Colonial education and the shaping of Islamism in Sudan, 1946–1956

Abstract

This article assesses the role of British colonial education in Condominium Sudan in shaping the mindsets of Sudan’s first generation of Islamists between 1946 and 1956. Drawing on post-colonial theorists such as Nandy and Bhabha, it contends that the experiences of the pioneers of Sudan’s Islamic movement at institutions such as Gordon Memorial College and Hantoub Secondary School moulded their understandings of both ‘modernity’ and ‘tradition’. As a result of their colonial education, Islamists deployed discourses concerning both ‘progress’ and ‘cultural authenticity’ that bore remarkable parallels with colonial essentialism, even as they announced a decisive break with the colonial past. Much like the conventional nationalists, they used the space created by the colonial educational institutions to establish an ideological community that transcended the narrow ethnic and regional divides previously fostered by the British. At the same time, Islamists and colonialists alike shared a contempt for Marxists and ‘deculturated’ effendis, and Muslim Brothers’ aspirations to escape the ‘English jahiliyya’, however counter-intuitive this may seem, bore similarities with the worldviews of colonial officials concerned with preventing what they saw to be the excessive impact of urbanization and modern education on Sudan.     

Ian Turner’s The Australian Dream and Australia’s “settler transition”

Focusing on radical labour historian Ian Turner’s The Australian Dream (1968), this article reflects on the evolution of Australia’s settler colonial imagination. During a few crucial decades in the nineteenth century, colonial traditions were overcome by settler colonial ones. The former espoused a system where British rulers would paternally manage a colonial environment and all its populations (pastoralists, free settlers, convicts, emancipated convicts, and Indigenous peoples); the latter advocated the establishment of self-reliant agricultural communities of free settlers. In Replenishing the Earth (2009), James Belich distinguished between settler “transition” and settler “revolution”, and emphasised the imaginative elements that underpin and precede the shift to settler self-government. As the global settler transition took hold, locales usually associated with the perception and expectation of degenerative processes were reconfigured as propitious sites for experimenting in sociopolitical regeneration. Following and expanding on Belich’s framework, this article links Australia’s settler transition with its historiography.     

Beyond the literary veil – Women writing Africa: The northern region (2009)

Abstract

Whenever African literature is discussed there is an articulated incorrect assumption that this relates to all the regions of Africa, except North Africa. A related further assumption is that only men in North Africa write. Female writers from the North barely receive critical attention, although they have been writing creative works. The aim of this article is to dispel the notion of literary drought when describing North Africa. Using the text, Women writing Africa: The northern region, the article demonstrates the different sensibilities that female authors in North Africa have created and manifest, when writing against patriarchy as well as against ideological philistinism within their communities. It is argued that female authors from North Africa – African-Arab women – are versatile in their imaginations as they engage with social reality from the perspective of creative art as well as political discourse. The article concludes that this assertion removes the literary veil so that North African female authors can begin to be appreciated artistically, more than has been the situation up to now.     

Colonization with Chinese characteristics: politics of (in)security in Xinjiang and Tibet

ABSTRACT

China as a victim rather than a proponent of modern colonialism is an essential myth that animates Chinese nationalism. The Chinese statist project of occupying, minoritizing and securitizing different ethno-national peoples of Central Asia, such as Uyghurs and Tibetans, with their own claims to homelands, is a colonial project. Focusing on China’s securitized and militarized rule in Xinjiang and Tibet, the article will argue that the most appropriate lens through which this can be understood is neither nation-building nor internal colonialism but modern colonialism. It argues that the representation of Uyghurs and Tibetans as sources of insecurity not only legitimizes state violence as a securitizing practice but also serves contemporary Chinese colonial goals.     

Footnotes to Guamán Poma: Transtemporal Encounters in Nacha Vollenweider's Notas al pie

The graphic memoir Notas al pie (2017) written by Argentinian Nacha Vollenweider includes an illustration which reinterprets an image from the Nueva corónica y buen gobierno, a colonial document written by Quechua nobleman Felipe Guamán Poma de Ayala around 1615, when Peru was under Spanish rule. This article argues that if Guamán Poma's image portrays a critique of Western colonial power, Vollenweider's reappropriation follows its aftermath, and targets the structures of coloniality that underpin the formation of both individual and collective identity.     

The Woman Victim in a Country in Crisis: A Reading of Tagwira's The Uncertainty of Hope

The article is based on my reading of Valerie Tagwira’s The Uncertainty of Hope as a feminist text that portrays female victimhood in the context of a failing postcolonial state. Tagwira writes about the experiences of a woman against the background of Murambatsvina, officially termed ‘‘Operation Clean Up.’’ The Zimbabwean Operation Clean Up of 2005 was condemned worldwide; and in her novel, Tagwira gives an often-ignored dimension of a woman’s experience of it, in the general context of a country facing serious political, economic and social challenges. For Tagwira, the challenges faced by Onai, as well as those around her, do not have links to their racial identities. Thus, Tagwira redefines the enemyvictim trope of the Third Chimurenga by subverting the state’s interpretation of the struggle discourse of the Third Chimurenga. In the state’s discourse, the victim trope is racial, the state enemy is the former colonial master (in support of the opposition political party) and the victim is the previously colonised black. In my analysis, I have used Susan Wendell’s theory on oppression and victimisation as contained in her article Oppression and Victimization: Choice and Responsibility (1990).     

An interview with Eben Venter: Trencherman and environmentalism in South Africa

This interview explores the role of environmentalism – specifically as it relates to meat and agriculture – in the literature of South African writer Eben Venter. As discussed in the interview, Venter’s novel Trencherman, through its envisioning of a post-apocalyptic South Africa, serves as an especially productive text for examining the interplay of colonialism and ecological violence.     

Splitting and becoming double in Zakes Mda’s The Heart of Redness

This article explores Zakes Mda’s fascination with and deployment of the (leit)motif of twins, doubles/doppelgängers, and the notion of duality in his novels. In a close reading of The Heart of Redness, I explore how Mda dramatizes the breakdown of Xhosa society during the colonial encounters with the British and their continued impact on the present. I am also interested in the ways in which this novel animates the tensions between colonial modernity and Africanist traditionalism, while also drawing our attention to societies that do not thrive on the fixed taxonomies of rationalism. Through twinship, the figure of the double, and the notion of duality, Mda’s novel not only illustrates the complexity of the South African colonial experience, but also recuperates a historical episode that has been predominantly relegated to the margins of hysteria and delusion.     

Cultural Policy,Literature and Readership in Revolutionary Cuba: The View from the 21st Century

This article presents a fresh perspective on cultural policy in revolutionary Cuba, focusing specifically on the centrality of dialogue with the general readership to the production, reception and regulation of literature. It first summarises the positions regarding revolutionary literature that have been asserted and essayed at various points along the sometimes chaotic trajectory of revolution in Cuba. It then examines reading-related policies and recent attempts within Cuba to re-orient reading practices in the aftermath of the Período Especial [Special Period], and ends by presenting current Cuban debates on the need to mitigate dialogic breakdown between literary text and readership.     

Lu Xun’s The true story of Ah Q and cross-writing

Like many realist works written during the 1920s and 1930s, Lu Xun's True Story of Ah Q has been read as a satire of Chinese national characteristics. The problem with interpreting the work as a social satire is that it tends to perpetuate the set of essentialist cultural myths that many Chinese authors used for self-representation. Upon close examination, Lu Xun's story, an attempt to indict Chinese traditions, is really mediated through such discourses as popular social Darwinism and Eurocentrism. By identifying and registering these pseudo-scientific views of history and racist notions of culture as they have functioned in Chinese literature, the paper resists the conventional reading of Ah Q as an average Chinaman and interprets the hero as the colonial subject invented and seen through the lens of European cultural imperialism. European thought since the Renaissance would be as unthinkable without the impact of colonialism as the history of the world since the Renaissance would be inconceivable without the effects of Europeanization. —Robert Young, White Mythologies     

“A Good‐Will Ship”: The Light Cruiser Köln Visits Rabaul (1933)

The concept of loyalty still holds a central space in many histories about New Guinean‐Australian relations, especially during the Second World War, and translates into demands by Australians that New Guineans recognize Australia's political system as “the best”. In this article about the visit of the first German navy cruiser to New Guinea after the First World War, I tell a story not about loyalties, but about contesting colonial claims, namely Australia's insistence on “loyalty”, and Germany's demand for a “return” of her colony. The visit of Köln in 1933 raises questions such as: How did Germans and Australians negotiate living together in the Mandated Territory of New Guinea? How were divisions, grief, tensions, and hostilities after the First World War dealt with? What separated them, what united them, and what role did New Guineans play in this complex relationship?     

Discordant dreams: the spirit of the times in contemporary South Africa

In a time of ferment in the national mood, the large body of literature on the rationale and emotions of specific subgroups in South Africa today invites a synthetic account of ideologies and zeitgeist considered together. It is argued that these phenomena are rooted in material processes and that combinations of these discourses are used by people. Patriarchy, neoliberalism, the ANC state, and Christianity are considered as ideology; the “colonial unconscious” is considered as a structuring principle of the fractured presentation of zeitgeist. This includes the ideological popular discourse of whiteness; a single broad social spirit of blackness, though within this are subclusters of survival, retraditionalization, religion, “insurgent yet dependent citizenship,” and loyal citizenship. The common spirit of democratic South Africa is outlined. Lastly, using Hamilton’s account of “public deliberation,” the extent and location of critical public debate is discussed, and linked to the issue of ressentiment. The implication of these forces for the future is finally considered.     

Imagining a dialectical African modernity: Achebe's ontological hopes,Sembene's machines,Mda's epistemological redness

In Chinua Achebe's book of essays Hopes and Impediments, he asserts that Nigeria's failure to ‘develop’ and ‘modernise’ like Japan is because of a ‘failure of imagination’. Yet for many Africans, modernity is a tainted ‘gift’ because it was introduced into the African continent along with European colonial capitalism which simultaneously caused an ontological crisis of self. Although many Africans want to ‘catch up’ with the West, how is it possible when Western technological superiority was equated with white racial superiority? Achebe declares that, as Africans ‘begin their journey into the strange, revolutionary world of modernization’, literature should function as guide. Hence, I examine Ousmane Sembene's novel God's Bits of Wood which depicts Africans laying claim to ‘race-less’, ‘language-less’ ‘machines’. But does (Western) technology change culture? Can African culture appropriate technology to form a dialectical African modernity? If so, what role does ‘tradition’ play? In Zakes Mda's The Heart of Redness, we witness the emergence of a traditional modernity made possible by a dialectical epistemology.     

Writing,Space and Authority: Producing and Critiquing Settler Jurisdiction in Western Australia

On the edge of Stirling Gardens in central Perth, Western Australia, five large, old-fashioned pen nibs stand in a curved line, their tips in the ground. Anne Neil’s sculpture, Memory Markers, commemorates the history of this site, which includes the Supreme Court. Taking this sculpture as an emblem of writing, which in the context of its setting highlights the relationship between literature and law, this article explores the image of the pen in the ground. As a symbol of literacy, it evokes the powerful network of discourses—particularly law, science and religion—that underwrote the imperial project. It signals, in Michele Grossman’s terms, “the event of literacy [that] radically interrupts and disrupts—but never eliminates—pre-existing Aboriginal epistemologies”. The article goes on to explore the sculpture as a symbol of the assertion of jurisdiction, the speaking of law in and over colonised space. It analyses a group of written texts associated with this site, from colonial legal assertions of jurisdiction over Aboriginal people in Edward Landor’s The Bushman (1847), through a proclamation under the Aborigines Act 1905 (WA), to Stephen Kinnane’s Indigenous family memoir of life under that act, Shadow Lines (2004).     

Moving the Genocide Debate Beyond the History Wars*

The “History Wars” have paralysed the scholarly discussion on genocide in Australian history, because genocide is regarded as a politicized concept that distorts historical understanding. Both the public sphere and much historiography continue to regard genocide as a synonym for the Holocaust, framing public discussion of genocide in Australia as well as discouraging historians from engaging with the international comparative literature on colonial genocides. This article aims to stimulate reflection on these issues by explaining the origin and meaning of the term in intellectual and legal history. It suggests that thinking of genocide as a form of extreme counter‐insurgency helps us comprehend how colonial violence unfolds. Finally, it highlights some potential limitations of the concept in understanding the Indigenous experience of colonial genocide, before suggesting how historians can deploy it in the service of scholarship rather than “History Wars”.     

Coetzee’s stones: Dusklands and the nonhuman witness

Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a counter-narrative parody of first-personal reports of violence in Dusklands. Such collections of nonhuman witnesses further disclose the longer temporality of ecological violence that extends beyond the text’s represented and imagined casualties. Linking the paired novellas of Dusklands, which concern 1970s America and 1760s South Africa, the essay finds in Coetzee’s strange early work a durable ethical contribution to South African literature precisely for its attention to nonhuman claimants and environments.     

Manufacturing Black-on-Black Violence in Africa: A Decolonial Perspective on Mfecane and Afrophobia/Xenophobia in South Africa

The phenomenon of “black-on-black” violence among the people of Africa has, ever since the advent of modernity/coloniality, been articulated in such a way that it presents victims as perpetrators. Thus, from the Mfecane violence of the “pre-colonial” era to the xenophobic/Afrophobic violence of the “post-colonial” era in Africa, incidents of black-on-black violence have always attracted explanations that cast doubt on the humanity of the black subject, through the colonial strategy of inventing and inverting causation. This colonial strategy entails both mis-presenting the epochal history of coloniality by representing it in terms of rupture instead of continuity, as well as representing the indigenous African subject as inherently violent. I argue in this article that black-on-black violence is a product of coloniality—a racist global power structure that makes incidents of “non-revolutionary violence” among the oppressed black subject inevitable. Thus, I deploy the case of the Mfecane violence of the “pre-colonial” era in southern Africa, and the Afro-phobic attacks on foreign nationals in “post-apartheid” South Africa to unmask the longue durée of coloniality, and its role of manufacturing blackon-black violence among the black people of Africa.     

驻扎官与马来亚——《弗兰克·瑞天咸爵士的马来亚日记(1874-1876)》研究

驻扎官制度是英国在马来亚实行殖民统治的特征,驻扎官在英国殖民统治中扮演了非常重要的角色.本文以弗兰克·瑞天成为个案,探讨他在驻扎官制度初期的殖民策略,并利用马克思关于殖民主义"双重使命"的学说,分析他在英属马来亚历史上的作用,肯定其对推动马来亚历史发展的作用.     

The British Mandate and the crisis of Palestinian landlessness, 1929–1936

This article examines landlessness among Palestinians as a facet of colonial policy in Mandate Palestine before the 1936 revolt. The growth of what was sometimes called a ‘landless class’ came into official view after the violence of 1929. Subsequent investigations indicated that landlessness was a significant problem and that it threatened to destabilize the Mandate. The effort to ameliorate the crisis of landlessness, however, clashed with the dominant colonial conception of settler developmentalism, the notion that Jews, not Arabs, were the agents of modern economic development in Palestine. The first part of this examination revisits the contest over the 1930 White Paper, focusing on its relationship to the advent of mass landlessness. The rapid defeat of the new policy via the MacDonald letter left the landlessness problem to fester while simultaneously obscuring it. As the situation in the Arab countryside continued to deteriorate, the onset of the fifth aliya temporarily reinforced erroneous assumptions about the potential to rectify the problem through the yishuv's development. By the time mass landlessness was ‘rediscovered’ and new land controls designed to protect Arab smallholders were on their way to promulgation in 1935–1936, the Palestinian countryside was just months away from determined revolt.