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In 1985, in the previous special issue of the Canadian Journal of African Studies on Congo-Kinshasa, the author analyzed the situation in Zaire in the early 1980s, which he saw as marked above all by economic crisis. Here, in attempting to show the structural causes of the absolute paralysis of economic and political life in Congo today, he underscores the instability of domestic political life: the dictator has built instability into a system, and that system has poisoned the entire society.  相似文献   

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In 2012, images of a mystical mermaid known locally as Mami Wata circulated on the Internet and via people's mobile phones, sparking rumours that Chinese labourers had captured her as they were installing underwater fibreoptic cables. Appearing as a grotesque sea-creature with a gnarled, shrivelled body, this new image of Mami Wata challenges older, popular depictions of her as a beautiful maiden. Further, in her deformed body, Mami Wata reveals new tensions arising from promises of wealth and modernisation promoted by both Chinese and Congolese governments. Accounts of rumours/urban legends and metaphors of contagion animate larger contemporary discussions concerning development projects, “otherness” and the influence of the Internet and mobile phone technology on production of popular African culture. The female siren, Mami Wata, is a recurring motif in Kinshasa's collective urban imaginary. Historically she has been an expression of modernity and hybridity through visual representation in popular painting, sculpture and television serials. Now Mami Wata appears in the digital world. In this article, in addition to analysing the ways in which contemporary technology mediates this archetypal figure, I draw on notions of otherness, recent historical, political and economic changes in the Democratic Republic of Congo to analyse the ways they inform the particular shape and meaning that Mami Wata takes when transformed into the digital domain.  相似文献   

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Taking the recent political situation as background, the author examines the rhetoric of political propaganda in Burundi. By considering several texts, both written (newspaper articles, politicians’ statements, political leaflets) and oral (speeches and radio declarations), of which long excerpts are reproduced, the author is able to demonstrate that all parties call for violence in Burundi, regardless of political side. The Other, whoever he may be, is systematically denied the right to exist; meanwhile, the exercise of violence appears as a means of delimiting the space belonging to each group. This in turn legitimates and generalizes daily use of violence.  相似文献   

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At independence, Botswana, like many other countries in Anglophone Africa, inherited a dual legal system that was undergoing a significant shift towards convergence in the areas of criminal law and procedure. In Botswana's case, convergence was driven by a desire to minimise or, more speculatively, to gradually eliminate the gap between the normative standards of common law/general and customary courts in criminal trials. The country chose to follow a route that involved the universalisation of a penal code based on English common law, and the partial standardisation of procedure rules for customary courts. The present article considers how codified law and written procedure rules have transformed the substance and classification of legal wrongs, disputes and dispute processes, as well as the context and meaning of punishment in traditional settings.  相似文献   

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The four texts comprising this research note were written at the end of 1998 by Congolese scholars asked by B. Jewsiewicki to present people’s actions and local perception of the each region’s situation. Charles Djungu-Simba, a scholar and a writer, presents a fictionalized report of the August 1998 rebels’ intrusion into the city of Kinshasa. The second contributor (writing under a pseudonym) brings in interviews with two officers of the former Zairian army who were incorporated into Kabila’s armed forces. Justin Bisanswa analyses briefly the situation in Kivu with special attention to the local people’s attitudes toward the main militia groups. Jean-Pierre Nzunguba brings in a life story of a Bunia popular painter, an opportunity to present local perception of the life during the past forty years.  相似文献   

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In his recently published studies, the author analyzed the development and use of militia groups in the political conflicts that shook Congo-Brazzaville in the 1990s. After briefly reviewing these events, he points up the change in recruiting militiamen that occurred in the last phase of these conflicts. His text is primarily concerned with the role of Western mass culture in shaping the bodies and identities of these militiamen and the militiamen’s sense of identity. From the late 1950s (here the author draws on the research of Georges Balandier) to the late 1990s, the young men of Brazzaville were inspired in constructing a modernity of their own bodies by certain Western action films. The graphic violence in these films, perpetrated by characters whom the young men adopted as their heroes, legitimated their own use of violence.  相似文献   

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