāzilī doctrine of free will in terms of the creative role that Taylor gives to romantic poetry in creating a community’s ‘moral order’. Such an analysis brings to light the contribution that a comparative theological-literary framework can have to the political deliberation on the Arab Spring revolutions, especially the 2011 Egyptian Revolution.     

Indonesia and the “conflictual consensus”: a discursive perspective on Indonesian democracy

In this essay we propose an alternative approach to assessing the state of democracy in Indonesia. We focus not on institutional indicators (as is usually the case) but on manifestations of political discourses in the public sphere. In applying post-Marxist political theory through the work of Slavoj ?i?ek and Chantal Mouffe, we argue that democracy’s main defining feature is that it allows antagonistic discourses about alternative policies to coexist, yet still manages to coalesce around a minimal consensus on how these discursive conflicts are to be dealt with in a fair way. Applying this approach to democracy analysis to Indonesia, we suggest that the major obstacles to democratic practice do not emerge from institutional problems, but from an overbearing political discourse that imposes broad consensus and harmony on most political issues. Political discourse in Indonesia is generally structured around “Islam” and “the people.” These themes provide a basis for a political consensus that conceals economic and social contradictions and reveals considerable depoliticization in Indonesian democratic practice.     

Imagining modernity: the language and genealogy of modernity in nineteenth-century Arabic

This article employs the methodology of conceptual history to contest two of the most common theoretical approaches dominating our understanding of modernity in the field of Middle Eastern studies. The first approach relies on the assumption of incompatibility between modernity and Islam and captures Arab modernity using concepts such as ‘adoption’. The second understands Arab modernity through concepts such as ‘imitation’, contending that it is a legacy of Western imperialism. This article challenges both theories by examining the genealogy of tamaddun (civilization, being civilized), a pivotal concept used in nineteenth-century Arabic to imagine modernity. The genealogy of tamaddun elucidates that medieval paradigms derived from the concept of madina (polity) were rediscovered, reimagined, and reused in the context of the rise of the nation-state and the challenge of Western imperialism. The article suggests understanding Arab modernity and its critique from within, rather than outside of, the temporality of the historical condition.     

Spirituality and anti-Western rhetoric in Uzbekistan in the early 2000s: the consequences of international misrecognition

References to the spirituality-morality (ma’naviyat) of the Uzbek people increased substantially throughout the course of Islam Karimov’s years in office as the President of Uzbekistan. Uzbek values were presented as qualities springing from the country’s supposedly unique civilizational heritage, cast as something distinct from “Western” civilizational norms and practice. This source of distinctiveness, however, soon gave way to a type of exclusionary discourse in the early 2000s, centered on clearly differentiating Uzbekistan from the “West.” This essay provides a lens through which to understand the phenomenon, arguing that international recognition of status partly accounts for the rise in the particularly anti-Western variant of Karimov’s rhetoric. Authorities in Uzbekistan, not unlike in Russia, built their foreign policy on the need to secure the country’s (allegedly) important status in the international arena; anti-Western rhetoric arose as a response to misrecognition, as it evaded appeals to equality of status and legitimized growing isolationism. The essay reviews the origins of that rhetoric, the meaning of recognition, and the backdrop against which anti-Western moralizing rhetoric arose in Uzbekistan’s international engagement. It also concludes with a brief assessment of how that rhetoric might affect (or not) the foreign policy of Uzbekistan’s new president, Shavkat Mirziyoyev.     

Unifying voices,creating publics: the uses of media form in contemporary Jordanian radio

ABSTRACT

Questions of media form have not received sufficient attention in recent studies of Arabic-language media. In Jordanian radio today, however, media form is a highly relevant discursive resource for broadcasters, who strategically invoke the ways in which different types of media communication are conceived and framed, in a metapragmatic manner that goes beyond the impact of merely technical distinctions between media forms. This article examines two examples of this process: the ‘unification’ of radio station voices in a memorial programme for a martyred fighter pilot broadcast in February 2015, where radio’s limitation to sound was used ideologically to assert national unity; and references to digital media on morning talk show programmes, which allow hosts to define audiences and forms of participation in radio conversations. These metapragmatic framings of media form, further, produce specific publics for Jordanian radio: groupings that include, and legitimize, certain segments of listenership—such as ‘true’ Jordanians or ‘the Jordanian people’—while implicitly excluding others. Grounded firmly in discursive data, this article thus provides much-needed nuance to our understanding of mass media in the Arabic-speaking Middle East today—and, ultimately, the genuine significance of media form in its social and cultural context.