L'évolution de la justice traditionnelle dans l'Afrique francophone

L'histoire du football Rwanda commence avec la colonisation du pays. En une cinquantaine d'années, ce jeu sport d'origine anglaise, en intégrant une société agro-pastorale et guerrière, est devenu une pratique culturelle locale. Comprendre ce phénomène nécessite d'articuler l'ancrage colonial d'une activité cosmopolite aux [ré]inventions culturelles locales suscitées par son implantation. Ce texte vise à montrer comment un jeu de balle, en traversant une société en cours d'occidentalisation, a marqué l'édification d'une modernité guerrière reçue et façonnée par les joueurs de l'époque. En traversant les transpositions ludiques d'enjeux sociaux et politiques plus larges, on observe que cette pratique, tout en participant du procès de "civilisation" que s'administra l'institution coloniale, constitua l'un des fers de lance de la lutte pour l'émancipation.     

Le phénomène “Krouman” à Sassandra: la marque d’une institution séculaire

A recurrent anxiety in contemporary Botswana is the perception of an immediate threat from external forces: strangers, livestock, and disease. How do the state and its citizens react under these conditions? The following article explores this question in the context of globalization, discourses of autochthony, and the blood-based politics of population management in Botswana. In recent years, Batswana increasingly see themselves as a nation under siege from foreigners, and in particular, newly arrived migrants from Zimbabwe. Under pressure from outside, Botswana citizens fear the loss of their physical homeland and the denigration of their collective identity and sense of morality. Through a reading of publications in the print media, I examine the articulation of the rhetoric of invasion and national paranoia that has taken root in Botswana. Although the presumption of assault by outsiders is said to threaten the existence of the Batswana nation through the erosion of the supposedly distinct boundaries between citizen and stranger, these apprehensions also carry a potent creative potential. I argue that, in an environment of economic uncertainty and ethnic instability, the specter of the stranger/Zimbabwean is used to reconfigure the content and emphasis of citizenship in Botswana.     

Sémiotique et rhétorique de la duplicité dans la peinture de Bernard Baïfang

The Art of Bernard Baifang finds its strength in the subtlety with which this contemporary painter represents abstractions. Using figures of speech, he translates duplicity into images, a moral perversion that has become endemic in many African countries. A semiotic and rhetorical study of the figurations of duplicity in Feymania and La cité rouge reveals that the achievement of these paintings inspired by the experience of daily life in Cameroon is part of a subversive approach based on a cathartic conception of art.     

Art et artisanat en Afrique Noire: Problèmes d'une définition différentielle

In 1977, John Lonsdale published a review of William R. Ochieng's study APre-Colonial History of the Gusii of Western Kenya in the Kenya Historical Review. Entitled “When did the Gusii (or any other group) become a ‘Tribe’?”, the ten-page article was less a book review and more a treatise on the practice of history in Africa. Taking Lonsdale's question as a point of inspiration, this article provides a critical rethinking of the theories of “tribe”, ethnicity and identity politics that continue to dominate African scholarship by examining the particular case of the Luyia in western Kenya. Through the seemingly incongruous and stubbornly diverse accounting of Luyia political community, this study suggests that histories of ethnic identity remain trapped by their own constructivist logic, elevating the “inventors” of traditional accounts at the expense of the plural and dissenting voices that characterise the multiple forms of political imagination practised across Africa that, while diverse, continue to rely on the idiom of the “tribe”.     

Le théologien et le somnambule: un épisode récent de l'histoire almoravide en Mauritanie

In 2012, images of a mystical mermaid known locally as Mami Wata circulated on the Internet and via people's mobile phones, sparking rumours that Chinese labourers had captured her as they were installing underwater fibreoptic cables. Appearing as a grotesque sea-creature with a gnarled, shrivelled body, this new image of Mami Wata challenges older, popular depictions of her as a beautiful maiden. Further, in her deformed body, Mami Wata reveals new tensions arising from promises of wealth and modernisation promoted by both Chinese and Congolese governments. Accounts of rumours/urban legends and metaphors of contagion animate larger contemporary discussions concerning development projects, “otherness” and the influence of the Internet and mobile phone technology on production of popular African culture. The female siren, Mami Wata, is a recurring motif in Kinshasa's collective urban imaginary. Historically she has been an expression of modernity and hybridity through visual representation in popular painting, sculpture and television serials. Now Mami Wata appears in the digital world. In this article, in addition to analysing the ways in which contemporary technology mediates this archetypal figure, I draw on notions of otherness, recent historical, political and economic changes in the Democratic Republic of Congo to analyse the ways they inform the particular shape and meaning that Mami Wata takes when transformed into the digital domain.     

Droit islamique et droits de la femme d’après les registres du TribunalMusulman de Ndar (Saint-Louis du Sénégal)

Selon les archives du tribunalmusulman de Saint-Louis du Sénégal, fondé en 1857, cet article s’intéresse au cas des femmes qui étaient les plus nombreuses à recourir à la médiation des juges musulmans au sein de cette institution judiciaire. A partir d’une analyse des droits de la femme en matière de divorce, nous examinons l’application du droit islamique au sein du Tribunal Musulman. Nous nous interrogerons tout particulièrement sur la politique judiciairemusulmane des cadis de Ndar en ce qui concerne le code familial et les droits de la femme. Mais, en premier lieu, nous abordons les péripéties du TribunalMusulman, qui fut la toute première institution judiciaire publique en Afrique de l’ouest francophone.     

L’exil et la négociation du manque dans trois romans de Calixthe Beyala

This article takes as its theme the literature of sub-Saharan Africa, and in particular the prolific work of the Cameroonian author Calixthe Beyala, who, since 1987, has published numerous novels in exile. Calixthe Beyala is among those expatriate writers for whom exile, far from being synonymous with banishment, on the contrary represents true salvation. The article examines how Calixthe Beyala speaks of expatriation in three of her novels: Tu t’appelleras Tanga (Your name shall be Tanga) (1988), Les honneurs perdus (1996) and Comment cuisiner son mari à l’africaine (2000). Belonging to three successive decades, these works relate specifically to the theme of exile and plunge to the heart of Cameroon and to the Cameroonian diaspora in Paris, shedding light on the grieving process linked to the loss of one’s own geographic space, and to the loss of self.     

Instrumentalisation de la coopération chinoise et transition politique au Sénégal: analyse de l’ère Wade

In countries like Senegal where democracy seems to be institutionalising itself, evaluation of the quality of this practice often happens at critical points of reference such as elections. The democratic changes between Presidents Diouf and Wade in 2000 and between the latter and President Macky Sall in 2012 are generally deemed to be indicators of the healthy condition of democracy in this country. The present article stipulates that the politicians involved in this alternation plan and prepare for it as much at the heart of their administrations as do the political parties, but often also outside election periods. This article demonstrates that the Wade regime, following that mindset, has instrumentalized its cooperation with China in attempt to consolidate its power.     

“La bibliothèque coloniale”, la propriété intellectuelle et la romance du développement en Afrique

One asks oneself vigorously about the conditions of the construction of knowledge relative to the African continent as well as to its way of thinking. The influence of V.Y. Mudimbe in this regard is immense. The major categories of anthropology are examined, even called into question, and most notably the ethnic groups. As pertinent as they may be, these analyses return to the library and to the system of representation that the continent invents and raise it to a paradigm of difference par excellence. It is important, beyond the scholarly discourse, to take a look at the relationship of ordinary people with libraries. Broadcasters, for example, comment candidly on the work of one artist-musician or another. Appropriation implies the related right: “droit d'auteur(e)”, copyright or “Urheberrecht”. Anyone who fails to comply becomes a pirate. What, therefore, is the meaning of to modernise the author, the work, the copyright or the pirate not in language inherited from Western law but in that of the citizen or the average villager?     

La "frontière africaine" revisitée: "ethnogenèse" dans les Grassfields de l'est(le cas de la chefferie bamiléké de Batié)

Cet article tente de dater la genèse et de suivre l'évolution dans le temps d'une chefferie Bamiléké (ouest-Cameroun) en l'inscrivant dans ses contexte régional et historique, couvrant la période précoloniale (fin du 17ième siècle approximativement à fin du 19ième siècle). Pour ce faire nous avons recours à la tradition orale telle que celle-ci a été définie par Jan Vansina (1985), que nous complétons par d'autres sources confirmant ou infirmant ces traditions. Nous essayons de mettre à l'épreuve le paradigme de la "frontière africaine" introduit par Igor Kopytoff (1987) et montrons en quoi notre étude de cas conforte certaines de ses hypothèses et en réfute d'autres. L'article porte l'accent sur une contextualisation historique et culturelle des sources utilisées. S'appuyant sur les travaux de certains historiens de l'Afrique centrale (MacGaffey, Miller, Vansina), il conclu par des remarques concernant la conceptualisation du temps et de l'agencéité, l'historicité et la culture des sociétés Grassfields précoloniales.     

Les Ninja,les Cobra et les Zoulou crèvent l’écran à Brazzaville: le rôle les médias et la construction des identités de violence politique

In his recently published studies, the author analyzed the development and use of militia groups in the political conflicts that shook Congo-Brazzaville in the 1990s. After briefly reviewing these events, he points up the change in recruiting militiamen that occurred in the last phase of these conflicts. His text is primarily concerned with the role of Western mass culture in shaping the bodies and identities of these militiamen and the militiamen’s sense of identity. From the late 1950s (here the author draws on the research of Georges Balandier) to the late 1990s, the young men of Brazzaville were inspired in constructing a modernity of their own bodies by certain Western action films. The graphic violence in these films, perpetrated by characters whom the young men adopted as their heroes, legitimated their own use of violence.